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A late Victorian, mahogany display case. The case fitted cupboard base, central astragal glazed door, bow glass sides, the interior with three fabric lined shelves and back, the top with back pediment, the case boxwood line inlaid and standing on four spade feet. 123 cm length x 40 cm depth x 184 cm height approx.
A Victorian satin walnut wardrobe/compactum. The plinth base fitted long drawer, single mirrored door above, enclosing hanging area and rail, three drawers to the side, carved cupboard door above, the interior with two fitted pull-out trays, topped with a scroll pediment. 132 cm wide x 52 cm depth x 217 cm height.
A large satinwood, Victorian Compactum, triple doors, the pair enclosing a chest of two long and two short drawers with recessed brass handles, and fitted with four sliding trays above, the single door enclosing hanging space and rail with slide tray topped shoe box. The Compactum on plinth base, and with arched pediment. 202 cm wide x 56 cm depth x 228 cm height.
A late Victorian "red" mahogany longcase clock, arched painted dial, signed BAILEY, LEICESTER, with a moon phase lunette, subsidiary second dial and with chime/silent and chime on eight bells/Westminster chime dials, cast mask head spandrels, three chain movement, mercury compensated pendulum, striking on nine gongs, the case with swan-neck pediment and grotesque mask, the hood with blind fretwork, glazed panel door, flanked by fluted quadrants with mask heads and lion paws, fielded panel and mask head plinth, on short cabriole legs, height 268cm.
An oak and mahogany banded longcase clock, arched brass dial, signed John Voyce, Deane, silvered chapter ring with second dial and date apperture, cast coronet and cherub spandrels, the lunette with a silvered eagle plaque, eight day two chain movement, striking on a bell, the case with broken swan neck pediments and brass urn finial, the hood with brass Corinthian columns, long door, bracket feet, height 220cm.
An oak and mahogany longcase clock, arched painted dial signed David Shaw, Leicester, with subsidiary second dial and date aperture, the lunette painted with a landscape and a bridge over a river, the spandrels with roses, eight day two chain movement, striking on a bell, the case with stringing and crossbanding, short door with a lancet top and shell marquetry oval, plinth base, (restored), 215cms.
An oak longcase clock, square brass dial, signed George Clinch, London, silvered chapter ring, subsidiary second dial, blind date aperture, cast mask head and scroll spandrels, eight day two chain movement striking on a bell, the case with plain frieze, long door, short plinth, height 205cm.
An Edwardian inlaid mahogany freestanding corner cupboard, moulded cornice, reeded canted corners, glazed door to the upper section with lozenge and elliptical astragal glazing bars enclosing shelves, the base with a panelled door with a shell marquetry oval and spandrels, plinth base, width 77cm, height 200cm.
A Victorian rosewood and marquetry pier cabinet, shelf back with a marquetry flourished armorial under an arch, flanked by a quadrefoil gallery, bevelled mirror under, the base section with a narrow frieze drawer over a three panelled door, the larger panel with marquetry trophies and blind fretwork, lion paw feet, width 66cm, height 156cm, depth 40cm.
An early 19th Century Scottish mahogany longcase clock, the painted roman dial with subsidiary seconds dial and date aperture, with gilt decoration, two train movement with anchor escapement, the case with swan neck pediment and brass finials, arched glazed door, bowed waist door with shaped top flanked by stripped columns, banded panel base on bracket feet, 85in. high.
A brass inlaid longcase clock, the square silvered roman dial with arabic outer seconds numerals and inner arabic month numeral, with subsidiary seconds dial, signed Eardley Norton and No. 1914 three train musical movement with single large bell and eight graduated bells, the dial within gilt surround, the case with ornate pagoda style top cover to cornice and decorative frieze, the waist door with two glazed panels and ornate panel base, 93in. high.
John Bryson, South Shields: an early 19th Century mahogany longcase clock, the painted roman dial with anchor pattern spandrels and maritime scene to arch, two train movement with anchor escapement, the case with arched glazed door flanked by carved columns, arched line inlaid waist door and leaf decorated canted sides, panel base on bracket feet, 86in. high.
