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Lot 2418
Dinky 128 Mercedes 600 Pullman - metallic red, off-white interior with 2 x figures, cast spun hubs - Excellent (couple of small marks on door handles) in a Fair (complete) yellow & red presentation window box with "Mr Dealer" card & 516 (French Dinky) Mercedes 230SL - metallic red, cream interior & hood, chrome concave hubs - Excellent in a Poor yellow & red presentation window box. (2)
Lot 2143
Corgi 391 "James Bond" Ford Mustang Mach 1 taken from the film "Diamonds are Forever" - red body with black plastic bonnet, white base & interior, dish wheels - overall condition is generally Excellent (couple of small marks on rear edges & usual door pillars) in a Good Plus orange & yellow window box with correct "Diamonds are Forever / James Bond" flash - see photo.
Lot 2072
Matchbox Models of Yesteryear a group to include; (1) Traction Engine - green, copper boiler door; 3 Tram Car "New of the World" - red, off-white roof, grey lifeguards, metal rollers; 4 Sentinel Steam Wagon "Sand & Gravel Supplies" - blue, black, metal wheels & 7 Leyland "W&R.Jacob & Co Ltd" - brown, off-white roof, silver trim, metal wheels - conditions are generally Good Plus to Excellent Plus nice bright examples in Good Plus blue & yellow Lesney boxes. (4)
Lot 2046
Dinky unboxed group to include 25w / 411 Bedford Open Back Truck - mid-green, light green ridged hubs; 25m / 410 Bedford End Tipper - green, black ridged hubs; 25v / 252 Bedford Refuse Wagon - light tan, green metal slides and opening rear door, red ridged hubs; 34b "Royal Mail" Delivery Van - red, black including ridged hubs; 25h / 250 Streamlined Fire Engine - red including ladder and ridged hubs, with bell and 25r / 410 Forward Control Lorry - burnt orange, black ridged hubs - conditions are generally Fair to Good Plus still nice bright examples. (6)
Lot 25
JANE GRAVEROL (1905-1984)La chute de Babylone 1967Signé, situé et daté 'JANE GRAVEROL Bruxelles 1967' au reversHuile et collage sur masoniteGesigneerd, gelokaliseerd en gedateerd 'JANE GRAVEROL Bruxelles 1967' op de achterzijde Olieverf en collage op masonietSigned, located and dated 'JANE GRAVEROL Bruxelles 1967' on the reverseOil and collage on masonite 92.5 x 72.3cm (36 7/16 x 28 7/16in).Footnotes:ProvenanceCollection Solley, Indiana Collection privée / Privé collectie, Belgique.BibliographyRené de Solier, Jane Graverol, André de Rache, Bruxelles, 1974, p. 63 (ill.)ExhibitionJane Graverol, Galerie Le Ranelagh, 10-31 May 1967, Paris. Cette oeuvre sera reprise dans le Catalogue Raisonné de l'artiste en préparation par Marie Godet.Jane Graverol s'est engagée dans le mouvement surréaliste avec la ferveur des âmes impétueuses. Proche des écrivains Paul Nougé, Louis Scutenaire et Marcel Lecomte, elle partage pendant un temps sa vie avec Marcel Mariën avec lequel elle anime la revue « Les Lèvres nues ». Elle côtoie René Magritte qui lui témoignera toujours d'une sincère amitié.Celle qui déclare qu'« Être surréaliste est un état que l'on porte en soi ou non » a été bercée dès sa plus tendre enfance dans une atmosphère de bohême artistique. Son père, aristocrate et anarchiste, croyant au pouvoir de l'envoûtement et de la télépathie, mystique sans religion, est un fervent disciple des symbolistes. Il n'est pas étonnant que la jeune fille se tourne vers les images et leur pouvoir évocateur.Sincère et passionnée, sa peinture embrasse naturellement certains des préceptes du mouvement surréaliste, même si elle n'en épouse pas tous les ressorts. Ainsi, les toiles de Jane Graverol sont des « rêves éveillés, des rêves conscients » qui n'ont besoin ni de l'automatisme, ni de l'onirisme chers aux Surréalistes. Elles répondent au besoin qu'elle a de s'évader par-dessus la foule et de penser que le monde aurait pu être différent de ce qu'il est. « Parler de ma peinture, c'est parler de ma peau », déclare l'artiste. La représentation féminine y occupe une place importante, militante et sensuelle, comme dans cette « Chute de Babylone » dont la composition, éprouvée à plusieurs reprises par Jane Graverol, définit le corps de la femme par son absence. La silhouette féminine est sculptée dans un bloc indéterminé sur lequel l'artiste a appliqué des collages, des fragments de journaux. L'illusion est parfaite, le dépaysement poétique efficace. La présence de la rose, dont la coupe révèle l'appareil reproducteur de la fleur, tout en étant