A VICTORIAN GOLDEN OAK MIRROR BACK SIDEBOARD, c.1880, the superstructure with shaped bevelled plate, below a dentilled canopy with shell motif above, flanked by lion masks, shelves and scrolls, the base with an egg and dart frieze above two drawers, with with bowed fronts, over a pair of cupboard doors with heavily carved mask and foliate panels, flanking a short drawer above a panelled door, raised on leaf-carved feet resting on stepped plinths. 2.20m by 1.98m by 0.66m
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A 19th Century Ebonised Break Front Credenza having gilt metal oval plaque with embossed figure, cupid and floral decoration, having all over raised ribbon and further figurehead and scroll mounts, with marble style panels, centre door flanked by 2 glass panelled doors enclosing velvet lined shelves with inlaid brass banding, 1m 64cm wide, 1m 9cm high
McBain (Ed) Fuzz An 87th Precinct Mystery 1968; Guns 1977; Ghosts 1980; The McBain Brief 1982; Downtown proof copy inscribed by the author to half-title 1987; Puss in Boots 1987 § Kellerman (Jonathan) Private Eyes signed by the author to title 1991; Silent Partner 1989; Time Bomb 1990 § Highsmith (Patricia) The Glass Cell 1965; People Who Knock on the Door 1983 § Higgins Clark (Mary) A Stranger is Watching 1978; A Cry in the Night 1982; and c.30 others by the same authors and Michael Connelly Tony Hillerman and Gregory McDonald 8vo (c.40) (40)
Early 20th Century Chippendale style mahogany display cabinet, the arch top with carved crest and gadrooned moulding, blind fret frieze below, fitted three shelves enclosed by a glazed door having decorative tracery and with a cupboard door to the base, standing on cabriole hair claw supports united by conforming gadrooned mouldings, 130cm wide
Edwardian inlaid mahogany longcase clock, the hood with swan neck pediment, arch shaped door flanked by ebonised cylindrical columns with brass capitals, trunk with long door having oval bevelled glass panel, arch shaped brass dial with silvered chapter ring, subsidiary chime/silent, Whittington/Westminster and seconds dials, eight day movement striking and chiming on nine tubes, 246cm high
19th Century oak longcase clock signed Robert Davy of Hoveton, the hood with swan neck pediment and reeded pillars, trunk with long door flanked by fluted chamfers, arch shaped brass dial with bobbing ship, Roman numerals and subsidiary seconds dial, bears name plate inscribed `Robert Davy, Hoveton`, eight day striking movement, 223cm high
Late 18th Century oak longcase clock by John Snelling of Alton, hood with swan neck pediment and fluted columns, trunk with long door, arch shaped brass dial with bobbing Old Father Time, silvered chapter ring with Roman and Arabic numerals, subsidiary seconds dial and calendar aperture, eight day striking movement, 213cm high
Regency brass inlaid mahogany bracket clock, the arch shaped case having spiral twist columns and standing on reeded bun feet, off-white enamel dial with Roman numerals, brass side handles and grilles, glazed door to the rear opening to reveal a brass movement striking on a bell, 53cm high together with a matching brass inlaid mahogany wall bracket, 35.5cm wide
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