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Lot 1671
A GEORGE III OAK, MAHOGANY BANDED AND SATINWOOD INLAID EIGHT DAY LONGCASE CLOCK, the hood with triple brass finials, swan neck pediment, flanked by turned columns, the painted dial with floral detail, signed Burslem, subsidiary date aperture, seconds dial and Arabic numerals, dial diameter 34.5cm, the trunk flanked with quarter fluted columns and shell inlay to the door, height 231cm (sd, veneer loss)
Lot 1699
A LATE 17TH CENTURY STYLE EIGHT DAY OAK LONGCASE CLOCK, the hood with moulded pediment and blind fret, carved heart, square hood door enclosing brass 23.5cm/9 1/4'' dial, brass boys and crown spandrels, Roman numerals, dial named 'John Stokes', bell strike, plain trunk to a shortened plinth base, height 197cm x max width 47cm, with pendulum, two weights and winding key (condition: both the case and the movement have been restored/repaired and altered over time, hands replaced, not seen working)
Lot 586
PAINTINGS AND PRINTS to include Rex Preston watercolour, mounted, framed and glazed, approximate size 23cm x 38cm, a pair of oval oil on board paintings by the same hand, approximate size 12cm x 9cm, Kathleen Stockton Woodland watercolour, approximate size 34cm x 26cm, Mike Kilfoyle Woodland watercolour, approximate size 19cm x 24cm, unsigned watercoloour of a cottage door, unsigned oil on board of Snowdon and Tom Shanks limited edition signed print (8)
Lot 1652
A GEORGE III OAK LANCASHIRE CHEST, hinged plank top over a central cupboard door opening to reveal shelves, flanked by two fielded panels, two short drawers below with fret cut brass backplates and swan neck handles, the sides fitted with a cupboard to each end, on stiles, width 143cm x depth 57cm x height 91.5cm (condition: planked top has splits and old woodworm damage, altered interior layout)
Lot 1709
A GEORGE III OAK AND MAHOGANY BANDED EIGHT DAY LONGCASE CLOCK, the hood with later triple finials, wavy edge door frame flanked by fluted columns, the arched painted dial with a landscape scene, dial diameter 31cm, subsidiary date aperture, seconds dial and Roman numerals, the trunk with marquetry inlay to the door and base, height 225cm (two weights, pendulum and winding key)
Lot 1232
AN EDWARDIAN WALNUT PANELLED TWO DOOR CUPBOARD, width 122cm x depth 45cm x height 97cm (s.d.) together with paintings and prints etc, to include a winter landscape, signed Wallerson '59, oil on board, framed, approximate size 39cm x 49cm, crying girl print by Irene Spencer, framed, a retouched photograph of a young girl wearing a ballet costume and crown by Durbarry Studio, Birmingham, a black horse moulded in relief, mounted to formica board, landscape oil on canvas and various prints etc (10)
Lot 1418
AN OLD CHARM OVAL DINING TABLE on a single turned baluster pedestal width 160cm x depth 116cm x height 79cm (extended), four chairs and a dresser with two long glass doors and one half panelled door over three drawers over three cupboard doors to base, width 151cm x depth 46cm x height 184cm
Lot 1561
A 19TH CENTURY SCUMBLED PINE TWO DOOR PANELLED TOOL CUPBOARD, the doors revealing an assortment of drawers including eleven long drawers, each drawer front numbered in Arabic numerals, beside twenty two short drawers, width 87cm x depth 30cm x height 82cm, long drawers width 39.5cm x small drawers width 18.5cm
Lot 80
A 1960's G-Plan Fresco teak sideboard, with four central drawers flanked by two twin door cupboards on tapering supports, (original label to right hand cupboard). Condition Report: Overall condition good, doors and drawers all present and in order. Some light scratches consistent with age and use.
Lot 61
Collection of four framed cinema posters, comprising: Victoria Hall, Ancoats ('Wonderful Cinema Pictures including "Redeeming Love" featuring Kathlyn Williams'); Cinema Show (two posters: Sydney Howard in Fame, When the Daltons Rode); King's Hall Stourbridge (Helene Costello in Good Time Charley). Together with a printed sign for Edison Electric Light, 'This room is equipped with Edison Electric Light. Do not attempt to light with match. Simply turn key on wall by the door. The use of electricity for lighting is in no way harmful to health, nor does it affect the soundness of sleep.' (5)
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