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An early 19th century mahogany and crossbanded longcase clock, the painted arched dial decorated with natives of the Commonwealth around Arabic numerals, supporting an eight day four pillar bell striking movement over serpentine moulded door, flanked by quarter turned pilasters on a box base and bracket feet, 231cm.
A CHINESE DOOR OF HOPE MISSION DOLL the smiling Chinaman with papier mâché head with glass eyes, plaited pigtail and card body with composition forearms and feet, in contemporary silk cap, coat and baggy trousers, 31cm h, c1900 Entirely original but heavily soiled and stained, the composition part cracked and chipped but without significant loss
A REGENCY MAHOGANY BRACKET CLOCK signed on the painted dial BUDGEN CROYDON and with pierced steel hands, the twin fusee movement with engraved and shouldered backplate and striking on a bell, in brass mounted, breakarched and pad topped case with ball finial, ebony stringing and inlaid beneath the dial with a satinwood oval, flanked by stop fluted pilasters with lion mask and ring handles, scale side frets and ball feet, 50cm h William Budgen (1750-1824), clockmaker of Croydon and London. Glass in back door broken, the case of attractive dry appearance. Ball finial repaired, two shrinkage cracks on the curved part of the top of the case. Wear to the paint on the dial but not repainted, minor vertical veneer shrinkage crack across the satin wood oval
A FRENCH BOULLE MANTEL CLOCK the giltmetal dial with enamel chapter plaques, the Louis XV style case veneered in red stained shell and inlaid with engraved brass scrollwork, crested by a vase of flowers, the back and door similarly decorated, the movement striking on a bell, the bob of the pendulum stamped ABD in an ellipse and numbered 20711, affixed velvet covered giltwood plinth, 35cm h, late 19th c Enamel dial very slightly chipped near winding holes, the case with very small losses and natural build up of dust and polish but a well preserved example entirely unrestored
A GEORGE III LONGCASE CLOCK MOVEMENT AND DIAL the brass dial signed on the chapter ring Tho Talbott Namptwich, the matted centre with date aperture and engraved with birds and a basket of fruit, having cherub and crown spandrels and eight day movement in later oak and crossbanded case with cavetto pediment, turned pillars and ogee arched door to the trunk, 193cm h Movement and dial require cleaning, the varnish on the dial scratched and discoloured, the movement dusty, on a replacement seatboard, the case with some opening of the joints on the cornice and coated in a dark stain but sound
A LONGCASE CLOCK MOVEMENT AND DIAL BY JOSEPH OR THOMAS WINDMILLS the 11 inch brass dial with matted centre and signed on the silvered chapter ring Windmills London, with subsidiary seconds dial, ringed date aperture and winding holes, having eight day five pillar movement, in later oak case with stepped pediment and ogee arched door to the trunk, 200cm h, early 18th c Movement and dial extremely dirty movement with some losses but original except for the hands. In a typical provincial 18th c oak case with repairs to the base. In the present local private ownership for several generations
A GEORGE III GREEN JAPANNED LONGCASE CLOCK the brass breakarched dial signed on a tablet to the centre John Jones BURY, with matted centre, date aperture, ringed winding holes and subsidiary seconds dial, pierced steel hands, mask spandrels and wheatear border, the arch engraved with two pairs of exotic birds and strapwork and with fan shaped aperture engraved with personifications of the days of the week, their astronomical symbols and names, having five pillar eight day movement with S[trike N[ot] Strike] selector and repeat lever, the case with flat topped hood, turned pilasters and break arched door decorated with figures, temples, trees, the Sun in splendour and birds, on bracket feet, 226cm h A good original example, the dial and movement on what could well be the original seat board, no evidence of having been associated to the case, ie the cheeks not altered, the decoration chipped and with some rubbing and loss but not the subject of any recent restoration. Sold with pendulum with brass bob and two brass sleeved lead weights all of which could be contemporary
AN EDWARD VII MAHOGANY AND LINE INLAID SERPENTINE SIDEBOARD the two drawers to the apron with brass lion mask handles flanked by doors, on six square tapered legs with spade feet and brass castors, 79cm h; 60 x 139cm Veneers very slightly lifting on one door but in excellent overall original condition
AN EARLY VICTORIAN FINELY FIGURED MAHOGANY WARDROBE in rich curl veneers, with moulded cornice and enclosed by three doors with quarter veneered panels, that to the centre enclosing adjustable shelves, 189cm h; 63 x 192cm One of the locks replaced, one door lacking the small carved knop, one side with small let-in repair on the upper right corner, minor knocks and old scratches, scuff marks around the skirted base
