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Led Zeppelin - Albums to include Led Zeppelin (I) K40031, II K40037, III K50002, IV (Untitled / Zoso) K50008, Houses Of The Holy K50014, Physical Graffiti SSK89400, Presence SSK59402, The Soundtrack From The Film The Song Remains The Same SSK89402 and In Through The Out Door (F) SS59410 with brown paper outer sleeve.
A small wall mounted Vienna style clock, walnut case with opening, glazed door flanked by turned decorative pillars, stepped pediment surmounted by a carved eagle figurine, turned finials, hour and half past gong striking 8 day German movement behind a cream celluloid dial with brass centre, visible wooden pendulum with brass bob, winding key is present together with a selection of paperwork/ receipts.
An early 19th century 8-day mahogany cased longcase clock, the case with ¾ length door, square reeded columns, swan-necked pediments, ogee bracket feet, inlaid stringing, 13 inch square dial with inset ‘hatchet’ rolling moon, Arabic numerals, date indication, paintings showing representative figures of the continents to the corner, signed for John Barry, Ratliff Bridge (Loomes lists John Barry at Bolton le Moor in 1824), matched brass hands, with weights and pendulum, 220cm tall.
A good early 18th century oak cased longcase clock, signed to the 11 inch brass dial for Waddington (John, sometimes Johannes, listed by Loomes as c1710 to 1740) de Chorley, the dial with cherubs head spandrels, finely matted centre and fleur-de-lys half hour markers to the chapter ring, single-handed 30-hour movement striking on a bell, caddy top case standing 235cm tall, hood door with attached pillars, full length arched top door with lenticle, with weight and pendulum. The clock case contains a label with interesting provenance that the clock was purchased at an estate auction from Haigh Hall c1946Condition Report:Clock is generally in good, untouched condition, probably since purchased. Caddy top possible addition as backboard has now been added to. Some minor mouldings missing, split in bezel around bullseye. Dial does fit, no loss to mask. Base has had lower half replaced. Movement dirty, needs a service. Time train ok, strike seems bound up / not working.
An early 19th century 8-day longcase clock, the 14-inch square painted dial indistinctly signed William Barton, Wigan, matched brass acorn design hands, case of oak and cross-banded mahogany having swan necked pediment, turned columns to the hood, ¾ length trunk door flanked by quarter-reeded columns and standing 208cm tall, with weights and pendulum.
A mid-19th century longcase clock, the 13-inch square brass dial signed Standring, Bolton to the silvered chapter ring (Loomes listed Jeremiah Standring as born in Rochdale, working in Bolton 1742 to 1782), matched blued steel hands, inset painted penny moon, 30-hour movement with dummy winding squares to the dial, case of oak and cross-banded mahogany having swan necked pediment, floral reverse painted inset panel, reeded columns to the hood, full length trunk door with wavy top, flanked by quarter-reeded columns and standing 215cm tall, with weights and pendulum. Old paper label to the door interior stating: Standring - Bolton, Purchased by Ernest Bate for the sum of £? (obscured) in Feb 1950. Acquired at an auction at Newton Old Hall of the effects of the Boydell family at their termination of residency and subsequent demolition of the hall.Condition Report: Case in reasonable order with most mouldings present. Some loss to backboard, no feet, area where trunk and base meet needs attention. Dial complete in good order, no damage to hands, no real paint loss to moon dial. Movement very dirty, evidence of hole punching up, however both trains operate. No odd holes.
An imposing late 18th century 8-day longcase clock, the 14-inch Wilson arched dial with rolling moon feature indistinctly signed for Lawson of Wigan, matched blued steel hands, mahogany case with inlaid stringing, swan necked pediment, turned and carved finials, verre eglomise panels, four turned columns to each side of the hood, full length trunk door with three pointed top, flanked by three turned columns each side, quarter-reeded columns and standing 240cm tall, with weights and pendulum.Condition Report: The clock appears original to the case however the case is now dismantled due to dry glue / age (see additional images) and so restoration is required. Dial is faded and has had numerals poorly touched up. Missing some dental moulding to swan necks, one crack in glass panel, hardboard park of lower back. Movement dirty, strike train not working / bound up.
LATE VICTORIAN SILVER BOUDOIR TIMEPIECE, Birmingham 1900, with French movement, 10cm h (incl carry handle)Condition Report:The clock is not currently running,The Glass cover is loose.There are a few dents and dings on the corners (see photos)Hallmarks rubbed.Missing key.The door does close properly.
