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A 19th Century longcase clock, with eight day movement striking to bell, the arched painted dial painted with a "Lady of the Lake" scene and head and shoulder portraits of Ramsay, Ferguson, Burns and Scott to the corners, with date and seconds dials, in mahogany case with scroll pediment, the case door cross banded, on platform base and bun feet, 88" high
A 19th Century longcase clock, the eight day movement with painted arched dial depicting a river scene, hunting hounds and game to the spandrels with seconds dial and date aperture, in mahogany and oak case with broken pediment on turned column supports, pointed arched trunk door, flanked by ring turned pilasters and bracket feet, 85 1/2" high
An 18th Century oak dresser, and associated rack, with shaped apron over two long shelves flanked to either side by narrow shelves, over a row of spice drawers, the protruding base with central drawer over a shaped cupboard door flanked by three drawers, brass loop handles, panelled sides and bracket feet, 80" high, 65 1/2" wide, 23" deep
George II oak longcase clock, the case having a long door, hood with swan neck pediment and cylindrical pillars, square brass dial with silvered chapter ring and calendar aperture, engraved decoration to the centre depicting a sun amongst scrolling foliage, signed John Reynolds, Hagbourn, 205cm high.
George III mahogany longcase clock by William Bilbie of Chew Stoke, the hood with moulded swan neck pediment having carved giltwood foliate embellishments, reeded pillars with brass Corinthian capitals, trunk with long door flanked by reeded canted corners and standing on bracket feet, arch shaped brass dial with painted moon phase, silvered `High Water At Bristol Key`, silvered chapter ring, subsidiary seconds dial and calendar aperture. Signed William Bilbie, Chew Stoke - eight day striking movement, 232cm high - see full length image on page one.
Early 18th Century longcase clock, the later oak case having a moulded cornice with cylindrical columns, trunk with short door with Gothic mouldings, standing on a plinth base, the period square brass dial having spandrels depicting cherubs flanking a crown, Roman numerals, subsidiary seconds dial and calendar aperture, signed Joseph Thomson, Cirencester, the unusual probably adapted 30 hour brass movement having a double frame and striking on two bells, 214cm high.
George III oak longcase clock, the hood with a stepped moulded pediment and a band of scroll penwork, reeded pillars, the trunk with mahogany crossbanded long door and standing on bracket feet, the square silvered and brass dial with cast spandrels, moon phase and calendar aperture, signed John Collier, Cheadle, 213cm high.
A miniature William and Mary style cabinet on chest late 19th century, in burr walnut, the fixed cornice above twin hinged doors with cross-banded edges, opening to reveal a an arrangement of drawers and central compartment with hinged door, the base with two short and two long drawers, set on four turned bun feet, 16in (41cm) wide, 27.25in (70cm) high, 8.5in (22cm) deep.
A late 19th century inlaid walnut bowfronted cabinet in the French manner, the oval top with a pierced brass half gallery and inlaid with marquetry floral and foliate tracery with a central musical instrument cartouche, the sides similarly inlaid, over a panelled door with inlaid swags and floral tracery and gilt brass beaded edging, over an inlaid shaped apron, the brass mounted cabriole supports united by a shaped undertier, 30in (76cm) wide x 40in (111.5cm) high.
An oak cased longcase clock 1930s, the hood with an arched and moulded pediment over an arched glazed door flanked by barleytwist columns, enclosing an eight day movement and silvered Roman Numeral dial with `Tempus Fugit` cartouche, gilt metal crown and putti spandrels and pierced blued hands, the trunk with an arched glazed door and panelled base, on shaped bracket feet, 77in (195.5cm) high.
A carved oak collector`s table cabinet late 19th century, with a floral and acanthus leaf carved panelled door opening to reveal five acanthus carved drawers with gilt brass handles, the sides carved in deep relief with lion masks and dolphins among a stylised floral and acanthus design, on a shallow arcaded plinth, 18.5in (47cm) high x 13.5in (34.5cm) wide.
