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An early 19th century mahogany linen press, the rounded rectangular top above twin central cupboard doors enclosing four linen shelves flanked by four drawers to the left and four faux drawers to the right, width 183cm. CONDITION REPORT One door is misshapen and does not close properly, overall good condition for age.
Henry Yeomans, Nottingham, a mahogany longcase clock: the eight-day duration movement striking the hours on a bell, the thirteen-inch painted break-arch dial having black Roman hour numerals, five-minute Arabic outer numerals, a subsidiary seconds dial, date aperture, with a depiction of the four-seasons painted to each corner, a rural scene painted within the arch depicting a shepherd resting with his sheep and signed to the centre with the maker's name H. Yeomans, Nottingham, with decorative brass hands, the mahogany case with inlaid stringing and cross-banding to the base and trunk, canted corners and a shaped top to the trunk door, the hood with further inlaid stringing, turned columns with brass capitals and a swan-neck pediment with brass paterae and a ball-and-spire finial to the centre, standing on bracket feet, height 227cm, including finial. * Biography Henry Yeomans is recorded as a clock and watch maker, silversmith and jeweller working at various addresses in Clumber Street, Nottingham; number 19 in 1825, number 27 in 1853 and number 15 from 1864.
John Lee, London, a lacquered longcase clock: the eight-day duration, five-pillar movement (fifth pillar missing) striking the hours on a bell, the twelve-inch break-arch dial having a raised silvered chapter ring engraved with black Roman numerals and Arabic five-minute numerals to the outer aspect, the matted centre with a subsidiary seconds dial, date aperture and silvered plaque engraved with the maker's name John Lee, London, with cast-brass female and c-scroll spandrels to the four corners, and a strike/silent dial within the arch with cast-brass dolphin spandrels either side, with blued steel hands, the green lacquered case with raised chinoiserie decoration, the hood having a pagoda top with ball-and-spire finials to either side, a brass eagle-and-ball finial to the centre and three-quarter columns with cast brass capitals, the trunk with typical Oriental scenes to the break-arch door, the base with further decoration and standing on replaced bracket feet, height 243cm (not inc. finial) * Biography There were various makers named John Lee working in London at this time, with the most likely maker of this clock being either a John Lee who was apprenticed in 1719, becoming free of the Clockmakers Company in 1737 or another apprenticed in 1734 becoming free of the Clockmakers Company in 1745. * Provenance: Kingsnympton Park, Devon.
Thomas Haley, London a mahogany long case clock: the eight-day day duration, five-pillar movement striking the hours on a bell, the brass twelve-inch break-arch having a raised silvered chapter ring engraved with black Roman hour numerals, outer Arabic five-minute markings and signed Thomas Haley, London, with cast-brass c-scroll spandrels to the four corners and a matted centre with date aperture, the arch having further cast-brass spandrels and 'strike/silent' dial, the mahogany case with satinwood stringing to the door, base, trunk and hood, with satinwood crossbanding to the trunk door and panelled base, the pagoda topped hood having fluted pillars with cast-brass capitals, with brass bound weights, height 234cm. * Biography Thomas Haley is quite possibly the maker who started his working life in North Walsham (Norfolk) leaving in 1742 to work in Norwich and then on to London after 1746 where he was known at Cold Field Baths in circa 1753 before moving to Oxford Street in circa 1781.
A German 'Vienna regulator': the eight-day duration, weight-driven movement having adjustable pallets and a wood-rod pendulum with brass bob, the two-piece white enamel dial with black Arabic hour numerals and decorative blued steel hands, the walnut case with glazed front door and side panels, with ebonised and walnut half-round pillars to the case and turned finials, height 126cm.
A Victorian walnut, inlaid and gilt metal mounted breakfront credenza:, of small size and D shaped outline, bordered with boxwood lines and decorated with stylised foliate scroll designs, the top with an ebonised moulded edge enclosed by a central panel door with gilt foliate banding, flanked by an enclosed glazed cupboard of bow front outline to either side, between stiles headed with flowerheads, foliage and guilloche ornament, on short ebonised turned feet, 109cm (3ft 7in) wide.
A late Victorian oak ebonised and bronzed mounted pedestal cellarette cupboard:, the frieze with ebonised bevelled raised panels flanked by bronzed lions mask roundels, the interior fitted with two cutlery drawers and a zinc lined cellarette drawer below enclosed by a door with oval bronzed plaque depicting dead game hanging from an oak branch, within ebonised inlaid spandrels and moulded surround, flanked by tapering pilasters headed with ribbon tied fruit and scrollwork, on a plinth base of recessed breakfront outline, 81cm (2ft 8in) wide 97cm. (3ft 2in) high.
A Victorian walnut, inlaid and gilt metal mounted breakfront low side cabinet:, bordered with lines and decorated with stylised foliate scroll designs, enclosed by a central panel door, flanked by an enclosed glazed cupboard to either side between stiles with applied guilloche and flowerhead and foliate ornament, on a plinth base, 184cm (6ft 01/4in) long.
A late 19th / early 20th century French kingwood decorated and gilt metal mounted serpentine fronted vitrine:, with pierced acanthus scroll and rocaille cresting, the plush lined interior with two plate glass shelves, enclosed by a central cartouche-shaped glazed panel door with panels below decorated in the Vernis Martin taste with figures in wooded arbors and landscapes, having a shaped apron with applied foliage on splayed feet terminating in scroll sabots, 120cm (3ft 11in ) wide x 200cm (6ft 6 3/4in ) high.
