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Click here to subscribeAN OAK AND MAHOGANY CROSSBANDED LONGCASE CLOCK, having a 12in. (30. 5cms) white dial painted with a bird to the arch and rose spandrels, the Arabic and Roman numerals now faded, of thirty hour movement striking on a bell, the case having a swan neck pediment with pressed brass roundels, the trunk door with ogee canted sides, on bracket foot, 76in. (193cms) high
A 17th century oak duodarn, with moulded and blind carved scroll decorated cornice with a frieze below carved with 'W1636D' to the frieze in low relief, above a centre panel, flanked at each side by a cupboard, door carved in low relief with a lozenge and foliate scroll design, three moulded drawers and two panelled cupboard doors beneath, 141cm (55 1/2in) wide, 175cm (69in) high
AN EDWARDIAN SATINWOOD BOWFRONTED SIDE CABINET painted in the style of Anjelica Kaufmann, the centre having a bevelled plate surmounted by a swan neck pediment above a shallow bowed drawer with a bowed door beneath flanked by a pair of bevel glazed cabinet doors enclosing shelves, the sides also glazed, on six square tapered legs terminating in spade feet and united by a shelf. Width 53". Height 77".
AN EDWARDIAN ROCOCO STYLE MAHOGANY SIDE CABINET, the canopied superstructure with four shaped plates, the base having a bowed centre with glazed door enclosing shelves flanked by a pair of higher shaped glazed doors enclosing shelves, the sides also glazed, raised on cabriole legs. Width 54". Height 97".
AN EARLY 20TH CENTURY BELGIAN CAST IRON BOW FRONTED "SALAMANDER" STOVE with black finish, top loading with mica glazed door, riddling handle and ash drawer, with integral hearth, maker "E Charbonne", Height 27", and an ORNATE BELGIAN CAST IRON COAL SCUTTLE, the lid with high relief mask, by "Corneau Freres au Charleville-Ardennes". (2)
A Gothic Revival oak open bureau bookcase, circa 1880, the moulded and trefoil carved cornice with a central heraldic device above three open shelves, the writing surface with a rear cupboard door flanked by arched open shelves, two panelled cupboard doors below enclosing two shelves, 223cm. high by 114cm. wide by 48.5cm. deep
A Gothic Revival mahogany longcase clock by John Hall & Co., Manchester, early 20th century, the circular dial with a second subsidiary dial, within a Gothic tracery and foliate carved case with blind fret trefoil motifs and a glazed door, on a plinth base, the massive three train movement with dead beat escapement and maintaining power, chiming on eight tubular bells and striking on a further tubular bell, the pendulum with lenticular bob and graduated rating nut, dial engraved 'John Hall & Co., 56 King Street, Manchester', 230cm. high
A mahogany and ebony strung gentleman's wardrobe and a pair of bedside tables by W. Marks, circa 1930, with ebony handles and mouldings, the moulded cornice above a pair of panelled doors enclosing a fitted interior with hanging space, open shelves, drawer and trouser rack, a mirror to the reverse of the door, together with a pair of beside tables, formerly part of a larger item, each with three drawers above chamfered legs, reverse of cupboard door stamped 'W.Marks', drawer of cabinet with ivorine trade label 'Marks Bros., Cabinet Makers, Wellington, Soms.'wardrobe: 180cm. high by 107.5cm. wide by 51cm. deep (3) A walnut and inlaid cabinet on stand, made by W.Marks in 1924.
An early 19c mahogany and oak longcase clock with shaped and inlaid pediment, plain turned columns to the hood over a shaped door with inlaid shell motif, flanked by fluted columns over a cross-banded trunk; the painted dial with Arabic numerals and floral spandrels with seconds and date dials and eight-day movement [uninscribed], 199 cms.
A GEORGE III MAHOGANY LONGCASE CLOCK by John Henderson of Dumfermline, the circular white painted dial with Roman numerals and Arabic minutes with seconds sweep, the swan-neck pediment with central inlaid oval panel of thistle, the dial flanked by bellied fluted columns, the trunk with long arched top door between quarter recessed fluted columns, the base with circular inlaid veneers, on short bracket feet, the eight day movement striking on a bell, 87" high
A GEORGE III OAK LONGCASE CLOCK, the associated brass dial signed "Gamnel, Stockton", the chapter ring with Roman numerals and Arabic minutes, the central seconds dial and date aperture with pierced cast spandrels to the corners and engraved compass face to the arch, the eight day movement striking on a bell, the arched top hood with conforming door and twin turned columns, the case with recessed quarter brass capped columns, 81" high
AN EARLY 19TH CENTURY MAHOGANY LONGCASE CLOCK, the white enamel dial signed "Robb. Lobel" with subsidiary seconds dial and date aperture, painted with a scene of St. Matthew to the arch with picturesque ruins to the spandrels, the eight day movement striking on a bell, the arch top hood with twin turned columns flanking the door, the trunk with similar conforming decoration, 92" high
AN EDWARDIAN MAHOGANY AND MARQUETRY LONGCASE CLOCK, the arched dial with sunburst motif between dolphin-head spandrels, the silvered chapter ring with Roman numerals and Arabic minutes, the arch top hood with inlaid scrolling foliate decoration, the door and base similarly decorated, on shortened bracket feet, the eight day movement striking on a gong, 86" high
A VICTORIAN OAK AND MAHOGANY CROSSBANDED LONGCASE CLOCK, the white enamel dial signed "Evesham" with subsidiary seconds dial and date aperture, the spandrels with floral decoration, the eight day movement striking on a bell, the hood with swan-neck pediment and carved patera, the dial flanked by twin applied columns, the arch top door flanked by conforming columns, with central burr inlay on conforming base, 89" high
A GEORGE III OAK LONGCASE CLOCK, the white enamel arched dial signed "R. Clarke, Cerne Abbas" with subsidiary seconds dial and date aperture, the arch painted with a Royal landscape, the spandrels with sheaves of corn, the arch top hood with twin turned columns, the trunk with arch top crossbanded door, on conforming base, the eight day movement striking on a bell, 88" high
A VICTORIAN EBONISED AND BURR WALNUT INLAID CREDENZA, the shaped top with moulded edge above a single central door with satinwood inlay against an ebonised ground within burr walnut and gilt metal banding, flanked by twin bow fronted glazed cupboards, on plinth base, with short turned legs, 58" wide
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