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*Churchill (Right Hon. Winston S.). A good quality gelatin silver print press photograph, [4th April 1955], showing Churchill holding open the car door for Queen Elizabeth II as she leaves 10 Downing Street after the dinner party given by Churchill, signed by Churchill in black ink to lower left of image close to the Queen's white evening dress hem, 20 x 15 cm, framed and glazed Sir Winston Churchill resigned as Prime Minister due to failing health following this dinner party, with the news being announced in a statement from Buckingham Palace the following afternoon. This image was to have been used in the National papers on 5th April but did not appear due to a newspaper strike. The owner of the photograph, Mrs K. Broome, was employed as cook for the Prime Minister and Lady Churchill at the time and was able to get a copy of the photograph which Sir Winston signed for her at a later date. (1)
A late 18th century oak longcase clock, the dentil cornice above fretwork frieze, and 12 inch brass dial with pierced spandrels and silvered chapter ring set with Roman numerals inscribed "William Martin, Bristol", the case with long door above a moulded plinth base, 215 cm high (see lot 308 for illustrations)
A late 18th century oak and mahogany crossbanded longcase clock with broken arched pediment above fluted freestanding standing pilasters, the 8 day arched dial signed Joyce, with rolling moon and pierced spandrels with silvered chapter ring set with Roman numerals and minutes, the centre ring set with date ring below a minute ring with floral engraved decoration, the case with arched long door flanked by fluted quarter pilasters, on a moulded plinth base, 233 cm high (see lot 308 for illustrations)
A late 18th century oak cased longcase clock, the hood with broken arch and shell decorated pediment over a moulded frame door, flanked by two fluted and reeded free-standing pilasters, the main door with shell carved applied decoration, flanked by quarter cut fluted and reeded side pilasters, on a plain trunk with canted lotus leaf decorated front corners, on bracket feet, the eight day movement with square brass dial and silvered chapter ring flanked by cherub and foliate decorated spandrels, with Arabic and Roman numerals inscribed "Watson, Blackburn", enclosing an acanthus engraved centre with date aperture, 235 cm high (see lot 308 for illustrations)
An early Victorian broad mahogany and crossbanded longcase clock with broken swan neck pediment above arched dial painted with Chinoiserie scenes, above a slightly convex painted dial set with Roman numerals, inscribed "William Smith, Huddersfield", flanked by turned pilasters, the case with short door above a moulded base and bracket feet, 226 cm high
An early 19th century mahogany bureau bookcase, the upper section with two astragal glazed doors enclosing a lined and mirror-backed interior with two shelves, over a sloping fall-front enclosing a fitted interior with central cupboard door flanked by pigeon holes and drawers, over four long graduated drawers with brass swan neck handles, raised on bracket feet, 95.5 cm wide x 198 cm high
A mid 19th century Continental satinwood sécrètaire à abbattant in the Biedermier taste, the stepped pediment with architectural frontage over a slim drawer and fall enclosing a mahogany veneered interior with single long drawer above a cupboard door and stepped drawer, flanked by two smaller cupboard doors over two drawers all over three long drawers, on bowed bracket feet, 99 cm wide x 167 cm high
A circa 1900 rosewood and marquetry inlaid work table, the upper section with cupboard door enclosing a fitted interior with pen tray, inkwell and pigeon holes, flanked by two small drawers above a tooled and gilded leather writing surface, over a sectional drawer and panelled sewing basket, raised on square tapered legs to brass caps and china castors, 68 cm wide
A George III oak and mahogany longcase clock with eight day movement striking on a bell, the break arch dial painted with a scene of a family within an interior setting titled 'Parental Care', the dial with Roman numerals, subsidiary seconds dial and inscribed 'JN Wilson, Nuneaton', the hood with a swan neck pediment above a glazed door flanked by turned pilasters, the crossbanded case with shaped trunk door inlaid with a bird within a diamond motif, flanked by further pilasters on an inlaid base and ogee bracket feet, height approx 23.5cm (alterations and restoration).
A George III Irish mahogany longcase clock, with eight day movement striking on a bell, the square painted dial with subsidiary seconds and date dials, Roman and Arabic numerals and inscribed 'Johnston & Dalrymple, Dublin', surrounded by red and gilt scroll spandrels, the break arch pediment above a glazed door flanked by fluted columns, the plain trunk flanked by fluted pilasters on a plain base and bracket feet, height approx 209cm.
An early 19th Century mahogany longcase clock with eight day bell strike movement, the arched enamel dial painted with a seated maiden above Roman numerals, subsidiary seconds dial, date indicator and inscribed 'Robert E. Mosely, Swansea', the hood with break arch top above a glazed door and trunk, with turned pilasters, on a plain base, height approx 210cm (faults).
