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Lot 237
A VICTORIAN EBONISED AND BURR WALNUT PIER CABINET the glazed door enclosing velvet lined interior fitted with two shelves, flanked by pilasters with gilt metal Corinthian capitals, on bun feet, 87cm wide 40cm deep 108cm high Condition Report : some age related splits to veneer, otherwise OK, still has the key Condition reports are offered as a guide only and we highly recommend inspecting (where possible) any lot to satisfy yourself as to its condition.
Lot 244
AN OAK CORNER CABINET the inverted breakfront with carved frieze above door with two carved panels, and pilasters with cherub masks and fruit, 61cm wide 89cm high Condition Report : generally OK, loss to mouldings top of pilasters Condition reports are offered as a guide only and we highly recommend inspecting (where possible) any lot to satisfy yourself as to its condition.
Lot 252
A HARDWOOD DISPLAY CABINET with domed top, the bevelled glazed door and side panels enclosing two shelves, with drawer to base, on claw and ball supports, 77cm wide 45cm deep 191cm high Condition Report : one shelf support needs re-attaching. left hand carved return to base broken but present. No key Condition reports are offered as a guide only and we highly recommend inspecting (where possible) any lot to satisfy yourself as to its condition.
Lot 264
A VICTORIAN GILT METAL MOUNTED WALNUT CREDENZA with marquetry inlaid frieze above glazed door flanked by Corinthian capitals, curved glazed compartments to each side, on bun feet, 152cm wide 43cm deep 106cm high Condition Report : overall fading and wear and tear, 80cm split to veneer along top, loos to top right of central door, no other major damage noted Condition reports are offered as a guide only and we highly recommend inspecting (where possible) any lot to satisfy yourself as to its condition.
![[RECLAMATION]. ASSORTED FINGER PLATES & DOOR KNOBS](https://cdn.globalauctionplatform.com/6c322672-ed38-42ac-b6fb-ae1b00ea4a9f/31cc05ec-23df-480c-8e21-ae5100d17860/468x382.jpg)
Lot 8
A BRONZE 'LUDUAN' DOOR KNOCKER, MING DYNASTYChina, 1368-1644. Boldly cast with a central luduan head with a fierce expression marked by large bulging eyes, a broad nose, bared teeth, and a single horn, framed by a full set of curly mane, the mouth suspending a movable ring handle, all on a foliate base with six lozenge-shaped apertures for securing to a door.Provenance: Estate of Dr. Otto Schwend, acquired between 1923 and 1925 in Dongguan, Guangdong Province, China and thence by descent in the same family. Dr. Otto Schwend (1892-1951), a German physician who lived in East Asia for fifteen years, first in Dongguan between 1923 and 1926, and subsequently in Bangkok, Thailand between 1926 and 1938. After serving as a military surgeon in World War I, he worked at a missionary hospital in Dongguan from 1923 and moved to Thailand three years later to open a private practice in Bangkok. As a successful doctor fluent in Chinese, he became an important figure in Bangkok, even treating members of the royal family. During his time in East Asia, Schwend built a substantial collection of Chinese and Thai art, which he brought back to Germany and has remained in the possession of his family for over 80 years. Condition: Very good condition with old wear, traces of use, minor casting irregularities, minuscule nicks and dents, and light scratches. Fine, naturally grown, matte patina with malachite green encrustation here and there.Weight: 3,061 gDimensions: Diameter 24.6 cmLuduan are mythical and auspicious creatures with strong lion bodies, a single horn and the paws of a bear. They are believed to have the ability to traverse vast distances and master all languages, as well as foretell the future, giving life to the good and killing evil. According to legend, they were originally known as 'jiaoduan', and their name changed to 'luduan' because the character for 'lu' matched their appearance better. Known as guardians of enlightened rulers, luduan were said to appear in areas where a wise and virtuous leader was present.Auction result comparison: Compare a related bronze door knocker, 44 cm high, dated circa 17th century, at Christie's Paris in Art d'Asie on 10 December 2020, lot 167, sold for EUR 27,500. 明代甪端銅輔首中國，1368-1644年。圓形片狀。主紋為甪端紋，甪端睜目蹙眉，如意形鼻子，獨角，口含銅環，面目兇惡猙獰，鬃毛飛揚。六邊菱形孔葉狀底座，用於固定到門上。來源：Dr. Otto Schwend收藏，1923 至1925年間購於中國廣東東莞，保存在同一家族至今。Dr. Otto Schwend (1892-1951) 是一位德國醫生，在東亞生活了 15 年。1923 年至 1926 年間，他先是在東莞，隨後 1926 年至 1938 年在泰國曼谷生活。在第一次世界大戰中擔任軍醫後，1923 年起他在東莞的一家教會醫院工作 。三年後移居泰國，在曼谷開設了一家私人診所。 作為一名能說一口流利中文的成功醫生，他成為曼谷的重要人物，甚至為皇室成員提供治療。在東亞期間，Schwend收藏了大量的中國和泰國藝術品，並將其帶回德國，並一直由他的家人收藏超過 80 年。 品相：狀況極好，磨損、使用痕跡、輕微的鑄造瑕疵、微小的刻痕和凹痕以及輕微的劃痕。 自然細膩的包漿，多處可見綠色結殼。 重量：3,061 克 尺寸：直徑 24.6 厘米 拍賣結果比較：比較一件相近的約十七世紀銅輔首，高44 厘米，見巴黎佳士得 Art d'Asie 2020年12月10日 lot 167, 售價EUR 27,500。
