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Lot 22
THE CURE - LPs/7"//12". Have faith in this top collection of 6 x original title LPs, 1 x 'mini' LP, 3 x 12" and 7 x 7"! Titles are Kiss Me Kiss Me Kiss Me (FIXH 13 with printed inners and insert - Ex+/Ex), The Head On The Door (FIXH 11 printed inner), Japanese Whispers (FIXM 8), Faith (Fix 6), Boys Don't Cry (SPELP 26), Standing On A Beach - The Singles, The Walk, Close To Me (including ltd edition 7" poster sleeve copy FICSG23 and 12" FICSX 23), Just Like Heaven (limited edition picture disc FICSP 27 and white vinyl FICS27 copies, both top Ex+), Why Can't I Be You? (including ltd double pack, number 01313 and stock copy), In Between Days (7" and 12" stock copies), The Caterpillar and Boys Don't Cry (New Voice Club Mix). Condition is chiefly Ex to Ex+/archive. Wicked selection.
Lot 27
GOTH/INDIE ROCK - LPs/12"/7" COLLECTION. Experimental collection of around 74 x choice 12"/LPs/7". Artists/titles include The Sisters Of Mercy (x11) inc. First And Last And Always (MR 337L including stock and gatefold copies), The Reptile House EP (12" MR 023), Anaconda c/w Phantom, Alice, Body And Soul, Walk Away c/w Poison Door, No Time To Cry and Temple Of Love, The Mission (x10) inc. Gods Own Medicine, Interview Picture Disc, II (7" and ltd edition 12"), III (7"), IV (7" and 12"), V (7" poster pack and 12"), All About Eve (x7), Skeletal Family, The Church, Gaye Bykers On Acid, Fields Of The Nephilim, Killing Joke, The March Violets The Cult (x13) inc. Electric, Sonic Temple, Love, Wild FLower, Rain and Lil' Devil, Gene Loves Jezebel (x6) inc. Immigrant, Promises and Sweetest Thing, Xmal Deutschland, The Flower Pot Men and Alien Sex Fiend. Condition is primarily Ex to Ex+/archive.
Lot 97
INDIE/ALT/NEW WAVE - LPs. Excellent collection of 18 x choice LPs. Artists/titles are Jane's Addiction - Nothing's Shocking (WX 216 original EU copy with corrugated rubber outer jacket - Ex+/Ex+ throughout), Nick Cave And The Bad Seeds (x2) - Tender Prey (STUMM 52 - Ex/Ex a very fine copy) and The Firstborn Is Dead (STUMM 21 - Ex+/Ex+ a superb copy), The Cure (x4) - Kiss Me Kiss Me Kiss Me (FIXH 13 - Ex+/Ex very clean copy with inners), The Head On The Door (FIXH 11- VG+/Ex lyric inner), The Top (FIXS 9 - Ex+/Ex+ a 'top' copy indeed!) and Boys Don't Cry (SPELP 16), The Associates (Fiction 2383 585), Japan - Gentlemen Take Polaroids, , The Primitives, The Danse Society - Heaven Is Waiting, Dalek I Love You, The March Violets, Belfegore, Killing Joke - Fire Dances, Prince - The Black Album (private RE), Danielle Dax and Various - IQ 6 Zang Tumb Tuum Sampled. Condition is primarily nice and clean Ex to Ex+.
Lot 147
EIGHTEENTH CENTURY AND LATER COMPOSITE OAK COURT CUPBOARD OR DIDARN, the upper section with drop finials to the guilloche carved canopy, above a pair of panelled cupboard doors, each carved with a flowerhead filled lozenge, flanking a narrow, central panel, the base with a pair of panelled cupboard doors above a central cupboard door and conforming side panels, the whole raised on extended stile supports, 67? (170cm) high, 54 ½? x 24? (138.3cm x 61cm)
Lot 179
PAIR OF GEORGE III MAHOGANY SHOTGUN AND FISHING ROD CABINETS, each with moulded cornice above a six panel glazed cupboard door, enclosing a green baized lined and fitted interior, and raised on a slightly advanced base with a single, panelled cupboard door, and plinth base, the shotgun cabinet fitted for six guns and with long, two handled drawer to the glazed interior, the fishing rod cabinet fitted for eight rods and accessories, 82? (208.3cm) high, 32 ½? x 14? (82.5cm x 35.6cm), (2)
Lot 28
SHAKESHAFT, PRESTON, NINETEENTH CENTURY LINE INLAID AND FIGURED MAHOGANY LONGCASE CLOCK, the 15? gilt lined circular, enamelled dial with subsidiary seconds and date dials to the centre, powered by an eight day movement striking on a bell, and housed in a case with eagle and ball finial to the floral painted porcelain mounted swan neck pediment, above a circular glazed door and free standing fore columns with brass Corinthian capitals, set over a long trunk door with shaped top, flanked by split quarter columns, and raised on a conforming chamfered and crossbanded base with bracket feet, 89 ½? (227.3cm) high Supplied with copies of receipts detailing work carried out on the movement and dial, dated 1997 and 1998
Lot 1000
A carved walnut wall mounted display cabinet:, of shaped domed outline with foliate scroll moulded cornice centred by a palmette motif, enclosed by a single glazed panel door with scroll and foliate glazing bars and acanthus decorated base, having crossbanded sides, 89cm (2ft 11in) wide, 84cm (2ft 9in) high.
