A mid 19th Century eight day long case clock, the swan neck pediment over 14" arch top dial, with subsidiary second hand and painted decoration of hunting and coursing, signed George Atkins Louth, the false plate signed Baxter, the hood with flanking gilt metal mounted barley-twist columns over arch top door, flanked by split barley- twist columns resting on box base, 230 cm high.
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An early 20th Century mahogany long case clock with an eight day movement by Douglas of Stourbridge. The pedestal base rising to an ornately glazed panel door below an arched top hood enclosing the brass blind fret- work dial. The movement having a repeat chime function on Westminster, Whittington & St Michael chimes, some damage and gong missing, 48cm wide by 207cm high.
A collection of antique metalware, comprising, a Venetian or Bolognese black painted wrought iron tabernacle door, probably early 19th century, 51cm high; a pair of brass taps, early 20th century, the handles as swans' heads, reputedly removed from the Dorchester Hotel; a set of four steel spurs possibly for cockfighting, 19th century, with burrwood case; and elements of a pair of gilt bronze chenets. Visit www.dnfa.com for condition reports.
A Mughal ivory inlaid coromandel and rosewood cabinet, Gujarat or Sindh, late 17th century, 69cm high, 84cm wide, 56cm deep. Towards the close of the seventeenth century two-door cabinets of this type replaced portable fall-front cabinets as the leading form produced by furniture-making workshops in western India. Their configuration and dimensions reflect changes in Europe in the design and use of cabinets, which were increasingly devised as showpieces, often richly decorated and mounted on stands in drawing rooms. The decoration of the exterior of this cabinet reflects the high Mughal style of setting rows of flowering plants in alternating patterns against a plain ground. This enchanting device is characteristic of the reign of Shah Jahan and may be found adorning buildings erected by the emperor, such as the Saman Burj, Agra Fort (c. 1637). For a very similar example see Amin Jaffer, /Luxury Goods from India, /V&A Publications, 2002, page 62. Visit www.dnfa.com for condition reports.
A late 19th century French kingwood, vernis martin and giltmetal mounted bombe vitrine, the arched top flanked by two cast cherub head mounts, the glazed serpentine door with bombe panel below, painted with three figures in a landscape, flanked on each side by similar glazed and painted panels enclosing glass shelves, shaped apron, on square splayed legs with scrolled gilt metal sabots, 142cm wide, 194cm high, 46cm deep
An early 19th century pine eight-day longcase clock, the twin train movement striking on a bell, the enamelled dial with Roman numerals and subsidiary seconds dial, painted with David playing before Saul to the arch and images of the four apostles to the spandrels, the hood with swan neck pediment above arched glazed door flanked by fluted angles, the case with moulded trunk door, on panelled base with turned feet, 212cm high
A George III mahogany eight day longcase clock, the twin train movement striking on a bell, the arched hood with moulded cornice centred by carved acanthus leaf, three brass ball finials, the arched glazed door enclosing brass dial with Roman chapter ring, subsidiary seconds dial and date aperture, strike/silent to the arch, cast spandrels, the case with arched moulded trunk door, on panelled base with bracket feet, 236cm high
A late Victorian mahogany four piece bedroom suite, of Adam style, comprising: wardrobe, 224cm wide, 211cm high, 65cm deep; dressing table with mirror, 138cm wide; another dressing table, 127cm wide, and a bedside cabinet, 41cm wide, the wardrobe with moulded cornice above fluted and rosette carved frieze, over two bowfront cupboard doors, with demi-paterae band enclosing sliding trays and drawers, flanked on each side by a mirrored door enclosing hanging space, on fluted base with turned feet (4)
A George III mahogany eight day longcase clock, by William Taylor, Whitehaven, the twin train movement striking on a bell, the hood with dentilled and rosette carved swan neck pediment centred by a brass ball finial, above arched glazed door, flanked by fluted columns, the brass dial with Roman chapter ring and additional seconds hand, moonphase dial to the arch, cast spandrels, the case with moulded trunk door flanked by fluted quarter column angles, on panelled base with blind fretwork canted angles, on ogee bracket feet, 240cm high
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