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Click here to subscribeA Victorian walnut and figured walnut veneered chiffonier with rectangular inset mirror panelled back, etc, together with a 19th century mahogany two sectional bookcase, the upper section with astragal glazed panelled door (for restoration), a quantity of miscellaneous ceramics and a pair of Japanese simulated bamboo metal candlesticks, etc
A 19th century eight day longcase clock, the mahogany trunk with inlaid chevron banding and further inlaid detail, the door flanked by rope twist columns with cast gilt capitals beneath an arched hood enclosing a painted dial with shepherdess and further detail and secondary dials, by Pass, Birmingham
A Victorian mahogany triple wardrobe, the arched and moulded cornice over three full length moulded stepped, arched panelled doors (the central door with mirror plate), enclosing a partially fitted interior of linen slides and drawers with brass flush fitting handles, all raised on a moulded plinth
AN OAK LONGCASE CLOCK signed John Lawson, Keighley, the thirty hour movement with anchor escapement and outside count wheel striking on a bell, the 12"" square brass dial with Roman and Arabic numerals, leaf chased centre with calendar aperture and half moonphase, the case with moulded inverted breakfront cornice on turned columns, frieze with black glass panels, arched door flanked by quarter columns, panel base, on plinth, 84 1/2"" high
A VIENNA GRANDE SONNERIE WALL CLOCK, Marenzeller in Wein, early 19th century, the movement with two spring barrels and central weight driven barrel for the gong train, deadbeat escapement, two hammers striking onto two gongs for the quarters and the hours, 6 1/2"" enamel dial with Roman numerals, diaper pattern gilt bezel, the mahogany veneered case with flared cornice and scrolled cresting, twin panel door flanked by beaded pilasters, shaped base with scrolled pendant, 13"" x 42"" (Illustrated)
AN OAK LONGCASE by Collinson, Kendall, the thirty hour movement with anchor escapement and outside count wheel striking on a bell, 13"" dial painted with flowers, calendar aperture and signature within a floral cartouche, the mahogany banded case with moulded cornice on baluster turned columns, canted trunk with arched door, panel base and bracket feet, 83"" high
A SCOTTISH OAK LONGCASE by John Peatt, Crieff, the eight day movement with anchor escapement and rack striking on a bell, 12"" arched silver dial with Roman and Arabic numerals, secondary dials, chased flowers and foliage, signature to the arch, the oak case with scrolled pediment and brass finial on turned columns, arched door, panel base and bracket feet, 88"" to top of finial
AN OAK LONGCASE CLOCK by William Noke, Bridgnorth, the eight day movement with anchor escapement striking on a bell, 11 1/4"" square brass dial with Roman and Arabic numerals, mottled centre chased with birds, with seconds dial and calendar aperture, the case with moulded cornice on turned columns, arched door, panel base and bracket feet, later carving throughout, 82"" high (Illustrated)
A MAHOGANY LONGCASE CLOCK signed J Murry, Aberdeen, the eight day movement with anchor escapement striking on a bell, 12"" arched dial with Roman and Arabic numerals, painted with flowers and with a ship in the arch, the case with scrolled pediment on fluted Corinthian columns, arched banded door flanked by wrythen quarter columns, banded base and bracket feet, 86"" high (Illustrated)
A MAHOGANY LONGCASE CLOCK signed Thomas Crawshaw, Retford, the eight day movement with anchor escapement striking on a bell, 13"" arched dial with Arabic numerals, painted signature banner and spandrels, the arch with automaton depicting Adam and Eve in the Garden of Eden, the mahogany case with boxwood stringing, scrolled pediment with brass finials on fluted Corinthian columns, arched door with oval flame panel, similar canted base and bracket feet, 95 1/4"" high (Illustrated)
