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Click here to subscribeA Charles II Carved Oak Vestry Over-door Panel centred by a slightly convex cartouche of elongated oval form bearing the inscription `IOHN:WILLIAM GEORGE:HEGINBOTHAM CHURCH:WARDENES` defined against a recessed ground beneath a scroll-crested pediment, and flanked by the date 1667 and voluted scrolls. Retaining thick brown paint-work. 12 ins x 32 ins (31 cms x 82 cms). ]
A Fabulous James I Court Cupboard of diminutive proportions, fine colour & patination. The upper frieze carved with twin flower-headed scrolls above a moulded edge enriched with stylized foliage and raised on two large gadrooned cup & cover pillars. The recessed cupboard having two panelled doors carved with arches and flanking a sliding panel concealing two keyholes. The lower section having a frieze of inverted heart & strapwork motifs above gadrooned beading and two cupboard doors hung on iron Cocks-head hinges. The door panels carved with foliate lozenges. The left tenon block of the frieze stamped with initials EP EB. The dividing vertical rails carved with interlinked strapwork knots. Raised on stile feet 50¼ ins (128 cms) in height, 52 ins (153 cms) in width, 21½ ins (55 cms) in depth. [Ex Rous Lench Court Collection and illustrated in `British Antique Furniture, by John Andrews, Antique Collectors Club Publications, p.213, plate 66]. ]
A Fine Late 16th/Early 17th Century Carved Oak Court Cupboard of modest proportions. The top having a dentil moulded under-edge above a guilloche frieze raised on bulbous cup & cover supports flanking a recessed cupboard. The posts carved with stylised foliage and having gadrooned covers surmounted by scroll capitals. The cupboard having a central door with a recessed panel inlaid with a chequer-banded diamond below a guilloche arch contained in a deep foliate carved frame. The canted sides with similar decoration. The lower section having a long guilloche carved frieze drawer raised on bulbous posts echoing the top, with stile supports to the rear leading down to a base shelf above a rail of undulating foliage. 43¾ ins (111 cms) in height, 45 ins (114 cms) wide, 15 ins (39 cms) deep.* ]
An Antique French Chestnut Standing Panetière/food cuboard. The moulded top with rounded corners overhanging a moulded frieze rail and a single ventilated cupboard door enclosing shelves. The door fitted with a fretted brass escutcheon and having a inset sheet metal panel pierced with decorative perforations depicting cockerels, stars and a monstrance above the date 1823. The open base section with a barred shelf with gallery sides composed of silhouette cut spats between moulded rails. Standing on stile supports with shaped feet 59½ ins (151 cms) high, 25 ins (63.5 cms) wide and 19 ins (48 cms) high. ]
A Small 16th/17th Century Italian Polychrome & Giltwood Reliquary Cabinet. The cabinet exterior painted black and having canted doors opening to reveal relief-carved door backs depicting a Monk and The Madonna enriched with polychrome and fine line gilding, with residual floral scroll paint-work to the interior. The roof surmounted by a scallop shell highlighted with gilding, 18¼ ins (46 cms) in height, 13 ins (33 cms) in width, 9 ins (23 cms) in depth. ]
A Fine 17th Century Credence Cupboard. The fold-over demi-lune top measuring 40 ins (102 cms) in diameter on iron butterfly hinges opening out on twin gate supports to the rear. The under-edge adorned with dentil moulding blocks above a ventilated trapezoid cupboard. The centre door decoratively channel-moulded with two diagonal crosses forming fielded triangles; the design repeated on the side panels and drilled with perforations. Standing on cannon barrel turned legs & gate leading down to an under-shelf above shaped and moulded base rails, 33½ ins (85 cms) in height. ]
