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Click here to subscribeMahogany eight day longcase clock, the 13" silvered arched dial signed Mitchell & Son, Gorbals to the arch over subsidiary seconds and calendar dials, the case with long crossbanded door flanked by cable pillars and the hood surmounted by a stepped dentil cornice over blind fret carved foliate panels, 82" high (pendulum, two weights)
Oak eight day longcase clock, the 13" round painted dial signed Robert Beveridge with subsidiary seconds and calendar dials, the case with medium rounded arched door inlaid with ebony and boxwood lines and the hood surmounted by a rounded moulded arched pediment and ball and spike finial, 90" high (pendulum, two weights)
Oak eight day longcase clock, the 12" brass dial signed Jonathan Calver, Woodbridge to the silvered chapter ring enclosing a matted centre with subsidiary seconds and calendar aperture, the case with long moulded door and the hood surmounted by a moulded stepped cornice with caddy top, 87" high (pendulum, two weights)
Oak thirty hour longcase clock, the 11" square brass dial signed Ashton, Tidswell to the chapter ring enclosing a foliate engraved matted centre with arched calendar aperture, the case with a moulded rounded arched long door and the hood surmounted by a moulded stepped cornice with a caddy top and ball spire finial, 84" high (pendulum, weight)
Oak thirty hour longcase clock, the 9" square brass dial signed William Lane, Calstone to the chapter ring enclosing a matted centre with calendar aperture, the case with long moulded door and the hood surmounted by a moulded stepped cornice above a blind fret carved panel, 75" high (weight)
Oak two train thirty hour longcase clock, the 10" square brass dial signed Bancroft, Stockport to the chapter enclosing a foliate engraved centre with moving eye and calendar aperture and ringed holes, the case with moulded wavy arched long door and the hood surmounted by a moulded stepped cornice, 82.5" high (pendulum, weight)
Mahogany eight day longcase clock, the 12" brass arched dial signed William Mercer, Liverpool on a silvered arched plaque over a moon phase aperture above a silvered chapter ring enclosing an engraved matted centre with subsidiary seconds dial and calendar aperture, the case with a moulded wavy arched door flanked by recessed pilasters, the hood surmounted by a stepped moulded broken arch pediment, 88" high (pendulum, two weights)
Mahogany eight day longcase clock, the 12" painted arched dial signed James Shore, Norwich, with subsidiary seconds dial over a calendar aperture and with a rocking ship to the arch, the case with long rounded arched door and the hood surmounted by a stylised fretwork swan neck pediment surmounted by three flaming urn finials, 94" high (pendulum, two weights and winding key)
Oak and mahogany crossbanded eight day longcase clock, the 12" brass arched dial signed Smallwood, Sandbach on the brass chapter ring enclosing a foliate engraved matted centre with subsidiary seconds dial and calendar aperture, also with rolling moon to the arch, the case with long wavy crossbanded door flanked by quarter fluted pilasters and the hood surmounted by a moulded swan neck pediment, 77" high (two weights, pendulum, winding key)
Oak eight day longcase clock, the 12" brass arched dial signed Jonathan Greaves, Newcastle on the silvered chapter ring enclosing a matted centre with subsidiary seconds dial and calendar aperture, also with a silvered moon aperture to the arch enclosed by a silvered calendar and lunar chapter ring, the case with long door and the hood surmounted by a swan neck pediment and brass ball and spike finial, 87" high (two weights, pendulum, winding key)
Oak eight day longcase clock, the 13" square brass dial signed John Smith, Chester on a brass chapter ring enclosing a foliate engraved matted centre with subsidiary seconds dial and calendar aperture, the case with long wavy arched door flanked by quarter fluted pilasters and the hood surmounted by a triangular moulded broken arch pediment with three giltwood ball and spike finials, 87" high (two weights, pendulum, winding key)
Mahogany and walnut crossbanded eight day longcase clock, the 13" brass arched dial signed Jonathan Fry, Sutton on the silvered chapter ring enclosing a foliate engraved matted centre with ringed winding holes, also with rolling moon to the arch, the case with long crossbanded wavy door flanked by quarter fluted pilasters and the hood surmounted by a moulded stepped flat pediment, 88" high (pendulum, two weights, winding key)
Oak longcase clock, the 10" square brass dial signed Isaac Barbor on the brass chapter ring enclosing a foliate engraved matted centre, with unusual chain driven three gear going train (seven day), the case with long door and the hood surmounted by a caddy top with three gilded ball finials over a dentil cornice and blind fretwork carved panel, 90" high (pendulum, weight, key)
TAVANNES - An Art Deco silver cased travel watchin Movado style, the rounded rectangular case with engine turned decoration, with a sprung button to each side opening the two front hinged doors enclosing a small square dial, silvered Arabic numerals and hands, marked to the interior; Tavannes Watch Co. Geneve, 825925, Brevete Depose, the door with engraved small plaque initialed and dated 14-10-30Width overall: 38mm
A Georgian oak eight day longcase clock, the oak trunk with panelled door flanked by re-entrant half reeded columns with polish brass capitals, etc beneath an architectural hood with swan neck pediment enclosing a 12 inch arched painted dial with picture of a figure bundling up harvesting corn in a landscape setting, etc, the circular dial with secondary dial and calendar aperture, indistinctly signed J F Shipton? Cirencester
A 1920`s oak single wardrobe with applied fretwork detail, enclosed by a central oval panelled door over a long drawer, together with a pair of oak framed high back dining/side chairs with carved cresting rails over moulded slats, faux leather upholstered seats on turned bobbin and block supports united by stretchers
An Edwardian Sheraton-style mahogany and cross banded double wardrobe, with swan neck pediment to the cornice, extensive inlay throughout, two mirror doors with dome shaped tops, fitted for hanging, two door central cupboard over two short and three long graduating drawers with brass drop handles, on a shaped plinth, 226cm high x 185cm wide
A George III and later mahogany corner cabinet-on-stand, with overall chequer stringing, the swan neck pediment above an astragal glazed door and a slide-out surface, the associated stand fitted with five drawers and open shelves, on square tapering legs, height approx 203cm, width approx 112cm (alterations).
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