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Victorian mahogany desk with raised central slope front section, rising to reveal a fitted interior, three drawers above a door enclosing four drawers on the left, a central folio recess, and an unusual cupboard on the right which swings open to reveal pigeon holes and shelves. On plinth base with castors, 49" wide
A Victorian mahogany eight-day longcase clock, the 14" arched enamel dial with roman numerals painted corner spandrels under a rolling moon, the hood with swan neck pediment over arched glazed hood door flanked by spiral turned front corner pilasters over a gothic arch trunk door, flanked by front corner spiral pilasters on a crossbanded box base and cut out plinth, 87" high
A George III mahogany eight-day longcase clock, the 13" arched brass dial signed Thomas Clare, Warrington, the 2.5" chapter ring of both arabic and roman numerals centred by subsidiary and date dial with two winding holes and leaf engraving, the corner spandrels showing mask decoration within C scrolls and flowerheads under a rolling moon, the arch bearing the signature, the hood with arched cornice and turned corner acorn finials over an arched glazed door flanked by fluted tapering front corner pilasters above a shaped trunk door flanked by quarter fluted pilasters, the box base with single flame veneered panel and fluted canted front corners, 78" high (lacking feet) Note: Listed as working in Warrington, circa 1790
An oak and mahogany eight-day longcase clock, the 12" square painted dial signed E Harris, Bromyard, with inner ring of arabic numerals, outer ring of quarter minute arabic numerals, centred subsidiary seconds and date dial painted with scrolling leaf and medallion corner spandrels, the hood with swan neck pediment over square glazed hood door flanked by tapering fluted front corner hood pilasters over a crossbanded trunk door flanked by fluted canted front corner pilasters on a box base, 81" high
A Regency mahogany eight-day longcase clock, the 14" square dial signed Barry, Bolton with inner ring of roman numerals, outer ring with arabic numerals at the quarters, florally painted corner spandrels and centred subsidiary seconds dial, the hood with swan neck pediment over square glazed door flanked by satinwood banded flat fronted boxwood strung front corner pilasters over a shaped trunk door flanked by satinwood banding and inlaid bell flowers over a box base with canted corners on shaped bracket feet, 88" high
A George III eight-day longcase clock, the 12" square brass dial signed John Owen, the 2.25" chapter ring having both arabic and roman numerals with centred subsidiary seconds dial and date aperture within scrolling leaves, the pierced corner spandrels of floral and leaf design, the movement striking on a single bell, the hood with plain moulded cornice over a square glazed hood door with three-quarter front corner pilasters over an arched long trunk door with shaped brass key escutcheon on a box base and later plinth, the interior of the case has a depository label for Brown & Co (Chester), Ltd’, No.197029, Warehouse, Chester, 81.5" high. John Owen is listed as working as listed circa 1780 in Llanrwst, Wales
A William IV mahogany longcase clock, the 14" circular painted dial with ring of roman numerals, the centre singed George Bell Gosforth with subsidiary centred seconds dial striking on a single bell, the hood with circular glass door within C scroll moulded mounts over an arched short trunk door flanked by short turned cut front corner pilasters on a high box base and short turned front feet, 88" high, 24" wide
A George III oak eight-day longcase clock, the 12" square painted dial with inner ring of roman numerals, outer ring of arabic numerals, painted floral corner spandrels, centred date aperture and subsidiary second dial striking on a single bell, the head with pierced swan neck pediment over a square hood door flanked by fluted tapering front corner hood pilasters over a shaped trunk door on box base,. height 82"
An oak longcase clock, the 12" painted dial signed M Bartley, Bristol, with ring of roman numerals, subsidiary seconds dial and date aperture, the oak case boxwood and ebony strung, the hood with cavetto cornice over square hood door and three quarter turned front corner hood pilasters over a long trunk door on a box base and ogee moulded feet, 84" high £500-700
A late George III oak crossbanded mahogany 30 hour longcase clock, the 12" painted dial with ring of arabic numerals signed Edward Matthews, Welshpool, with centred subsidiary date aperture and painted with a Bird of Paradise to the centre with painted corner spandrels, the hood with swan neck pediment over square glazed hood door flanked by tapering fluted front corner hood pilasters over a short mahogany crossbanded trunk door with central lozenge inlay, flanked by short baluster front corner pilasters on a box base and cut out plinth, 82" high
A Victorian mahogany eight-day clock, the 14" arched painted dial signed indistinctly Kuss & Co, Newcastle’, the ring of roman numerals and centred seconds and subsidiary date dials within sheep decorated corner spandrels under an arch, also decorated with sheep and the figure of a girl and dog, the hood with swan neck pediment and central fan moulding over an arched glazed hood door flanked by turned front corner hood pilasters over a shaped short trunk door flanked by canted corners and half split turned columns on a box base with canted corners and half split turned columns over a shaped apron and bracket feet, 90" high, 24.5" wide at the base
A mahogany night table, 19th century, the gallery tray over a boxwood strung top with conche shell central medallion over a single cabinet door with herringbone strung outer border, circular inlaid floral medallion and gilt metal knob handle flanked by pierced handled sides on four square tapering chequer strung legs terminating in brass casters, 15" square, 31" high