A 19TH CENTURY MAHOGANY LONGCASE CLOCK, of eight day movement, striking on a later gong, the painted arch dial with Roman numerals, fruit basket to the centre signed Hudson Nottingham,. with fruit painted spandrels and moon phase to arch, the hood with swan neck pediment and fluted pilasters, the trunk door with ogee arch and later shell inlay, the plinth with similar inlay, 220cms high. See illustration
A VICTORIAN INLAID WALNUT AND GILT METAL CREDENZA of serpentine outline, the shaped top above a deep frieze inlaid with floral marquetry and an oval leaded glazed door, flanked by two conforming cupboard door to either side, on moulded plinth base, 153.5cms wide x 113.5cms high (without castors). See illustration
AN EDWARD VII MAHOGANY AND INLAID SEMI-BOW FRONT DISPLAY CABINET, having an arched raised back, above a single tracery glazed bow fronted door flanked by a mirror back open compartment and indented panel door inlaid in satin and harewood with a ribbon tied bouquet, to either side, on square tapered legs joined by an undertier, 113cms wide x 204 cms high
A fine and rare George III inlaid mahogany double tube or contra-barometer, Balthazar Knie, Edinburgh, dated 1800, the case with broken triangular pediment and parquetry inlaid chevron frieze above rectangular silvered scale inscribed MADE BY MR. KNIE, 1800 to lower centre, applied with visible syphon tube with bulb to top of mercury column on the right and to cistern end on the left, above which is an oil filled narrow bore extension tube against a scale calibrated in reverse 28 to 31 inches divided into hundreds and calibrated in tenths over this range, with the usual engraved annotations and sliding brass recording pointer, the whole within line inlaid and gilt cavetto moulded surround and behind glazed door, the base with inverted cavetto moulded foot, 114cm high. The development of the double tube barometer is generally attributed to Robert Hooke (1635-1703) who in 1668 demonstrated a related instrument to the Royal Society. By having bulbs at each end of the mercury filled cistern tube, relatively small movements within the mercury level would occur with changes in atmospheric pressure due to the increased surface area of the mercury within the bulbs in relation to the bore of the tube. However, by filling the narrow bore extension tube with a coloured oil on the syphon side, amplified movement will be observed. Due to the fact that the oil level will drop with increase in atmospheric pressure, the barometer scale and associated comments work in reverse, which is why this type of barometer is referred to as a "contra-barometer". A similar instrument by Knie is illustrated in Banfield, Edwin BAROMETERS Stick or Cistern Tube on page 209 alongside an example signed T. Thompson EDIN"r (which was sold in these rooms The Banfield Collection of Barometers Tuesday 4th September 2007 lot 185). Another comparable instrument by B. Brown of Edinburgh is illustrated in Goodison, Nicholas English BAROMETERS 1680-1860 page 102 which Goodison suggests could have been supplied to Brown by Knie. Visit www.dnfa.com for condition reports
An American black japanned wall clock, retailed by Bennett, Sheffield, late 19th century, with eight-day gong striking movement and circular white Roman numeral dial inscribed BENNETT SHEFFIELD above mirror backed pendulum recess, the whole fronted by a lozenge-shaped glazed door with deep surround decorated with gilt scroll-work on a black ground, 78cm high. Visit www.dnfa.com for condition reports
An inlaid mahogany miniature longcase timepiece, 19th century, now with French eight-day movement with platform escapement and circular white enamel Roman numeral dial in a swan-neck pedimented case with faceted columns to hood above shield shaped panel inlaid short faux trunk door flanked by canted angles, on conforming plinth base with splayed bracket feet, 58cm high overall. Visit www.dnfa.com for condition reports
A George III black japanned Tavern timepiece, Burt Wade, London, late 18th century, the four pillar weight-driven movement with five-wheel train and tapered plates, the 19 inch circular gilt on black Roman numeral dial with pierced brass hands and turned surround, the box case with shaped ears to the swollen drop-trunk fitted with concave-topped door above cavetto-shaped base, with remnants of original signature Burt Wad.. LONDON beneath dial and now with refinished with gilt chinoiseries on a black ground, 116 cm high. Burt Wade is recorded in Baillie, G.H. Watchmakers & Clockmakers of the World as working in London1764-c1800. Visit www.dnfa.com for condition reports
A George I walnut eight-day longcase clock, William Graham, London, early 18th century, the five finned-pillar rack and bell striking movement with 12 inch brass break-arch dial with star-engraved subsidiary seconds dial, calendar aperture and ringed winding holes to the matted centre within an applied silvered Roman numeral chapter ring with Arabic five minutes and lozenge half-hour markers, the angles with Indian mask and scroll pattern spandrels beneath arch centred with a silvered signature boss W"m Graham, London within engraved lappett borders and flanked by unusual cornucopia cast spandrels, the case with later cast brass foliate urn finials to the domed caddy raised on blind fret fronted upstand above moulded cornice, further fret infill and integral columns to hood, the trunk with rectangular door and sides divided into panels, on book-matched veneer fronted plinth base with double skirt, 241cm (7ft 11in) high excluding finials, 253cm (8ft 3.5in) high overall. William Graham is recorded in Baillie G.H. Watchmakers & Clockmakers of the World as working in London circa 1728. The use of a rectangular trunk door (rather than break-arch) would suggest a date of just prior to 1720 for the current lot. Visit www.dnfa.com for condition reports
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235346 item(s)/page