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Alfred Bennett Bamford (act. 1880-1930)'Leigh on Sea, Essex', signed and dated 1896, pen, ink and grey washes, 15 x 32cm; another by the same hand - Lady with dog outside a barn, signed and dated 1922 (?), oil on board, 15 x 22cm; and one further - 'Rochester Cathedral, West Door', signed, watercolour, 33 x 21.5cm (3)
A large Liberty & Co oak sideboard buffet, rectangular section, two pairs of hinged door cupboards below shelf, the overmantel with angled cupboards with glazed doors, pierced heart decoration, below a pierced arrow rail, with patinated copper furniture unsigned 214cm. wide 206cm. high 60cm. deep
An oak cabinet designed by Edgar Wood, rectangular with two hinged door cupboards, under a hinged rectangular cupboard door set with a gesso panel of flowers, inscribed Read, Mark, Learn, patinated iron furniture, unsigned 140cm. high 85cm. wide 48cm. deep Provenance HRD Auction Rooms, Brading, Isle of Wight, 2018, lot 241. Private collection. Literature Iconic Arts and Crafts Oscar Graf, 2016, page 26 catalogue number 7 for a cabinet by Wood and an article on his furniture designs.
* Mexico. A Mexican idol, Southern Yucatan, the flat clay figure modelled wearing traditional headdress, 11 cm long, with an old typed label dating the piece to circa 1625 (however probably older)QTY: (1)NOTE:Provenance: Formerly from the Donald Searle collection.Found on the door frame of vanished houses, Southern Yutocan, Mexico, 1986.
* Carriage Clock. A modern brass carriage clock by Clermont London, the white enamel dial with black roman numerals, the brass case with swing handle, with alarm and platform escapement, the Clermont logo etched to the glass and company address to the rear door, 15 cm high (excluding handle) workingwith key, together with an Edwardian mahogany mantel clock, the white enamel dial signed G.H Lee & Co Lts Liverpool with two winding holes, the case with inlaid decoration, the brass movement numbered 534 48, 26.5 cm high, with keyQTY: (2)
* Carriage Clock. A Victorian brass carriage clock by Elkington & Co, the brass dial with silvered chapter ring, black roman numerals and exquisitely engraved with floral scrolls, the brass case equally well engraved with platform escapement, the rear door engraved with foliate scrolls and with three holes for winding, the movement stamped GL and numbered 444, 18 cm highQTY: (1)
* Tucker (Arthur, 1864-1929). Kyleakin on the Isle of Skye, watercolour, depicting Kyleakin harbour with boats moored, and ruined Castle Moil, signed lower left, mount aperture 20.6 x 34 cm (8 1/8 x 13 3/8 ins), framed and glazed (52 x 66 cm), together with: Kilburne (George Goodwin II, 1863-1938). Watercress Picking, 1897, watercolour heightened with bodycolour, signed lower left and dated, mount aperture 34.8 x 50 cm (13 5/8 x 19 6/8 ins), framed and glazed (40 x 55 cm), plus:Wells (Denys George, 1881-1973). Portrait of Ethel Wells, 1908, watercolour, depicting a full length portrait of the artist's wife Ethel, signed, mount aperture 33.3 x 23 cm ( 13 1/8 x 9 ins), framed and glazed (51 x 38.5 cm)Wright (John Massey, 1777-1866). Scene from the Vicar of Wakefield, watercolour, depicting four figures gathered around a chair, a man leaning on the chair with a hand over his face, a young woman being comforted by an older lady sitting on the chair, mount aperture 26.5 x 34 cm (10 3/8 x 13 3/8 ins) framed and glazed (45.5 x 51.5 cm), plus a duplicate unframed copy, and six other watercolours comprising:James Billingsley, Dale End, Birmingham, Charles Walter Radclyffe, Sketch at Thorneycrofts Farm, Hagley Road, Edgbaston, Birmingham, 1860, (signed), H.J.W?, Portrait of a bespectacled gentleman, 1884, T.W. Downing, Old Recruiting House, Frank Spenlove Spenlove, The Yellow Door, Beckenham, (signed), plus a caricature drawingQTY: (11)NOTE:Denys George Wells studied at the Slade School of Fine Art between 1897 and 1903 under Henry Tonks (1862-1937) and Philip Wilson Steer (1860-1942).
