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Click here to subscribeAn early 19th century oak floor standing high straight fronted corner cabinet the moulded cornice over a glazed cabinet door revealing two fixed shelves over three short cockbeaded drawers on a two door cabinet base and tall bracket feet fitted with turned wooden handles, 109cm wide, 207cm high
A George III oak Shropshire high dresser, the ogee moulded cornice over a honeysuckle pierced scrolling frieze above three open shelves flanked by an open shelf and fielded cabinet door to each side between fluted uprights on a five drawer base fitted with brass swing handles over a heart pierced and scrolling cut apron on three front cabriole legs terminating in pointed toes 355cm wide, 216cm high, 45cm deep Note: See David Knell 'English Country Furniture, The Vernacular Tradition 1500-1900, 2nd edition page 159 fig 165' for a similar four drawer example
An early 19th century floor standing straight fronted corner cabinet, the stepped cornice over two cabinet doors fitted with turned wooden knob handles and brass oval key escutcheons opening to reveal two fixed shelves over an arrangement of three short cockbeaded drawers on a two door cabinet base and scroll cut skirting plinth, 116cm wide, 193cm high
A Regency mahogany rosewood crossbanded brass line inlaid barrel back and bow fronted alcove sideboard, the low back with scrolling leaf pediment, over Greek key brass stringing, the central bowed cockbeaded drawer fitted with lion brass ring handles, flanked by a deep drawer and single cabinet door to each side, on brass castors, 185cm wide, 132cm high, 74cm deep
A 19th century mahogany organ cabinet by John Eyre London, the rectangular mahogany top over a crossbanded single cabinet door decorated with three panels of giltwood faux pipes, opening to reveal a vacant two shelf interior, on a box base with side door opening to reveal an unfitted interior, raised on four tapering canted short legs, 57cm wide, 102.5cm high, 43cm deep
A 19th century mahogany organ cabinet, the rectangular hinged lid opening to reveal a vacant interior over a single cabinet door with central oval panel of giltwood faux pipes, on a box base, with side door opening to reveal an unfitted interior on four slender square tapering legs terminating in brass castors, 55.5cm wide, 120cm high, 42cm deep
A George III mahogany tray top night cabinet with detached tambour front over a deep drawer fitted with brass ring handles on square chamfered legs along with a similar Regency example top with crossbanded and ebony line strung to over a single cabinet door and pull-out drawer conversion on plain square legs with pierced side handles (2)
Yonezawa (Japan) large American DC7 tinplate Aeroplane: Large impressive battery operated model of Japanese manufacture, in American Airlines livery, 2 of the plastic blades have broken off the 4 x propellers Working side opening door but includes interior passenger and hostess figure detail complete with separate passenger boarding steps on wheels Good clean example with a 60cm wingspan in Working Order (2)
Mister P Toys (Greece) Mini Cooper with Caravan: Large scale red plastic Mini Cooper has cream interior, battery operated with remote control cable attached, plated parts, with aerial to roof, towing a large plastic Caravan with opening door and detailed interior - Near Mint ex shop stock model, 55cm long in a Good illustrated box
AFTER THOMAS MALTON (1748-1804) Bridge Street coloured aquatint, trimmed to plate 13 1/2 x 20in two coloured reprints titled `A View of the Horse Guards` and `Scotland Yard with Part of the Banqueting House`; and a coloured engraving titled `Arrival of the Queen (Victoria) at the West Door of Westminster Abbey`; four (4)
A George V oak longcase clock with eight day movement chiming on gongs, the silvered dial with chime/silent indicator and inscribed `Enfield, James Walker, London`, the arched case with glazed door on a plain base and block feet, height approx 185cm, together with pendulum and three weights.
A George V oak longcase clock with eight day movement chiming on gongs, the brass break arch dial with silvered boss to arch inscribed `Tempus Fugit`, silvered chapter ring and inscribed `Bravingtons Ltd... London`, the hood with moulded arch pediment and glazed door, the trunk with glazed door on bun feet, height approx 197cm, together with pendulum and three weights.
A late 20th Century mahogany longcase clock, with eight day movement striking a choice of three chimes on gongs, the brass break arch dial with rolling moon to arch above Roman numerals, the hood with moulded arch pediment above a glazed door, the trunk with glazed door on a plain base, height approx 188cm, together with pendulum and three weights.
A 20th Century oak cased diminutive longcase clock with eight day movement chiming on gongs, the dial inscribed `Fenclocks, Suffolk`, the oak case with leaded glazed trunk door, on a plain base and bracket feet, height approx 151cm, together with a pendulum and two imitation weights (one glass panel missing).
A George III oak longcase clock with thirty hour movement striking on a bell, the painted break arch dial with river scene to arch above subsidiary seconds, Roman numerals and inscribed `D. Baker, Billingshurst`, the hood with moulded arch pediment and brass ball finials above a glazed door and turned columns, the trunk with arched door, on a plain base, height approx 215cm, together with pendulum and weight.