A SANDSTONE DOOR CASING PANEL OF A DEVATA, BAYON STYLEKhmer Empire, late 12th to 13th century. Carved as a standing devata, wearing a sampot, the right hand held to the chest, the faces with almond shaped eyes, the pendulous ears with round earrings, flanked by two pillars and a flaming arch. The right side with an ornamental band.Provenance: Santi's Art & Antiques, Bangkok, Thailand, 1987. A noted English private collection, by repute acquired from the above and thence by descent in the same family. Santi's Antiques was established in 1958 by Santi Sivakua in Bangkok, Thailand. Santi Sivakua became one of Thailand's most reputable dealers and an acclaimed expert in Chinese porcelain and Southeast Asian artifacts, serving as a consultant for several reference publications. In 1990, Santi's son Suk took over the business. Condition: Good condition, commensurate with age and as expected for a statue with an age of 800 years or more. Extensive wear, signs of centuries-old weathering and associated erosion, fills to backside, losses, few nicks, cracks and surface scratches. Displaying remarkably well overall. Dimensions: Height 76 cm (excl. base) and 82.8 cm (incl. base)Mounted to a modern wood base. (2)Devata are smaller and more focused Devas (Deities) in Indian religions, such as Hinduism and Buddhism. The term 'devata' itself can also mean deva and they can be either male or female. Every human activity has its devata, its spiritual counterpart or aspect.Literature comparison:Compare a related sandstone panel, dated to the 12th century, in the collection of the British Museum, accession number 2002,0330.1.Auction result comparison:Type: RelatedAuction: Christie's Amsterdam, 31 October 2006, lot 561Price: EUR 11,400 or approx. EUR 15,500 adjusted for inflation at the time of writingDescription: A Khmer, Bayon style, sandstone panel, 13th centuryExpert remark: Compare the figural element, the arch-shaped frame, and the ornamental decorations. Note the size (105 cm).
Staden, Hans: De voorname Scheeps-togten na Brazil, gedaan Anno 1547 en 1549. Nu eerst uyt' Hoogduytsch vertaald na den egten laatsten vermeerderden derden Druk. Leiden: P. van der Aa o. J. (1706). 41,5 x 25,5 cm. Mit gest. Titelvign., 1 gefalt. Kupferkarte und 23 Textkupfern. 2 Bll., 76 Sp., 1 Bl. Mod. Ldr. mit Rv., Rs. und Filetenverg. auf den Deckeln. (Berieben und bestoßen. Etwas gebrauchs- und altersfleckig. Das Kupfer in Sp. 61/62 montiert. Restauriert mit wenigen Ergänzungen im w. Rand.)Sabin 90057. Alden 706/209. Borba de Moraes 786. - Auszug aus Pieter van der Aa's "De Aanmerkens-waardige voyagien door Francoisen ..., Bd. I". - "This edition ... was printed from the same setting of type as the preceeding octavo edition, rearranged to make two columns to a page ... all but one of the copper plates in the octavo edition are included as illustrations in the text of the folio. The map is printed on the same sheet with one of the other maps of this volume" (Sabin).
Merian, Maria Sybilla: De Europische Insecten, naauwkeurig onderzogt, na 't leven geschildert, en in print gebragt ... in't Frans beschreeven door J. Marret ... en door een voornaam Liefhebber in't Nederduits vertaalt. Amsterdam: J. F. Bernard 1730. 52 x 36 cm (Größe der Abbildungen: ca. 17 x 13,5; 15 x 11; 21 x 15 cm). Mit gest. Titelvign., gest. Schlussvign. und 184 Kupferstichen auf 47 Tafeln. HLdr. (Einband stark berieben und angeschmutzt. Beide Spiegel und fliegendes Vorsatz vorne etwas schmutzfleckig. Innen nur sehr vereinzelt Feucht- bzw. Altersflecken.)Nissen 1342 (zählt irrig 186 Tafeln). Horn/Sch. 14993. Hunt 483 Anm. - Die erste Folio-Ausgabe, in der niederländischen Übersetzung, erschien zeitgleich mit der französischen Ausgabe und wurde von Merians Tochter Johanna Helena posthum herausgegeben. Sie umfasst ihr Raupenbuch sowie das Neue Blumenbuch. "... The first folio edition and the first appearance of the full suite of Maria Merian's plates of the European insects, the companion and complement to her great Surinam work ... It is remarkable for its botanical as for its entomological content" (De Belder 238/II). Die Kupfer - zu viert auf 43 Bll. angeordnet und zu dritt auf 4 Bll. gedruckt - zeigen Schmetterlinge und Raupen auf ihren entsprechenden Pflanzen. Die Kupfer sind römisch nummeriert, hierbei gibt es von den Tafeln Nr. 1 und 51 je zwei unterschiedliche Ansichten, die Kupfer mit den Nummern 170 und 172 sind in der Zählung übersprungen, sie bilden zusammen die Schlussvignette auf S. 84 (2 Blumenbouquets mit kleinen Hinweisnummern versehen, die auf den beschreibenden Text verweisen sollen). Daher die abweichende Zählung bei Nissen.
