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Lot 26
A three-piece 'Anglo-Moresque' walnut bedroom suite, by Liberty & Co., circa 1880, comprising wardrobe, with robe cupboard with mirrored door, adjoined by a smaller cupboard with stained and leaded glass door panel, above two short drawers and a further cupboard, all above one long drawer; dressing table with mirror back fitted with two vanity drawers, a single long drawer above an open shelf; and a washstand with single drawer and open shelf, all with pierced fret work, the dressing table and washstand with wavy slated sides; wardrobe width 115cm, depth 49cm, height 183cm, dressing table width 100cm, depth 51cm, height 155cm, wash stand width 99cm, depth 51cm, height 87cm. (Qty: 3)Footnote: Provenance: acquired Liberty & Co, January 2000.
Lot 67
A large mahogany bookcase fascia, designed by Sir Edwin Landseer Lutyens for the Billiard Room of Papillon Hall, Lubenham, the main aspect incorporating a breakfront bookcase, flanked by a glazed door, matched by a cupboard, middle section with four eight-pane glazed panelled doors, enclosing shelves, over four panelled doors, double cornice section, plinth base, the flanking sections with arched doors incorporating 'teardrop' glazing, with ornamented tracery, break-moulded outlines, angled corners; together with other auxiliary pieces, length as assembled, width 520cm, height 270cm.Footnote: Papillon Hall was built in about 1622-24 for David Papillon, an architect and military engineer of French extraction. It was greatly enlarged in 1903 by Sir Edwin Lutyens for Captain Frank Bellville, heir to the Keen's Mustard fortune, who was an avid huntsman. Lutyens had wanted to design a "butterfly-plan" house having visited Norman Shaw's remodelled Chesters some years earlier, and Papillon Hall gave him the perfect footing with the original octagonal core to extend from. It appears a coincidence that the desire to design a butterfly-plan house and the original owner's name meaning butterfly in French presented itself at the Hall in Lubenham. The enlargement was designed during Lutyen's "transitional" phase from vernacular to classical styles and it incorporated elements of both, as well as French influences in reference to Mr Papillon's origins. Contrary to Roderick Gradidge's comments in his 1981 monograph on Lutyens where he suggested a more traditional English style was used, the interior furnishing for the Billiard Room at least carried on the French influence. This period in Lutyens' career became pivotal, with his pursuit of the Classical winning out above the French style. Papillon Hall was later requisitioned by the US Airborne Division during World War II, and was eventually demolished in 1951 having been returned to the family, and a failed attempt to find a new owner led to a state of severe disrepair. The Billiard Room fittings were sold by the demolition contractor and then installed in a house in Glasgow from where they have recently emerged following its conversion to flats and their removal.
Lot 87
George III mahogany bureau of large proportion, the fall front enclosing a well-fitted interior, pigeon holes, secret compartments, also central door depicting scene of Britannia, two short drawers over three long graduating drawers (with later handles) carried on ogee bracket feet , height 111cm, width 118cm, depth 52cm
Lot 452
A Victorian mahogany Davenport / Bureau Bookcase, of small size, the moulded cornice above a pair of swag and harebell pattern astragal glazed doors enclosing shelves, the base with hinged fall-front with leather writing inset opening to reveal a fitted interior, the sides with slides and a side panel door enclosing four drawers, on bracket feet, 20¾in (52.5cm) wide.
Lot 486
A George III oak 8-day Longcase Clock, John Smith, Chester, with two-weight movement striking on a bell, the 13-inch brass dial with moon-phase above silvered chapter ring with black Arabic minutes and black Roman hours, subsidiary seconds and date aperture, brass spandrels, signed in the arch John Smith, Chester, the case with swan-neck hood and brass-mounted columns on a trunk with shaped door above a plinth on ogee bracket feet, 89in (226cm) high.
Lot 246
Mahogany cased bracket clock, with line inlay, silvered dial with additional chime/silent and slow/fast dials, triple fusee movement, striking on gongs. 35.5cm long 29cm wide 48cm high (excluding handle) Clock is in a good condition. It is working and keeping good time. Section of beading on either side has come loose but both are with the clock to be reattached. Glass is in perfect condition. Slight discolouration to a section of wood in the top right corner. Handle is secure. Key for glazed front door. Back door is secure and locks. Comes with key and pendulum. Not a chain fusee
Lot 247
Jaeger LeCoultre Atmos clock brass four glass case with gilt roman numeral chapter ring with original case. Height 22.5cmClock is in very good condition. No damages or chips to the glass. The hinge door on top functions and is secure. One small screw appears to be missing from clock face between the V and VI batons. The other three screws are present so doesn't affect the stability or security of the dial. Clock is working and appears to be keeping good time
Lot 478
Scottish George III inlaid mahogany long cased clock, swan neck pediment over a brass dial with seconds and date subsidiary dials, with a sun and moon dial to arch by Peter Millar, Alloa circ 1800. Height 229cm The clock is in very good condition. The hands are intact and move freely. There are no damages to the face, just minor areas of tarnish. The glass has one small hairline crack to the top left (see additional photo). There are no splits or damages to the wood. No parts of the wooden case appear to be missing. Pendulum and two weights with the clock. Key for the door. We do not test long case clocks to assess if they are working Dimensions 50cm wide, 23cm deep, 229cm high
Lot 482
Scottish Victorian Mahogany Drum Head, long cased clock, white circular dial, roman numerals, seconds and date subsidiary dials by J & P Donaldaldson. 193cm high Clock is in a very good overall condition. Glass has no chips, cracks or notable scratches. Two wood joins visible above the door. Comes with pendulum and 2 weights. Case is in good condition with no parts missing, a few surface scratches and two very small pieces of veneer missing at the bottom. Clock face has some light scratches and wear to the Roman numerals. Door hinge functions but is slightly loose. All hands are present and move freely but we do not test long case clocks to check if they are working.
Lot 489
Mid 19th century Anglo Indian carved Padouk linen press. 184cm high, 123cm long, 51cm wide Padouk linen press is in good solid condition it requires a good clean especially the moulding around the base. Some light sun bleaching to the front door panels interior with some modifications. There is a small piece splinter of moulding missing from the base on the right hand side of the linen press.
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