Antiquarian, Triomph vande christelycke leere ofte grooten catechism met eene breede verklaringhe van alle syne stucken en eene korte wederlegginghe vanden catechismus der Calvinisten, Hazart CorneliusPublished by Michiel Knobbaert, Antwerp, 1683Antiquariaat, Triomph vande christelycke leere ofte grooten catechismus met eene breede verklaringhe van alle syne stucken ende eene korte wederlegginghe vanden catechismus der calvinisten, Hazart CorneliusUitgegeven door Michiel Knobbaert, Antwerpen, 168333 x 21 x 6 cm
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Roger RAVEEL (1921-2013)Colour Etching The nothingness, the light and things, 1991, numbered 9/40 and signed.Kleurets Het niets, het licht en de dingen, genummerd 9/40 en getekend.19 x 14.5 cm The graphic oeuvre of Roger Raveel by octave Scheire page 164 n° 199.6Etching from bibliophile edition with 8 poems by Roland Jooris and 9 etchings by Roger Raveel, 1991.Het grafisch oeuvre van Roger Raveel door octaaf Scheire pag 164 n° 199.6Ets uit bibliofiele uitgave met 8 gedichten van Roland Jooris en 9 etsen van Roger Raveel, 1991.
Andy WARHOL (1928-1987)Handwritten signature in black acrylic felt pen on a 2 DOLLAR note in a plexiglas frameSerial number : K05739646A, Year : 1976Stamped by the US Post Office on 13 April 1976Factory Warhol stamp on reverseHandgeschreven handtekening in zwarte acrylviltstift op een biljet van 2 DOLLARSerienummer : K05739646A, Jaar : 1976Afgestempeld door de US Post Office op 13 april 1976Fabrieks Warhol stempel op achterzijde15 x 20 cm
René MAGRITTE (1898-1967)Lithograph after the 1954 painting Un peu de l'ame des bandit, numbered 60/275.Lithografie naar het schilderij uit 1954 Un peu de l'ame des bandit, genummerd 60/275.49 x 38 cm Dry stamps of the Magritte Foundation and countersigned in pencil by Mr. Charly Herscovici, President of the Magritte FoundationDroge stempel van de Magritte Stichting en medeondertekend in potlood door de heer Charly Herscovici, voorzitter van de Magritte Stichting.
Samuel Pitts of London - an early 18th century and later walnut and marquetry inlaid longcase clock, the caddy top above a pierced double frieze over a 12" square brass dial, signed to the silvered chapter ring, having matted centre, subsidiary seconds dial, date aperture, twin ringed winding holes for a brass eight-day five-pillar weight driven movement striking on a bell, the case with floral marquetry inlaid trunk, the door with glass lenticle to a further boxbase, h.238cmNote: Samuel Pitts was apprenticed in London in 1689, but he moved to Bristol where he married and was active there from 1694-1750.Stands well.Clock runs.Case and hood good, no splits but faded all over and has a slightly cleaned-back finish.Veneers/inlays all good, no lifting.Some mouldings around door replaced.Some sections around dial door replacement.Fretwork good.Movement, dial and seatboard all appear to belong.No unexplained holes.
A late 19th century Swiss rosewood and kingwood inlaid music box, the 6" cylinder playing eight airs and striking with butterflies on three bells, with change/repeat and stop/play function, case w.42cmBox functions. Teeth complete.Lever functions are a little slow and temperamental.Would benefit from a service. Case with some age wear.Glass door cracked.
Finer & Nowland of London - a Regency mahogany dome topped bracket clock, having a signed convex white enamel dial, with twin winding holes for a brass eight-day gut-driven fusee movement with anchor escapement and striking on a bell, the backplate with leaf engraved border, the case having brass ring carry handles, brass inlays, and pierced brass fishscale sound grilles, h.43cmFully working.Inside of glass bezel with filler.Dial good, has been overpainted.Case highly polished.Two shrinkage splits to top but no losses.Replaced cut-in veneer section to left hand side.Backplate not signed.All appears to belong, no unexpected holes to backplate.With pendulum, later door and winding keys.In good restored condition.
