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Lot 110
LATE 17th CENTURY PANELLED OAK TWO PART CUPBOARD, the upper section with moulded cornice above a central cupboard door, enclosing hanging pegs to the interior, the slightly advanced lower section with a pair of panels above a conforming pair of basal drawers, each fitted with brass swan neck handles, and raised on bun feet, 71" (180.3cm) high, 54" x 22" (137.2cm x 55.9cm)
Lot 129
MID VICTORIAN BURR WALNUT AND CARVED MUSIC CANTERBURY WHAT-NOT, the rounded oblong top surmounted by scroll pierced end pieces, set above an open shelf with slender turned and carved supports, and a glazed cupboard door with conforming supports to the corners, enclosing a single shelf, with gilt tooled leather front edge, to the polished interior, and raised on short, turned supports with brown pot castors, 44" (111.8cm) high, 26" x 16" (66cm x 40.6cm) backboard loose and with movement
Lot 141
J & W LOMAX, GOOD QUALITY MID VICTORIAN GILT METAL MOUNTED, INLAID THUYA BURL AND FIGURED WALNUT BREAKFRONTED CREDENZA, the shaped oblong top above a frieze inlaid with scrollwork and conforming central panelled cupboard door, flanked by a pair of glazed cupboard doors, each enclosing two fixed, red plush lined shelves to the interior, and raised on a shaped plinth base, the whole outlined in moulded gilt metal and the front mounted with four part fluted, free standing gilt metal columns to the corners, stamped to the top of the central cupboard door and numbered: 334, 41 ¼” (104.8cm) high, 74” x 15 ½” (188cm x 39.3cm)
Lot 167
GOOD QUALITY MID TWENTIETH CENTURY CARVED AND FIGURED WALNUT DISPLAY CABINET IN THE QUEEN ANN TASTE, the moulded breakfront top above a panelled cupboard door, flanked by a pair of astragal glazed narrow cupboard doors, each enclosing three adjustable shelves to the polished interior, raised n leaf capped cabriole supports tied by a foliate scroll pierced apron, 54 ½” (138.4cm) high, 44” x 16” (111.8cm x 40.6cm)
Lot 25
NINETEENTH CENTURY FRENCH EBONISED AND GREEN BOULLE WORK MANTLE CLOCK, the 4 ½” enamelled Roman dial powered by drum shaped movement striking on a bell, and housed in drum top case with ribbon tied floral gilt metal cresting and glazed ‘window’ below, raised on a conforming base with scroll feet, 16 ¼” (41.3cm) high, dial cracked, glass cracked to rear door, bell replaced and minor lifting to brass inlay
Lot 31
SAM COLLIER, ECCLES, GEORGE III INLAID FIGURED MAHOGANY LONGCASE CLOCK WITH ROLLING MOON PHASE, the 14” painted dial with subsidiary seconds and date dials, enclosed by figural spandrels, allegorical of the seasons, and set beneath the arch, inscribed: I LABOUR HERE WITH ALL MY MIGHT TO TELL THE HOUR BOTH DAY AND NIGHT, THEREFORE EXAMPLE TAKE BY ME AND SERVE THY GOD AS I SERVE THEE’, signed: SAM COLLIER, ECCLES and also faintly signed GEO KENT, powered by an eight day movement striking on a bell, and housed in a case with dentil moulding and spike and ball brass finials to the swan neck pediment, above a green and gilt painted frieze, inscribed: J. BIRCH, ECCLES, over free standing fluted columns to the fore corners, long trunk door with shaped top, flanked by cluster columns to the fore corners, and raised on a conforming, panelled base with chamfered fore corners and ogee bracket feet, the front with oval paterae and shell inlays, 94 ½” (240cm) high, lacks central finial
Lot 32
WILLIAM LASSELL, TOXTETH PARK, LIVERPOOL, GEORGE III LATE 18th CENTURY FIGURED MAHOGANY LONGCASE CLOCK WITH 8 DAYS STRIKING MOVEMENT, square 12" brass and silvered roman dial with subsidiary seconds dial, applied rococo scroll spandrels, third hand indicating the day of the month on an inner Arabic chapter ring, the broken arch hood with black glass frieze, free stand Ionic side columns, the waist with shaped top door and fluted quadrant side columns, on low feet, 7'3" high, circa 1780