A 19th Century mahogany longcase clock, the 14ins painted circular dial with Roman numerals to the eight day two train movement striking on a bell, contained in figured mahogany case with arched and moulded cornice and spiral reeded columns to hood, arched trunk door crossbanded in rosewood, with plain cant corners, the plinth with astragal moulded centre panel, shaped apron, on bracket feet, 85ins high (lacking weights)
An early 19th Century mahogany longcase clock by William Allan of Aberdeen, the 12ins arched brass dial with silvered chapter ring with Roman and Arabic numerals, subsidiary seconds dial and date aperture and strike/silent dial to arch to the eight day two train movement striking on a bell, contained in case with arched and moulded cornice with leaf cresting, turned and stop fluted columns with gilt brass Corinthian capitols to hood, arched trunk door later inlaid with oval fan motif, on bracket feet, 84ins high
A late 18th/early 19th Century mahogany longcase clock by Thomas Read of Dublin, the 13.5ins square brass dial with wide silvered chapter ring with Roman and Arabic numerals and date aperture to the eight day two train movement striking on a bell, contained in case inlaid with boxwood stringings, moulded cornice to hood, shaped trunk door with fluted quartered columns, on bracket feet, 81ins high (movement with some alteration and probably associated to case - pillars missing to hood)
An 18th Century mahogany longcase clock by Thomas Jenkinson of Sandwich, the 12ins square brass dial with wide silvered chapter ring with Roman and Arabic numerals, subsidiary seconds dial and date aperture and turned winding holes and engraved leaf border to the eight day two train movement striking on a bell, contained in associated case with moulded cornice and plain turned pillars to hood and rectangular trunk door, 76ins high
An 18th Century mahogany longcase clock by Joseph Wood of Bristol, the 12ins arched brass dial with wide silvered chapter ring with Roman and Arabic numerals, subsidiary seconds dial and date aperture, the arch showing phases of the moon and high water at Bristol Key to the eight day two train movement striking on a bell, contained in case with shaped and scroll pediment and arched and key pattern cornice, turned, fluted and Corinthian capped columns to hood, shaped trunk door and fluted cant corners, the plinth with raised shaped centre panel, on bracket feet, 92ins high (slightly reduced in height)
A late 18th Century mahogany longcase clock by Robert Wood of London, the 12ins cream enamel arched dial with Roman and Arabic numerals and subsidiary seconds and date dials, strike/silent dial to arch to the eight day two train five pillar quarter striking movement striking on three bells, contained in case with arched and moulded cornice and fluted and brass stopped cant corners to hood, arched trunk door with fluted and brass stopped quartered columns, the base with raised astragal panel and double moulded plinth, 86ins high (case repolished)
A 19th Century French ebonised and red tortoise-shell boulle dwarf display cabinet, with gilt metal mounts and leaf mouldings, the front with panels of red tortoise-shell boulle of bold leaf scroll design, fitted one wine velour lined shelf enclosed by a single shaped glazed door, on shaped plinth, 33ins wide x 43.5ins high (some mounts and brass lifting in places)
A late 19th century walnut cased, coin-operated polyphon by Peters, Leipzig, with arched pediment, shell carved decoration and turned finials, the frieze bearing maker’s label ‘Polyphon Musical Instrument, Peters, Leipzig’, the arched glazed door flanked by turned columns, on peg feet, with ‘drop a penny in the slot’ dual comb movement, 111cm. high.
Robert Henderson, London. A small late 18th century ebonised and brass strung bracket clock of arched outline, surmounted by a carrying handle, with moulded cornice and brass mounted canted angles to the door, fret cut arched panels to the sides on a moulded base with brass bracket feet, the 10cm. arched brass dial with silvered chapter ring signed ‘Robert Henderson, London’ with date aperture and strike/silent to the arch, the twin fusee movement with foliate engraved backplate striking to a bell, 29cm. high.
An Edwardian mahogany chiming longcase clock, the break-arch hood with canted fluted corners, the trunk enclosed by an arched waist panel door, on shaped bracket feet, the 31cm. brass Roman dial with ‘Tempus Fugit’ roundel to the arch, having subsidiary seconds dial and strike/silent, and chime/silent mechanism, the three train movement striking to five gongs, 211cm. high.
Daniel Libbey, Devonport. An early 19th century mahogany longcase clock, the arched hood with spiral twist columns having a small rectangular waist panel door enclosed by spiral columns, on a box base with bracket feet, the 30.5cm. silvered dial signed ‘Daniel Libbey, Devonport’, with subsidiary seconds and date aperture having lunar phase to the arch and high water at Devonport, the twin train movement with anchor escapement striking to a bell, 209cm. high.
Richard Wills, Truro. A late 18th century mahogany longcase clock, the rectangular hood with swan-neck pediment and turned columns, having a plain field waist panel door on a box base with bracket feet, the 31cm. square brass dial signed ‘R.Wills, Truro’, the twin train movement with anchor escapement striking to a bell, 212cm. high.
A mahogany partners’ desk with gilt-tooled green leather insert to the rectangular top, six drawers to the frieze, four drawers and a panelled door to each pedestal and on plinth bases, 68 x 120 x 180cm., 19th century and later. Note: The top of one pedestal inscribed: Thomas J Burridge, Exeter 1847.
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235302 item(s)/page