A 17th Century Italian Tortoiseshell, Brass & Ebonised Cabinet on Stand. The top section incorporating a small cabinet fitted with variously sized drawers and flanked by large scroll brackets veneered with tortoiseshell. The middle section having a large portico door with arched pediment and two Corinthian columns flanking a niche with gilt bronze statuette of a man; the interior housing three drawers. The protruding side sections having caddy tops applied with grotesque face masks above four drawers centred by tortoiseshell cushion moulded rectangular panels with brass dog head handles & foliate cast borders. The stand having conforming columns of drawers surmounted by face mask appliqués and raised on bun feet 65 ins (165 cms) in height, 49 ins (125 cms) in width, 24 ins (61 cms) in depth. ]
An Impressive & Rare Late 17th Century Portuguese Baroque Tortoiseshell, Brass and Ebonised Cabinet on Stand. The cabinet having a gallery of pierced brass panels cast with foliage and surmounted by flaming finials. The break-front incorporating a fitted interior enclosed by an ornate door with Solomonic columns, gilt brass appliqués and a plaque depicting the Virgin Mary in a niche to the centre. The flanking drawers set in threes and profusely decorated with bands of interlaced circles bordering tortoiseshell panels with raised ebonised mouldings. The moulded base raised on four large brass claw & ball front feet 39 ins (79 cms) in height, 44 ins (112 cms) in width, 14¼ ins (37 cms) in depth. The ebonised stand being later in date and having a break front top above barley-twist legs joined by peripheral stretchers and crossed iron S-form braces with central blade knops, terminating on bun feet 31 ins (79 cms) in height, 51 ins (130 cms) in width, 19¼ ins (49 cms) in depth. ]
An Imposing 17th Century Italian Ebonised & Inscribed Bone Cabinet on Stand. The deeply moulded cornice above three frieze drawers. The architectural front with a central portico and Corinthian columns incorporating a door opening to reveal a carved & domed arch drawer above two multi faceted tortoiseshell inlaid concave drawers. The surrounding drawers with pen-worked bone plaques depicting figural narrative scenes bordering the shell-decorated arched niches composed of recessed panelled sliding drawers and compartments. The sides having marquetry panels of interlinked lozenges and heart corners. The later stand having a long frieze drawer of moulded panels with bone stringing, and raised on bold tapered block legs 70 ins (178 cms) in height, 52 ins (132 cms) in width, 19 ins (48 cms) in depth. ]
A Fine & Rare 16th Century Oak Dressoir of unusually small proportions. The top having a deeply moulded pediment surmounted by a turned finial. The back having an upper panel of triangular form accentuated by the central triform petal carving and channel-carved borders. The canted cupboard section having panelled sides and a central door with a quatrefoil iron back plate. The ogee shaped aprons divided by pendant finials over hanging the chamfered back legs and base shelf, raised on block feet joined by run moulded rails. 74 ins (189 cms) in height, 28½ ins (72 cms) in width, 14 ins (36 cms) in depth. ]
A Magnificent German Gothic Carved Oak Linenfold Cupboard. The deep moulded cornice above a frieze of daisy wheels and tracery quatrefoil motifs. The upper cupboard fitted with two doors on stepped iron hinges with pierced terminals, flanked by side panels, above two mid frieze drawers and a lower cupboard with a centre door flanked by side panels. Richly decorated throughout with voluted linen-fold carving incorporating wrythen fluted spurs and small trefoil finials. The linen-fold running vertically to the cupboard panels and horizontally to the drawers with moulded squares of tracery flower heads adorning the divides and broad stile feet, 75½ ins (192 cms) high, 61 ins (155 cms) wide, 23 ins (59 cms) deep. ]
A 17th Century Oak Credence Cupboard. The top measuring 34¼ ins (87 cms) in width with a hinged leaf folding over to form an octagon and supported on a pull out loper to the rear. The triangular cupboard having a single door to one side with run-moulded framework standing on baluster turned legs leading down to block feet united by an under-stretcher, 30¼ ins (77 cms) high. ]
"The cabinet roller organ", a 19c. New York stamped table top roller organ "Manufactured by the Autophone Company" fitted in a mahogany, painted and inlaid case with hinged glass door revealing the organ on a stepped part ebonised base with a quantity of organ rolls. 43cms wide, 38cms deep, 31.5cms high.