Lot 48
Demas Nwoko (Nigerian, born 1935)Wooden doors depicting the Crucifixion and Resurrection of Christ: commissioned by the Cathedral Church of Christ signed and dated 'DEMAS NWOKO 2015' (lower left corner of right door)Apa wood284.5 x 167.6 x 7.5cm (112 x 66 x 2 15/16in).Footnotes:Please note: This lot is in Lagos, Nigeria. We are selling the lot in situ, and will be able to arrange shipment to the buyer. Please contact the department for a shipping quotation.These doors were commissioned for the Cathedral Church of Christ in Marina, Lagos, by the family of Chief Dr. Moses Adekoyejo Majekodunmi in 2013. The Majekodunmis approached the renowned Nigerian artist and architect, Demas Nwoko. The commission was completed in 2015, however, due to an expansion of the wood, the doors were never installed.The doors were created in the artist's studio in Asaba, Delta State. Carved from Apa wood, they are 75mm thick, 284.5cm tall and 167.6cm wide.The design concept was inspired by the Biblical account of Christ's crucifixion and resurrection. The left leaf depicts Christ's followers receiving the Holy Spirit. The right leaf depicts Christ rising from a field of lilies.For further information on this lot please visit Bonhams.com
Lot 110
Cabinet; Flemish School; first half of the 17th century.Ionised wood and oil paintings on copper.It has a carving of the Virgin and Child.It has faults, damage, loss of two drawer registers and later additions such as one of the hinges.It has slight paint losses and restorations.It retains the iron fittings and two keys (one old and one current).Measurements: 77.5 x 70 x 50 cm (open); 26 x 18.5 cm (crucifixion); 23.5 x 11 cm (side, x2).Cabinet made of ebonised wood with a volumetric structure in a rectangular format. The piece is structured on a base with sharp edges and a baroque aesthetic defined by four legs carved with geometric motifs, on which stands the foot, which has a sober design, but dynamic at the same time due to the protrusions and protrusions. The rectangular body is divided into two areas: the rear and the front. The opening of the rear area, which has a hinged lid, reveals a compartmentalised interior, populated by small drawers that vary in size. It is true that the piece does not have two of the registers, so small drawers are missing. As for the front part, it has a drawer at the base with an ornamental lock, and in the upper part two doors also with locks, which give way to an interior in which the upper part can be folded down, so that the total opening of the same creates a top that finishes off the structure, thus becoming a kind of chapel. The hinged doors, the centre and the top are decorated with oil paintings. Dominating the whole is the crucifixion of Christ, accompanied at the foot of the cross by Saint John and the Virgin. This iconographic form evolved from the original Byzantine Déesis, which depicted Christ in Majesty accompanied by Mary and St John the Baptist. In Western art, the depiction of Christ on the cross was preferred as a narrative scene, and the figure of St John the Baptist was replaced by that of John the Evangelist. The interior of the left door shows the figure of Saint John the Baptist, dressed in the usual red cloak, which alludes to his martyrdom. Next to him is the presence of a lamb, which represents Jesus Christ, and he supports a cross of reeds, although in this case the usual phylactery with the inscription "Ecce Agnus Dei" is not visible. The right door shows the kneeling, praying figure of Saint Francis, the son of a wealthy Italian merchant. Baptised John, he soon became known as "Francesco" (the little Frenchman), because his mother came from that country. His youth was joyful and carefree until the age of twenty-five, when he changed completely and began to dedicate himself to the service of God, practising the Gospel ideal: purity, detachment and joy in peace. Francis renounced the great inheritance he had received from his parents and decided to live poorly, setting an example of a true Christian. He soon had several young disciples, called by the saint "the Order of Friars Minor". In 1210, Pope Innocent III granted them the foundation of the new order and encouraged them in their evangelical tasks.In the upper crest, the ornamentation is enriched by the presence of a carving depicting the figure of the Virgin and Child, inscribed in a break of glory that is defined by the golden rays emanating from the body of the mother of Christ. Finally, rounding off this pictorial ensemble, a circular oil on copper contains the figure of God the Father, holding the orb in one of his hands, which alludes to his control over the universe.
