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Lot 1
A Canton lacquer work box, in unusually finely preserved condition, of octagonal shape, the domed lid revealing a fitted interior with carved and pierced ivory fitments and needlework tools (full details on request or at www.mellorsandkirk.com), the exterior with flowers heightened in gilding on a lemon-gold lacquer ground, a drawer to the base and with a pair of giltmetal handles, on carved giltwood dog of Fo feet, 35.5 x 27cm, retaining the quilted red silk cover and rosewood box, with sliding door, mid 19th c
Lot 1
A George III mahogany longcase clock, the 13-inch brass dial signed on the silvered chapter ring James Butler Bolton, with subsidiary seconds dial and date aperture to the engraved centre, having rococo spandrels and eight day movement, the case with swan neck pediment and turned finials above fluted pillars, the trunk enclosed by a figured door flanked by pilasters, on panelled base with ogee feet, 227cm h
Lot 1
A George III oak longcase clock, the 12-inch brass dial with silvered chapter ring and roman numerals, subsidiary seconds dial and date sector, having engraved centre and rococo spandrels with lunar work above, the arch inscribed thomas radford, leeds, the eight day movement now striking on a coiled wire gong, in crossbanded case with open break arch pediment on turned pillars, the trunk enclosed by a shaped door above a panelled base and bracket feet, 224cm h
Lot 1
A William IV brass inlaid mahogany longcase regulator, the 12-inch diam silvered dial with twin subsidiary dials signed Hardy Preston, the deadbeat movement with shaped plates and mercury compensated pendulum, the gothic style case inlaid with brass quatrefoils and stringing, having lancet arched hood and glazed conforming door flanked by fluted pilasters, on conforming base and stepped plinth, 200cm h
Lot 1
A George III mahogany longcase clock, the 12-inch brass dial signed on the chapter ring R Hampson warrington with subsidiary seconds dial, a date aperture to the engraved and matted centre, having urn spandrels and eight day movement, the case with swan neck pediment and spirally fluted columns, the trunk enclosed by a finely figured full length door flanked by fluted pilasters, on panelled base, 220cm h
Lot 1
A George III mahogany longcase clock, the 10.5-inch brass dial signed on the chapter ring Broadhurst Macclesfield with ringed date aperture to the matted centre and mask spandrels, having eight day movement, the case with cavetto cornice and spirally fluted pillars, the trunk enclosed by a figured door flanked by pilasters, on conforming base, 194cm h
Lot 1
A RARE AND UNUSUAL 19TH-CENTURY OAK GOLF PUTTING-PRACTISE CAGE of oblong form, the oak sides linked by metal rods to the top and back, the oak door closing on a simple lever mechanism, 7.5cm x 18.5cm x 6.5cm high, (3in x 7.3in x 2.5in), sold with a photograph of a print by the artist Frank Moss Bennett, (1874-1953), an old-fashioned genre scene with gentlemen in earlier costume, practising their putting by using these devices (2).
Lot 1
A PAIR OF WILLIAM IV EARLY VICTORIAN CHILD'S POTTERY PLATES each of octagonal form, the border moulded with a double band of daisy-heads within a rope twist edge with puce lustre enrichment, the fields black transfer-printed and overpainted in red, yellow, green and blue, one depicting a mother and her two seated children at a cottage door, green painted number '2' to back, the other depicting a shepherdess beside a tree, six green dots to back, both 14cm, (5.5in) diameter (very old rim chip to first plate)
Lot 1
Follower of Charles Spencelayh, (1865-1958) PORTRAIT OF AN OLD VIOLINIST, seated in an open armchair, a gate-leg table, paraffin lamp and army photograph behind him, a top hat and umbrella beside the door, watercolours, unsigned, 33.5cm x 26cm, (13.2in x 10,.2in), in gilt card mount (inscribed 'C. Spencelayh'), and gilt frame under glass.