A George III oak longcase clock with thirty hour movement striking on a bell, the painted square dial with subsidiary seconds and inscribed `Bromley, Horsham`, the hood with fretwork and brass ball surmount above a glazed door and columns, the trunk with rectangular door, on a plain base and bracket feet, height approx 205cm, together with pendulum and weight.
A late 19th Century walnut Vienna style wall clock with eight day movement striking on a gong, the two piece dial with Roman numerals, subsidiary seconds and inscribed `GB` (Gustav Becker) monogram, the case with arched surmount above a glazed door and fluted columns, the reeded apron with turned finial, height approx 124cm, together with pendulum, two brass weights and winder.
An 18th Century French boulle bracket clock and bracket, the clock with eight day movement striking hours and half hours on a bell via a numbered outside countwheel, the back plate signed `P.F. Le Doux, Paris`, the cast ormolu dial plate inset with twenty four enamel panels inscribed with black Roman hour numerals and Arabic minutes, the ormolu mounted and brown tortoiseshell balloon shaped case surmounted with a classical maiden seated upon an eagle above foliate mounts, the glazed front door applied with a recumbent classical maiden to the apron on foliate scroll moulded feet, height approx 93cm, together with original matching wall bracket, engraved pendulum and winder (restoration). Note: Pierre-Francois Le Doux is recorded working at Rue des Noyers, Paris between 1758-89. He died in 1792 aged 84.
An early 20th Century mahogany cased electric mantel timepiece, the silvered dial with Arabic numerals and inscribed `Bulle Patent`, the domed case with boxwood stringing and glazed door, height approx 35cm, together with two Bulle electric mantel timepieces with glass domes, two similar electric timepieces detailed `800 Days` and a Junghans Anticlimatic electronic mantel timepiece.
A late 20th Century mahogany longcase clock, with eight day movement chiming on gongs, the break arch dial with rolling moon, the hood with a moulded pediment above a glazed door, the trunk with a leaded glazed door, on a plain base with bracket feet, height approx 180cm, together with a pendulum and three weights.
A late 18th Century oak longcase clock with thirty-hour movement striking on a bell, the square brass dial inscribed `Taylor, Petworth`, the hood with moulded pediment above turned columns, the trunk with rectangular door, on a plinth base, height approx 192cm, together with pendulum and weight (faults and repairs).
A George III mahogany longcase clock with eight day movement striking on a bell, the painted break arch dial with rolling moon to the arch above subsidiary seconds, date dial, Roman numerals and inscribed `Alfred King, Chippenham`, the arched hood with three brass ball and spire finials above a pair of fluted columns and glazed door, the trunk with crossbanded rectangular door above a similarly decorated base and bracket feet, height approx 226cm, together with pendulum, two weights and winder.
An early 19th Century oak longcase clock with eight day movement striking on a bell, the painted break arch dial with Roman numerals, subsidiary date and seconds, inscribed `Sam Sly, Norwich`, the hood with arch pediment above a glazed door and columns, the trunk with arched door, on a plain base and plinth, height approx 206cm, together with pendulum, two weights and winder (alterations and restoration).
An early 20th Century mahogany musical mantel clock with eight day triple fusee movement striking and chiming on five gongs, the foliate engraved brass breakarch dial with subsidiary chime/silent, slow/fast and chime selection dials to the arch above a silvered chapter ring and plaque inscribed `H.G Latten, 17 Cresham St`, the case with moulded arch surmount above a glazed door flanked by Corinthian columns, on a stepped rectangular base, height approx 47cm, together with pendulum.
A late 20th Century mahogany cased diminutive longcase clock with eight day movement chiming on gongs, the break arch dial with brass chapter ring with black Roman numerals beneath a boss inscribed `Tempus Fugit`, the hood with arched surmount, the trunk with glazed door on a panelled base and bracket feet, height approx 179cm, together with pendulum and three weights.
A late 19th Century German Vienna style walnut and ebonized wall clock with eight day striking movement, the circular enamel dial with Roman numerals and subsidiary seconds, the case with fan and mask surmount flanked by a pair of turned finials above a glazed door flanked by fluted pilasters, height approx 126cm, together with pendulum, two brass weights and winder.
An Art Nouveau mahogany display cabinet, with inlaid stylized flowers, the arched canopy top with a carved foliate surmount and inset with a bevelled mirror panel, the leaded and stained glass door flanked by glass panels, on shaped legs united by an undertier, height approx 204cm, width approx 94cm.
A FINE 18TH CENTURY OAK DRESSER of rich dark golden colour, the top with shelves, shaped sides and frieze, striped fabric back on a base with three short drawers with brass handles, central panel below with panel door either side. Circa 1730-1740. 6ft 8ins high 3 ft 11½ins wide. Provenance: John Keil, Bath 1985.
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