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A Mid 19th Century mahogany longcase clock,the eight day movement striking on a bell,painted arch enamel dial with Scotsman and highland castle scenes,seconds subsidiary dial signed Purdie & Safley Carluke,enclosed by a hood with broken swan neck pediment and brass eagle ball finial, over a trunk with bowfront door and doric pilasters, canted bracket plinth base 222cm high (lacking weights and chain) ILLUSTRATED
A late 17th Century and later cased inlaid walnut marquetry long case clock by John Clowes London,the moulded square top supported by Corinthian capitals and ebonised twist columns and inlaid hood,the long trunk door with two shaped panels of floral marquetry on a similar base,the 10” square brass dial with winged cherub spandrels signed below the silvered Roman chapter ring,engraved with spherical interlocking centre ,subsidiary dial and date aperture ,the movement with five knopped pillars to an anchor escapement,count wheel and striking on a bell,200cm high. ILLUSTRATED
A late 18th to early 19th Century oak longcase clock the eight day movement striking on a bell, the 12” square brass dial with seconds and date dials inscribed H Thomas Caernarvon, pierced spandrels, enclosed by a pillared fluted hood over a short trunk door, canted plinth base, 200cm high. ILLUSTRATED
A Brass Mounted and Stained Wood Mechanical Hearth Bellows, 62cm long overall; A Victorian Cast Iron Door Stop, circa 1880, as a lion seated grasping a shield, later polychrome painted, 39cm high; A Pair of Arts & Crafts Fire Irons, circa 1875, with whorled "sunflower" head and knopped stems, bifurcated feet, 56.5cm high; and A Brass Pierced Fire Fender, mid 19th century, 119cm long (4)
A Victorian Ash and Ebonised Wardrobe, late 19th century, the cavetto moulded cornice above a central cupboard door flanked by two gothic recessed panels, the base with single deep drawer; A Pedestal Dressing Table, with swing mirror; A Chest of Drawers, with two short over three long graduated drawers; A Hanging Wall Cabinet, with mirrored superstructure and two cupboard doors; and A Pot Cupboard, with single cupboard door, all en suite (5)
A Mahogany Eight Day Longcase Clock, signed W Bellman, Broughton, circa 1815, the good coloured case with swan neck pediment, fluted columns, wavy shaped door flanked by fluted columns, rectangular plinth with canted corners (feet missing), 15-inch arched painted dial with Arabic numerals, inner date ring with corresponding central date hand, dial centre signed and with seconds dial, floral painted spandrels, the arch painted with a view over the Lune towards Lancaster Castle, four pillar movement with attached falseplate stamped Finnemore, anchor escapement, rack striking on a bell, 222cm high
A Victorian Satin Birch Straight Front Chest of Drawers, late 19th century, with two short over three long drawers with knob handles, raised on compressed bun feet, 123cm by 66cm by 124cm; and A Similar Breakfront Kneehole Dressing Table, the single frieze drawer above a cupboard door flanked by eight drawers, raised on plinth base, 120cm by 55cm by 82cm (in need of restoration) (2)
An Oak and Burr Oak Crossbanded Eight Day Longcase Clock, circa 1820, case with swan neck pediment, arched trunk door with burr oak crossbanding and fluted pilasters, rectangular plinth with bracket feet, 14-inch arch painted dial with Arabic numerals, date aperture, seconds dial, the arch with rolling moon, four pillar movement with attached falseplate stamped Walker & Hughes, anchor escapement, striking on a bell, 238cn high
A Victorian Mahogany Breakfront Bookcase, 3rd quarter 19th century, the ogee moulded cornice above a plain frieze, the central glazed door with leaf carved capitals flanked by two conforming wings, enclosing adjustable shelves, the base with central cupboard door flanked by two cupboard doors enclosing four graduated drawers, raised on plinth base, 157cm by 57cm by 230cm
A Victorian Mahogany and Walnut Mirror Back Sideboard, late 19th century, stamped Gregory & Co, 212 & 214 Regent Street, London, the architectural and dentil moulded pediment above a scrolling leaf carved frieze, the superstructure with two cupboard doors raised on turned spindle supports flanking a central arched mirror plate with further marginal plates, the base with four frieze drawers with two arched shaped niches flanking a central cupboard door with canted sides, raised on turned baluster legs, 185cm by 67cm by 260cm
A Victorian Mahogany Triple Door Wardrobe, late 19th century, the moulded cornice with plain frieze, above three doors with recessed arched panels, the interior fitted with a brass hanging rail, four adjustable sliding trays and four drawers, raised on compressed bun feet, 196cm by 60cm by 97cm