Lot 795
J. Hall & Co, Manchester a mahogany wall clock: the weight-driven eight-day duration movement striking the hours on a bell and stamped to the backplate with the serial number 213, the thirteen-inch round painted dial having black Roman numerals and signed J. Hall & Co, 56 King Street, Manchester, with a subsidiary seconds dial and blued steel spade hands, the mahogany case having a round hood with panels to the lower corners, a shaped top to the trunk door, canted corners and a curved drop into the wall, height 162cms. * Biography In August 1831 John Hall joined William Hatfield of Sheffield in a partnership based at 56 King Street, Manchester, whilst also recorded at 48 Swan Street in 1841 and Montague Terrace, Bury New Road in 1843. The partnership lasted until 1845 although the business continued at King Street until at least 1918. They were not only makers of clocks but also importers of fine French clocks & bronzes. They showed a 'Jubilee Watch' at the 1887 Royal Exhibition held at Old Trafford, Manchester, which reputedly took six years to make costing £500. A watch signed John Hall & Co, Manchester and hallmarked for 1918 received a Class A Certificate from Kew Observatory where it was awarded 81.5 marks and described as Especially Good. Reference: Edmund Davies Greater Manchester Clocks & Clockmakers Pub. Mayfield Books 2007
Lot 798
A 1930's walnut grandmother clock: the eight-day duration spring driven movement striking the hours on a gong and the quarters on a further four gongs, the seven-inch break-arch brass dial having a raised silvered chapter ring with black Roman numerals and blued steel hands with the matted centre having an applied silvered plaque engraved with the name Boodle & Dunthorne, Liverpool, with cast-brass spandrels to the four corners, the arch having a silvered centre boss engraved Tempus Fugit, the walnut grandmother case having a swan-neck pediment to the hood with a wooden centre finial and fluted pillars, the trunk with a shaped door and fluted quarter columns and blind fretwork mouldings, the base with canted corners and all standing on bracket feet, height 149cms.
Lot 801
John Rayment, Huntingdon, an oak longcase clock: the eight-day duration movement striking the hours on a bell, with the twelve-inch brass break-arch dial having a raised, silvered chapter ring engraved with black Roman hour numerals and outer Arabic five-minute numerals, the matted dial centre having a date aperture and subsidiary date aperture, with cast-brass urn spandrels to the four corners, the arch with a round silvered boss engraved with the makers name Jno. Rayment, Huntingdon and with cast-brass dolphin spandrels to either side, the oak case having a break-arch hood with three-quarter turned pillars, with boxwood stringing to the break-arch trunk door and having a plain base, height 203 cms.* Biography John Rayment, born 1715, the son of clockmaker Richard Rayment is recorded as working from at least 1751 in Huntingdon and died in 1795. He was succeeded by his son, also John, born circa 1745 who is known working in Stamford, Lincolnshire also as an auctioneer, silversmith and dentist before becoming master of the Ladies' Boarding School at Huntingdon.
Lot 804
John Roberts, Dartmouth, a rare shuttlecock automata longcase clock: the eight-day duration movement striking the hours on a bell, with the thirteen-inch painted break-arch dial having black Roman hour numerals with the centre having a subsidiary seconds dial and signed for the maker John Roberts, Dartmouth and painted to each corner with a depiction of a flint house with tower, the arch having a painted scene of a couple playing badminton within a garden, the shuttlecock moving between each player's racquet with each beat of the clock, the mahogany case with canted corners to the trunk, a curved moulding to the trunk door, boxwood stringing to the base and trunk, the hood having an architectural pediment with a brass eagle-and-ball finial between and columns with cast-brass capitals, all standing on bracket feet, height 226cms. * Biography John Roberts is recorded as working as a watch & clockmaker in Dartmouth in 1793. Reference The Universal British Directory 1793.
Lot 941
An Aesthetic movement oak, inlaid and decorated bedroom suite:, with inlaid panels of chevrons and flowerheads and painted gilt ground panels of butterflies amidst flowering stems, comprising a combination wardrobe, with a moulded cornice, the central section fitted with sliding trays and two short and two long drawers below, flanked by a full length hanging cupboard with drawer at base, enclosed by a central mirror panel door, flanked by a panel door to either side, on a plinth base, 216cm (7ft 1in) long, a dressing table with swing frame mirrored superstructure, flanked by two enclosed cupboards and with single central drawer and open compartment below, flanked by an enclosed cupboard to either side, 137cm (4ft 6in) wide and a pedestal cupboard, 40cm (1ft 3 3/4in) wide.
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235302 item(s)/page