Lot 1
Arthur A*** Davis, (Exh. 1881-4) 'AN INDIGNANT MATRON', a sow with piglets at a barn door, disturbed by a pack of hounds and huntsman in pursuit of a fox, watercolours, signed and dated [19]09 lower left, 26cm x 36cm, (10.2in x 14.2in), in entitled gilt card mount and original swept gilt frame under glass.
Lot 1
AN EARLY 20TH-CENTURY GUSTAV BECKER MAHOGANY-CASED TWO-TRAIN MANTEL CLOCK having an arched hood, the bevelled door between spindle-form columns on a plinth base and metal bun feet, the movement stamped GB flanking a crowned anchor, also R over P12, striking the half-hours on a coiled gong, the silvered arched dial with subsidiary slow/fast ring, the silvered chapter ring with Roman numerals, the centre inscribed 'Ex'd by S Smith & Son Ltd, Trafalgar Roman Square, London', 25.5cm, (10in) high (sold with key).
Lot 1
AN EARLY VICTORIAN ROSEWOOD-CASED BRASS-DIALLED SINGLE-TRAIN MANTEL CLOCK in the gothic revival taste, having a pointed top between spire finials, the pointed-topped door having a carved fleur-de-lis, the ogee glazing above a bevelled gilt slip, on a reel-carved frieze, plinth base and three (of four) bun feet, the dial having Roman numerals, inscribed 'Simson, Southampton' (unrecorded by Baillie -perhaps a retailer?), the sides with lancet-glazed windows, the movement unmarked, 24.5cm, (9.6in) high.
Lot 1
Hamburg American Clock Company A SMALL EARLY 20TH-CENTURY WALNUT-CASED SPRING-DRIVEN 'VIENNA' WALL CLOCK, having a detachable surmount with turned finial on an inlaid pointed pediment above further finials etc, the arched door with integral inlaid pilasters with turned cpitals on an inlaid apron with twin pendants and basal split finial, the enamelled chapter ring with Roman numerals, the movement stamped to the backplate with the crossed arrows mark, 81cm, (32in) wide.
Lot 1
AN EARLY 20TH-CENTURY VIENNA SPRING-DRIVEN WALL CLOCK BY GUSTAV BECKER, in mahogany veneer and walnut, having a surmount with female masks flanked by half columns, balustrades and ball finials on fluted bases, above a double- arched trunk door with walnut half-columns, gadrooned base and turned pendant, the arched brass dial having foliate-decorated arch and spandrels framing an enamelled chapter ring with Roman numerals, the movement stamped 'G.B.SILESIA' around an anchor, and 'P48', above a three-rod pendulum with brass bob, 108cm, (42.5in) high.
Lot 1
Francis Walker, Maryport, (1800-1855) A SECOND QUARTER 19TH-CENTURY MAHOGANY-CROSSBANDED OAK-CASED 30-HOUR LONGCASE CLOCK having a swan-neck pediment with brass disc paterae, the arched mahogany-framed hood door between good spindle-turned mahogany columns, on an arched crossbanded short trunk door and panel between reeded 'round the corner' pilasters on a crossbanded base and bracket feet, the arched white-painted dial decorated with two greyhounds coursing a hare, the Roman numerals framing maker's name and a crescent form date aperture, the spandrels painted with wild roses on a speckled gilt ground, 218cm, (85.8in) high (sold with weight and pendulum).
Lot 1
Blakeborough, Pateley Bridge (fl. early 19th century) A LATE GEORGIAN INLAID OAK-CASED 30-HOUR LONGCASE CLOCK having a swan-neck pediment with brass patera, the arched mahogany hood door between fluted columns with brass capitals, the trunk having an ebony and boxwood- strung frieze above an arched door with central inlaid conch shell patera within mahogany crossbanding, between fluted quadrants, on a plain base, the movement having a white-painted arched dial decorated with a parrot-like bird and a gold-crest perched on a sapling, the Arabic hours framing maker's inscription 'BLAKEBOROUGH 40 - PATELYRIDGE' [sic], above painted flowers and a subsidiary date dial, the spandrels painted with roses, 218cm (85.8in) high (sold with weight and pendulum).
