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A Waring & Gillows mahogany crossbanded satinwood boxwood line strung sideboard circa 1900 in the 18th century taste, the rectangular top with concave front over a central frieze drawer flanked by a single cabinet door to each side in the form of two false drawer fronts all fitted with lion ring handles raised on four square tapering front legs terminating in spade feet (faded), 163cm wide, 92cm high, 55.5cm deep
A 1920s/30s mahogany and walnut marquetry inlaid knee hole desk of small proportions, the top with crossbanded border and herringbone stringing with central marquetry inlay over a long frieze drawer, central cabinet door flanked by two short drawers to each side raised on shaped bracket feet, 81cm wide, 68cm high, 42.5cm deep
GWR Publications Books, Pamphlets and Special Event Publicity: including Railway Ribaldry by W Heath Robinson, Shakespeare Land, The Glorious Thames, One Penny Tourist Guide, Tregenna Castle Hotel Brochure, Debating Society Session 1938 - 1939, Factory Sites, Door to Door by Country Cartage, Exceptional Loads, Programme of Visit of the Japanese Commercial Mission to Swindon, 1922 and The King and Queen, 1924 (G) (32)
A mid 18th Century oak cased long case clock, the domed hood with three brass spread eagle upon a ball finials over an arched glazed door flanked by turned giltwood capped pillars, the main body with arched door on a plinth base, the eight day movement with brass arched face and silvered strike silent dial flanked by dolphin and scrollwork decorated spandrels over a silvered chapter ring with Roman and Arabic numerals within pierced vase and exotic bird decorated spandrels and enclosing a subsidiary silvered seconds dial and date aperture, together with a plaque inscribed "Thomas Smith, Norwich", 53.5 cm wide x 228 cm high (ILLUSTRATED)
A 19th Century long case clock, the oak and mahogany cross banded case with broken arch pediment and brass spread eagle upon a ball finial over a plain glazed door flanked by fluted brass capped side pilasters, the main body with cross banded rectangular door over a similarly decorated base, the 30 hour movement with square painted dial decorated with various cottage landscape scenes, the chapter ring with Roman numerals enclosing a lake scene with swans and fountain and inscription "G (George) Honeybone, Fairford", 47 cm wide x 201.5 cm high, together with one volume "Gloucestershire Clock & Watchmakers" by GRAHAM DOWLER, published 1984 by Phillimore & Co. Ltd., clothboard bound with dust jacket (ILLUSTRATED)
A 19th Century mahogany cased Norwich type drop dial wall clock, the circular painted face with Roman numerals enclosing a subsidiary seconds dial and inscribed "Wm Russell, Wells" within a moulded and rosewood strung bezel over a well figured and rosewood cross banded door flanked by similarly figured and cross banded canted corners to a caddy base, 48 cm wide x 151.5 cm high (ILLUSTRATED)
A late 18th Century Act of Parliament or Tavern clock, the 30 hour movement with circular painted dial, the chapter ring with Roman and Arabic numerals within an ebonised moulded frame, the main body black lacquered and gilt decorated, inscribed "Willm Harris, Chipenham", the shaped door with scrolling foliate decoration, probably formerly with chinoiserie decorated centre panel (now vacant) over a canted base, 70.5 cm wide x 149 cm high (ILLUSTRATED)
An early 19th Century Norwich type mahogany cased drop dial wall clock, the eight day movement with circular enamelled face and Roman numerals enclosing a subsidiary seconds dial and indistinct maker`s inscription, the rear of dial stamped "Walker & Hughes" (of Birmingham), within a circular moulded bezel over a well figured door flanked by rounded corners and above a caddy base, 48.5 cm wide x 126 cm high (ILLUSTRATED)
A 19th Century mahogany kneehole desk in the George III taste, the plain top with applied moulded edge above a single frieze drawer over a kneehole with small drawer and cupboard door flanked by two banks of three drawers, the drawers with brass swan neck handles raised on bracket feet, 75.5 cm wide
