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Lot 581
Vinyl – 3 Synth albums and 6 12” singles including promos and test pressing to include Click Click – Rorschach Testing (1988 Belgium), Orchestral Manoeuvres In The Dark, Freur - Door Door (Pre- Underworld), Dave Gahan (Depeche Mode) – Kingdom (12”), Cabaret Voltaire (12”), The The – Infected (1986 Test Pressing), B Movie (12”), Soft Cell (Promo 12”). Working Men's Club – Teeth Anthony Naples Remix (Limited Edition 12” Red Stamp), condition generally VG+ / VG+ with some EX examples
Lot 116
Vinyl - 14 Blues albums including many rare original pressings, to include: Arbee Stidham – Arbee's Blues (USA, 1961, Folkways Records – FS 3824) VG / VG+, John Lee Hooker – Don't Turn Me From Your Door - John Lee Hooker Sings His Blues (1963, UK original, London Records, HA-K 8097) VG+ / VG++. Mance Lipscomb – Mance Lipscomb Vol. 4 (USA, 1967, Arhoolie Records – F 1033) VG+ / EX, Robert Johnson – Robert Johnson 1936 1937 (UK, 1962, Philips Recors, BBL 7539) VG / VG+, Earl Grant – Nothin' But The Blues, Big Joe Turner – Turns On The Blues (French Issue), Various – Jewel Spotlights The Blues Volume 2, Various – Blues Package ’69, Barrence Whitfield & The Savages - 6 different albums, including 2 signed by Barrence Whitfield)
Lot 187
Vinyl - 8 Led Zeppelin LPs to include One (ATL 40031) German press, Two (K40037) green & orange labels, Lemon Song to sleeve & label, Three (ATL 50002 German press), Four Symbols (K50008 German press), Physical Graffiti (K89400 German press), In Through The Out Door (SS 59410 German press) sleeve B with outer paper bag, Coda (A0051) and Song Remains The Same (SS 89402). Sleeves & vinyl Vg overall
Lot 531
Sterling silver Viking brooch door Norwegian designer David Andersen. This brooch is a replica of a 9th century Viking artifact. It was beautifully reproduced in the early 1960s by the famous company David Andersen from Norway. Each arm is decorated in Borre style with a head of a "beast". Brooches of this type, originally taken from Frankish sword fittings, were popular ornaments for Vikings, worn as a clothing fastener or cloak pin. Initially these pieces were turned into brooches and later the style was replicated by the Viking metalsmiths. Often a perforated ridge was added to the back to be worn as a pendant on a chain. Intricately designed brooches like this one, decorated with animal motifs, were worn by noble Vikings to display their wealth. In very good condition. LxW: 3.8 x 4.1 cm. Weight: 11.4 grams.
Lot 206
A George III long case mahogany moon phase clock with white painted dial, signed Whitern Abingdon, subsidiary seconds dial and date aperture, Roman and Arabic numerals with gilt and enamel decoration, encased by a swan neck pediment, later carved finials, floral marquetry, supported by Corinthian columns, classical depiction of Flora to door, urns, festoons, etc, 240 cm H. Condition: overall is very good condition; mechanism had been in working order before removal from property, complete with weights, keys and pendulum
Lot 264
Francis Alÿs (Belgian, born 1959)Ghetto Collector (for Parkett no. 69) Tin, magnets, plastic string, and rubber wheels, 2003, signed, dated and numbered 89/99 inside the tin door in blue ink, one of 25 design variations, published by Parkett Publishers, Zürich and New York, 156 x 241 x 152mm (6 1/8 x 9 1/2 x 6in)(Multiple)Footnotes:Provenance:Jack Tilton Gallery, New York.This lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 793
HealsWardrobe, circa 1920oak, adaptable four shelves and hanging space, doors finished with beading,label (to door)184cm high, 107cm wide, 44cm deep.Overall signs of wear, scratches and minor losses to edges and corners. Consistent with age and use. No signs of woodworm that we can see. Some slight discolouration in places. Natural flaws to the wood. Just general age related wear and minor damage. The lock mechanism does not work, so does not lock.