A 19c. style walnut Serpentine fronted bookcase the upper section with a fixed moulded cornice raised above an astragal glazed door revealing removable shelves on a stand with brushing slide above a part tambour fronted interior on squat shell capped cabriole supports. Approx. 93cms wide. 45cms deep. 100cms high.
A rare Japanned, lacquered and ebonized long case clock the square hood stencilled with flowers revealing a square brass 11.25inch dial signed `Rich. D. Pinn, Exmouth` with raised brass spandrels, Roman numeric and Arabic chaptering and the centre in engraved with fishermen, trees and houses. The trunk door heavily decorated with Oriental figures and flowers with a bull`s-eye glass on a part moulded base (30hr movement). 219.5cms high.
W S Moss, Manchester - 19c. mahogany cased Grandfather clock, the painted arched Roman numeric dial with moon roller movement, subsidiary second hand and painted castle spandrels fitted in an arched gilt highlighted case raised above a shaped trunk door on squat bracket feet, eight day movement approx. 218cms. high.
HIRST, LEEDSAN EARLY/MID VICTORIAN MAHOGANY LONGCASE CLOCK, the hood having a swan neck pediment and flank pilasters, arched glazed door with crossbanded surround, mounted on a base with flame veneered panel door, canted corners and box panel base," raised on bracket feet, the eight day mechanism having anchor escapement, the striking train has been removed, and only the bell is present, 2.35m high
E** BAYLEY UTTOXETERA 19TH CENTURY OAK 8-DAY LONGCASE CLOCK, the hood having a fretted pediment and flank pilasters, the trunk with highly carved foliate panel door, the four pillar mechanism with rack bell strike faced by a 11" square brass dial w"ith Roman chapter and subsidiary calendar, 2.06m high
A George III Mahogany Longcase Clock, the arched hood with swan neck pediment flanked by turned pilasters above a rectangular door and conforming plinth base, the painted dial inscribed Abraham, Frome and with moonphase automaton movement and subsidiary seconds dial and date aperture and with two train thirty movement striking on a bell
John Lennon An intimate and revealing letter, typed, annotated and signed by John Lennon to Rick Sklar circa 1975 on Apple Records Inc. 1700 Broadway, New York, NY10019.. headed stationery, the address crossed out by John in black felt pen, the undated letter, a response to a note Sklar had sent to Lennon, possibly requesting an interview on his Radio show or an appearance on a Television show, opening: As I have already written [to] Howard to tell him no (thanks), I was a little surprised to get your note! I'm sure he'll just be fine without me, explaining his reasons for not appearing Apart from not being a 'variety' type performer (that's why I suggested Ringo to Howard) or feeling comfortable in those kind of situations.. I am currently going through one of my 18 month or so retreats.. a la Primal Therapy Meditation in ze Himalyas, he mentions that Yokos' [sic] pregnancy (thank God).. is going well before revealing three questions and thoughts that continually occupy his mind At the ripe old age of 34, I find myself going back to the age old question "WHAT THE HELL IS GOING ON?... WHY ARE WE HERE?... followed closely by "AM I DOING WHAT I REALLY WANT TO DO..OR SIMPLY DOING WHAT I'M SUPPOSED TO DO?!!! before deepening the mood by referring to his search for spiritual answers I just never beleived [sic] in waiting till 'deaths door' before facing (or at least trying) the Eternal Mysteries.. (a rose by any other name etc..) before signing off and lightening the tone by once again referring to Yoko's pregnancy and his son-to-be We'd love a boat ride.. but Dr says she she has to keep off her feet (Yoko) the baby is due late Oct early Nov. we've had so much trouble in the past we're being SUPER CAREFUL.. how does Dylan Ono Lennon sound?! signed in black felt pen and annotated with self portrait caricature; accompanied with photograph of Lennon with Sklar -- 8¼x9¼in. (21x23.5cm.) 1pp View on Christie's.com
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