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Lot 1083
Fischer / Grondijs. Fischer, Jan. Inleiding tot de Eindspelstudie. Opzet voor een eindspelboek door Jan Fischer. Met kanttekeningen van John Selman Jr. Voorafgegaan door: Kroniek van een nooit verschenen boek over eindspelstudies. Door Harrie Grondijs en Harold van der Heijden. Bezorgd door Rieneke van Zutphen. Rijswijkse Uitgeverij Eigen Beheer (RUEB), 2007. 8°. Mit einigen Textabb. und Diagrammen. 2 Bll., XXXI Seiten; 2 Bll., 45 Seiten. Originaler Leinenband mit etwas defektem Schutzumschlag. (59) * Nr. 16 von 20 Exemplaren, mit der Unterschrift des Autors.
![[Heinse, J. J. W.] Anastasia en het Schaakspel, Brieven uit Italien, van den Schrijver van Ardinghello. Uit het Hoogduitsch v](https://cdn.globalauctionplatform.com/9aeda738-d3fb-4fd2-9f61-ad2100e16dbc/e95c8dd5-fa53-4725-afb9-ad2100e6446d/468x382.jpg)
Lot 1086
[Heinse, J. J. W.] Anastasia en het Schaakspel, Brieven uit Italien, van den Schrijver van Ardinghello. Uit het Hoogduitsch vertaald door J. T. Boogaard. 2 Bände. Alkmaar, van Harencarspel, 1819. 8°. Mit 1 lithographierten Porträt von Elias Stein. 2 Bll., IV, 6 Bll. Subskribentenverzeichnis, 182 Seiten, 1 Bl. Druckfehler; Titel, 214 Seiten, 1 Bl. Druckfehler. Braune Halblederbände goldgeprägtem Rückentitel und Rückenvergoldung. (81) * Linde - N. 4409; van der Linde I, 373; Schmid, S. 192. Wilhelm Heinse (1746 - 1803) war deutscher Dichter des "Sturm und Drang". In dem vorliegenden Schachroman erzählt er in Briefform von der schönen Griechin Anastasia und deren Schachkunst. Heinse griff bei seinen bemerkenswerten Ausführungen zum Schach auf die Lehren von Philidor, der Schachschule von Modena und auf das Buch von Lolli zurück. "Heinse hat in diesem seinem Werke einen Auszug aus Lolli's Osservazioni geliefert; dieser enthält jedoch nur die Vertheidigung, einen kleinen Theil der Anfangsspiele, ferner die Kritik des Philidor von Rio, sodann die Einleitung und endlich 33 künstliche Endspiele." (Schmid) Zustand: Innendeckel mit kleinen Kleberesten. Vorsätze erneuert und mit privatem Stempel. Innen gebräunt und etwas fleckig, teilweise stärker. Einband gering bestoßen. Rücken verblichen.
Lot 1090
Vida, Marcus Hieronymus. Het schaakspel; klein – heroisch-, komisch-, mythologisch gedicht. Naar het Latijn door J. H. van Buul. Amsterdam, Diederichs, 1839. 8°. XII, 55 Seiten, 2 Bll. Orig. geheftet. (81) * Linde - N. 4589; van der Linde II, 271; di Cesare 259. Niederländische Übersetzung von Vida's Schachgedicht "Schachia ludus", die von J. H. van Buul besorgt wurde. Es schildert mit Mitteln des heroischen Epos die Geschehnisse einer Schachpartie zwischen Apollo und Merkur, erklärt Figurenaufstellung, Zug- und Schlagweise und Zweck des Spiels. Marco Girolamo Vida (geboren um 1490) war junger Priester und stammte aus Cremona. Zum Lohn für seine Dichtkunst und besonders das Schachgedicht erhielt Vida von Papst Clemens VII. den Episkopat von Alba bei Turin. Zustand: Exlibris auf Innenumschlag. Innen gebräunt und etwas fleckig. Umschlag angestaubt und etwas fleckig. Rücken mit Papierstreifen erneuert.