Lot 794
An early 19th Century mahogany bureau, the plain top above a rosewood cross-banded and satinwood strung fall front enclosing a fitted interior with various drawers, pigeon holes, central cupboard door, deed drawers, secret drawers, etc, over two short and three long graduated drawers with brass swan neck handles, raised on turned feet, 106.5 cm wide x 54 cm deep x 107.5 cm high
Lot 78
An early 18th century and later walnut veneered longcase clock, the gilt dial signed 'Daniel Parker in Fleet Street London' and having a matted centre, subsidiary seconds dial, silvered chapter ring with Roman numerals and gilt metal spandrels, the case having a stepped cornice with pierced fretwork and door having pendulum viewing window, the 8 day five pillar movement striking on a single bell, 200.5cm high x 40cm wide
Lot 88
A George III 8 day longcase clock, the arched top dial decorated with a country scene with figures to the top, subsidiary seconds dial, chapter ring, gilt hands and inscribed 'Griffin WLS Beach' for Bonner Griffin of Wisbech, the mahogany and oak case having turned brass final, broken swan neck pediment and marquetry shell inlaid to the door, the 8 day movement striking on a single bell, 212cm high x 48cm wide
Lot 251
An oak Welsh dresser, 18th/19th century, the boarded top section with moulded cornice above three central shelves flanked to either side by a niche shelf and paneled cupboard door, the lower section with three drawers over a shaped frieze on turned legs united by stretchers220 x 243 x 55cmProvenance:Property removed from Blomvyle Hall, Suffolksome marks and wear commensurate with age and use, top and base thought to be associated. Height 222cm x Width 244cm x Depth 56cm
Lot 350
A George III lacquered longcase clock by Christopher Pinchbeck, London, with 12inch arched brass and silvered dial, named to the arch, subsidiary seconds dial and date aperture, 5 pillar movement, on a plinth base, the case with some restorations and refinishing, 220cm highhood door loose; damages to case, lacking trunk door hinges (gouge marked) and now having a modern piano-type hinge. With two weights and pendulum. Some partial restorations to case. Please see photos.
Lot 436A
Henry Younge in the Strand, an ebonised table clock, circa 1680, the door with four gilt metal mounts below carrying handle, 6inch (15cm) brass dial with silvered chapter ring and date aperture, winged mask spandrels, strike/silent arm to the foliate scroll engraved backplate, pull repeat cord, twin fusee movement with turned pillars, all on 4 gilt brass feet 28.5cm high (handle folded)The clock appears to run, strike and hour repeat. The clock was fully restored about 20 years ago and had previosuly been bought from a dealer in Long Melford. The chain drive is later. The pendulum hold fast is wrong. We do not have any details of the restoration, so do not know what may have been restored or replaced at that time. See photos.
Lot 437
A George III ebonised bracket clock circa 1790, the inverted bell top and metal mounted case with handle above arched silvered one piece dial signed 'William Edwards Junr. London', strike/silent to the arch, date aperture above VI, engraved foliate spandrels, twin fusee movement converted to anchor, foliate scroll engraved backplate, on ogee feet 47cm high with handle foldedProvenance:Chillesford Lodge, SuffolkThe clock has a conversion from verge to anchor, and altogether now looks rather tired and in need of tlc. Mounts have lost their finish. A few chips/losses to case veneer in places, and some old paint spatter. Movement plates with a few empty holes but movement seems to fit. Dial looks OK, hands not a great colour. Possibly associated to case - retaining brackets adapted in shape. Hood door lacks pins/screws to lower hinge. Not currently wanting to tick for any duration, but noisey strike sounds correctly when hands are advanced at the hour. Sold 'as seen'.
Lot 540
A near pair of burr walnut Bonheur Du Jour, circa 1860, each with raised superstructure comprising of an assortment of seven drawers surrounding a central mirrored cupboard, with an oval leather writing surface over a single frieze drawer raised on cabriole legs125 x 105 x 59cm123 x 106 x 59cmTaller one:the short drawers on the left side of the superstructure are sticky to pull out, splits to the mouldings between the drawersFurther minor splits to the mirrored cupboard door, top surface knocked with dry splits, top three-quater gallery bent and damagedSlightly sun damaged, splits amnd repairs to veneer evidentMetal mounts slightly loose, some pins missingShorter one:Handles look to have been re-nailed, brass gallery slightly bent Various splits to the edge mouldingSome metla mounts also slightly looseMinor knocks and light scratching throughoutSee photos
Lot 546
A miniature Victorian mahogany and boxwood inlaid collector's cabinet, with single cupboard door enclosing five shaped galleried slides flanked by carved canted corners on a plinth base31 x 32 x 16cmJ T Needs and Co, late Bramah lockStructurally good however it does rock from front left to back rightTop is sun damaged with light wearSlides all move well, lowest slide chipped at the backGeneral wear and knocks to the extemeties most noticably the masks noses and the front right footSee photos
Lot 112
W GOULDSBROOUGH, SCARBOROUGH; a 19th century oak cased eight day longcase clock with broken swan neck pediment above brass arched dial with silvered roundel with the maker's details, above silvered chapter ring set with Arabic and Roman numerals, rolling date aperture, above arched door to tapering plinth and bracket feet, height 222cm.
Lot 633
A late 19thC Continental Vienna wall clock, the circular brass dial with enamelled chapter ring bearing Roman numerals, eight day movement, the wooden case with broken arch pediment carved centrally with flowers, arched glazed central door flanked by pillasters, with pendulum and key, 95cm high.
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235346 item(s)/page