Lot 72
Spanish or Italian school; circa 1760-1770."Abraham, Sarah and the Angel".Oil on canvas. Re-framed.It does not conserve stretcher.Measurements: 21 x 31,5 cm; 28 x 38 cm (frame).The perspective with which this work has been conceived, with a high point of view, indicates that probably the piece was conceived to be placed in a superior zone, perhaps in a lintel. In the scene that takes place outside, the artist places only three protagonists arranged in a pyramidal composition that allows the piece to be easily read. In the upper area, an angel belonging to the celestial plane conveys a message to a couple, Abraham and Sarah.This scene from the Old Testament is found in Chapter 18 of Genesis, which reads: 18:9 And they said unto him, Where is Sarah thy wife? And he said, Here in the tent. 18:10 And he said, I will surely return to thee; and according to the time of life, behold, Sarah thy wife shall have a son. And Sarah listened at the door of the tent, which was behind him. 18:11 Now Abraham and Sarah were old and advanced in years, and Sarah's custom of wives had ceased. 18:12 And Sarah laughed among herself, saying, After I am old, shall I have pleasure, when my lord also is old? 18:13 And the LORD said unto Abraham, Why hath Sarah laughed, saying, Shall I be delivered when I am old? 18:14 Is there any hard thing for God? At the appointed time I will return to you, and according to the time of life, Sarah shall bear a son. 18:15 And Sarah denied, saying, I laughed not; for she was afraid. And he said, It is not so, but thou hast laughed.
Lot 89
Small group of furniture to include an Edwardian inlaid mahogany side cabinet with extended back, twin doors, on block feet, 88cm x 77cm x 35.5cm, along with an Edwardian mahogany bedside pot cupboards with fielded door, on short square tapering legs, and a 19th century rosewood veneered and inlaid jardinière stand on plinth base, 108cm highLocation:
Lot 260
A large pottery tile/plaque inscribed "West Country Ales 1760 Best in the West" circa 1958/1967 for West Country Breweries an amalgamation of Stroud and Cheltenham Breweries 40 cm x 29 cm x 6 cm deep CONDITION REPORTS Some rough areas to the white door frame, otherwise generally is dirty and in need of a clean with black spots on. General wear and tear condusive to age and use. See images for more details.