An Oak Chiming Eight Day Longcase Clock with Centre Seconds, signed Jonas Barber, Winster, No.78, circa 1750, the case with swan neck pediment, turned columns with gilded capitals, arched trunk door flanked by fluted pilasters, rectangular base with canted corners and upon later feet, 13-inch arched brass dial with silvered Roman and Arabic chapter ring, finely matted dial centre and scroll work and engraved figural mask, date aperture, centre seconds, engraved borders, arch with rolling moonphase for lunar scale and tidal indicators, triple weight driven movement with deadbeat escapement, striking the quarters with three hammers striking three bells and a further hammer striking a larger bell for the hours, movement front plate engraved No 78, 214cm high Jonas Barber Jnr (b.c.1718-1802) was one of the finest clockmakers in the North West. Circa 1748 he began numbering his clocks, engraving the serial number on the movement frontplate (and sometimes with the date of manufacture alongside). His clocks can therefore be dated using these numbers. Barber numbered to the mid 1400s until 1800 when his successor (and former journeyman) Henry Philipson continued the system. This clock is illustrated fig 7/10 in Loomes (Brian) Clockmakers of Northern England, pg 83-84. It is sold together with a Clock Magazine dated 1982 in Brian Loomes has written an article about this clock, and a service receipt dated 1981.
A 17th century German carved walnut table cabinet carved throughout in low relief with scrolling foliage, the arched hinged lid with a shaped cresting, opening to reveal a void interior, above a pair of panelled cupboard doors each centred by double eagle armorial crests, enclosing fitted interior of small drawers and a cupboard door, the apron with one further long drawer, raised on squat bun feet 50cm wide, 69cm high, 32cm deep
A George III oak longcase clock By Follows Newcastle eight day movement, the painted enamelled arched dial with flowers and fruit, Arabic numerals, subsidiary second dial and date aperture, swan neck pediment over door flanked by fluted columns, moulded crossbanded trunk door flanked by fluted quarter columns, panelled base raised on ogee bracket feet 218cm high
A late 18th/early 19th century mahogany and oak longcase clock By Edwards, Knowle the painted arched face depicting deer and hunting scenes, with Roman numerals, date aperture, the broken swan neck pediment over door flanked by baluster turned columns, frieze panel, inlaid trunk door flanked by fluted quarter columns, raised on an adapted plinth base 208cm high
A George III mahogany longcase clock By Jas Robertson of Dundee the painted arched face depicting Adam and Eve with Arabic and Roman numerals, subsidiary second dial and date aperture, the broken swan neck pediment with ball finial, closed fretwork panels, moulded door, flanked by fluted columns, moulded arched trunk door with fan inlay flanked by fluted quarter columns, plinth base raised on bracket feet 215cm high
An Edwardian mahogany two door wardrobe the projected moulded cornice over a boxwood, strung frieze panel, two panelled doors enclosing hanging space and drawers, flanked by fluted columns, over a single long drawer, shaped apron, raised on ogee bracket feet 156cm wide, 215cm height, 62cm deep
A Victorian Aesthetic ebonised and inlaid whatnot Stamped 5614 with three quarter gilt metal gallery, over amboyna inlaid top raised on tapering fluted columns and mirror back, two arched glazed cabinet doors enclosing shelves (one door loose), raised on bulbous squat feet terminating in castors 62cm wide, 108, cm high, 42cm deep
A late Georgian mahogany pot cupboard the three quarter gallery with pierced handles over a single cupboard door, raised on tapering turned legs terminating in ball feet, stamped with a crown mark over initials `D.N.` 43cm wide, 91cm high, 43cm deep Provenance: Bought from an auction of items from Alnwick castle, the Duke of Northumberland`s home.
Cholmondeley-Pennell, H: Modern Improvements in Fishing Tackle and Fish Hooks. 1887. Portrait. frontispiece and many wood engraving in the text. Nineteenth century half green morocco binding.. Book plates including Field Museum of Natural History Library of Chicago. Angling. The Out of Door. Library. 1896, half green calf binding. Spine faded. (2)
E. Loder, a fine pair of framed well-executed Oil Paintings on re-lined stretchered canvas, very ably portraying respectively a Bay Stallion and a Chestnut Mare in stables, each with a check-patterned Rug draped over a manger and a ledged wooden door in the background as characteristic of works by this highly regarded equestrian artist, each 12`` x 16`` approx.
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235302 item(s)/page