A Vienna Grande Sonnerie quarter striking rosewood wall clock, the enamelled roman dial indistinctly signed with maker's mark, subsidiary seconds dial, with triple weight deadbeat escapement, the case with ornate arched pediment flanked by finials, glazed arched door and glazed sides with shaped apron and finials, 71in. high. See illustration
Wm. Snow, Padside: a large mahogany longcase clock, the painted roman dial with outer arabic numerals, subsidiary seconds and date dial, with moon phase to the arch, foliate spandrels, two train movement with anchor escapement striking on a bell, the case with broken pediment and dentil cornice, brass finials, blind fretwork frieze, moulded arched glazed door flanked by fluted columns with giltmetal capitals, arched and moulded waist door flanked by fluted quadrants, panel base, shaped bracket feet, 104in. high approximately.
Hugh Stockell, Newcastle: a late Georgian oak longcase clock, the arched brass dial with silvered roman chapter ring and ornate silvered centre with subsidiary seconds dial and date aperture, mask and scroll spandrels, two train movement with anchor escapement, the later carved case with pierced fret swan necked pediment above an arched glazed door flanked by fluted columns, mask and foliate carved arched waist door, panel base on ogee bracket feet, 94in. high.
W. Robson, North Shields: an early 19th Century mahogany longcase clock, the painted roman dial with oval scene to arch with a young boy hitting skin drum, two train movement with anchor escapement, the case with swan neck pediment above glazed door flanked by fluted columns, arched line inlaid waist door flanked by fluted quarter columns, panel base on block feet, 89in. high.
William Gill, Newcastle: an oak thirty hour longcase clock, the 11in. square brass dial with silvered roman chapter ring, matted centre with mask and scroll spandrels, anchor escapement, the case with dentil cornice and plain frieze, glazed door below flanked by columns, arched waist door, panel base, bracket feet, 82in. high.
A walnut and floral marquetry longcase clock, the 11 1/2in. square brass dial with silvered roman chapter ring, subsidiary seconds dial and date aperture, gilt foliate and mask spandrels, two train movement with five ringed colours, anchor escapement, the case with ornate shell, leaf and scroll cornice above a glazed door, with barley twist decoration, rectangular waist door with oval bullseye, panel base on plinth support, 93in. high.
A large late 19th Century ebonised French design brass boulle work breakfront credenza, the top with inset black marble above a brass moulded edge, the frieze with brass boulle panels and applied gilt metal paterae, an ornate central boulle work panel door flanked by a pair of glazed panelled doors and decorated with applied female caryatids and pierced scrolling motifs, raised on a plinth base on turned tapering feet, 71 1/2 x 16 x 47 1/2in. high.
Manner of Ernest Archibald Taylor: an early 20th Century Scottish Arts & Crafts oak three door wardrobe, the flared cornice above central arched mirror panel door, flanked by solid panel doors mounted embossed copper panels of tree design, each stamped 'Rd 401689', pierced stylized shaped brass handles, enclosing hanging space, shelves and drawers, raised on plinth base, 77 1/2 x 24 x 85in. high.
An Edwardian Sheraton Revival polychrome decorated satinwood cabinet having an astragal glazed door enclosing five shelves, raised on turned column front supports to a platform plinth base, 107.5 x 48 x 35 cm Condition Report Good condition. Depth between each shelf is 10.5 cm - shelves can be removed for more depth
Anthony Whishaw RA, British b.1930- "Open Door, Revised", part of series Reflections after Las Meninas; mixed media on canvas, signed with initials to verso, and signed, titled, inscribed and dated 1984 and 1991 to the reverse, 30x30cm, (may be subject to Droit de Suite) Provenance: Purchased from Lena Boyle Fine Art in 2008 CONDITION REPORT: in a silver gilt frame, some very minor loss to gilding bottom right appears in overall good original condition with no noticeable signs of defects
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235302 item(s)/page