C. Trombetta, Norwich, a Georgian stick barometer: the mahogany case with satinwood edge moulding, a turned cistern cover to the base and an architectural pediment to the top, with a glazed door to the brass dial, engraved with a barometer gauge and having an inset thermometer to the side, engraved with the maker's name C. Trombetta, Ld Howe St, Bend, Norwich, height 97cm. * Biography; Charles Trombetta, an Italian immigrant, married Mary Fisher at St Stephens Church, Norwich in 1797 and is recorded as working at Lord Howe Street, Benedict's Street circa 1800 and after.
An early 18th century Italian carved walnut cabinet: decorated with paterae, masks, scrolling foliage, ribbon tied shells and gouged and lattice ornament, having a foliate, dentil and egg and dart cornice, the central cupboard fitted with six small drawers with rosette and winged cherub masks, enclosed by a door with central flowerhead roundels and foliate spandrels, surrounded by an arrangement of fourteen drawers flanked by stiles each with sculptured figures, having arcaded panel sides, on a narrow plinth base, 90cm (2ft 11 1/2in) wide x 76cm (2ft 6in) high.
Gustav Becker, a 'Vienna regulator' striking wall clock: the eight-day duration weight-driven movement striking the hours on a gong and having adjustable pallets and a wood-rod pendulum with brass bob, the backplate stamped with the trademark for Gustav Becker along with the serial number 2047868, the two-piece white enamel dial with black Roman hour numerals, a subsidiary 'seconds' dial, decorative blued steel hands and stamped with the initials GB either side of an anchor being those for Becker, the walnut case with turned finials to the top and bottom, glazed front door and sides, with ebonised and walnut half-columns to the front, height 122cm. * Biography, Gustav Becker was born in 1819 and died in 1885. He initially worked as a clockmaker in the German region of Silesia before time spent in Vienna. On his return to the area he settled in Freiburg in 1847 and opened a small clock factory. Orders came flooding in following the Silesia Fair of 1852 and production rose to some 300,000 clocks per year by 1875. The Gustav Becker brand continued after his death with a merger in 1930 with the clockmaking company Junghans.
A George III mahogany crossbanded and inlaid bow fronted sideboard:, bordered with boxwood and ebony lines, fitted with a central drawer in the arched apron flanked by a cupboard to either side, each enclosed by a door with circular crossbanded panels and fan spandrels, on square tapered legs, terminating in spade feet, 155cm (5ft 1in) long.
Peter Bower, Redlynch, an oak longcase clock: the associated thirty-hour birdcage movement striking on a bell, the ten-inch square brass dial having a raised chapter ring engraved with black Roman numerals, fleur-de-lys half-hour markings and signed either side of VI o'clock Peter Bower, Redlynch, with cast-brass c-scroll and shell corner spandrels, the dial centre engraved with a depiction of a castle flying a flag, with a steel single hand and date aperture, the oak flat-topped case having a long trunk door, plain base and tapered three-quarter columns to the hood with wood capitals, height 213cm. * Biography Peter Bower is recorded as a fine and prolific maker working in the West-country from circa 1710.
A 19th Century French satin walnut armoire with splayed cornice enclosed by a single panelled door, fitted drawer to base with reeded split turned columns to sides, on bun feet, 43ins wide x 17ins deep x 76ins high (split to panelled door and panel generally loose - some mouldings loose but present)
A 19th Century oak and mahogany longcase clock by Robert Joyce & Sons of Ruthin, the 13ins square painted dial with Roman numerals, subsidiary seconds dial and date aperture, the spandrels decorated with flowers to the eight day two train movement striking on a bell, contained, in oak and figured mahogany case with scroll pediment and triple cluster columns to hood, shaped and crossbanded trunk door flanked by moulded columns, the base with raised astragal panel and on bracket feet, 87ins high Note : Robert G. Joyce recorded working Ruthin 1856-1887
An 18th Century mahogany longcase clock by Thomas and John de la Houilliere of London, the 12ins arched brass dial with wide silvered chapter ring with Roman and Arabic numerals, subsidiary seconds dial and date aperture, and with matted dial centre to the eight day two train five pillar movement striking on a bell, contained in mahogany case, the hood with deep moulded cornice above fretted frieze and with turned, fluted and brass stopped columns, shaped figured trunk door flanked by quarter fluted and brass stopped columns, the base with raise astragal centre panel with conforming columns, on double plinth base, 93ins high Note : Thomas de la Houilliere recorded working London before 1725
A Chinese rosewood display cabinet, the whole carved with bamboo shoots, the shaped cresting fretted and carved with leaves and scrollwork, fitted six shelves, enclosed by a single glazed door, on fretted and carved apron, with shaped supports and with three open shelves under, 32ins (81.3cm) wide x 15ins (38cm) deep x 83ins (210.9cm) high, (late 19th/early 20th Century - slight fading)
An 18th Century mahogany longcase clock by James Brogden of London, with 12ins arched brass dial, silver chapter ring with Roman and Arabic numerals, subsidiary seconds dial and date aperture, matted centre dial engraved with birds and leaf scroll ornament, the eight day two train five pillar movement now striking on a gong, contained in mahogany case, with swept cresting, arched and moulded cornice and turned fluted and brass stopped columns to hood, shaped trunk door and plinth with raised centre panel and double plinth base, 94ins high Note: James Brogden recorded working in London, 1770-1799
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235302 item(s)/page