Faulks (Sebastian). Birdsong, 1993; Human Traces, 2005, 1st eds., original cloth, d.j.s, Birdsong price-clipped, 8vo, both signed by the author, together with Barker (Pat), Regeneration, 1991; The Eye in the Door, 1993, 1st eds., original cloth, d,j.s, slight edge wear, 8vo, Regeneration signed by the author (4)
A George III mahogany bracket clock, the bell top with brass handle and pineapple finials to the corners, the arch top front door with pierced top spandrils and having foliate pillars to the sides, the back door with plain arch top panel and having arch top brass grilles to the sides with pleated backs, the arch top brass dial with strike/silent dial and pierced spandrils, having a steel chapter ring with Roman and Arabic numerals, the inner circumference with date dial having a centre sweep hand, the crescent shaped aperture inscribed James Mitchell, Tower Hill, London, the back plate engraved a basket of fruit, scrolls etc, fitted an eight-day twin fusee repeat movement with verge escapement, having a bob pendulum striking on a bell, 53.5cm (21") high, 28.5cm (11.25") wide see illustration
A LOUIS XV BOULLE CLOCK AND BRACKET. the cast gilt brass dial with enamel chapters enclosed by a door with an appliqué of Putto and inlaid with engraved brass foliage on a ground of dark red stained shell crested by the figure of a child seated on an orb and with chiselled gilt brass demi-figure mounts, the movement engraved on the backplate A Dmyrauld à Paris, 91cm H. ++ Typical small chipping of the shell but in basically good condition. One of the glass panes in the side of the clock case loose. Some repolishing of the metal mounts; the movement original and apparently complete in going order although sold without warranty in this respect
AN VICTORIAN BRASS REPLICA LANTERN CLOCK. the engraved dial-plate signed John Watts Jn Stamford fecit between entwined tulips and with steel hands in posted case with dolphin frets, bell and finial, the twin fusee movement with plain rectangular plates, the door to the back engraved with arms and motto ARTE ET MARTE JM WM, 39cm h, c1900. ++ A well made example in good original condition and complete, bell repaired coated in an old and now rather darkened lacquer
A GEORGE III OAK LONGCASE CLOCK. the brass break-arched dial with silvered chapter ring and matted centre, signed on a ring THO BAYLEY BURTON, with mask spandrels and lunar work to the arch, having three- train movement chiming on a carillon of six bells, in crossbanded case with swan neck pediment, turned pillars and an inlaid star to the door, 243cm H. Provenance: George Brough (1890-1969) (see p40).. ++ Case - the backboard replaced in the mid 20th c; superficial repairs and old repolishing, the movement extremely dusty with old seat board repaired with strips of aluminum
A GEORGE II JAPANNED LONGCASE CLOCK. the brass break arched dial signed on a silvered tablet James Scholefield LONDON with subsidiary seconds dial, matted centre, date aperture and STRIKE/SILENT ring to the arch, having rococo spandrels and eight day movement, the hood with swept pediment, turned pillars and brass finials, the trunk enclosed by a break arched door decorated with birds, buildings and foliage, 232cm h excluding finial . ++ In good restored condition, the dial original to the movement and with what could be the original rough oak seatboard. Recently striped and cleaned with a pair of brass cased weights and pendulum. The case restored and attractive
A GEORGE III MAHOGANY LONGCASE CLOCK. the brass break-arched dial with matted centre and signed on a silvered tablet Thomas Baker, with subsidiary seconds dial and date aperture, the arch with the rocking figure of Time and inscribed Tempus Fugit, having eight-day movement in inlaid and figured case with brass stop fluted pilasters, moulded door and panelled base, 192cm h. ++ The movement complete and in reasonably good condition on packed seatboard and possibly associated. The case also in good condition but repolished and with replaced runners and some brackets, etc, originally with finials