un élément intrinsèquement surréaliste, charge l'œuvre d'une forte dimension érotique. Une charge encore accentuée par la palette de couleurs, du rose chaleureux qui enveloppe le bassin au bleu froid des extrémités.Jane Graverol is betrokken geweest bij de surrealistische beweging met de hartstocht van onstuimige zielen. Paul Nougé, Louis Scutenaire en Marcel Lecomte behoren tot haar vriendenkring. Zij deelt een tijd haar leven met Marcel Mariën, samen runnen ze het tijdschrift « Les Lèvres nues ». Zij is ook bevriend met René Magritte die haar altijd een oprechte vriendschap zal getuigen. Graverol die beweert dat « surrealistisch zijn, een toestand is die men in zich draagt of niet » werd van jongs af aan gewiegd in een artistieke bohemian sfeer. Haar vader, een aristocraat en anarchist, gelovend in de kracht van betovering en telepathie, een mysticus zonder religie, is een fervent aanhanger van de symbolisten. Het is niet verwonderlijk dat de jonge vrouw zich wendt tot beelden en hun evocatieve kracht.Oprecht en gepassioneerd, omarmt haar schilderkunst op natuurlijke wijze enkele principes van de surrealistische beweging, ook al volgt zij niet alle veren ervan. Zo zijn de schilderijen van Jane Graverol « wakkere dromen, bewuste dromen » die noch het automatisme, noch het onirisme nodig hebben dat de surrealisten zo dierbaar zijn. Ze spelen in op haar behoefte om boven de menigte te ontsnappen en te denken dat de wereld anders had kunnen zijn. « Praten over mijn schilderijen, is praten over mijn huid », zegt de kunstenares. De vrouwelijke voorstelling neemt een belangrijke, militante en sensuele plaats in, zoals in deze « Chute de Babylone » waarvan de compositie, meermaals getest door Jane Graverol, het lichaam van de vrouw definieert door haar afwezigheid. De vrouwelijke figuur is gebeeldhouwd uit een onbestemd blok waarop de kunstenares collages en krantenknipsels heeft aangebracht. De illusie is perfect, de poëtische verandering van omgeving effectief. De aanwezigheid van de roos, waarvan de snede het voortplantingsapparaat van de bloem onthult, is een intrinsiek surrealistisch element en geeft het werk een sterke erotische dimensie. Een lading die nog wordt geaccentueerd door het kleurenpalet, van het warme roze dat de heupen omhult tot het koude blauw van de uiteinden.This lot is subject to the following lot symbols: ARAR Un pourcentage supplémentaire sera demander aux acquéreurs pour les lots précédés du symbole AR correspondant aux droits de suite aux artistes en vertu de la réglementation de 2006 sur le droit d'auteur. Veuillez vous référer aux conditions de ventes pour plus de détails.De koper is ons een extra premie verschuldigd ter dekking van onze kosten in verband met de betaling van royalty's krachtens de Artists Resale Right Regulations 2006. Zie onze algemene voorwaarden voor meer informatie.An Additional Premium will be payable to us by the Buyer to cover our Expenses relating to payment of royalties under the Artists Resale Right Regulations 2006. See our terms and conditions for further details.For further information on this lot please visit Bonhams.com
Lot 149
12 BOTTLES WHISKEYSagamore Spirit Rye; Rossville Union Straight Rye; Bradshaw Kentucky Straight; Heaven's Door Straight Rye and Double Barrel; Bowman Brothers Virginia Straight; Thomas S Moore Kentucky Straight; Bowsaw Small Batch Kentucky; 1792 Small Batch Kentucky and Full Proof Kentucky; Cooper Works Single Malt; Keepr's Honey Infused
Lot 1251
A CREAM JAPANESE BEDROOM SUITE, with chinoiserie decoration, comprising a double door wardrobe, with two drawers, width 91cm x depth 60cm x height 199cm, a dressing table with five drawers and one cupboard door, width 138cm x depth 46cm x height 78cm, a stool, a pair of bedside cabinets, width 51cm x depth 47cm x height 51cm, a sideboard/chest of seven drawers, width 153cm x depth 46cm x height 78cm, a low end of bed chest of four drawers, width 138cm x depth 46cm x height 46cm, and two sized mirrors (condition:-discoloured in places, three pieces with a glass top, chips in places, surface scratches, door loose to dressing table) (9)
Lot 1282
A VICTORIAN CARVED OAK BOOKCASE, depicting masks, foliate detail and fruiting vines throughout, the later glazed double door top enclosing three adjustable shelves over a base with two drawers and double doors with still life panels on bracket feet, width 131cm x depth 52cm x height 260cm x base height 99cm (condition:- top and base are a marriage, historical woodworm to top of bookcase, historical cracks to base top, with aged wear and tear)