A MAHOGANY LONGCASE CLOCK, signed John Miller, Preston, 18th century, the eight day movement with anchor escapement rack striking on a bell, 13"" arched brass dial with Roman and Arabic numerals to silvered chapter ring, seconds dial and calendar aperture, the arch with silvered roundel engraved with an eagle and inscribed ""Tempus Fugit"", the case with arched moulded cornice and verre eglomise frieze on plain turned columns, quarter veneered arched door, flanked by quarter columns, canted base and bracket feet, 87 3/4"" high (Illustrated)
AN OAK LONGCASE, signed Anthony Hutchinson, Leeds, the eight day movement with anchor escapement, striking on a bell, 11 1/2"" arched brass dial with Roman and Arabic numerals, the centre chased with urns, birds and foliate scrolls, secondary dial, the arch with signature and a river scene, the mahogany banded case with scrolled pediment having inlaid patera on fluted Corinthian columns, arched door with fan paterae flanked by fluted quarter columns, on panel base, 74 1/2"" high (Illustrated)
A GEORGIAN MAHOGANY BUREAU CABINET, 18th century and later, the dentil moulded broken pediment over ogee panelled door enclosing shelving and thirteen small drawers centred by a cupboard, candle slide below, the fall front enclosing fitted interior, four long drawers below with pierced brass drop handles, moulded base and bracket feet, 28"" x 20 1/2"" x 77 1/4"" (Illustrated)
A VICTORIAN BURR WALNUT AND EBONISED CREDENZA of D form with gilt metal mounts, moulded edged top, panelled door with stringing and centred by foliate marquetry and enclosing a velvet lined interior, flanked by turned and block pilasters and flanked in turn by a glazed door, moulded base and bracket feet, 65 1/2"" x 15 3/4"" x 40 1/4"" (Illustrated)
A LATE VICTORIAN ASH PART BEDROOM SUITE by Maple & Co, comprising a triple wardrobe with moulded lunette carved cornice over central mirrored door flanked by chevron panelled doors each topped with a carved panel and enclosing slides, drawers and hanging space, on plinth, en suite with dressing table, marble topped washstand, pedestal desk and a pair of caned chairs (6) (Illustrated)
20th Century black lacquer and chinoisserie bracket clock, F.W. Elliott Ltd., the dome top mounted with brass carrying handle, having single glazed door opening to reveal, brass plated dial applied with silvered chapter ring, having black roman numerals, bordered by a minute track, blued steel hands, the black case heightened in gilt with figures and buildings, raised on four brass bun feet, twin train movement, 17cm wide x 25cm high including handle
Early 20th Century carved oak mantel clock, of architectural form, having single glazed door enclosing brass plated dial applied with silvered chapter ring, with black arabic numerals, bordered by a minute track, twin train movement, 39cm high, together with, Edwardian mahogany and boxwood inlaid mantel clock, of lancet form, with circular roman dial, 21.5cm high, and a 17th Century style brass lantern clock, 28.5cm high, (3)
Late 19th Century mahogany and inlaid mantle clock, the rectangular moulded top above single glazed door, enclosing brass dial and silvered chapter ring with black roman numerals, bordered by a minute track, cornered with applied brass cherub decoration, the case with geometric inlay, with moulded base raised on four pad feet, twin train movement, 32cm wide x 39.5cm high
Late 19th Century Vienna wall clock, the carved pediment above single glazed door enclosing roman dial with subsidiary seconds dial, twin train movement, approx. 126cm long, together with, modern brass skeleton clock and quantity of various spares (AF), and a French style gilt brass mantel clock, with a pair of five-light candleabra garnitures, (qty)
CHARLES II OLIVEWOOD, EBONY AND MARQUETRY TALL CASE CLOCK, THOMAS PARE, LONDON, LATE 17TH CENTURY the 12 inch brass dial with signed silvered chapter ring, subsidiary seconds dial and date aperture fronting an eight day inside countwheel movement striking bell in case elaborately inlaid with foliate scrollwork, figures and birds, the trunk door with lenticle, height 86"" — 218.4 cm.
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