An early 20th century German mahogany cased quarter-chiming mantel clock by Winterhalder & Hoffmeier, the break arch case with brass flaming torch finials above stop-fluted quarter turned columns, flanking a silvered arched dial with Roman chapter ring, subsidiary chime silent, chime on eight gongs/chime on four gongs, and regulation dials, the spring movement playing a chime on eight gongs/chime on four gongs, with rise-and-fall regulation and triple repeat, stamped 'W&H Sch' to the backplate, h.46cm Clock fully runs.Dial good.Stands well.Glass good.All brass good and complete. Generally a very good and clean example. With door and winding key.
Brockbank & Atkins of London - a mahogany cased four-glass library or mantel timepiece, No.12370, signed to the silvered and engraved dial, with chain-driven eight-day fusee movement, having anchor escapement, screw-down pendulum, backplate signed 'Brockbank & Atkins London 12370', h.23cmWith door key and winding key. All timber good; highly polished, no chips or significant scratches.Dial good.All glass good.Clock fully runs.An excellent example.
A Victorian Aesthetic Movement ebonised and amboyna credenza, having a crossbanded top above a central recessed panelled door with brass beading, with fluted column dividers, all flanked with bowed and glazed corner cabinets, w.151cm, d.45cm, h.107cmStands well.Glass good.Approx. 4” brass beading loss to each glass door.Door good, not warped.All three locks work, but only one key present.Left hand column loose at top.Three small losses to brass mounts on frieze.Otherwise some fading/ag/handling wear and some scuffs around base.
John Jackson of London - an early 19th century mahogany longcase clock, having an 11¾" signed silvered dial (tarnished), with subsidiary seconds dial, date dial, and strike/silent dial to the arch, twin winding holes for a brass eight-day four-pillar weight driven movement striking on a bell, the case with arched panelled door to a boxbase, h.234cm (excluding brass finials), sold with weights and pendulum
Robert Mouseman Thompson (1876-1955): An English Oak Bedside Cupboard, with raised upstand, above a door with burr panels, enclosing a shelf, with turned knob handle and wrought iron hinges (croos head screws) on four octagonal and block feet, with carved mouse trademark, 48cm wide, 38cm deep, 69.5cm highWater/splash marks. Dates to 1951 same commission as the wardrobe.
An Art Nouveau Inlaid Mahogany Hall Robe, with pierced heart motif bracket over a stepped cornice, above a single panelled door inlaid in a variety of stained woods depicting peacocks and feathers, strap heart hinges and handle, unmarked,109cm wide, 48.5cm deep, 204cm highThe removeable three-quarter gallery to the top we think is associated. The left-hand side panel with shrinkage (as photographed) this panel also has small drill holes visible, suggesting a stick stand was formerly fitted to the side. The interior with drill holes to the back boards. Some general scuffs throughout - mainly around the legs, consistent with age. Otherwise good.
An Art Nouveau Inlaid Mahogany Display Cabinet, the upper section with a stepped cornice above a leaded glaze door and sides, enclosed by spindles, the base with leaded and coloured glass doors, on four square section capped legs, unmarked,136.5cm wide, 42cm deep, 175cm high (damage to leg)Lacking a shelf in top cabinet. Water damage to the top cabinet with new back. Back left leg damaged and repaired with metal fixing brackets. The spindles are loose. Wear and tear see extra images.
An Arts & Crafts Oak Bookcase, the upper section with cornice above two leaded glazed doors enclosing two adjustable shelves, the base with drawer above cupboard door, strap hinges, on capped feet, unmarked,95cm wide, 44cm deep, 215cm highSlightly faded but fairly uniform colour throughout. However, the top section does have some further wear/discolouration. The copper hinges are tarnished. The leaded glass is in good condition. With one key which fits the top section and the base cupboard. Splits into two pieces.
