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Lot 704
An Edwardian mahogany corner cabinet inlaid with boxwood stringing, swags of harebells and ribbons, the base with cupboard door with central inlay of a patera of flowers within a basket and swagged ribbons, the upper glazed astragal door revealing two fitted shelves and topped by a broken pediment
Lot 708
A large Victorian aesthetic movement sideboard, the back with five bevelled mirrors, two double panelled door cupboards on open supports, the top with galleried display areas and concave roof, the base fitted with three long narrow drawers, open shelf area and two panelled cupboards with open display area
Lot 133
WILLIAM PREDDY, TOTNES, a mahogany longcase clock the 35.5cm painted, broken arch dial with Roman numerals, seconds dial, calendar aperture and signed in the centre "Preddy Totnes" the four pillar movement mounted on a false dial plate with anchor escapement, rack striking on a bell, the case with broken arch pediment, writhen columns, short trunk door flanked by similar columns, panelled plinth and bracket feet, 230cms high (with 3 brass eagle and ball finials, pendulum weights & key)
Lot 134
TYTE, WELLS, a mahogany longcase clock, the 33cms painted broken arch dial signed in the centre "C Tyte Wells" with Roman numerals, seconds dial, calendar aperture, pierced gilt hands, floral spandrels, the arch with figures and a castle beyond, the four pillar movement mounted on a false dial plate, with anchor escapement, rack striking on a bell, the case with broken arch pediment, writhen columns, short trunk door, panelled plinth and bracket feet, 224cms high (with finials, pendulum, weights & key)
Lot 385
An oak longcase clock, signed Robert Davey, Hoveton, 18th century, oak case, fretted pediment, arched door with radiating marquetry lunette, herringbone stringing, arched brass dial, rocking ship motif to the lunette, inscribed - "The Royal George", cast spandrels, second dial and date aperture, eight-day movement, striking on a bell, 225cms, (88½").
Lot 387
Oak and mahogany longcase clock signed X Reiner, Oxford early 19th Century with rosewood cross banding stringing and Tunbridge ware banding, broken swan-neck pediment, shaped door plinth base, arch painted dial, subsidiary second dial and date aperture, painted floral spandrels, river landscaped scene to the lunette, thirty-hour movement, 214cms (84")
Lot 459
A Victorian walnut and marquetry credenza, plain top, floral inlaid frieze within banding and stringing, centre panelled door, inlaid with flowers on an ebony ground, within broad walnut banding, gilt metal ornament corbels, rounded glazed front end cupboards, plinth base, length 148cms, (58"), height 104cms, (41").
Lot 1580
A good early 20th Century Satinwood demi-lune formed Commode by Edwards & Roberts, inlaid throughout with neoclassical Marquetry, quivers, arrows, garlands, scrolls, etc, the central frieze drawer over further central bowed door enclosing cupboard and raised on short tapering square supports with block feet, 38” wide
Lot 419
Veen (Otto van). Zinnebeelden, Getrokken uit Horatius Flaccus, Naer de geestrijke vinding van den geleerden Otto van Veen, op de zeden toegepast; en Met Bygedichten, op nieuws gerijmt, door Antoni Jansen, van Tergoes, 1st ed., Amsterdam, Justus Dankerts, 1683, oval eng. port. on title, 103 eng. emblems on letterpress, complete, generally dust-soiled, bound with “t Doolhof te Versailles... In”t Nederduits door Anthoni Jansz, van der Goes, Amsterdam, Hendrik Bosch, 1722, forty-one full-page engs. on letterpress by Willem Swidde after SŽbastien Leclerc, incl. plan, complete, incl. one eng. overlaid (printer’s correction?), and one eng. with 3.5Ó split in plt. mark, text in French, English, German, and Dutch, some staining and dust-soiling, endpapers soiled, armorial bookplate of the Duke of Sussex, contemp. calf, worn, with later limp leather cover adhered to spine and endpapers, 4to, (a rare reprint by Bosch of Visscher’s edition pub. [1682?]) From the library of the great bibliophile Prince Augustus Frederick, Duke of Sussex, (1773-1843). His extensive library at Kensington Palace, which filled ten rooms, had more than 50,000 volumes, and was sold at auction after his death. (1)
Lot 692
Thomas Medland 1755-1822- "Elevation of the Visvisshoor, or Temple of Bissinaut at Bienares"; published March 6th 1801, for Col J Garstin, by T Medland, Abingdon Street, Westminster, aquatint, 100x67cm: together with other aquatint`s from the same series depicting the Visvisshoor entitled "Column in the Visvisshoor"; Ground Plan; Door of the Bissinaut and other etchings, engraving and lithographs mostly depicting ancient and religious architecture, "The East End of the Cathedral of St Peters, Exeter"; Great West Window of the Cathedral; "Stone At Ruthvellin Anandale"; "The Entrance of the Mausoleum of Emanuel the Great King of Portugal"; and others, (a lot) (unframed)
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235302 item(s)/page