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Garemijn, Jan Anton (Bruges, 1712-1789): Les Musiciens Ambulans, oil on canvas, signed and dated 1785Dim.: 84,5 x 68,5 cm (the frame)Dim.: 59,5 x 43,5 cm (the painting) Provenance: A private collection, Bruges, Belgium. Titled 'Les Musiciens Ambulans' in the lower middle section, followed by the monogram JG. Dated 1785 beneath the tavern's sign. Johannes Antonius Garemijn, born in Bruges in 1712 as a child of a middle-class family was sent to writing school as soon as he was four. The many doodles and sketches that served to decorated his schoolbooks, soon caught the attention. From the age of seven he was taught by the sculptor Rochus Aerts, and at nine he started going to the Bruges drawing academy, which he attended for three years. Garemijn was further instructed in the art of painting and drawing by Hendrik Pulinx and, later on, Lodewijk Roose. In 1765 he became a teacher and headmaster at the Bruges academy, a position which he held for ten years. Garemijn produced paintings and drawings in many genres, including portraits, genre scenes, landscapes as well as several religious works - the latter commissioned by the local church authorities. He was also known as a fine decorateur, for instance in designing triumphal arches for local processions and festive entries. However, today he is mostly admired for his qualities as a draughtsman, for it is in his drawings that Garemijn truly excels. His dedication to drawing is evident from the fact that he added his motto 'Nulla dies sine linea' (No day without a line) to his earliest, now lost, self-portrait. After leaving the academy, his focu shifted from mainly sanguine drawings towards genre scenes. It's in this context that the present work was created. The scene appears to be inspired on the 'Driekoningen' tradition, where groups of dressed up children walk from door to door, singing for candy. Although he never travelled, preferring to stay in his native Bruges, he was stylistically greatly influenced by great French rococco artists such as Boucher, Fragonard and Greuze.Please request condition reports by e-mail on info@rm-auctions.com or by using the Invaluable message system. The reports, additional images and high-resolution images will be published on our website: www.rm-auctions.com. The absence of a condition report does not imply that the lot is in perfect condition. Lots 901-1044 are available exclusively on our website.
A cold-painted bronze door knocker shaped as a fox, Vienna, Bergman, late 19th C. H.: 7,5 cmL.: 27 cm (the fox) L.: 30,5 (the stand)---------Please request condition reports by e-mail on info@rm-auctions.com or by using the Invaluable message system. The reports, additional images and high-resolution images will be published on our website: www.rm-auctions.com. The absence of a condition report does not imply that the lot is in perfect condition. Lots 901-1044 are available exclusively on our website.
Victorian mahogany mirror back inverted breakfront sideboard with scrolling pediment, arched glass plate, moulded top over panelled doors raised on a plinth base, 215cm wide, 217cm high and 63cm deep. Condition Report There is two pieces of moulding to replace. Has one bubble in the top. The right hand central door is slightly warped. The trays are missing to the left hand pedestal. The sectional base needs cleaning, but good timber.
A Willis & Gambier Louis Phillipe Style Cherry Wood Gentlemans Wardrobe, With a large door enclosing a hanging rail, flanked by five graduated drawers, label to interior, 134cm high, 112cm wide, 64cm deepCondition reportMinor piece of wood missing to left side of Gentleman Wardrobe. Colour fading to wood on chest of drawers. Small gauge to the top of drawers. Minor gauge to the top of dressing table. Minor surface marks & scratches to all the pieces.
A 19th Century German three weight Vienna style wall clock The walnut case with an arched pediment and three turned finials above the 16cm enamel white dial indistinctly signed Fellenburgh, having a three train movement with three brass cylindrical weights and pendulum enclosed by a shaped glazed door, 144cm long.Condition - Dial good only name rubbed. One glass side panel detached but not broken. Three weights and pendulum, no key. Three links but only two pulley wheels. No woodworn
A reproduction Georgian style mahogany cased long case clock, 20th Century The arched hood above a 18cm silvered break arch dial with Roman and Arabic numerals enclosing the three train movement striking on rods, above a glazed viewing door enclosing the pendulum above an invert moulded panel and a plinth base with bracket feet, 172cm high.
A reproduction Georgian style long case clock by Richard Broad, CornwallHaving a swan neck pediment above reeded columns flanking the 33cm gilt and silvered break arch dial, centred with the makers name, the three train movement striking on rods above a glazed viewing door flanked by quarter reeded columns above an inlaid lower board raised on ogee bracket feet, complete with brass cased weights and pendulum, 212cm high.
A Victorian painted pine dressing tableHaving a rectangular mirror above a shaped shelf and a single drawer upon a rectangular moulded top and an arrangement of two long drawers, a small drawer and a shaped aperture all applied with painted decoration and raised upon bracket feet, 79x155x49cm; along with an early 20th Century two door mahogany cabinet, raised upon front cabriole legs, 83cm wide.
A Victorian walnut pier cabinetThe rectangular top with an ebonised border above a frieze inlaid with stringing and embellished with gilt banding, above a single glazed door enclosing a velour lined interior with two shelves, flanked by gilt metal appliques and raised upon a plinth base, 80x99x32cm.
An early 18th Century oak Welsh dresserThe high back with a moulded cornice above a shaped frieze over three shelves flanked by a cupboard door over a single drawer, the base with a rectangular moulded two plank top above three frieze drawers each applied with brass swing handles over a shaped apron, raised on front cabriole legs, 179x184x44cm.
A Royal Mail post mounted iron letter boxOf typical arched form painted in red with relief lettering "letters only" above the letter aperture, the hinged door with a sliding collection time panel over a relief cast crown and the initials G.R. stamped with the makers name on the reverse "A Handyside & Co Ltd, Derby and London", height 50cm.
A Victorian walnut inlaid music cabinetThe rectangular top with canted front corners inlaid with a campana urn and applied with a small gilt metal rail gallery above a single frieze drawer similarly inlaid over a single glazed door enclosing a lined interior with two shelves, raised upon a plinth base, 52x92x34cm.
A French Kingswood serpentine cabinetHaving a painted marble top above a frieze centred with a gilt metal applique over a single serpentine door centred with a circular marquetry panel within a gilt metal band, raised upon a conforming plinth base with applied gilt metal embellishments, 99x95x39cm.
A George III oak cased eight day longcase clockTJ Truscott, St Ausell, having a twin swan neck pediment above spinally lobed columns flanking the 31cm silvered break arch dial, centred with two subsidiary dials and the makers name, having a two train movement striking on a saucer bell, the oak case with a short rectangular door flanked by canted corners above a conforming lower panel with bracket feet, complete with two weights and a pendulum, 222cm high.
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235302 item(s)/page