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An early 19th Century mahogany cased long case clock, the arched hood with swan neck pediment flanked by gilt metal mounted Corinthian style pillars over a wavy moulded trunk door further flanked by quarter reeded pilasters and Corinthian style mounts to a moulded base on bracket feet, the eight day movement with silvered arched dial inscribed to the arch "Tempus Fugit", centred by an engraved Ho Ho bird, Arabic and Roman numerals within floral scrolled spandrels centred by a subsidiary seconds dial with castellated star, date aperture flanked by a galleon at sea, a fort on a hill top, steel hands (ILLUSTRATED)
A George III mahogany cased long case clock, the arched hood with swan neck pediment centred by a cresting flanked by turned pillars over a moulded trunk door to a moulded base on bracket feet, a twin chain weight driven eight day movement to a silvered chapter ring, engraved to the centre with floral scrolls, date aperture, Arabic and Roman numerals, the brass back plate with applied pierced and floral scrolls surmounted by an arch painted with a three masted galleon flying various ensigns and inscribed "William Newby Kendal" (ILLUSTRATED)
An early 19th Century mahogany, cross banded and boxwood line inlaid longcase clock, the arched hood with swan neck pediment flanked by ring turned columns over a banded door flanked by further ring turned columns to a plain fronted base on splayed bracket feet, the arched painted dial with three quarter striking movement on 9 bells, having floral painted spandrels, the arch with an oval depicting a lady in Classical dress holding a sabre, 14" dial with Roman and Arabic numerals centred by subsidiary seconds dial, inscribed "T Mawkes, Belper" (ILLUSTRATED)
AN EARTHENWARE MODEL OF A HOUSE, HAN DYNASTY of slab built buff coloured ware and of `L` shape with overhanging eaves, the walls incised with lines, a figure standing by the door, another against an interior wall, a pig in a pen to the front, 18cm h ++Minor damage and weathered: small corner piece of the roof broken off and glued back into position without loss.
AN UNUSUAL MAHOGANY PRINTING SET FOR THE BLIND with hinged `galley` and a compartment containing a quantity of pinned blocks, 36 x 38cm, mid 19th c In 1832 the Edinburgh Society of Arts offered a gold medal for the best printing method for the blind. ++Minor damage and a crack in the hinged door but in otherwise good original condition. Lacking one of the two iron hooks
A BEECH STRAW PLAIT MILL, POSSIBLY BEDFORDSHIRE 49cm h, early/mid 19th c Comparative Literature: Pinto, op cit, plt 427, E. The mill was used for flattening the finished straw plaits and making them more pliable. Pinto observes that they were used in the Luton Hat Industry between 1807 and 1870 and were generally screwed on the doors or door posts of cottages, the cranked handle often being worked by children (p407) ++Old work infestation evident particularly in the handle and one of the uprights, one roller loose
AN ENGLISH MAHOGANY TABLE CABINET the top and door crossbanded in satinwood and line inlaid, the interior fitted with drawers with hinged brass handle[s] around a conforming door, on ogee feet, 41cm h; 23 x 37cm, early 19th c ++Door slightly warped and with minor repairs, several bleach ? stains on the door
A GEORGE III OAK CISTERN BAROMETER the engraved paper scale depicting a clock and watch in rococo border and signed in ink William Evans with crude twisted wire needle, in flat topped and crossbanded case with glazed door, 91cm h ++The label stained to a brown parchment colour and rather friable, the signature faded. The case of pleasing colour beneath a thick layer of grime and polish but complete, the hinges etc original. The tube charged with mercury
A FRENCH GILT BRASS AND CHAMPLÊVÉ ENAMEL MINIATURE CARRIAGE TIMEPIECE, MIGNONETTE NO 1 the primrose enamel mask dial with arabic chapters and painted with swags, having platform lever escapement in corniche case, the backplate stamped FRANCE, 7.5cm h excluding handle, c1900 ++Requires cleaning but in otherwise good original condition, the glass panel in the rear door chipped in two corners, the movement apparently complete and in going order, sold without warranty
A BIEDERMEIER GILT BRASS CLOCK the milled drum-cased movement with moiré dial and blued steel hands, signed ANT LIST IN WIEN, the movement with circular plates and two hammers striking on coiled wire gongs the steel pendulum with brass pierced rosette bob, supported by a lyre and two cornucopiae, on oval base and four feet, 29cm h, c1810 ++In good original condition, the bowed glass door to the reverse loose and in need of minor cosmetic cleaning etc but original