A GEORGE III MAHOGANY LONGCASE CLOCK. the brass break-arched dial with recessed chapter ring and matted centre having roman chapters and date ring, lunar work above, the arch circumscribed A BUTLER NORTHWICH, the hood with swan neck pediment and stop fluted pillars, the conforming trunk enclosed by a well figured door, on panelled base and bracket feet, 227cm h. ++ Movement associated to the dial, clean and complete, the seatboard hanging loose. Some restoration and repolishing of the case
A CORNISH GEORGE III DATED OAK LONGCASE CLOCK. the brass break-arched dial with subsidiary seconds dial and date aperture, engraved Roger Wearn St Erth 1769 and with foliate scrolls, an eagle on a disc above, having eight day movement, the case crossbanded in fruitwood and inlaid with shell, segmental paterae and chequer stringing, the hood with Greek key and swan neck pediment, the ogee arched door to the trunk flanked by fluted pilasters, on bracket feet, 225cm H. Roger Wearn`s name appears with the date 1752 on a brass arched dial clock. His son, Roger (w1748-d1820) the maker of the present clock, bequeathed his tools to his son and its buried in St Erth churchyard.. ++ The dial original to the movement but not to the slightly later case. The seat board replaced and resting on packed supports, the movement overhauled and cleaned the case of pleasing colour and patina with small repairs.
A VICTORIAN MAHOGANY REGULATOR. the silvered dial with twin subsidiary dials signed W M THOMAS LINCOLN and with blued steel hands, the four pillar movement with deadbeat escapement in richly figured case with `drum` head, a glazed door to the turnk enclosing brass-sleeved weight and pendulum, on panelled base, 188cm H. W M Thomas is first recorded as a church/turret clockmaker, late of London, trading from premises in High Street, Lincoln in 1826.. ++ In good entirely original condition, the silvering of the dial unevenly tarnished. The movement in need of cleaning. The pendulum rod painted with bronzing paint, the weight with replacement hook
A WALNUT AND AUGSBURG MARQUETRY CABINET-ON-STAND. the arrangement of drawers around a central door and interior of the doors decorated with birds, musical instruments and architectural `capricci`, the later carcass and walnut exterior with panelled marquetry borders and engraved and silvered brass strap hinges, the stand with a slide in the apron and on spiral legs, 121cm h; 75 x 37cm, the Augsburg marquetry 17th c. ++ Decorative and in fine condition
A VICTORIAN WALNUT, INLAID AND EBONISED SIDE CABINET. of breakfront form with projecting angles, the inlaid frieze of incised palmettes above a glazed door flanked by arch-panelled doors with `keystone` and green jasper-type cameos of muses, 104cm h; 43.5 x 174cm. ++ The central door lacking glass; slight faults
A DUTCH MAHOGANY AND FLORAL MARQUETRY BOMBÉ BUREAU. the flap with a central flower filled vase above figures and scrolling foliage, the stepped serpentine-fitted interior with central mirror inset door, sliding pilasters and well above three graduated drawers, on carved paw feet, 110cm h; 130 x 60cm, late 18th/19th century. ++ Minor shrinkage crack in one side in very good overall condition
An early 19th century inlaid mahogany eight day longcase clock, the arched painted enamel face with rolling moon, subsidiary seconds (lacking hand) and date aperture, by Joseph Wilde of Macclesfield, the dial and door flanked by fluted columns, on bracket feet, height approx 240cm to top of brass eagle finial. GH Baillie lists Joseph Wilde of Macclesfield as 1782-1814 in Watchmakers & Clockmakers Of The World.
FRENCH EMPIRE GILT BRONZE MANTEL CLOCK EARLY 19TH CENTURY the circular enamel dial enclosed within an elaborate case depicting Aurora, driving the chariot of Helios pulled by a pair of winged horses, with plinth base and turned feet, the whole enclosed within corresponding gilt bronze glazed case with single door Clock 48.5cm high, 52cm wide; Case 61cm high, 59.5cm wide
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235302 item(s)/page