AN INLAID MAHOGANY SPLAY FRONTED CORNER CABINET the frieze with vase paterae and fitted with serpentine shelves enclosed by a glazed door, on associated stand with carved cabriole legs and claw-and-ball feet, 200cm h; 40 x 75cm, early 19th c and later The inlaid decoration and stand of Edwardian period. In satisfactory condition, requiring some cleaning etc, the interior untidy
A BRASS SHOWROOM CABINET with quadrant ends and beaded cavetto cornice, enclosed by a glazed door on toupee feet, 207cm h; 41 x 148cm, early 20th c With rack or adjustable shelves, brass brackets but only one plate glass shelf, electric fitments for illumination, the backboard wormed, old polish residue, paint splashes etc but basically requires only some cosmetic work
AN OAK DRESSER with seven drawers arranged around a slightly recessed door flanked by blind fret carved pilasters and with brass furniture, raised-and-fielded ogee panels to the sides, on bracket feet, 91cm h; 57 x 183cm, 19th c Several old ring marks on the top, the brass handles replaced, minor natural shrinkage cracks, the drawer linings pine, the iron locks all present and original save that to the cupboard door that is an old replacement
A Japanese shibuichi miniature hanagamidai (cosmetic cabinet), Meiji period (1868-1912), the stepped shelf arrangement above a two door cabinet enclosing three drawers flanked by two further drawers and decorated with satsuma flowers, paulownia leaves, birds and aquatic plants, the doors decorated with a figure on horseback with an attendant carrying a crucifix before Mount Fuji, the top in relief with a silver coloured parrot on a rock, the reverse with an eagle in branches and boats on a stream, the underside with Mount Fuji and a dragon, on four bracket feet, (at fault) 16cm wide, 6cm deep, 12.5cm high
A Regency oak and mahogany eight day longcase clock, the 12 inch painted arched dial signed 'J N. Jones, Newtown', with centred subsidiary seconds dial and date aperture within a ring of Roman numerals under an architectural ruin painted to the arch, the hood with swan neck pediment over the arched hood door between reeded front corner hood pilasters above an ogee arched mahogany crossbanded conche shell inlaid short trunk door between reeded front corner short trunk pilasters on an inlaid box base with canted front corners raised on short bracket feet, 222cm high
A mid-19th century mahogany boxwood line strung eight day longcase clock, the 13 1/2 inch square painted dial signed 'J Collier, Cheadle', with centred subsidiary seconds dial and date aperture within a ring of Roman numerals and florally painted corner spandrels, the hood with swan-neck pediment over Gothic arched trunk door, between reeded front corner short pilasters, on a crossbanded base with canted front corners, raised on ogee shaped short bracket feet, 234cm high
An early 19th century oak crossbanded mahogany eight day long case clock, the 13 inch arched painted dial singed 'Owen Davis, Llanidloes', with centred subsidiary seconds dial and date aperture, under a rolling moon, the hood with swan-neck pediment, over fluted front corner hood pilasters, over a short crossbanded trunk door and crossbanded base, raised on short bracket feet, 218cm high
A walnut eight day longcase clock, the 12 inch square brass dial signed 'Louis Beavan, Bristol Fecit', with centred subsidiary seconds dial and date aperture within a ring of Arabic and Roman numerals and cherub moulded corner spandrels, the eight day movement striking on a single bell, the caddy top hood over a long trunk door with glass lenticle, on a crossbanded box base and later skirting plinth, 228cm high
A MAHOGANY CASED GRANDMOTHER CLOCK by J Cox, London, the eight day movement with anchor escapement striking on a bell, 8 1/2" arched brass dial with Roman and Arabic numerals, chased foliate centre and signature boss to arch, the case with scrolled pediment and brass finial on Corinthian columns, canted trunk with arched door, panel base and bracket feet, 72 1/2" high (Illustrated)
AN OAK LONGCASE CLOCK by Deykin, Worcester, No.460, the eight day movement with anchor escapement striking on a bell, 11 1/4" square brass dial with Roman and Arabic numerals, seconds dial and calendar aperture, central signature plaque, the ebony banded case with moulded cornice, arched door, panel base, on plinth, 81 3/4" high
A VICTORIAN WALNUT AND FLORAL MARQUETRY PIER DISPLAY CABINET with gilt metal mounts, moulded top and concave moulded frieze on caryatid supports, single door with shaped glass panel opening to velvet lined interior with shelving, raised on bracket feet, 33 3/4" x 12 3/4" x 43 1/2" (Illustrated)
A VINTAGE AUTOMOBILE AND BICYCLE PARTS GROUP, EARLY TO MID 20TH CENTURY. Including an English carbide bicycle lamp, an oak cased early ratchet and socket set, a door mount adjustable spotlight, early speedometer works, three tire tube kits and a Delta bicycle headlight and utility light in original boxes.
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235302 item(s)/page