A GEORGE III OAK LONGCASE CLOCK the painted dial with subsidiary seconds dial and date sector signed Vale & Co COVENTRY and with flower spandrels, having eight day movement, the hood with swan neck pediment and fluted pillars, the trunk enclosed by a moulded door with shaped top, on plain base, 228cm h ++Dial in reasonably good condition with a few slight scratches and wear. The movement original and apparently complete although in need of cleaning. The case with minor losses and shrinkage crack in the base but of pleasing dry colour
A GEORGE III OAK LONGCASE CLOCK the break arched and painted dial with subsidiary seconds dial and date sector, signed to the arch Chas Dale Atherstone, with rose and forget-me-not spandrels, having eight day movement in crossbanded case, the hood with segmental pediment, blind fret frieze and brass mounted pillars, the trunk with a full length ogee arched door flanked by pilasters, 230cm h ++Dial with old restoration. Movement in need of cleaning but complete and original. The case of even light colour with old repair to the skirting around the base
A SCOTTISH PINE LONGCASE CLOCK the brass dial with matted centre and signed on the silvered chapter ring Tho Kilgoure Inverness, with subsidiary seconds dial, date aperture, ringed winding holes and mask spandrels, having eight day movement in stained case with swan neck pediment and arched door, 210cm h, 18th c and later ++Dial and movement recently overhauled and cleaned with contemporary pendulum with brass faced bob and two old lead weights. The case restored and repolished
A WILLIAM III WALNUT AND MARQUETRY LONGCASE CLOCK the wheatear engraved brass dial signed on the silvered chapter ring George Cotton London, having matted centred with subsidiary seconds dial, engraved date aperture, ringed winding holes and cherubs and crown spandrels, with eight-day five-pillar movement, the hood with blind fret frieze and spiral pilasters, the moulded door to the trunk profusely inlaid with birds and flowers including tulips and carnations centred by a lentical in floral borders, on conforming base with added mahogany feet, 214cm h, c1700 ++Privately consigned and long in the late owner`s family`s possession, minor old restorations. The dial and movement believed to be original to each other and the case. On early oak seatboard with no evidence of packing. The dial and silvered chapter ring with much accretion of dirt and grime, the seconds hand detached but present, sold with the original or early pendulum with brass faced bob and two brass sleeved lead weights. Consigned by the executors and from the same source as many of the more interesting items in this sale.
A GEORGE II WALNUT AND FEATHERBANDED BUREAU the flap veneered in four sections, the stepped interior with a well and fitted with drawers framed by applied mouldings, on bracket feet, 99cm h; 48 x 83cm ++Reveneered in part, the interior partly coated in a proprietary red stain. The three central doors originally enclosed by a door that is now lacking. The brass handles and keyplates replaced. One side severely faded and dry.
TWO VICTORIAN ORMOLU-MOUNTED EBONISED AND AMBOYNA INLAID PIER CABINETS the cornice centred by an inlaid roundel, the plush lined interior enclosed by a glazed door, 101cm, h; 31 x 80cm ++Virtually a pair but the top of one of different moulding and heavily scratched, minor losses such as one keyplate, part of the beading, etc
A GEORGE III MAHOGANY BUREAU the fitted interior with architectural sliding centre section enclosed by a door flanked by pilasters above four graduated cockbeaded drawers, on bracket feet, 106cm h; 50 x 91cm ++The locks and handles either original or early replacements and all present; the surface repolished and with minor old scratches and somewhat unevenly faded
A GEORGE III FRUITWOOD BREAKARCHED CORNER CUPBOARD with architectural moulded uprights and cornice, enclosed by two pairs of panelled doors, the concave interior with shelves, 230cm h; 43 x 118cm ++One of the panels to the door with long shrinkage cracks, the oval brass keyplates original and one iron lock possibly so, the lower door lacking the lock. The front unevenly stained and faded. The lower part of the back replaced by hardboard
A Louis XV style boulle bracket clock, fitted an 11" twelve-piece enamel cartouche dial, the later movement with square plates and an outside count wheel, the case veneered with brown tortoiseshell inlaid with scrolling brass and with gilt bronze mounts, the surmount with figure of Chronos, the door with Venus and Cupid in a chariot, a Bacchic mask below, on scroll feet surmounted by plumed female masks, the conforming bracket with female mask corner mounts/ Provenance: Sotheby`s, Wormington Manor, 21st July 2003, Lot 163/ see illustration