Lot 1290
AN EARLY TO MID 20TH CENTURY OAK BEDROOM SUITE, comprising a panelled double door wardrobe, width 129cm x depth 59cm x height 183cm, a smaller two door wardrobe, width 88cm x depth 48cm x height 138cm, a dressing table with seven drawers, and swing mirror, and a bedside cabinet (condition:-dressing table with a broken mirror support, surface wear and scratches) (one key) (4)
Lot 1220
A SELECTION OF OCCASIONAL FURNITURE, to include a modern pine wine rack, a cd rack, a magazine table, a small drop leaf table, a folding tray table, a white five drawer chest, a pair of wicker threefold screen, a footstool, and a small two door cabinet (condition - surface marks to all) (10)
Lot 9
A heavy wrought and cast iron wine cellar security door and lock, with a plate glass inset panel, 186 x 105cm, together a rubber door seal, hinges, coach bolts and sets of keys This lot will be on view at the big barn at PLUMPTON PLACE, NR. LEWES on Saturday 10th June, 10am-12am. A member of GORRINGE’S staff will be on site to answer questions. Please park in the car park at Plumpton College, Ditchling Road, BN7 3AE and walk through to the barn (as sign posted) Purchasers must arrange to collect within 10 days of the sale.
Lot 5
Oak panelling formerly in the library at Plumpton Place, as fitted to three walls in the room measuring, 585cm and two each of 440cm, individual sections of 192 x 72cm (the secret door); 258 x 110cm; 255 x 132cm; 260 x 164cm; 225 x 113cm; 235 x 168cm (2), and 226 x 158cm This lot will be on view at the big barn at PLUMPTON PLACE, NR. LEWES on Saturday 10th June, 10am-12am. A member of GORRINGE’S staff will be on site to answer questions. Please park in the car park at Plumpton College, Ditchling Road, BN7 3AE and walk through to the barn (as sign posted) Purchasers must arrange to collect within 10 days of the sale.
Lot 468
'Dunster House': A back-opening furnished dolls’ house, mid 19th century, set on its original stand with porcelain castors, with a double-fronted rough cast facade and handsome panelled front door, the interior with opening panelled doors and delicate staircase, the original wall and floor papers still in place, the kitchen with fitted dresser and brass grate, the furnishings of mixed date but including some contemporary pieces, carrying handles to the sides, 122cm high
Lot 1
Three solid oak ledged and braced doors, 210 x 58.5cm; 204 x 44.5cm and 95 x 72cm, and a double sided panelled solid oak door, 200 x 64cm (4) This lot will be on view at the big barn at PLUMPTON PLACE, NR. LEWES on Saturday 10th June, 10am-12am. A member of GORRINGE’S staff will be on site to answer questions. Please park in the car park at Plumpton College, Ditchling Road, BN7 3AE and walk through to the barn (as sign posted) Purchasers must arrange to collect within 10 days of the sale.
Lot 91
A CARVED AND GLAZED DISPLAY CABINET The gallery top above a single glazed door enclosing a glass shelved interior, with bamboo carved borders, glazed sides and on turned feet 103cm wide x 48cm deep x 196cm high Provenance: Lots 1 to 33; Property from a Singapore family collection Condition: For a condition report or further images please email hello@hotlotz.com at least 48 hours prior to the closing date of the auction. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.
Lot 119
A CARVED SINGLE DOOR WARDROBE With scroll pediment, and foliate carved decoration throughout, the single door with bevelled oval mirror plate, with shaped apron on short cabriole supports, shelved interior 88cm wide x 43cm deep x 202cm high Provenance: Lots 1 to 33; Property from a Singapore family collection Condition: For a condition report or further images please email hello@hotlotz.com at least 48 hours prior to the closing date of the auction. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration. Additional Information: losses to crown?
Lot 9
A MAGIS ETTORE CAST IRON DOOR-STOP A heavyweight, rugged cast iron door-stop modelled a mule, marked to underside Magis 24cm Long Condition: For a condition report or further images please email hello@hotlotz.com at least 48 hours prior to the closing date of the auction. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.
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235346 item(s)/page