Bob Dylan (b.1941) American"Knockin' on Heaven's Door"Signed and numbered 214/495, lithograph from "Mondo Scripto", 45cm by 73.5cm Sold together with the Washington Green Fine Art certificate of authenticityThe print has a deckled edge and is float mounted.In good overall condition. Not examined out of the frame.Provenance: Castle Fine Art
A GEORGE III OAK 30-HOUR LONGCASE CLOCK, SIGNED MONKHOUSE, CARLISLE the 12-inch square brass dial with date crescent, acanthus and urn engraved centre and cast spandrels, the hood with dentil cornice and columns, the case with quarter reeded columns and long trunk door with shaped top, with weight and pendulum. 214cm high
AN EARLY 19TH CENTURY OAK AND MAHOGANY 30-HOUR LONGCASE CLOCK, SIGNED COLLINSON, KENDAL the 13-inch square dial painted with roses in each corner, date crescent, the hood with flat top and turned columns, the case with quarter-columns flanking an arch-top door, the base with bracket feet, with pendulum. 207cm high
AMENDMENT - A MAHOGANY PARTNER'S DESK the moulded rectangular top with gilt-tooled leather-inset writing surface over three frieze drawers opposed by a frieze drawer and a pair of dummy drawer fronts, each pedestal fitted with three graduated drawers opposed by a cupboard door, raised on a plinth base. 75cm high, 123cm wide, 97cm deep
AN EARLY 18TH CENTURY WALNUT CABINET ON A LATER CHEST the cabinet with a frieze drawer above a pair of cupboard doors, inlaid with ovals, opening to reveal an arrangements of drawers and a cupboard door, the later base with three long graduated drawers, raised on bracket feet. 171.5cm high, 101cm wide, 48cm deep
A 1960s Stonehill Furniture teak sideboard, having three central drawers flanked by twin cupboard doors, the drawers with curved elongated integral handles, the doors with slightly shaped square button handles, on tapering U-shaped end supports, labelled to inside of one cupboard door, h.72.5cm, w.167cm, d.43cm
A 1960s teak long sideboard by A.H. McIntosh Ltd, having twin central cupboard doors, single fall-front compartment, and three short graduated drawers, each having curved integral handles, raised on curved tapering supports, labelled to inside of one central cupboard door, h.76cm, w.201.5cm, d.46cm
A 1960s Gordon Russell double door teak 'Helix' sideboard, having routed interlaced stencilled decoration to the doors, on slightly square tapering supports, with 'Russell of Broadway' label to reverse, h.84cm, w.122cm, d.45.5cmGeneral surface and colour fading throughout.Stands well and is structurally sound.With knocks and scuffs to edged extremities, mostly on legs but also to interior surfaces.
A LACQUER MINIATURE KAGO (PALANQUIN)Japan, late 19th century, Meiji period (1868-1912)The miniature palanquin with gilt-metal fittings, some of which are chased and incised with foliate designs on a ring-punched ground, and finely lacquered with imitation-rattan as well as gold hiramaki-e karakusa and scroll on roiro. Three sides with a sliding door, each with barred window, opening to reveal the interior with papered sides decorated with silver flakes, two of the windows with silk and bamboo blinds. The roof with two hinged upward-opening panels and fitted at the top with a similarly lacquered three-section carrying pole.HEIGHT 21.5 cm, LENGTH 71 cmCondition: Very good condition with minor wear, few minor age cracks, one of the hinged doors to the roof slightly warped, few minor losses.Auction comparison: Compare a related lacquer miniature palanquin, dated mid-late 19th century, Edo-Meiji period, at Bonhams, 19 March 2013, New York, lot 2317 (sold for 4,000 USD).
A SUPERB GOLD LACQUER INRO-DANSU (STORAGE CABINET FOR INROS)Japan, Meiji period (1868-1912)Of rectangular form with recessed gold fundame edges, supported on a shaped foot lacquered in gold fundame, the exterior bearing a nashiji ground richly decorated in gold and colored takamaki-e and hiramaki-e with inlays of bone to depict various inro and netsuke as well as plain globular ojime.The right door with an inro showing Jurojin reading a scroll beside a deer, with a paddle-shaped netsuke of an actor wearing an Okina mask and holding a fan. The left door with an inro depicting a noble lady seated on a terrace and looking out toward a mountain landscape under thick clouds and a full moon, with a figural netsuke of an actor wearing an Okame mask and holding a fan. The right side with an inro of a lady and boy in a garden by a meandering stream, with a netsuke of a sambaso dancer. The left side with an inro of a cockerel perched on a war drum, with a netsuke of Fukurokuju. The top with an inro of a demoness and a swordsmith, with a netsuke of Ebisu, as well as an inro depicting a large ship, with a netsuke of a duck.The doors open to reveal four drawers with silver handles, each of nashiji with gold fundame edges and finely decorated in gold hiramaki-e with floral sprays including prunus, iris, and bellflower, the interiors of the doors with a roiro-mura-nashiji ground decorated in gold and silver hiramaki-e with autumnal flowers including aster, bellflower, and bush clover.The silver fittings comprise shaped handles to the sides incised with foliate designs, door hinges chased and incised with foliate designs against a ring-punched ground, and similarly crafted door handles with a shaped hinge lock.SIZE 24.3 x 29 x 23.3 cmCondition: Very good condition with minor wear, few scattered minuscule losses to lacquer. Presents beautifully.Provenance: Ex-collection Shep Brozman, New York.Auction comparison: Compare a related lacquer inro-dansu decorated with tsuba, dated second half of the 19th century, at Christie's London, Netsuke & Lacquer from the Japanese Department of Eskenazi, 17 November 1999, London, lot 23 (sold for 25,300 GBP).13% VAT will be added to the hammer price additional to the buyer's premium - only for buyers within the EU.