An Edwardian simulated rosewood boxwood strung wall hanging display cabinet, the single glazed door revealing four fixed shelves flanked by top and bottom corner turned finials, 25" high, 15.5" wide, along with a late Victorian table top ebonised and amboyna banded single drawer chest with pierced metal gallery top, 15.5" wide, 3" high and a table top mahogany two drawer retailing cabinet, the glazed rectangular top flanked by side gilt metal swing handles and two centre gilt metal campaign style ring handles, 17" wide, 4.5" high (3)
A Waring and Gillow dining room suite in the manner of Chippendale, circa 1910-1920, the extending table with gadrooned edge and additional leaves on four cabriole legs terminating in the ball and claw foot along with matching set of eight dining chairs including two carvers, each with vase shaped pierced back splat above a drop in seat on cabriole legs terminating in a ball and claw foot, stamped to the back seat rail '8386’, along with matching bowfronted sideboard with low oval panel back over a gadrooned edge and three central short cockbeaded drawers flanked by a single panel cabinet door to each side on short cabriole front legs terminating in a ball and claw foot, 72" wide, 53" high, 24" deep (10)
A Louis XV style serpentine walnut vitrine, late 19th century, the multi coloured veined marble top with gilt metal pierced gallery over a single glazed serpentine door with gilt metal mounts revealing three glazed shelves flanked by full length glazed sides with gilt metal scrolling leaf corner mounts on four slender cabriole legs with gilt metal mounts and scroll foot, 24.5" wide, 61.5" high, 17" deep
A Victorian mahogany partner’s desk, circa 1880, the top with later Rexine insert over a central long drawer flanked by two short frieze drawers with matching opposing drawers, the pedestals with three short graduated drawers to each side with opposing single cabinet door on a plinth base, the drawers fitted with later Bakelite knob handles, 72" wide, 29.5" high, 45" deep
A walnut and floral marquetry longcase clock the eight-day tree-train five-pillar movement with anchor escapement striking the hour on a bell and chiming the quarters on six bells the square brass 12in dial with Roman numerals and Arabic five minute divisions and with subsidiary seconds dial the silvered chapter ring inscribed Fra. Dorrell LONDON the case with floral marquetry panels the door with lenticle the hood with spiral columns and caddy top with two flambeau urn finials 262cm high
An oak longcase clock the eight-day two-train movement with anchor escapement and rackstrike on a bell the arched brass 11 3/4in foliate engraved dial with Roman numerals Arabic five minute divisions subsidiary seconds dial and date aperture within foliate cast spandrels with masks the arch with a boss inscribed John Smith Sleaford within dolphin spandrels the hood with pagoda pediment with central ball and eagle finial and a pair of ball and spire finials the trunk with domed-top door and plain plinth 234cm high
A George III mahogany longcase clock the eight-day two-train movement with interior countwheel strike on a bell the countwheel on the striking train the arched brass 12in dial with Roman numerals Arabic five minute divisions subsidiary seconds dial and date aperture the arch with a disk inscribed Thos. Allen Deptford the hood with domed pediment and brass capped Doric pillars the trunk with domed-top door and plain plinth base 229cm high See G.H. Baillie Watchmakers & Clockmakers of the World (1974) where a Thomas Allen of Deptford is listed ante 1789
A mahogany longcase clock 19th century the eight-day two-train movement with anchor escapement and rackstrike on a bell the 12in square painted dial with Roman numerals subsidiary seconds dial crescent date aperture and inscribed Scovell Newbury the hood with swan-neck pediment and a pair of brass-capped fluted pillars the trunk with rectangular door and panelled plinth the case with pale-wood banding 206cm high (hour hand broken)
A George II oak cased longcase clock the two-train outside countwheel bell striking movement with four wheel trains narrow diamond barrels and anchor escapement the plates grooved for dust shutters (lacking) the 11in square brass dial with recessed seconds dial calendar aperture and ringed winding holes to the foliate engraved matt centre the silvered Roman numeral chapter ring with foliate half-hour markers Arabic five-minute and signed Philip Antrobus to the lower edge with female mask spandrels the caddy-top case with integral hood pilasters over rectangular trunk door and plinth base 200cm high
A William and Mary/Queen Anne arabesque marquetry eight-day longcase clock early 18th century the inside countwheel bell striking movement with lined pillars (one removed) and anchor escapement the 12in square brass dial with subsidiary seconds dial foliate border engraved calendar aperture and ringed winding holes to the matted centre the Roman numeral silvered chapter ring with stylised fleur-de-lys half-hour markers Arabic five-minutes and signed John Eagle Lothbury London to lower edge with twin cherub and crown pattern spandrels and herringbone band engraved border in a case with moulded cornice over integral pilasters to hood over long trunk door with lenticle above conforming plinth base inlaid with tight foliate scroll designs throughout 225cm high (movement and dial associated to case Provenance: The Old Rectory Peasemore See G.H. Baillie Watchmakers & Clockmakers of the World (9th ed. 1974) where John Eagle is listed as an apprentice 1683 and of the Clockmaker’s Company 1690-1712
A George III oak longcase clock the eight-day two-train five-pillar movement with anchor escapement and rackstrike on a bell the 12in arched brass dial with silvered chapter ring with Roman numerals and Arabic five-minute divisions encompassing a subsidiary seconds dial date aperture and shaped plaque inscribed Geo: Maynard Long Melford the arch with strike/silent dial foliate spandrels the plain case with arched door the pagoda pediment surmounted with three ball and spike finials 240cm high See G. H. Baillie Watchmakers & Clockmakers of the World (1974) where a George Maynard of Melford is listed second half 18th century
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235302 item(s)/page