Lot 1
Matthew Ord, Hexham, (fl.c.1820-30) A LATE GEORGIAN INLAID OAK-CASED 8-DAY LONGCASE CLOCK having a flat-topped hood with arched mahogany-framed door between turned columns with brass capitals, the trunk having a satinwood-framed mahogany frieze above an ebony-strung arched door between strung flat 'pilasters', on a matching base with shaped apron and integral bracket feet, the white-painted arched dial decorated with a farmer stooking corn, the Roman numberals framing a subsidiary seconds dial and date dial flanking inscribed maker's name 'MATTW ORD/HEXHAM', the spandrels decorated with roses and diaperwork, with gilt enrichment, 211cm, (83in) high (sold with two weights, and key and pendulum).
Lot 1
William Porthouse I, Penrith, (1706-1790) A MID 18TH-CENTURY OAK-CASED 30-HOUR LONGCASE CLOCK having a flat-topped hood with square door between turned columns, the trunk door with re-entrant top corners, on a plain base and bracket feet, the movement having a square brass dial, the silvered chapter ring, inscribed 'W.Porthouse, Penrith' with Roman hours and Arabic minutes, framing a matted centre with silvered ownership boss inscribed 'John Burtholm 1749', above a square date aperture within foliate scrollwork, the spandrels cast with mask amidst foliage, 208cm, (82in) high (sold with weight and pendulum).
Lot 1
Alexander Nimmo, Kirkcaldy, (fl.c.1820) A LATE GEORGIAN OAK-CASED 8-DAY LONGCASE CLOCK having a swan-neck pediment above an arched hood door between turned columns with brass capitals, the trunk having an arched door between fluted quadrants, on a plain base with bracket feet, the movement having an arched white-painted dial, the arch centred by an anchor within oval floral surround flanked by pink roses in bud, inscribed beneath 'Nimmo Kirkcaldy', the Roman hours and Arabic minutes framing a seconds dial (hand lacking) and date dial, the spandrels decorated with gilt oval medallions, 212cm, (83.5in) high (sold with two weights plus pendulum).
Lot 1
A VICTORIAN WHITE MARBLE-TOPPED INLAID WALNUT CREDENZA, the top of double-lobed form with curved sides, on a foliate-inlaid frieze above a central door, with similar inlay and an oblong moulding with re-entrant top corners, enclosing a shelf, between turned columns and twin bow-fronted glazed ers, cabinets with matching moulding, each enclosing a shelf, on a shaped plinth and four bun feet, 151cm x 46cm x 91cm high, (59.5in x 18in x 36in).
Lot 1
A GOOD VICTORIAN GENTLEMAN'S MAHOGANY TRIPLE WARDROBE of inverted break-front form, having a central scroll-carved surmount above a frieze with carved flowerhead medallions on twin flame-veneered cupboard doors enclosing three tray shelves above three graduated long drawers with original wooden knob handles flanking twin wardrobes with overhanging cornices above well-figured doors enclosing hanging space (one door locked), on bun feet, 227.5cm x 66.5cm x 199cm high, (89.5in x 26.2in x 78.3in).
Lot 1
T. Simpson & Sons, Halifax, A LARGE AND IMPRESSIVE LATE VICTORIAN POLLARD OAK MIRROR-BACKED SIDEBOARD, having a breakfront dentil cornice, the frieze having a central carved foliate lozenge within fluting and foliate stippled, the bevelled rectangular mirror plate within a moulded frame with breakfront corners, between two pairs of fluted pilasters framing stippled panels of cornucopia and foliate scrolls, above twin shelves with bevelled rectangular mirrors beneath, between foliate- carved brackets, the lower stage having a rectangular top on gadrooned frieze above a long drawer with bold cast brass pierced backplate bale handles, above scroll quadranrs and a 'dog-kennel', flanked by matching short drawers on twin cupboards between pairs of fluted pilasters, the doors each having a stippled panel of an eagle perched on an urn, one cupboard enclosing two tray shelves, the other a shelf above a ten-bottle cellaret, each door having a white enamel cartouche-form plaque, 'T. SIMPSON & SONS/CABINET MAKERS/HALIFAX', on a plinth base, 213cm x 67.5cm x 203cm high, (84in x 26.5in x 80in).