Lot 1150
Den Haag 1948. Tartakower, S. G. Wereldschaaktornooi 1 – 27 Maart te 's Gravenhage. Analyses … door S. G. Tartakower. Uitgave van het Algemeen Dagblad. Rotterdam, (1948). 4°. Mit einigen Textabb. und Diagrammen. 40 Seiten. Orig. geheftet. (44) * Linde – N. 5735. Zustand: Innen gebräunt, wenig fleckig und mit senkrechter Knickfalte. Umschlag mit Gebrauchsspuren, etwas angestaubt und fleckig. Beiliegen: Bronstein, D. Sternstunden des Schachs. Zürich 1953. Berlin, Sport, ca. 1991. 8°. Mit Diagrammen. 223 Seiten. Orig. Pappband. / Euwe, M. und Lod. Prins. Het schaakphenomeen José Raoul Capablanca ... 1888 - 1942. ... Den Haag und Djakarta, van Goor Zonen, 1949. 8°. Mit Diagrammen. 381 Seiten. Orig. Leinenband. Linde - N. 3050. Zustand: Innen gebräunt, Vorsätze stärker.
Lot 421
Postkarte. Schilt, L. A. 10 Schaak – Caricaturen naar tekeningen door L A. Schilt. Leporello mit 10 schwarzweißen Postkarten, Arnheim, Schilt, ca. 1920. Größe jeweils 14 x 9 cm. Im originalen Umschlag. (44) * Die Karten zeigen jeweils eine humoristische Karikatur zum Thema Schach. Beiliegt: Postkarten. Unvollständige Serie von 8 schwarzweißen Postkarten mit Schachkarikaturen aus dem Verlag Int. Filmpers, Amsterdam, Ende des 20. Jahrhunderts. Größe jeweils ca. 14,8 x 10,2 cm. Siehe unsere Abbildung im Internet. Zustand: Alle Karten sind etwas gebräunt, wenig fleckig und haben geringe Gebrauchsspuren. Umschlag angestaubt und fleckig.
Lot 116
SMITH (PHILIP)PHILLIPS (TOM, translator and illustrator) The Divine Comedy of Dante Alighieri. Inferno. A Verse Translation by Tom Phillips with Images & Commentary, bound in 3 vol., NUMBER 3 OF THE 'SPECIAL COPIES FOR FINE BINDING HC 1-17', SIGNED BY THE ARTIST ON THE COLOPHON, from an overall edition of 185 copies, 140 plates comprising etchings, lithographs, screenprints and mixed media, each initialled by the artist, binder's notes tipped-in at rear of each volume, bound by Philip Smith in full black, black and red, and 2 shades of red goatskin respectively, the covers and spines with overall designs of impasto modelling in various colours using emulsified maril layers and leather onlays with the application of acrylic paint, coloured rough-trimmed edges and press stud leather clasps to match the binding, the three volumes joining to make a large book wall when mounted vertically, the front covers forming an image of a tall grotesque male figure with inset figures and scenes, the rear covers forming a last judgement vertical tryptich, housed in a three-part UV perspex case, folio (each volume 425 x 325mm., overall dimensions when assembled in perspex case 1345 x 380mm.), Talfourd Press, 1983; together with a large wooden cabinet base, with compartments for storing the volumes and/or the packaging (the back of the cabinet door with printed instructions for storage and assembly), and a stained oak trellised tower made by Adrian Jones to Philip Smith's design for an alternative method of displayFootnotes:'A RARE SYNTHESIS OF TWO WORKING, LIVING GENIUSES': PHILIP SMITH'S SPECTACULAR TRIPTYCH DESIGN ON ONE OF THE MOST IMPORTANT ARTIST'S BOOKS OF THE TWENTIETH CENTURY. Philip Smith first developed the concept of the 'book wall' in the late 1960s, with images on each volume flowing on to the covers of the adjacent books, but at the same time forming integral individual images. His versions of Lord of the Rings are the best known examples: in 1973, he and Tolkien were invited at the Craftsman's Art Exhibition to present a set to the Duke of Edinburgh, and in 2003 a monumental wall of 21 volumes was sold at auction for £130,000. The design for the Dante tower structure was drawn up in 1984, but work on the first volume was only begun properly in 1991. Three years later it was completed and exhibited at the British Library. The remaining two volumes were designed in 1999 and completed a year later. The work can be displayed in three separate volumes, or erected vertically to form a contiguous tower using an elaborate three-part perspex case (all parts and instructions supplied).'It is to my mind a rare synthesis of two working, living geniuses giving visual form to a remarkable poem... This extraordinary work is unique in vision and skill... I believe their like will never be equalled' (Timothy C. Ely, in 'Designer Bookbinders newsletter', no. 185, Spring 2019). For his illustration and for providing a new translation of the Inferno, Phillips received the Frances Williams Memorial Prize in 1983, the LA Times writing 'there is no doubt that Tom Phillips has captured Dante for our time'. Exhibited: British Library 1994; Designer Bookbinding 2000-2001.This lot is subject to the following lot symbols: •• Zero rated for VAT, no VAT will be added to the Hammer Price or the Buyer's Premium.For further information on this lot please visit Bonhams.com
Lot 159
