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An Art Deco satinwood six-piece bedroom suite with flame veneered panels, coromandel banding and edging and comprising; a breakfront triple wardrobe with a linen press section to centre, a two-door linen press, a tallboy with a pair of cupboard doors enclosing five slide out shelves, a dressing table with three bevelled glass panels and pedestal base, a dressing table stool with tapestry top and an arched headboard with a pair of bedside cabinets and together with divan bed. The lock plates stamped "Hobbs & Co., London" and "Bartholomew & Fletcher". (6)
Georgian mahogany Apothecary's cabinet, brass swan neck handle to top, pair of doors fitted with three shelves each with nine bottles to each door, the body with one shelf with five compartments and bottles over an arrangement of three short and two long drawers, containing silver bowl scale set hallmarked London 1800 by Samual Whittle the bottom drawer containing glass pestle and morter
A mid 19th century oak and mahogany longcase clock, the swan neck pediment on full turned and baluster supports enclosing an arched dial, painted with rural scenes and floral spandrels, black Roman numerals and incribed 'Ness Kirby-Moorside, the case with two maple panels, the square door with acanthus carved cresting enclosed by canted angles, the crossbanded base with shaped apron and bracket feet, 30 hour movement, dial 47cm high, 222cm high overall
Victorian mahogany Dickens desk, circa 1860, fitted with eight small drawers to the back and centred with a single shelf over a slope front with later tooled leather inset, opening to reveal drawers and pigeonholes, fitted three frieze drawers over pedestals with three further drawers opposing a cupboard door with a three blind drawer front, all with turned wooden knobs, raised on a plinth base, width 150cm
Victorian carved mahogany gentleman's wardrobe, with moulded projecting cornice, the central section fitted with sliding trays and 3 drawers below, enclosed by mirror panelled door, between scrolled corbels, flanked to. either side by cupboards enclosed by leaf decorated arched panelled doors on plinth base, 212cm high, 226 wide, 66cm deep
A George III mahogany and inlaid longcase clock, late 18th century, the arched hood with broken scroll pediment painted with scrollwork in verre eglomise style above an arched and pillared glazed door, enclosing a 14" white enamel dial with Roman numerals, subsidiary seconds and date dial and painted with roses in the corners and a rolling moon phase in the arch, eight day movement striking on a bell, between fluted pilasters and over a shaped top, three-quarter length trunk door with oval boxwood and ebony stringing, flanked by fluted pilasters over a further oval tablet, ogive and cushion moulding and inlaid panel base board, between canted angles, lacking feet, distressed, 90" high
An oak and mahogany crossbanded longcase clock, early 19th century, the broken scroll swan neck pediment above an arched trunk door, flanked by brass capped pilasters enclosing a 12" white painted enamel dial with Roman numerals and subsidiary seconds dial and date aperture and marked 'Unwin & Holt, Newark', gilt painted foliate corners and painted with a fisherman fishing by a weir in the arch, eight day movement striking on a bell above a canted top crossbanded full length trunk door, ogive moulding and ribbed baseboard on plinth base, restorations, 82" high
A George III oak cottage longcase clock, early 19th century, with shaped pediment and three brass eagle and ball finials above a square hood flanked by pilasters, enclosing a 12" white enamel dial with Roman numerals, subsidiary seconds dial and date aperture and marked 'Robert King, Fodden', painted with roses to the corners, 30 hour movement striking on a bell above an arched full length trunk door, ogive and cushion moulding and plain baseboard on plinth base, 80" high
A George III oak mahogany crossbanded and inlaid longcase clock, late 18th/early 19th century, with broken swan neck pediment above a square glazed door, flanked by brass capped pilasters, enclosing a 13" square enamel dial with arabic numerals, subsidiary seconds dial and date aperture, marked 'Owen Davies, Llanidloes', painted with gilt paterae in the corners, 30 hour movement, striking on a bell above a crossbanded trunk door with canted top corners, ogive moulding and plain baseboard with fan inlaid top corners raised on shaped apron and bracket feet, restorations, 82" high
An oak and mahogany crossbanded and inlaid cottage longcase clock, second quarter 19th century, the broken scroll swan neck pediment above an arched glazed door, flanked by fluted brass capped pilasters enclosing a 12" white painted arched enamel dial with Roman numerals and date aperture, marked 'Thomas William Hay, Shrewsbury', painted with flowers to the corners and a hunt in full cry to the arch, 30 hour movement, striking on a bell above an ogee arched top three-quarter length trunk door inlaid with a boxwood and harewood bird motif over a tablet, ogive and cushion moulding crossbanded base and deep plinth, distressed, 80" high.
George II style burr walnut bracket clock, early 20th century, the arched top above a glazed door and a moulded plinth on 4 block feet, the arched brass dial with silvered chaptering and strike silent lever, the 3 train Garrard movement with anchor escapement and Westminster strike on 5 gongs, 30.3cm high.
George III mahogany domed top bracket clock, late 18th century, signed E. Livermore, London, surmounted a swing brass carrying handle, above an arched glazed door flanked by fretted brass side panels, above a moulded plinth, on 4 later block feet, the arched white painted dial with Roman hour numerals and silent/strike subsidiary dial to the arch, the twin fusee brass movement with anchor escapement, engraved back plate, striking on a bell, possibly associated, 41.5cm high to swing handle x 25.5cm wide, restored.
George III mahogany single pad top bracket clock, complete with original wall mounting bracket, the arched top surmounted by a swing brass handle, above a circular convex glass door and fretted brass panel, flanked by conforming side panels, on brass bracket feet, the circular white enamelled dial inscribed Henry Gratte, Kennington Lane, Surry, the twin fusee movement with anchor escapement striking on two bells, chip to dial, 39cm high.
Adam revival mahogany serpentine fronted corner cabinet, c1910, the raised back above a key fret fluted and paterae carved frieze, the single glazed door enclosing 3 floral silk trimmed fitted shelves, above a bead moulded panel, flanked by recessed pilasters with bell husk carving, on slender panelled sabre front legs, 73.5cm wide x 174.5cm high.
Sheraton Revival mahogany satinwood banded and marquetry inlaid display cabinet, stamped by Edwards & Roberts, circa 1905, of canted rectangular form, the upper section with broken swan-neck pediment above a central glazed door and side panels enclosing 2 adjustable shelves, the base fitted with a single cupboard door and a pair of panels with trophy inlay, above a solid shelf, on square tapered legs, 121.5cm wide x 214.5cm high, losses to veneer, panels slightly bowed, spade feet lacking.
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235346 item(s)/page