Lot 1
An oak and chequer strung longcase clock, 18th century, with shaped pediment and ogive cornice above a square glazed door flanked by turned pilasters enclosing an 11" brass dial with matted centred and Roman numerals marked Phillips, Tenbury, pierced foliate corner spandrels, 30 hour movement, striking on a bell above a full length arched top crossbanded trunk door, cushion moulding and panel base raised on a shaped plinth and bracket feet, 85" high
Lot 1
A George III ebonised bracket clock, circa 1775, by Allam & Clements, London with caddy top and gilt brass swing handle and four flame finials above a glazed door enclosing a 7" brass dial with Roman numerals and scroll cast spandrels and marked Allam & Clements, London in the arch, date aperture, fish scale grills to the sides, the case enclosing a double fusee movement with verge escapement and striking on a bell, the back plate engraved with a basket of flowers and raised on gilt brass ogee bracket feet, moulding losses, 17" high, 9.5" wide, 7" deep.
Lot 1
A George III oak and mahogany crossbanded cottage longcase clock, early 19th century, the pierced broken scroll pediment surmounted by three ball and spire finials above an ogive cornice and square door flanked by turned pilasters enclosing a 12" brass dial inscribed Nickisson, Newcastle, with Roman numerals, subsidiary seconds dial and date aperture, foliate engraved centre, pierced foliate spandrels, eight day movement striking on a bell above a crossbanded full length trunk door flanked by fluted quarter pilasters over an ogive moulding and crossbanded panel base and raised on shaped bracket feet, 83" high.
Lot 1
A George III oak and mahogany crossbanded longcase clock, late 18th century, the pediment surmounted by two turned finials over an ogive cornice and blind fretwork design frieze above a square glazed door flanked by fluted pilasters enclosing a 12" brass dial with Roman numerals, subsidiary seconds dial and date aperture and marked Evans & Sons, Salop, pierced foliate spandrels to the corners, eight day movement striking on a bell over an ogive moulding and shaped top crossbanded full length trunk door between fluted quarter pilasters, further ogive moulding and raised base board and later shaped plinth, 82" high
Lot 1
A George III mahogany longcase clock, circa 1790, the blind fretwork carved pediment above an arched ogive cornice and glazed door flanked by fluted Corinthian capped and brass pilasters enclosing a 14" brass dial with silvered chapter ring and Roman numerals, subsidiary seconds dial and central calendar hand, the centre foliate engraved, foliate pierced spandrels, rolling moon phase in the arch painted with a moon and landscape and Tempus Fugit and inscribed Robert Lawson Leigh, eight day movement striking on a bell above a cushion moulding and blind fret carved frieze and shaped top, full length trunk door between fluted brass capped quarter pilasters, further moulding and raised base panel between canted angles and raised on shaped bracket feet, 87" high.