ARDIZZONE (EDWARD)Ladies at the Door, pen and ink, on paper, signed with initials (lower right), 140 x 163mm.Footnotes:This pen and ink study is a sketch for 'Ladies of the Town Waiting to Go into Court' pen and wash, in the Portsmouth City Museums collection. (See Edward Adizzone catalogue produced for Scottish Arts Council touring exhibition 1980, catalogue number 56.)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 278
GREGYNOG PRESSMILTON (JOHN) Comus. A Mask, NUMBER 18 OF 25 SPECIALLY BOUND COPIES, INSCRIBED BY THE DAVIES SISTERS TO LASCELLES ABERCROMBIE on the front free endpaper ('To Professor Lascelles Abercrombie to remind him of the Second Festival of Music & Poetry at Gregynog. June 15-18. 1934. From Gwendoline P. Davies/ Margaret S. Davies'), from an edition limited to 250, printed on japanese vellum, wood-engraved frontispiece, title-vignette and 6 illustrations of characters by Blair Hughes-Stanton (all but one full-page), original dun-coloured morocco after a design by Hughes-Stanton, bound by George Fisher at the Gregynog Bindery (signed with the three names on front and rear turn-ins), covers with wide side panels consisting of multiple gilt and blind rules, one containing blind lettered title panel, spine gilt in compartments with raised bands, matching morocco turn-ins, t.e.g., housed in sympathetically designed brown morocco-backed solander box by Delrue (signed on inside), decorated with blind rules, spine with 2 bands and titled in blind, small folio, Newtown, Gregynog Press, 1931; together with a solander box containing a selection of 1930s Gregynog Festival Programmes and Orders of Service (including those for 1933 and 1934) (2)Footnotes:FINE SPECIALLY BOUND COPY, INSCRIBED BY 'THE LADIES OF GREGYNOG' IN MEMORY OF THE FESTIVAL 0F 1934. Founded by the Davies sisters in 1933, the Gregynog Festival is Wales' oldest classical music festival. In its second year, with Lascelles Abercrombie as guest, excerpts from The Apostles, The Dream of Gerontius and Nimrod were performed to mark the death of Elgar the previous February, whilst the programme for the event noted that 'contributions in aid of the unemployed will be accepted at the door'. The Press was to go on to publish Abercrombie's Lyrics and Unfinished Poems in 1940, a copy of the prospectus for which is included in the lot.This lot is subject to the following lot symbols: •• Zero rated for VAT, no VAT will be added to the Hammer Price or the Buyer's Premium.For further information on this lot please visit Bonhams.com
Lot 132
A 1.06m 20th Century reproduction mahogany and crossbanded collector's table with material lined central compartment visible under glass top, enclosed by a fall front door with London locks and flanking cupboards enclosing four short drawers, set on reeded square tapered legs with spade feet
Lot 311
Joseph(?) Kern of Swansea a mid 19th century 8-day long case clock. The painted broken arch dial with raised chapter ring and calendar aperture and second hand at 12 o'clock. The ebony and satinwood strung mahogany case with a short trunk door. On a simple plinth base. 219 cm high.Condition report: Some old repairs to the case and a shrinkage crease to the plinth.The movement seems to have been recently cleaned and overhauled.
Lot 313
David Sutherland of Leith, a late 18th century 8-day longcase clock chiming on a single bell, fitted with a broken arch painted dial marked out in Roman numerals with a secondary dial at 12 o'clock and calendar dial at 6 o'clock. Housed in an oak case with an arch-topped trunk door. 204 cm high x 52 cm wide x 26 cm deepFootnote: David Sutherland is recorded in Brian Loomes's Watchmakers & Clockmakers of the World book on page 751. He is listed as working between 1775-1805Condition report: Splits to the plinth door
Lot 324
A Victorian leather and wood bound carte -de -visite photograph album. The cover carved to resemble a planked wooden door. The album containing many albumen type carte-de-visite photographs of women and children in period costume. The photographers including A.J. Melhuish of London. The album inscribed to "Aunt Mary Ann 1861" Containing 24 prints.Condition report: No major defects
Lot 61
An Edwardian mahogany framed mirror backed shop hanging display cabinet. Of rounded rectangular form with curved glass single door and adjustable shelves. 64.5 wide x 93 cm high x 16.5 cm deep. Shelf size 56 cm long x 9.9 cm deep. Mirror back size 84 cm high x 54 cm wide (note: mirror back fitted in three pieces.The locks are keyed alike but the top lock keeper of the top lock doesn't locate into the mortice. I think this is due to some warping to the back upright. Given a little pressure on the top the keeper locates, this isn't practical in usage, and remedial work will be required.Condition report: No apparent major defects
Lot 68
A French Louis XVI style pedestal display cabinet of marble-topped oval section, with rosewood and satinwood panels and gilt brass beaded moulding. Supported on four brass lions paw supports. 62 cm long x 42 cm wide x 113 cm highCondition report: Door closes soundly, with slight warping evident towards the bottom. Shelves are not height-adjustable. Good, clean cosmetic condition.