A mahogany quarter chiming longcase clock by John Ellicott, London, circa 1765, the 12" dial signed John Ellicott, London with finely matted centre and rococo scroll spandrels, seconds dial, calendar aperture and strike/silent dial in the arch, the massive three-train six-pillar movement with dead beat escapement, striking on a bell and chiming the quarters on a nest of eight bells, the case with broken arch cresting and frieze fret above brass-capped stop-fluted hood pillars, with broken arch trunk door and panelled plinth with shaped apron, 234cm (92") high/ see illustration
A Louis XV style gilt bronze mounted kingwood vitrine circa 1900, bearing signature F Linke, the serpentine cornice with asymmetric scrolled mounts above a serpentine glazed compartment with a door and three trellis inlaid bombé lower panels on cabriole legs 165cm (65") wide/ see illustration
AN EARLY 19TH CENTURY SCOTTISH LONGCASE CLOCK, having an eight day movement, striking on a bell, the dial (35.5cms) signed to the centre Thos. Thomson Stewarton, with Roman numerals, second hand and date provision, the arched cresting containing a rustic view of Burns at the Plough, the spandrels representing the four symbols of the Union, the hood having a scrolled pediment with centre raised section and a brass ball and spire finial, turned columns with arched door, the trunk having a short pendulum door with split bobbin turning, quarter columns, sloping shoulder, shaped apron and on bracket feet, c. 1830
AN EARLY 19TH CENTURY LONGCASE CLOCK BY WILLIAM HILES OF STROUD, signed to the painted dial (30cms) and having black Roman and Arabic numerals; two subsidiary dials; moon phase to arch and floral spandrels, 8-day movement striking on a bell; the case having a broken arch pediment with brass rosettes and ball and spire finial, above a fluted frieze and plain turned pilasters, the trunk door inlaid in satinwood and ebony with shell paterae, and on shaped bracket feet, 221cms high
AN EARLY 19TH CENTURY LONGCASE CLOCK BY JOHN LEACH OF ROMSEY, signed to the square painted dial (28cms), having black Roman numerals; and crescent date aperture; painted to the centre with a bird on a branch and floral spandrals; 8-day movement striking on a ball; the case having a square hood, with flared cornice above a plain frieze applied with brass star-shaped bosses and shield shape vacant cartouche to door frame, flanked by turned pilasters, slender trunk door and on plinth base, 183cms high
A VICTORIAN FIGURED WALNUT AND MARBLE TOP CREDENZA inlaid in satinwood with foliate scrolls and pendants, having two mirror lined doors to the centre flanked by a turned and fluted pilaster and single bow fronted cupboard door to either side, the interior with shelves, on plinth base, 168cms wide x 92cms high. See illustration
A PAIR OF LATE 19TH/EARLY 20TH CENTURY WALNUT, PARCEL GILT AND MARBLE TOP BEDSIDE CABINETS in the French style, of square outline, having a drawer above a single door cupboard, the interior lined in marble, applied with gilt metal rosettes, flanked by quarter reeded pilasters with giltwood strapping, on turned and fluted legs joined by an undertier, 41cms wide
A VICTORIAN MAHOGANY AND PARCEL GILT CORNER DISPLAY CABINET, the frieze carved with a band of rosettes and gilt ribbon tied laurel swags above twin arch fronted open shelves flanked by a glazed single door cabinet to either corner, on short turned legs, 109cms wide x 109cms long x 110cms high. See illustration
A MID 18TH CENTURY WALNUT KNEEHOLE DESK the surface quarter veneered and crossbanded, having a pull slide and frieze drawer above shaped apron and single door cupboard to the kneehole, flanked by three drawers to each pedestal, later brass shaped plates and swing handles, on bracket feet, 77cms wide x 49cms deep x 74cms high. See illustration
A GEORGE III OAK AND MAHOGANY BANDED BUREAU-CABINET having a moulded cornice above a frieze and two indented panel cupboard doors, cross banded with box-wood stringing and inlaid in satinwood with Britannia oval paterae to each door, the interior fitted with shelves above a fall front inlaid with plant form paterae, the interior fitted with small drawers, pigeon holes and central cupboard, above two short and three long drawers with pierced brass back plates and swing handles, on bracket feet, 107cms wide x 222cms high
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235302 item(s)/page