Lot 1
A George III oak and mahogany crossbanded longcase clock, 18th century, the caddy top above a painted foliate frieze and square hood flanked by fluted brass capped pilasters enclosing a 10" brass dial with foliate engraved centre, Roman numerals and mask spandrels and marked Bennett, Cheadle, 30 hour movement striking on a bell above a shaped top, crossbanded trunk door, flanked by fluted quarter pilasters over an ogive moulding and raised baseboard and on ogee bracket feet, the dial possibly associated, 79" high
Lot 1
A George III crossbanded oak longcase clock, late 18th century, with shaped pediment and blind fret carved frieze above a square door flanked by fluted brass capped pilasters enclosing a 13" white enamel dial with Roman numerals, subsidiary seconds dial and date aperture, foliate painted corners, eight day movement striking on a bell above a shaped top, trunk door flanked by fluted quarter pilasters over an ogive moulding raised baseboard on a shaped plinth and bracket feet, 88.5" high
Lot 1
A mahogany and boxwood strung longcase clock, early 19th century, with broken scroll pediment and gilt brass terminals above an arched glazed door flanked by reeded brass capped pilasters enclosing a 14" white painted enamel dial marked John Minshull, Birmingham, with Arabic numerals and date aperture, rolling moon phase in the arch, the corners painted with young girls representing the seasons, the moon humps painted with classical maidens, eight day movement striking on a bell above a double pointed arch top boxwood strung trunk door flanked by reeded brass capped quarter pilasters over an ogive moulding and base panel centred by a boxwood and harewood conche shell motif between canted angles and raised on shaped bracket feet, 91" high
Lot 1
An oak and mahogany crossbanded and boxwood strung longcase clock, mid 18th century, the broken scroll pediment terminating in gilt brass roundels and centred by a ball and spire finial above a square glazed door flanked by fluted brass capped pilasters enclosing a 12" square brass dial with Roman numerals, subsidiary seconds dial and date aperture and inscribed George Hewitt, Marlbro, foliate engraved, eight day movement striking on a bell, above an ogive moulding and frieze applied with gilt brass cornucopiae, three-quarter length shaped top crossbanded trunk door, centred by a gilt brass applied foliate motif in a lozenge surround, over a further ogive moulding and baseboard raised on a shaped apron and bracket feet, 85" high.
Lot 1
A George III oak and mahogany crossbanded and chequer strung longcase clock, early 19th century, the arched hood surmounted by eagle and ball finials over an arched glazed door flanked by fluted brass capped pilasters enclosing a 14" engraved brass dial with silvered chapter ring, Roman numerals, subsidiary seconds dial and date aperture and marked A Rowley, Shrewsbury, cherub mask spandrels, the arch with central boss inscribed 'Tempus Fugit' between dolphin spandrels, eight day movement striking on a bell over a plain frieze and ogee arched top, crossbanded three quarter length trunk door flanked by fluted brass capped quarter pilasters over an ogive moulding and raised crossbanded base board with fan inlaid top corners between canted angles and raised on a plinth and bracket feet, dial varnished, 89" high
Lot 1
An oak bureau, mid 18th century, the mitred fall front enclosing a fitted interior with central cupboard door flanked by pilaster letter slides, pigeon holes and stepped short drawers over three graduated grooved drawers and raised on shaped bracket feet, later brass handles, 33.5" wide, 19" deep, 39.5" high
Lot 1
A Regency mahogany and inlaid linen press, early 19th century, with boxwood and ebony faux fluted cornice above a dentil moulding and two ribbed cupboard doors enclosing three slides over two short and two long graduated cockbeaded drawers with gilt brass flowerhead ring handles over a shaped apron and splayed bracket feet, door panel cracked, restorations, 50" wide, 22.5" deep, 85" high
Lot 1
A George III oak and inlaid bureau, circa 1800, the crossbanded fall front centred by a boxwood and harewood conche shell motif enclosing a similarly decorated cupboard door flanked by open recesses, six pigeon holes and four drawer recesses above four long graduated cockbeaded drawers with later art nouveau handles and raised on later bun feet, distressed, 44" wide, 21" deep, 45" high
Lot 1
A Scottish George III mahogany longcase clock, the break arch hood with gilt finial above 32cm circular enamel dial marked indistinctly 'P.XXXX Edinburgh', with seconds and calendar subsidiary dials, the boxwood strung trunk with arched door flanked by quarter reeded columns, on a rectangular base and bracket feet, 220cm high.
Lot 1
An early 19th century mahogany pedestal sideboard, the marquetry inlaid arched back above a bow front central section fitted with two similarly inlaid panelled frieze drawers supported on twin pedestals, each fitted with a drawer and a panelled cupboard door enclosing shelves and a cellaret drawer, standing on a plinth base, 210cm wide.
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235346 item(s)/page