Lot 263
An early 19th century oak and mahogany cased thirty-hour longcase clock; the broken swan-neck pediment surmounted by an open-winged gilded eagle above a painted dial 29.7cm (11") signed 'Archer - Stow' and with date aperture, the painted dial with Roman numerals and spandrels decorated as stiff leaves and spiral scrolls, flanked by classical-style columns with gilt-metal capitals, the arched mahogany crossbanded trunk door above a lower shaped base (215cm high)
Lot 264
A 19th century mahogany and boxwood-strung eight-day bracket clock; the oval hinged gilt-metal handle above a 20cm dial with Roman numerals and signed 'Gammon, Birmingham', the twin fusee gilded movement striking on a bell, together with pendulum and key, with pierced gilt-metal fish-scale-style side sound apertures and raised on four gilt-metal ogee-style bracket feet (39cm high with handle x 30cm widest point to feet at bottom) The case appears to be in good order, the dial is a little dark and has some flecks and cracks around the winding holes although not too bad. The gilt metal ogee feet have several pieces of gilding away commensurate with age. There are a couple of small bits of veneer away from the rear of the door around the framed glass and there is a small piece approx. 1.5cm square moulding at the back away. It is difficult to tell exactly if the movement is original to the case but in the Auctioneers opinion it looks good although no guarantees can be given. The piece has come from a good private source and as we understand it they have had it in the family for many years.
Lot 280
A good early 19th century brass inlaid mahogany-cased eight-day bracket clock; the figured domed top above an eight-inch cream dial with Roman numerals and signed 'P. Lacey - Bristol', flanked by two ring carrying handles above arched gilt-metal fish-scale-style sound apertures, the fine gilded twin fusee movement striking on a bell and with dogtooth and foliate engraving, with original pendulum, raised on four gilt metal ball-style feet, the front two feet with moulded decoration (42cm high x 30cm wide including handles x 17cm deep including convex glass)This comes with an insurance valuation from Montpellier Clocks in Cheltenham who original supplied the clock in 2008. They said it was circa 1825 and the valuation then is the same as that paid for it of £5,500. Signed Mr T. Birch. Looking at it from the front there is a very small fingernail sized piece of moulding away, front right where the arch meets the horizontal moulding at the top. Some of the brass stringing is very slightly proud of the mahogany. The dial looks to be in reasonable condition with some very minor pieces of paintwork away. Being super critical there are slight scuffs around the winding holes and again scratches and paintwork away. The mahogany case on top is of a nice figuring and there is a very small historic L shaped crack of about 1cm in between the 12 an 1 o’clock position at the top of the wood but in the Auctioneer’s opinion this does not detract. The sides look quite good and it is noted that looking at the from the left hand side there is a small 6.5cm piece away at the back of the “fish scale” side fret. The arched back door is glazed and there is an approx. 1cm square piece of mahogany away from the escutcheon hole on the left. The lock looks OK an it has a service ticket on it, which appears to be October 2014 by Time In Hand (Shipston) Ltd. This comes with pendulum, keys etc., and the bell is quite large and striking and the gilded twin fusee movement has been nicely engraved.