A BMW Mini One Convertible,1598cc Petrol two-door with manual gearbox in the rather unusual shade of cool blue. KD55 NWJ, First Registered 12th October, 2005, M.O.T.'d until the 21st July, 2023. Currently showing 105,905 miles, which appears confirmed by the D.V.L.A. M.O.T. history. We have driven the car around the sale-yard and it appeared to operate satisfactorily in the space available, including the reversing sensors. Here we have a solid feeling motorcar in which to enjoy the fresh air and the otherwise un-noticed fragrance of the countryside and finished in what could perhaps be described as metallic/pearlescent Air Force Blue. The V5C is present, as is one key which opens and operates the car but does not currently operate remotely. The Kenwood in car entertainment system requires some fettling as it does not power up at present. N.B. BUYERS PREMIUM ON THIS LOT 10% + V.A.T. (Total Premium 12% but plus any specific on-line bidding fees).
Potter (Beatrix, afterwards Beatrix Heelis, writer and illustrator, 1866-1943) Autograph Letter signed to "Dear Miss Wilson", 2pp., 8vo, Castle Cottage, Sawrey, Ambleside, 4th July 1942, regarding the use of the Women's Land Army on farms in the Lake District and their remuneration , "In a general way - a much better class are joining the Land Army, because a healthy out door life appeals to girls instead of the unfortunate conditions pertaining to factory life, and to at least one of the services. As regard wages: they are a lot for a small farmer to pay to a beginner; but what the girl receives in cash is not too much. The wages paid too the Forestry girls are most absurd. One woman doing piece work is said to be receiving L11 a fortnight. It is upsetting to men to hear of such a wage. It is to be hoped the girls don't find winter evenings too dull. I am very glad to think that you who know the possibilities of social amusement & interest in Hawkshead will help them. I have been wishing to help but I am getting slow & tired", folds.
* DAVID SASSOON (BRITISH 1888 - 1978),DRUMMORE VIADUCT, BY GATEHOUSEwatercolour on paper, titled label verso image size 26cm x 36cm, overall size 46cm x 56cm Mounted, framed and under glass. Handwritten labels verso.Note: a rare auction appearance for a work by the Kirkcudbright resident. Sassoon came to Kirkcudbright about 1920. He lived firstly in a studio in Castle Street, then at 3 High Street. His wife found it less easy to adjust to living in the tiny artist colony and encouraged her husband to buy the house next door and convert the two properties into one home. David Sassoon was a man of means and his financial independence allowed him to work as he chose and not pay undue deference to whether his pictures sold or not. However, his work was well collected and he was both popular and respected by the other Kirkcudbright artists. Mrs Sassoon eventually persuaded her husband to move back to the south of England but he returned from time to time and used a hut at Carrick Shore as a holiday home and studio.
CHARLES GRETTON LONDON: A GEORGE I MONTH-GOING LONGCASE CLOCK the 30.5cm brass arched dial with edge engraving, corner spandrels of two cherubs holding a single crown, subsidiary seconds dial and date aperture, the engraved cartouche within the arch inscribed " Cha Gretton LONDON", the month-going five pillar movement, striking on a bell. In a walnut veneered case with a sliding caddy hood, the long rectangular door with glass lenticle, 244cm high. Inside the case is a label of the retailer " G. Horstmann & Sons", who were active in Union Street Bath, from approximately 1904 until 1925. Note: This clock features in the Charles Gretton catalogue raisonne. In Charles Gretton Clock & Watchmaking Through the Golden Age' by D. Raddage, W. Meinen and L. Radage, this clock features as reference LC75, on page 233. It is recorded that this is one of the last known Gretton longcase clocks.
A PAIR OF LATE GEORGE III MAHOGANY DINING ROOM PEDESTALS, Late 18th century, with rectangular tops and reeded edges over a single drawer and a panelled door with reeded brass borders and well-figured panels enclosing interiors of drawers and shelves, on a plinth base, 100cm high x 43cm wide (2)
1 50-cl bt Chapoutier Rivesaltes Vin Doux Naturel (rouge) 1977 1 50-cl bt Dom de la Rectorie Banyuls Cuvée Parcé Frères Vin Doux Naturel 2005 1 hf bt Bulglioni Recioto della Valpolicella Classico 2005 1 hf bt Three Choirs Vineyards Cellar Door Release Noble Harvest 2003 1 50-cl bt Benziger Family Winery Port 2005 Sonoma Valley Above three 50-cl bottles and two half bottles
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235346 item(s)/page