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Lot 701
ERCOL SIDEBOARD & DRESSING TABLE MIRROR a light elm sideboard with a two door cupboard and internal shelf, the single cupboard with cutlery drawer and shelf. The base section with two long drawers, 129cms across, 76cms high, 43.5cms deep. Also with a small Ercol dressing table mirror with circular wooden base. Both with Ercol labels. (2)
Lot 719
RETRO 'STATEROOM' TEAK SIDEBOARD - STONEHILL FURNITURE a large teak sideboard with a central two door cupboard and shelf, three flanking drawers on one side and a drop down cupboard on the other side. Makers label inside, Stateroom, Produced by Stonehill Furniture. 205cms long, 73.5cms high, 43cms deep
Lot 377
A group of four English porcelain oval cameo plaques, manufactured by Copeland by family repute, comprising an example painted with a pheasant in woodland, two with butterflies and other winged insects in gilt and a fourth with panels of red and blue dots with gilt, 4cm - 5cm wide; together with a further Limoges, circular porcelain plaque, decorated with a bird on branches; a Copeland Late Spode Diamond Jubilee tobacco jar with inner cover, a Spode Copelands jar and cover and a pair of French door finger plates, painted with birds in flight(qty)Provenance: Several generations of the vendor's family worked at the Copeland pottery in the 19th century.
Lot 432
A set of five Chinese 'Door of Hope Mission' dolls, early 20th century, carved and lacquered wood with silk and linen costume, depicting three male and two female figures from varying social classes, 23-26cm. (5)Footnote: Following the Boxer Rebellion in 1900, a non-denominational mission was established in Shanghai to help and support Chinese girls and young women in need of sanctuary from widespread and endemic mistreatment. Among the educative activities and pastimes they engaged in was making, decorating and clothing a range of dolls which were designed to represent men and women of differing social classes. The dolls were sold to generate funds to maintain the mission and its activities.One missing the left foot. General signs of age throughout including fading to the costumes, some small holes/tares to the textile, small flakes, scuffs and cracks to the lacquer. Refer to images.
Lot 497
Thomas Henry Kendall: a group of carved wood architectural features from the Chapel Street showroomIncluding three carved oak panels of lozenge form, each carved with wild flowers and foliage, originally forming part of a staircase, 51x22cm, set into a later softwood mount, 201x35cm, a series of further rectangular carved oak door panels by Kendall similarly carved with wild flowers, all unmounted: seven at 25x18cm; five at 35x18cm and six at 43x18cm, five carved oak panels in the Elizabethan style, possibly by other hands, 39x29cm, six carved spandrels containing flora and fauna, 33x36cm, three carved stained beech balusters, 67cm, and a length of balustrade, 132cm long.Provenance: Acquired in 1957 at the dispersal sale of Thomas Henry Kendall's Chapel Street showroom and studio, thence by descent to the vendor.Footnote: In a feature written for the Connoissuer magazine on Thomas Henry Kendall in 1956, a year before the Chapel Street showroom was dismantled, a staircase is illustrated showing the balustrade as well as a door showing some of the panels in the present lot.As found condition - varying but ranging from fair/good to distressed. Please refer to images.
Lot 563
A German walnut coin-operated 19.5in disc polyphon, circa 1880-90, the cabinet with shell cresting and turned pilasters flanking a glazed door, each side with a penny coin slot, with sixteen discs, 69cm wide x 40cm deep x 124cm high.Case shows signs of age including general wear throughout, repair and small loss to top right door spandrel. Top/cornice cresting is loose. Door hinges repositioned and recess cut inside cabinet sides at the top. Chipping around key hole to coin drawer. Evidence of old worm in places. Movement winds and runs. All teeth present and intact. Plays well with a good sound. Coin slots to each side accept penny coins which drop down the shute but do not trigger the movement to play - this will require servicing to remedy. Presumed originally to have been made with a cabinet base but this is not present.
Lot 585
A George III oak brass dial longcase clock Pullan of Bradford, the hood with arch top and full turned and boxwood strung columns, the trunk with canted door inlaid with a shell patera and satinwood banding, the base box with conforming inlay, raised on bracket feet, the 12in (30.5cm) brass dial with silvered sun boss to the arch and silvered chapter rim with black Roman and Arabic numerals, within moulded spandrels, the four-pillar eight-day movement striking on a bell, with two brass weights and pendulum, 49cm wide x 24cm deep x 214cm high.