Lot 281
A late 20th century longcase clock produced to commemorate the Prince and Princess of Wales' 1981 wedding: the mahogany hood, centrally carved with a fleur-de-lys above two reeded Classical-style columns with gilt-metal capitals, pulling forward to reveal the gilded mechanism striking on four gongs; the silvered chapter ring with Roman numerals and cornered by pierced fleur-de-lys spandrels, signed 'Smallcombe, England'; rectangular trunk door and with three heavy brassed weights and pendulum, raised on bracket stile feet (191cm high x 49.5cm widest at top)
Lot 285
A mahogany-cased eight-day bracket clock; late 20th century, the silvered dial with Roman numerals and signed 'Joseph Kieninger, Aldingen', the dial also with strike silent hand, Westminster/Wittington/St. Mich. hand and the subsidiary second hand dial below the 12 o clock position, the arched top flanked by canted fluted corners with turned brass urn finials, the gilded ten-jewel movement signed 'Original Kieninger' and striking on nine bells, raised on gilt-metal ogee bracket feet, with winding keys and pendulum (35.25cm high x 29.5cm wide x 22cm deepest)Condition Report: Generally overall very good, the mahogany case on the top is a little dirty and dusty but would clean off quite well. The dial at the front is good, no problems with the case, sides or back. The back door has a bevel glass which is in good order. The movement also looks to be in good order together with keys and pendulum and striking on a variety of bells as per the catalogue description. In the Auctioneers view this probably mid to late 18th Century in date and not as per previously catalogued. Overall good original untouched condition with no major condition issued.
Lot 287
An early 19th century mahogany and boxwood-strung eight-day longcase clock; the broken swan-neck pediment centrally surmounted with an Adams-style urn above a twelve-inch painted broken arch dial with Roman numerals, subsidiary seconds hand, date aperture and signed 'JAS Hardy, Dorchester' within hand-decorated topographical-style spandrels flanked by reeded columns, rectangular trunk door with kite-shaped boxwood escutcheon, raised on plinth base, together with weights, winding key and pendulum (208cm high to tip of central finial)
Lot 817
An ebonised breakfront credenza of large proportions; amboyna-banded, marquetry and gilt-metal-mounted, the moulded top above a scrolling marquetry frieze with husks and a central amboyna-banded and boxwood-strung blind door with further similar marquetry enclosing shelves and flanking two further glazed doors with similar shelves and gilt-metal mounts, raised on shaped plinth base chamfered at the top and headed with amboyna (183cm wide x 39cm deepest x 111cm high)
Lot 818
An mid-18th century walnut writing bureau of small proportions; the well-figured fall with cleated ends and opening to reveal an arrangement of stepped drawers, pigeonholes, a central cupboard door and with varying 'secret' compartments to the two side lower drawers, the well also opening to reveal a secret panel to the front, with waisted moulding and further over two half-width and two full-width graduated drawers, raised on bracket feet (79cm wide x 50cm deep x 96cm high)Condition Report: The piece has been restored at one stage with a quite shiny finish, the handles have been replaced at some stage, there is gap between the fall and the top of the piece which is noted to be water stained and quite dry. There are some vertical historic splits down the right-hand side, there is a repair to the side near the right-hand loper section and also on the left-hand side end-on which look to be where the Bureau is constructed and the wood has shrunk across the grain. The bracket feet look original or have been present for a long time and in the Auctioneer's view could have been replaced in the 19th century. There is an original lock to the fall and also the hinges look like they may have been put back or replaced at some stage. The drawers are lined with pine with oak sides and the drawers appear to retain their original locks. General scuffs and knocks throughout commensurate with age.
Lot 825
A late 18th-century-style (later) walnut vitrine: gilt-metal-mounted and bow-fronted; the central glazed door enclosing conforming glass shelves over three vernis Martin lacquered panels depicting figures in topographical scenes in typical style; raised on four cabriole legs with gilt-metal shutes and sabot (73cm wide x 40cm deepest x 174cm high)
Lot 828
A late 19th/early 20th century Sheraton Revival satinwood display cabinet; the stop fluted cornice with central horizontal oval panel above two large glazed and chequer-strung doors with 'interlocking' tall ovals, enclosing shelves and with two quarter veneered and crossbanded panels below, shaped apron and raised on slightly splaying tall French-style bracket feet (130cm wide x 37.5cm deep x 184cm high)Condition Report: The glass has cracked along the right-hand door at the very bottom (approx. 6cm arched crack), the side glass and the rest look in good original condition. The satinwood is noted to be of a nice colour and it is a quality piece with quarter veneered base sections. The doors fit flush, the four original shelves are fronted with satinwood banding, the frieze is in good corner but the cornice has a 3cm section away at the front of minor thin moulding. There are scratches and minor knocks commensurate with age mainly to the legs, one or two smaller pieces to the panel, a small piece of veneer away to the side has been re-selloptaped on and needs attention. Minor scuffs around the escutcheon area to the middle. There is a small piece of moulding away to the right-hand side at the top (to the left of the lot sticker) approx 4cm. All in all a very nice cabinet that could be improved with minimum effort from a skilled restorer.
