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Lot 1202
A 2007 SAAB 9-3 LINEAR SE TiD CONVERTABLE TWO DOOR CAR in silver grey with 1.9l Deisel engine, Automatic gearbox, Full grey leather interior, first registered 26/11/2007 with plate KL57 OLO, V5C present, four owners from new, Service Book has 12 Stamps to 2020 missing only 2015 and 2019 , MOT expired 19/08/20, Mileage shown 91743, two keys, heated front seats, climate control, air conditioning, (interior has no rips, scuffs or major staining, bodywork very tidy with no dents or major scratches, soft top has no rips or tears, starts and drives with no issues)
Lot 1203
A 2008 SAAB 9-3 SPORT TTiD A FOUR DOOR SALOON CAR in black, with a 1.9l diesel engine, Automatic gearbox, full black leather interior, first registered 09/09/2008 with plate VU58 MKX, V5C present, Mileage shown 53007, one previous owner, air conditioning, climate control, heated electric front seats, full Service book stamps to 2019, a quantity of receipts, MOT expired 10-08-2020, with some old certificates, two keys, (interior has no rips or scuffs, bodywork is extremely tidy only a couple of very minor scratches, starts and drives with no issues)
Lot 1589
AN ART DECO WALNUT TWO PIECE BEDROOM SUITE, with reeded door fronts, comprising a double door wardrobe, width 121cm x depth 53cm x height 192cm, and a dressing table with a triple mirror, double cupboard doors flanking a single drawer, width 122cm x depth 51cm x height 163cm x height without mirrors 76cm (condition:-sun bleached, historical woodworm to base of both items, silvering peeling to mirrors)
Lot 1201
A 1995 MERCEDES C180 CLASSIC FOUR DOOR SALOON CAR IN WHITE 1.8 litre petrol engine 5 speed manual gearbox, no V5C but we have V5/2 for previous owner, first registered 29/08/95 under plate No N164 AKW , three keys, Mileage Shown 24014, Service Book Stamped at 1995/96/97/98/2000 and 05, various receipts, MOT expired 19/04/2019, all MOT certificates present ( battery flat wont charge, brake pedal has no pressure, bodywork is Immaculate, no rust apparent, no dents or major scratches)
Lot 1541
A HULSTA MEGA DESIGN MODULAR BEDROOM SYSTEM comprising of a wardrobe with single glazed door and shelves over two drawers (rickety and disassembled), a single bed and John Lewis mattress (some slat clips broken), a small bookcase (rickety) and another unit with shelves and two small drawers (rickety)(4)
Lot 1552
AN ADAPTED GEORGIAN FLAME MAHOGANY LINEN PRESS with swept bracket feet two short over two long drawers and turned handles to the base, the top has wheels to the bottom, four linen drawers to interior, width of base 120cm x depth 60cm x height 100cm, height of top 110cm (condition:- cornice missing, door hinge cut out broken some losses)
Lot 1540
SIX PIECES OF STAG MINSTRAL BEDROOM FURNITURE comprising two double door wardrobes (one sun bleached to front) one half fitted with shelves and drawers, both width 95cm x depth 59cm x height 178cm, three short over two long chest of drawers, two bedside cabinets, a stool and a Stag dining chair (7)
Lot 1553
A VICTORIAN WALNUT BREAKFRONT TRIPLE DOOR WARDROBE, with book matched figured walnut veneers to doors, mirrored central door concealing three drawers and four linen drawers, and a crown cornice, width 186cm x depth 66cm x height 226cm (condition:- mirror losing its silvering, some losses and repairs)
Lot 1126
Fourteen Atlas HO scale items of rolling stock, ACF 23500 Gallon Tank Cars x4, ACF Kaolin Tank Cars x2, 17360 Gallon Tank Cars x2, ACF 3 Bay Cylindrical Hoppers x2, ACF 6 Bay Cylindrical Hopper, ACF 33000 Gal Tank Car, 11000 Gallon Tank Car Gulf Oil and Evans Double Plug Door Box Car, all boxed
Lot 2194
A watercolour of Tower Bridge, signed John Gavin to bottom right, seven further watercolours by various hands (Three signed DMC). A pastel of a cat lying in near a door way, signed DMC to bottom centre, and one further painting on fabric of an elephant in a South Asian style (unsigned) (10).