Lot 598
A late 17th century/early 18th century lacquered longcase clock, the later associated case with chinoiserie decoration, the rectangular hood with an ogee cornice above an arched door, enclosing a dial with a possibly later arch with a silvered convex boss engraved 'John Smart, London', flanked by a relief moulded dolphin on each side, above a 12" dial with pierced and moulded foliate spandrels, subsidiary dial for seconds, date aperture and Roman numerals and Arabic 5 minute markers, over a long trunk door decorated and relief moulded with figures and a building over a swan, the base with a chinoiserie panel, raised on a plinth, the 8-day movement with anchor escapement and 4 pillars, striking on a bell, with two weights, pendulum, key and a winder, 216cm high (8)A John Smart is listed as working from 1674-1682 and as being apprenticed to J.Johnson on the third of August 1674. He was given freedom of the Clockmaker's Company on the 29th of September 1682.Frederick James Britten, Britten's Old Clocks and Watches, 9th edition, page 603.Restorations, including lacquer and paint decoration. Case later than dial/movement. Arch on dial possibly later, as in two distinct sections, although done a very long time ago - from consistency of patina and braces etc used probably 18thC. Silvering on chapter ring and boss worn. Hands later.Minor chips, dents and scratches consistent with age and use. Some bubbling on lacquerwork, especially whole of left side of trunk.Operational in vendor's home, but told that careful balancing of clock needed.
Lot 646
A Regency style mahogany glazed display cabinet, the ogee cornice with key moulding above a plain frieze, the twin astragal glazed doors opening to five adjustable glass shelves, the base with twin cupboard doors having gadrooned mouldings, opening to a single shelf, raised on bracket feet, 81cm wide x 33cm deep x 223cm high.Generally good with minor cosmetic marks consistent with age and use. Small crack to lower left large glazing pane. Left cabinet door slightly warped. No evidence of worm.
Lot 649
A George III and later oak livery cupboard, the dentil cavetto cornice above twin panelled doors opening to a plain interior, above a series of five short and one long drawers, raised on bracket feet, 133cm wide x 55cm deep x 183.5cm high.Good colour and figuring throughout with well matched timbers. Construction appears to utilise elements from the George III period with more recent adaptations and reconstructions. Generally fair condition with some splits to the side panels, evidence of old worm to some of the older interior timbers. Hole cut inside to back left corner of the upper section base boards. Hinges and door/drawer furniture are later replacements. Very minor cosmetic marks in places.
Lot 654
Two period oak internal doors, 17th and 18th centuries, of typical panelled construction, 70x172cm and 76x174cm. (2)Both have iron hinges but are lacking any other hardware: locks/handles. The smaller example is painted white to one side and has some shrinkage to the panel joints. General wear and signs of age and use throughout. No evidence of worm.The larger also has shrinkage to panel joints and general signs of age and use throughout including some filler to the centre rail suggesting the door was turned at some point. No evidence of worm.
Lot 663
A George III mahogany linen press, converted to a wardrobe, the upper section with beaded 'razor blade' panels, enclosing oval flame-figured panels, lacking slides and alterations, some damage, 127cm wide x 61cm deep x 188cm highLacking slides and top drawers of base now not functioning i.e.now dummy drawers, as top of base has been knocked-through to add the necessary height for a wardrobe. This is a shame as the carcase is mahogany and this piece is well figured and of a nice colour...Chips, dents, gouges and scratches consistent with age and use.Restorations, including patches, including several on base of right side of upper section and 20cm x 3cm on upper wall-side of right side of upper section. Re-stuck section around hinge of right door on right side. Right door with 25cm x 2cm replacement section lower right and 37cm section re-stuck along upper right, alongside hinge. Later central vertical door edge bead. Upper front edge of cornice later.
Lot 664
A George III mahogany press cupboard converted to wardrobe, the ogee cornice above twin panelled doors opening to a plain interior with later brass rail, the lower section with two short over two long cock-beaded drawers having replacement brass handles, raised on a shaped apron base, 123cm wide x 56cm deep x 200cm high.Cosmetic marks in places, especially to the sides. Small section of moulding to the right door edge loose. A few small veneer patches to the lower section. Small veneer loss to the left front stile. Veneers to cabinet door panels bowing out a little on both. All drawer handles are later replacements.
Lot 671
A George III mahogany collector's cabinet, formerly part of a bookcase/cabinet, the panelled door, enclosing 20 small labelled drawers, the sides of oak, alterations/restorations, damage, 30cm wide x 45cm deep x 94,5cm highAlterations/restorations, including later back, beads and top (water stained). Damage, including gouges and dents and scratches (top and sides particularly). Base lacking return bead on left side and other beads, top and bottom, badly chipped. Door lacking upper horizontal bead and drawers lacking some handles and some damaged, including horizontal cracks.