Lot 865
A late 18th/early 19th century mahogany and boxwood-strung serving sideboard of large proportions; the brass gallery headed with Adams-style finials above a central breakfront section with full-width drawer (as two) centred by an outset rectangular tablet with Tunbridgeware-style border enclosing an oval, further flanked by bow-fronted right-hand fitted cellarette drawer and lower side door to the end and a bow-fronted cupboard door to the left, raised on square tapering boxwood strung legs with collars (201cm wide x 72.5cm widest x 96cm high not including the 54cm brass railing)
Lot 867
An early 20th century Chippendale-style two-door mahogany wardrobe; the gadrooned and dentil cornice carved with lunettes with half-flowers in relief and above two panelled doors with various carving and roundels of flowerheads also in relief and opening to reveal hanging space above four extremely large reeded bracket stile feet (the cornice 135cm wide x 54.5cm deep, full height 190cm)
Lot 869
A late 19th / early 20th century two-door vitrine in 18th century French style: bow-fronted, walnut and gilt-metal-mounted; the pierced gilt-metal gallery with swags below; the two glazed doors enclosing shelves and four lacquered vernis Matin panels below; the two central panels depicting lovers in 18th century dress within countryside surroundings in typical fashion, gilt-metal mounted frieze and cabriole-style legs with gilt-metal shutes and sabot (100cm wide x 42cm deepest x 166cm high)Condition Report: The right-hand bow fronted panel at the bottom has seen much paintwork away, the left hand glazed door has a 4-5cm crack in the middle, one of sabots is loose on the front right foot otherwise generally OK, the metalware has dulled down with age and is in original 'Country House' condition and there is some paintwork away from the lacquered side panels.
Lot 1095
Émile Louis Picault,1833 – 1913PAX ET LABORHöhe: 85 cm.Sockel: 36 x 29 cm. Basis signiert „E. Picault“. Niederländische Inschrift „UIT TOEGENEGENHEID DOOR DE PAROCHIANEN VAN SEMPST AAN HUNNEN ACHTBAREN BURGEMEESTER ERNEST STERCKX, OPGEDRAGEN 1886-1911“.Frankreich, zweite Hälfte 19. Jahrhundert.Bronze, gegossen und braun patiniert. Mehrfach gestufte und risalitartig hervorspringende Marmorbasis mit Plakette. Hoher Bronzesockel mit naturalistisch aufgefasster Oberfläche. Darauf die stehende Figur eines jungen Mannes, die Hand in die Hüfte gestützt und seine rechte Hand auf einen großen Hammer gelehnt. Das 19. Jahrhundert war die Zeit des Industriezeitalters, und der arbeitende Mensch wurde als Rückgrat der Gesellschaft verstanden. (†) (12200322) (13)
Lot 157
Eleganter Jugendstil-Vitrinenschrank im Stil von GalléHöhe: 185 cm.Breite: 92 cm.Tiefe: 43 cm. Das obere Intarsienfeld rechts unten monogrammiert „H.M.“ (wohl Meistermonogramm). In der unteren Tür links unten, in einem Lilienblatt Signatur „Gallé“.Gesamtaufbau in hellem und dunklem Mahagoni, die Intarsien unter Verwendung von helleren Hölzern und Palisander. In schlankem Hochformat auf kurzen, leicht geschweiften Füßen, verbunden durch eine floral beschnitzte Zarge. Entsprechende Schnitzereien an der rechten Kante oben sowie mehrfach gegliedert durch eine obere Tür rechts, darunter eine hohe Glastür mit randbeschliffenem Glas. Links ein offener Tiefenraum mit Etagenzwischenbrett, darunter eine weitere Tür. Die Türen sowie ein oberes linkes Feld gerahmt und reich floral intarsiert, oben mit herabhängenden Zweigen mit wildem Wein, mit Blattwerk und schwarzen Wildtrauben. Die untere Tür mit blühenden Irispflanzen. (1270112) (11)Elegant Art Nouveau cabinet in style by GalléHeight: 185 cm. Width: 92 cm. Depth: 43 cm.Monogrammed „H.M.“ (probably master´s monogram) in top inlaid panel lower right. Lower door signed „Gallé“ in lily leaf on lower left.Export restrictions outside the EU.
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235346 item(s)/page