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Click here to subscribeA French mahogany and floral marquetry bureau, in the Louis XVI style, the fall with serpentine floral marquetry panel and gilt metal border, enclosing a fitted interior with tooled leather, a central marquetry panelled door with a musical trophy flanked by two drawers and a pigeonhole above, over a single drawer beneath with scalloped apron, raised on angular cabriole style legs, 41½ x 24in. (105.5 x 61cm.), 38½in. (97.75cm.) high, requires some restoration.
A carved and panelled iron-bound walnut two-door strong cupboard, probably Spanish, 19th century with later alterations, the flared cornice over a foliate carved frieze, the two four panelled doors with floral and foliate strapwork carved centre rail and iron loose ring handles, on a shaped plinth base with iron chain lock, 72in. (183cm.) high, 38in. (96.5cm.) wide.
A G-plan teak and black lacquered dresser or room divider by Ernest Gomme, 1960s, the open back with two shelves over a central two door cupboard and black asymmetric adjustable shelves beneath, over a base with hinged fall and two short drawers, on splayed supports with brass feet, gold maker's stamp inside one drawer, 37½ x 18¼in. (95.25 x 46.5cm.), 75½in. (192cm.) high.
A George III Derbyshire oak and mahogany longcase clock, the 8 day bell strike movement fronted by a painted arched dial with sheep and waterfall spandrels, the arch painted with a cottage in a landscape, signed 'John Bell Ashborne', the boxwood and ebony strung case with swan neck hood with turned columns, over a incuse arched and cross banded door flanked by fluted quarter columns, on a panelled base, 84¼in. (214cm.) high.
An early 19th century mahogany eight day longcase by Nathan Hunter of Port Glasgow, the bell strike movement faced by a painted arched Roman dial (restored), signed to centre with subsidiary seconds and date dials, floral spandrels and painted shells to arch, the case with swan neck top with urn finials, a flame mahogany trunk door and plain base with later plinth, 86¼in. (219cm.) high.
A late 18th century Jersey mahogany longcase clock by James Thoreau, the eight day, bell strike four pillar movement fronted by an arched brass dial with foliate scroll spandrels and 'High Water at Jersey' with painted moonphase to the arch, signed 'James Thoreau, Jersey' to the centre, with engraved decoration of a ship and buildings at the mouth of an estuary, with subsidiary seconds dial and silvered arched date aperture and Roman chapter ring, the case with arched hood on fluted columns, over a narrow trunk with arched door, on plain base with plinth, 82¼in. (209cm.) high.
An early 19th century Jersey mahogany longcase clock by Louis Poignand, the eight day movement striking the hours on a bell, fronted by an arched brass dial with silvered Roman chapter ring and centre with engraved foliage and subsidiary seconds dial and date aperture, signed 'Louis Poignand Jersey', silvered strike/silent dial to arch and gilt foliate scroll spandrels, the case with swan neck top with turned finials over a boxwood strung and reeded roundel decorated frieze, on turned pillars, the trunk with lancet arched door flanked by reel turned pilasters, the plain base with short bracket feet and shaped apron, 88½in. (224.75cm.) high.
A 14ct rose gold, seed pearl and sapphire leaf pendant locket, featuring a floral design studded with seed pearls and two sapphires and set on a hollow rose gold pendant of foliate design. With glass faced locket door to the reverse and with pendant loop to the top. The pendant approximately 59mm in length.
GEORGE I MAHOGANY CHIMING LONGCASE CLOCK, BY JOSHUA WILSON, LONDON EARLY 18TH CENTURY with pagoda top, brass ball finials, arched brass dial, silvered chapter with subsidiary second and date dials, signed, stop fluted pilasters, brass inlay, moulded arched trunk door, brass stop fluted quarter columns, moulded base and plinth, chimes on four bells(50cm wide, 245cm high, 26cm deep)
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