Lot 135
A late 19thC American stained pine mantel clock, of Gothic form the painted enamel dial bearing Roman numerals, movement with bell strike, case of architectural form, base paper label for a clock maker, Newhaven Connecticut, 7.5cm high, together with a Victorian walnut smoker's cabinet, the galleried top with pierced brass front, glazed door enclosing a single drawer, 32cm high. (2, AF)
Lot 540
A Victorian satin walnut wardrobe, the break arch pediment above a single mirrored door, inset bevelled glass, flanked by carved foliate panels, opening to reveal hanging rail, over a single frieze drawer, raised on bracket feet, 201cm high, 114cm wide, 45cm deep, together with a marble top dressing table, swing frame mirror with break arch pediment, inset bevelled glass, within a frame containing two drawers flanked by shelves, the marble top above one long drawer, flanked by towel rails, raised on turned legs untied by a recesses under tier, 169cm high, 91cm wide, 50cm deep. (2)
Lot 674
A Louis XV style kingwood bibliotheque, the domed top above a floral marquetry frieze, over a pair of glazed doors enclosing three shelves, above a double cupboard door base, the doors and sides with marquetry, inlaid with vases, putti and symbols of music and learning, raised on cabriole legs, 242cm high, 130cm wide, 43cm deep.
Lot 143
A Victorian German walnut cased eight day twin-weight Vienna wall clock, the shaped pediment mounted with a rearing horse finial above glazed arched door, the white enamelled dial and chapter ring set with Roman numerals, the brass twin fusee movement stamped to the reverse 'R G' within an anchor and ship's wheel motif with eagle finial, further inscribed '253356', striking on a gong, with subsidiary second hand marked with Arabic numerals, flanked by a pair of reeded pilasters above a shaped base, height 124cm. CONDITION REPORT The pediment for this clock appears to be a darker tone which suggests that the clock has been stored elsewhere whilst the clock has been on the wall, the return to the left-hand upper portion is detached but present, further visible signs of wear throughout including minor scuffs, scrapes, staining, fading etc. Please note that this lot is not suitable for our in-house postage service.We would recommend booking a collection slot for this lot or contacting Mailboxes Etc for postage of this lot, their details can be found on www.adampartridge.co.uk/services/postage-shipping/
Lot 2
WARING & GILLOW; a satin walnut Art Deco style two-door wardrobe with ebonised handles, the interior with rounded shelves to the left hand side and further hanging space, bearing maker's plaque to the inside of the right door, above the mirror, 191 x 137 x 51cm.Footnote: From the estate of local architect Herbert Rowse, famous for the design of Martins Bank, the Philharmonic Hall, the India Buildings and the Mersey Tunnel Air Duct.
Lot 28
An early 20th century French Empire Revival walnut and kingwood two-piece bedroom suite, comprising a large triple wardrobe with carved pediment above a large bevelled mirrored door, flanked by a pair of bevelled mirrored doors, surmounted with gilt brass cherubic panels, above a single base drawer, raised on turned supports, 238 x 213 x 60cm, and a matching marble-topped dressing chest with bevelled mirror plate above inset marble panel, above three frieze drawers and three long drawers, raised on turned supports, 221 x 129 x 60cm (2).
Lot 70
A contemporary mahogany freestanding glazed corner cabinet of narrow proportions, the moulded cornice above a single bowed glazed door enclosing six shelves, the interior and the shelves upholstered in a maroon fabric, raised on bracket feet, 204 x 45 x 32cm (af). CONDITION REPORT The upper right hand corner of the door has a splint missing and is quite noticeable, as it is showing a paler timber below. Further scuff, scrapes, etc visible throughout - most notably to the stepped base and bracket feet.
Lot 395
Damien Cifelli Citizen A, 2022 Pencil on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Damien Cifelli is a self-taught, multidisciplinary artist from Edinburgh, Scotland. His work explores a fictitious land of his creation named Tarogramma; a hidden world that explorers have long been searching for in vain. His work is focused around the idea of fictional anthropology and storytelling. Referencing the scale and compositions of history paintings and historical sculpture, he builds a detailed culture; with its own aesthetic, way of living, and understanding of the world, that is at once alien and eerily similar to our own. Education Edinburgh University/Edinburgh College of Art. (MA) Architecture Select Exhibitions/Awards SOLO EXHIBITIONS 2022 - 'Hidden Door 2022' Old Royal High, Edinburgh (Upcoming) 2022 - 'Tarogramma' Hackney Downs Studios, London (Upcoming) 2022 - 'Damien Cifelli x Wolf and Badger' Wolf And Badger, Netil House, London 2019 - 'Tarogramma Archive' Edinburgh Art Festival. Dundas St Gallery, Edinburgh 2019 - 'Tarogramma Archive' Edinburgh Art Festival. Italian Cultural Institute, Edinburgh AWARDS Saatchi Art 'Rising Star' 2022 Dazed x Gap New Generation 2020 Foundwork Artist Prize, Final Selection Fashion Illustration Drawing Awards (FIDA) finalist Statement about AOAP Submitted Artwork Two small portraits of citizens of Tarogramma, believed to be siblings. The dominant colours of orange and green are representative of 'The Hand' a secretive and elite social class within Tarogramma. Little is known about their activities, but it is clear that they possess a significant amount of power. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.