Lot 33
MEX NIMMO, LINLITHGOW, No 208, GEORGE III FIGURED MAHOGANY LONGCASE CLOCK WITH 8 DAYS STRIKING MOVEMENT, with arched brass and silvered roman dial, named and numbered on a disc in the arch, subsidiary seconds dial and date aperture, applied rococo spandrels and with dolphins in the arch, the hood flat topped with delicate carved fluted narrow top over a cavé relievo foliate scroll frieze, slender fluted and spirally fluted side columns with brass capitals and bases, the columns repainted as quarter columns to the rear of the sides which are also quatrefoil pierced and with silk lining, repeat carved frieze above the shaped top door, fluted quadrant side pilasters, raised on bracket feet, 6'9" high
Lot 35
JOHN KENT, MANCHESTER, GEORGE III FIGURED MAHOGANY LONGCASE CLOCK WITH 8 DAYS STRIKING MOVEMENT, arched painted dial with subsidiary seconds dial and date aperture, phases of the moon in the numbered arch which shows two semi-circular terrestrial maps, the dial and spandrels painted with a bird and flowers, the hood with swan neck pediment filled in with a centre plinth, four pillar cluster side columns to the hood and waist, the waist door with triple pointed arch top with carved acorn surmount, on ogee bracket feet, 7'11" high(N.B. G. H. Baillie in 'Watch Makers and Clock Makers of the World' lists John Kent of Platt Hall, Manchester)
Lot 36
LEIGH OF NEWTON, GEORGE III EARLY 19TH CENTURY INLAID AND FIGURED MAHOGANY LONGCASE CLOCK WITH 8 DAYS STRIKING MOVEMENT, arched painted roman dial with two subsidiary dials for seconds and day of the month, revolving moonphase in the numbered arch with terrestrial half-globes, the spandrels painted with female figures allegorical of the seasons, the hood with swan neck pediment, the centre filled in with a plinth, fluted side pilasters with gilt metal corinthian capitals, the waist with fluted quadrant side pilasters, marquetry banding decorating the frieze and having shell lozenge above the shaped top door, on ogee bracket feet, 7'11" high, circa 1820
Lot 168
A painted oak side cabinet, in late 17th century style, circa 1920, with painted decoration in the manner of the Bloomsbury Group, 123cm high, 184cm wide, 61cm deep See Anscombe, Isabelle. Omega and after: Bloomsbury and the Decorative Arts. London 1999 reprint, pl. 34 for a Victorian bookcase painted by Duncan Grant for Clive Bell at 50 Gordon Square, London, in 1927. It shows a similar use of the waved lines and circles for the door borders
Lot 145
A carved hardwood Cabinet (GUI) Qing Dynasty, of rectangular outline with a pair of hinged doors separated by a central stile, the panels boldly carved with elegant shaped panels, depicting various scenes with flowers, figures, animals etc., above a wide carved panelled apron, the interior with shelves and two drawers above a concealed well with removable covers, the backs of each hinged door with carved design, the back and side panels finely bevelled and removable, all supported on four square section legs, approx. 196cms h x 127cms w x 56cms d (77" x 50" x 22").Purchased: Hobbs and Bishops Fine Art Ltd., Hong Kong
Lot 664
A fine large George IV mahogany breakfront Bookcase, the moulded cornice above four tall glazed panel doors with acanthus carved terminal glazing bars within ebony beaded panels, on a four panel door cupboard base on platform, with applied lobed bun feet. 284cm high, 277cm wide, 55cm deep. (1)
Lot 372
John Gilbertson, Ripon. An early 19th oak longcase clock, the hood with scrolled and architectural pediment enclosing a painted arched 13" dial with calendar supporting a thirty hour movement striking on a bell. The half length door flanked by 1/4 turned reeded pilasters above a box base on bracket feet, 226cm
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235302 item(s)/page