Lot 72
* DAVID MARTIN (SCOTTISH b. 1975),SATURNINE NIGHTmixed media collage on board, signed and dated '07, titled verso image size 58cm x 78m, overall size 76cm x 95Mounted, framed and under glass.Note: David Martin won the 2006 RSA Alastair Salvesen Art Scholarship. David is from and based in Edinburgh and graduated with an MA Fine Art from the University of Edinburgh in 2000. He was also the winner of the RSA John Kinross Student Scholarship to Florence in 2001. David took an epic journey through the Middle East and into Europe. "This journey represents the dissemination of ancient alchemical knowledge from Egypt, through the Middle East and into Europe, in order to explore the transforming effects of modern development brought about by technologies such as nuclear development and global communications. Without staying in one place for any length of time, this huge journey provided a range of encounters with cultures undergoing transformation, nations being born and people adapting to new ways of life amid their ancient heritage". His work from this journey was exhibited as a solo exhibition at the Royal Scottish Academy "The Cusp of Change: A Journey Through the Middle East" 16th March - 15th April 2007. Alongside his full-time artistic practice, he is also the Founder and Creative Director of Hidden Door, an organisation set up to generate exciting events to showcase new up-and-coming arts talent in Scotland across different art forms, mainly through staging annual ‘underground’ multi-arts festivals in Edinburgh. He is also the Head of the Foundation Course at Leith School of Art and has previously sat on the council of Visual Arts Scotland. David exhibits at the prestigious Open Eye Gallery in Edinburgh and his most recent solo show there was 3rd - 21st November 2020. David Martin has won numerous major commissions including a huge canvas which dominates the impressive lobby of The Edinburgh Grand (hotel) on St Andrew's Square in the city.
Lot 92
* PETER HOWSON OBE (SCOTTISH b. 1958),WOMEN ON THE MIND - DON GIOVANNI 1995oil on canvas, signedimage size 123cm x 107cm, overall size 132cm x 117cm Framed.Note: In 1995 Peter Howson collaborated with John Cox and the Scottish Opera on a new production of Mozart’s Don Giovanni. In an amazing interview with the Glasgow herald in 1995 Howson commented: “It’s an incredible opera and a fantastic opportunity. I’ve got the opera bug now. Everything to do with Don Giovanni is curvaceous and sexy. The rest is sharp, pointed and angular. I’ve kept the colour scheme very simple: rich scarlet, vermilion, and cherry red for Don Giovanni’s territory: his bedroom, ballroom, the wedding party scenes, and for Hell. Soft greens, greys and cream for the rest. Howson produced 300 preparatory drawings for the Opera, together with a group of Oil paintings which were exhibited at Bilcliffe fine art, Glasgow in September 1995. These works were inspired by the party scene nudes in the opera. Howson explained in the interview with the Herald: 'There are hundreds of nudes everywhere, some friendly, some demonic. It's like Dante's Inferno. Don Giovanni is a man of incredible sexual appetite and John Cox wanted this depicted in a Rubenesque way: not pornographic or smutty, but with as much nudity as Scottish sensibilities allow. There's even nude caryatids and statuary carved over the door to his palace. Although Scottish Opera's audiences can be terribly Calvinistic. They don't want too much said about the nudes in case people cancel their tickets!'' Surely not? ''It's true. It happened once before with Life with an Idiot. I see Don Giovanni as the life force. His bed is red; his dressing gown is opulent, flowing gold and red. Of course, he's amoral, what used to be known as a libertine and blasphemer, but he's also a free-thinker, a man before his time, a revolutionary who rejects the religious and sexual code of his society. He's defiant and unrepentant. He never forces himself on women, merely seduces. His affair with Donna Anna is the first time in his amorous career that things have gone wrong. He doesn't feel guilty for the Commendatore's death as the duel was fought in self-defence. When he's dead the town stagnates and misses him. The Don Juan story has always been popular even in folklore. Back in 1787 when the opera was first performed in Prague it must have seemed scandalous but today it's not so. We've tried to avoid setting the opera in any specific period. Hopefully, it's timeless.'' Provenance: Sotheby's, Gleneagles, lot 1024, 31st August 2005, estimate £10,000 - £15,000.
Lot 1945
Ersari Ensi. Engsi Türteppich für eine Yurte. Antik.189 cm x 143 cm. Handgeknüpft. Wolle auf Wolle. Wohl Turkmenistan spätes 19. Jahrhundert.Objekt kann versendet werden.Ersari Ensi. Engsi door carpet for a yurt. Antique.189 cm x 143 cm. Hand knotted. Wool on wool. Probably Turkmenistan, late 19th century.Object can be shipped.
Lot 328
A late Victorian side cabinet, the superstructure with elaborately carved crest above a shelf and mirror, on moulded edged top, with carved frieze to front above a central panelled door with foliate carving, fitted single shelf to interior, flanked by two shelved display recesses, on cabriole supports (190cm x 88cm x 42cm)
Lot 344
Thomas Page, Norwich, 18th century mahogany longcase clock with arched dial with Roman and Arabic numerals, subsidiary seconds dial, strike silent feature and date aperture, surrounded by pierced spandrels to an 8-day movement, striking on a bell, the arched hood with later brass eagle finials, pillared side supports over a body with arched trunk door and a shortened box base, 216cm high max
Lot 371
Large George II mahogany bureau bookcase with broken arch pediment over dentil carving and two astragal glazed doors opening to a shelved interior, the bureau with fall front opening to a fitted interior with drawers, small door and pigeonholes over four long base drawers with oval handles, raised on bracket feet, 220cm high
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235302 item(s)/page