Lot 396
Damien Cifelli Citizen Q, 2022 Pencil on paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Damien Cifelli is a self-taught, multidisciplinary artist from Edinburgh, Scotland. His work explores a fictitious land of his creation named Tarogramma; a hidden world that explorers have long been searching for in vain. His work is focused around the idea of fictional anthropology and storytelling. Referencing the scale and compositions of history paintings and historical sculpture, he builds a detailed culture; with its own aesthetic, way of living, and understanding of the world, that is at once alien and eerily similar to our own. Education Edinburgh University/Edinburgh College of Art. (MA) Architecture Select Exhibitions/Awards SOLO EXHIBITIONS 2022 - 'Hidden Door 2022' Old Royal High, Edinburgh (Upcoming) 2022 - 'Tarogramma' Hackney Downs Studios, London (Upcoming) 2022 - 'Damien Cifelli x Wolf and Badger' Wolf And Badger, Netil House, London 2019 - 'Tarogramma Archive' Edinburgh Art Festival. Dundas St Gallery, Edinburgh 2019 - 'Tarogramma Archive' Edinburgh Art Festival. Italian Cultural Institute, Edinburgh AWARDS Saatchi Art 'Rising Star' 2022 Dazed x Gap New Generation 2020 Foundwork Artist Prize, Final Selection Fashion Illustration Drawing Awards (FIDA) finalist Statement about AOAP Submitted Artwork Two small portraits of citizens of Tarogramma, believed to be siblings. The dominant colours of orange and green are representative of 'The Hand' a secretive and elite social class within Tarogramma. Little is known about their activities, but it is clear that they possess a significant amount of power. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.
Lot 189
A Regency mahogany gentleman's press cupboard attributed to GillowsThe ogee moulded cornice above a pair of a panelled doors and a single door the right, the lower part with a similar arrangement, on a plinth base, converted to hanging rails and shelves, with impressed inventory mark to the reverse EC below a crown, 214cm wide, 54cm deep, 211cm high.Provenance:Sotheby's London, Fine English Furniture, 17 November 1995, lot 868.
Lot 277
A late 19th century black japanned Chinoiserie quarter chiming mantel clock Heightened with gilt chinoiseries, the pagoda top with three ball finials above an arched glazed door flanked by columns enclosing an arched matted dial with 6 1/2" silvered chapter ring with Roman numerals, the movement quarter chiming on four coiled gongs striking on the hour on a fifth, with deadbeat escapement; on shaped bracket feet, 32cm wide, 25cm deep, 57cm high.
Lot 381
A late 19th century Italian baroque style walnut carved display cabinet The scrolling acanthus carved cresting surmounted by a winged putti, above a serpentine glazed door enclosing three shelves flanked by pierced swagged cherub’s heads; on cabriole leaf carved legs and apron on scroll feet, 66cm wide, 37cm deep, 174cm high. Provenance: Property of an Oxfordshire estate Percy A Rodwell 1972.
Lot 74
A LATE VICTORIAN/EDWARDIAN CANTEEN OF OLD ENGLISH BEAD PATTERN FLATWARE & CUTLERY in a fitted two door oak cabinet with drawers, to include: 18 table spoons, 16 table forks, 20 dessert spoons, 17 dessert forks, 27 teaspoons (two sizes), 19 coffee spoons, 6 butter knives, 24 ice cream spoons, 2 soup ladles, 6 sauce ladles, 2 basting spoons, 4 salt spoons together with 24 engraved dessert knives and 24 engraved dessert forks with mother of pearl handles to match, all crested and all by Harrison Brothers & Howson, Sheffield 1900/1904/1906 and a later set of 24 electroplated Bead Pattern table knives and 24 side knives with stainless steel blades, by James Dixon & Sons of Sheffield; the cabinet measuring 20.7" (52.5cm) long; 268.5 oz weighable silver
Lot 714
An Edwardian mahogany, satinwood cross banded and marquetry part-glazed cabinet, the short, shaped upstand over a dentil banded cornice and foliate and urn marquetry frieze, the eight pane astragal glazed door beneath enclosing an interior with two shelves and olive green velvet lining, over a bowfront cupboard base with urn, foliate and swagged marquetry decoration, on boxwood strung square tapered legs with spade feet, 26¾ x 17¾in. (68 x 45cm.), 78in. (198cm.) high.
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