A LACQUER MINIATURE KODANSU (CABINET) WITH SCENES FROM SHITAKIRI SUZUME (THE TALE OF THE TONGUE-CUT SPARROW)Japan, 19th centuryOf rectangular form with recessed gold fundame edges, bearing a rogin-nuri ground finely decorated in iro-e togidashi-e and e-nashiji to depict scenes from Shitakiri Suzume, with elaborately dressed humanoid sparrows leading the elderly man into the bamboo grove to meet his sparrow friend, and others dancing and playing musical instruments to entertain the man while he enjoys a feast, the top of the box with a fan and a chest filled with treasure including jewels, coral, and shells. The top of the box with a silvered-metal handle and the hinged door with silvered-metal fittings chased and incised with foliate designs against a ring-punched ground. The door opening to three drawers decorated with clouds and mountain peaks designs on nashiji, the interior of the door decorated in gold and silver hiramaki-e and takamaki-e with mura-nashiji and hirame to depict the man's farmhouse.SIZE 10.6 x 8 x 11 cmCondition: Very good condition with minor wear, light surface scratches, minor age cracks.Provenance: Collection of Drs. Edmund and Julie Lewis, no. 98 (label to base). Bonhams, Property from the Collection of Drs. Edmund and Julie Lewis, Part I, 11 September 2019, lot 562. A private collection in New York, USA, acquired from the above. Drs. Edmund Jean and Julia Breyer Lewis are renowned experts in nephrology who met professionally and later married in 1997, and have since continued to collect Japanese art together, actively seeking the best they could find from the finest dealers in the field. Known for their keen scholarship and high aesthetic standards, for the past three decades Ed and Julie have focused on collecting lacquer art, painting, and Buddhist sculpture from Japan. As they traveled widely their desire to collect Buddhist art grew, and they have expanded their collection to include important Pan-religious sculptures from Greater Asia.Shitakiri Suzume, translated literally into 'Tongue-Cut Sparrow', is a traditional Japanese fable telling of a kind old man, his avaricious wife, and an injured sparrow. The story explores the effects of greed, friendship and jealousy on the characters.
A LACQUER MINIATURE KODANSU (CABINET) DEPICTING THE NUNOBIKI FALLSJapan, 19th centuryOf rectangular form with recessed edges, the variously toned mura-nashiji ground finely decorated in gold and silver hiramaki-e and takamaki-e with kirikane and e-nashiji to depict two waterfalls, one descending across the top and door and the other gushing between craggy rocks to the left side of the door. The kodansu with silver fittings chased and incised with foliate designs against a ring-punched ground, the handle with a sliding lock mechanism. The hinged door opening to reveal three drawers, each decorated in gold takamaki-e against a sparse gold and silver nashiji ground, the sides and interiors of dense nashiji with gold fundame edges, the interior of the door similarly decorated with bamboo.SIZE 10.5 x 8.2 x 11 cmCondition: Very good condition with minor wear, particularly to the underside.Provenance: From a German private collection.The scenery embellishing this box is a classic motif of Japanese literature and art. The word nunobiki means "stretched cloth," here realized as a silken cascade descending across the top and door. Nunobiki Falls is a set of waterfalls near downtown Kobe, considered one of the greatest 'divine falls' together with Kegon Falls and Nachi Falls. The Nunobiki Falls comprises four separate falls: Ontaki, Mentaki, Tsutsumigadaki, and Meotodaki.
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235346 item(s)/page