Lot 607
An oak side cabinet in the 18th Century style the upper section with glazed and barred door enclosing adjustable shelving flanked by two panelled cupboard doors enclosing further adjustable shelving on a break front base with single drawer over cupboard door flanked by two further cupboard doors on carved scroll feet 182 cm wide x 58 cm deep x 204 cm high
Lot 624
An early to mid 20th Century walnut bow fronted bedroom chest in the Georgian style, the quartered and cross-banded top over two cupboard doors and two drawers, raised on shell carved cabriole legs to pad feet, 94 cm wide x 56 cm deep x 130.5 cm high, together with a matching pot cupboard of single drawer over cupboard door, 46 cm wide x 36 cm deep x 74.5 cm high and another bow fronted pot cupboard, 51 cm wide x 36 cm deep x 79 cm high
Lot 627
An Edwardian mahogany music cabinet, the cross banded top with moulded edge over a single door with two panels over a glazed panel enclosing shelving on a plinth base 53 cm wide x 36.5 cm deep x 109 cm high and a 19th Century rosewood occasional table, the top on twin turned and ringed pillars to splayed moulded supports (one of a nest), 42 cm wide x 28.5 cm deep x 71.5 cm high
Lot 636
A mahogany work table in the Regency style, the rising top with reeded edge over a dummy drawer and single drawer on square tapered legs 44 cm wide cm x 28 cm deep x 72.3 cm high and a Georgian style mahogany tray top night table with single cupboard door on square moulded and chamfered supports 35 cm square x 75.5 cm high, a mahogany and satinwood cross banded oval Pembroke table with single end drawer on square tapered legs 61 cm x 80 cm x 69 cm high and a 20th Century mahogany nest of three occasional tables 65 cm x 48 cm x 54 cm high
Lot 639
A George III mahogany kneehole desk of small proportions, the top with moulded edge over a single long drawer and small drawer over a recessed cupboard door flanked by two banks of three short drawers with brass swan neck handles raised on bracket feet 76 cm wide x 50.5 cm deep x 80 cm high CONDITION REPORTS The bottom right hand drawer appears to have had some restoration to it. It is a lot heavier than the others and has screws on the inside front. One drawer is missing its lock. Handles appear original although some have had the nuts replaced. Some small areas of patching, particularly the top right hand side of the top drawer as well as the odd bit on the mouldings. Feet have been tipped. Discolouration to the wood throughout.
Lot 667
An Ercol elm rectangular dining table on end trestle supports, 152 cm long x 75.5 cm wide x 72.5 cm high, an Ercol dresser with three door shelved superstructure over three further panelled cupboard doors, 146 cm wide x 50 cm deep x 165 cm high, a modern bentwood and caned rocking armchair and set of six Ercol dining chairs with drop-in seats (4 plus 2 carvers)
Lot 669
A 19th Century stained pine dresser, the boarded two tier plate rack over a central drawer and cupboard door flanked by two banks of three drawers on bracket feet, 159.5 cm wide x 42 cm deep x 203 cm high, together with a modern pine work bench with plank top on square supports united by a centre stretcher 122.5 cm wide x 59.5 cm deep x 85 cm high and an Edwardian mahogany and inlaid salon chair
Lot 740
A military teak and iron bound trunk with ropework handles, indistinctly inscribed to front "No. 23 1Set7REAMY Supply?", 52 cm wide x 41 cm deep x 51 cm high, together with a painted tin trunk (x 2), brass single bedstead, 90 cm wide, brass and iron double bedstead 140 cm wide, a modern brass standard lamp in the Victorian manner and a mahogany single door cupboard (part of larger piece), the single door enclosing ten slim collector's type drawers
Lot 741
A 19th Century mahogany bureau bookcase, the broken arch pediment over a dentil and blind fretwork Greek key style frieze and two astragal glazed doors enclosing adjustable shelving, the sloping fall enclosing a stepped fitted interior with central blind fretwork decorated cupboard door flanked by two similarly decorated deed drawers and surmounted by a secret drawer flanked by pigeonholes and further drawers over four long graduated drawers on ogee bracket feet 112.5 cm wide x 59 cm deep x 247 cm high
Lot 744
A G Plan teak bookcase cabinet with two glazed doors over two adjustable shelves and two cupboard doors 81 cm wide x 46 cm deep x 198 cm high, a brown studded leather "Lusalore" tub chair on square tapered beech legs 60 cm wide x 74 cm high, an oak glazed two door bookcase with galleried surmount 108 cm wide x 36 cm deep x 120 cm high and a mahogany astragal glazed hanging corner cupboard on associated stand 77 cm wide x 120 cm high (190 cm high including stand) and a mahogany dwarf two door cupboard, 96 cm wide x 40 cm deep x 68.5 cm high
Lot 750
A burr walnut chest in the early 18th Century manner, the quartered and cross-banded top boxwood strung and with applied moulded edge over a small cupboard door flanked by two pairs of short drawers with brass swan neck handles, over three further long drawers flanked by quarter cut fluted side pilasters, raised on bracket feet, 96.5 cm wide x 51 cm deep x 110 cm high
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