* Safe. An impressive Victorian Sampson Morden & Co. London safe, painted to simulate wood, with a substantial brass handle, engraved brass nameplate and keys, housed in a light mahogany cabinet by Gillow & Co., the drawer numbered 14807, the three drawers with Bramah, London locks and a door enclosing the safe below, the door formed to simulate 2 dummy drawers, 92 cm high x 64 cm wide x 53 cm deep QTY: (1)
A German mahogany cased mantle clock, by Winterhalder & Hofmeier, retailed by Wilson & Sharp of Edinburgh, 19th century, the four glass case with fretwork rear door, the silvered dial with Roman hours and two subsidiary dials, the eight day movement striking on two gongs, stamped W&H SCH to the backplate, the case 27cm highPlease note Roseberys do not guarantee the working condition, duration or timekeeping of clocks offered for sale.Overall in good condition. The front door does not close and sit flush, and does not lock properly. Some general wear to the case consistent with age. Please note Roseberys do not guarantee the working condition, duration or timekeeping of clocks offered for sale.
A French gilt-brass mantel clock, late 19th century, the architectural case surmounted with an eagle and decorated with masks and scrolling foliage, on bracket feet, the enamel dial with Arabic numerals, the eight day twin train movement striking a bell on the hour and half hour, with pendulum, 46cm high, 22cm wide, 22cm deep Please note that Roseberys do not guarantee working order or time keeping of any automatic, mechanical, quartz or other timepiece. The case in good condition with only minor wear and tarnishing. The door to reverse with minor dents and does not shut properly. Some minor holes to lining to door. The backplate and bell with only minor scratches and wear. The dial with minor scratches and rubbing to numerals.
An oak court cupboard, 18th century and later, the carved frieze above carved fall front enclosing later drinks cabinet with fitted light, and two carved cupboard doors, raised on plinth base, 155cm high, 142cm wide, 49cm deeplarge splits to both side panels, scratches and knocks to wood, split to bottom left panel of bottom right door,
A pair of George III style mahogany pedestal cabinets, early 20th century, the panelled door with geometric design, enclosing shelf space, raised on plinth base, each stamped 2071 to verso, 107cm high, 49cm wide, 63cm deep (2)the front of one is badly sun bleached, bottom skirting panel is loose but present, badly scratched all over, the other is scratched all over and door is loose
A Regency mahogany bow front sideboard, with three ebony strung drawers, raised on square tapered legs and spade feet, 90cm high, 138cm wide, 68cm deep Gouge to left hand door, splits to left and right side panel, top with scratches, gouges and stains, front with scratches, gouges, stains and small splits to wood, pieces of veneer missing from edge of central drawer.
An Edwardian Japanned two door linen cabinet, hand painted with figures by Pagoda scenes, the two doors enclosing a shelf above three linen drawers, raised on cabriole legs, 152cm high, 77cm wide, 48cm deepscratches all round, minor loss of veneer, some loss of paint, brass escutcheon is missing, splits to lacquer,
Marc Krusin (b.1973) for Punt, a 'Slats 1800' low sideboard / tv stand, of recent manufacture, the ebonised top above open compartments and one sprung cupboard door, on black powder coated square section steel supports, 62cm high, 180cm wide, 40cm deepPlease refer to department for condition report
A George III mahogany twin pedestal desk, the rectangular moulded top inset with a gilt tooled green leather skiver, above a pair of frieze drawers applied with brass swan neck swing handles and opposed by a pair of faux drawers, raised upon twin pedestals each with three graduated cock beaded drawers across from a cupboard door, raised upon a plinth base with inset castors, 77cm H x 137cm W x 90cm D
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235302 item(s)/page