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George III mahogany longcase clock, the broken arch hood with swan neck pediment and flanking pilasters above a shaped panelled door with flanking quarter pilasters and a conforming plinth base with carved centre panel, the brass moon phase dial with a silvered chapter ring, Arabic and Roman numerals, subsidiary seconds and date dials, signed Dodson Holbeck, the two train movement with anchor escapement striking on a bell
George III oak longcase clock, the broken arch hood above an arched panelled door and conforming plinth, the painted dial with Roman numerals, subsidiary seconds dial, date aperture and strike / silent selector, signed Gudgeon Berry, the two train movement with anchor escapement striking on a bell
George III mahogany longcase clock, the broken arch hood with swan neck pediment and brass ball finial above an arched door flanked by Corinthian columns, the trunk with a triple arched Gothic style moulded door flanked by cluster columns below a shell inlaid frieze, the conforming plinth base with line and shell inlays on ogee bracket feet, the brass dial with mask head spandrels, silvered chapter ring, Arabic and Roman numerals, subsidiary seconds dial and date aperture with moon phase arch, signed James Leigh, the two train four pillar movement with anchor escapement striking on a bell
Unusual Victorian oak longcase station clock (formerly in use at Boxhill station, near Dorking), the architectural case with a rectangular panelled door flanked by small floral carvings, the circular painted twenty four hour dial signed John Walker, South Molton Street, London, and No. 258B, the single train movement of eight day duration
George III mahogany longcase clock, the arched hood above an arched panelled door and a rectangular plinth with bracket feet, the gilded and silvered dial with Arabic and Roman numerals, subsidiary seconds and calendar aperture with strike / silent dial, inscribed James Brogden of London with a two train movement striking on a bell
A 17th Century Flemish ebony and tortoiseshell cabinet inset with painted panels, Antwerp mid 17th Century, the hinged cover above cushion moulded and ripple-cut doors each with oil on copper scene to the reverse and enclosing a fitted interior with central architectural section flanked by four drawers to each side, the central cupboard enclosing an alcove with mirror back and chequered floor to a surround of small drawers, ripple moulded borders throughout, the thirteen oils on copper depict various mythological scenes including Meleager and Atalanta, Apollo and Daphne and the Death of Procris, on a later stand, the cabinet 104cm wide/Provenance: Private collection, Gloucestershire,. The cabinet appears in a 1920s inventory described as 'An old Italian Cabinet of ebony and Tortoiseshell....' Condition Report: Side ebony veneer split and lifting, with pieces missing. Further splits to lower side panels and indentations caused by handles. Top veneer lifting and split but complete. Front top return missing and with lifting and repaired veneer. Door panels split in places and some tortoiseshell and ebony veneer missing. Right hand panel split. Left pillar split with missing veneer. Drawer front with veneer split. The top interior missing three painted panels.Interior satin lined and with splits. All painted panels intact but right hand door panel with area of missing paint. One drawer knob missing and one pillar base incomplete. Central internal drawers missing strips in places. Stand of later date and with later metal frame support. Right hand corner decoration damaged and incomplete, knocks to bobbin legs, otherwise condition generally good.Overall height 167cm, depth 50cmCabinet height 87cm, width 102cm, depth 47cm
A large and unusual 19th Century English oak eight-day regulator wall clock by Thomas Armstrong and Brothers, Manchester, the three-glass case with applied carving and fitted a white enamel dial with centre sweep second hand, lead bob pendulum and cylindrical brass weight, 212cm high/see illustration Condition Report: The surmount to the clock is in two bu both parts there old repair is evident, split door frame on both sides (9'0 clock and 3'O clock) carved decoration to door interior removable, slight pitting to base inside, there appears to be a piece of wood missing to the case above the movement, movement in good order and has been well maintained over the last 40 years by current owner who has moved house and can no longer accommodate the clock
An 18th Century and later mahogany cased eight-day longcase clock by James Cannon, London, the hood with pagoda top and silk backed grilles, the trunk with reeded columns to the sides enclosed by an arch top door, fitted a later three-train movement chiming on 4/8 bells and striking on a gong, 248cm high/see illustration
A George II walnut longcase clock, Robert Clark, London, the arch top case with fluted columns to the hood and quarter-veneered arched panel door, the 11 inch brass dial with Roman chapter ring, subsidiary seconds dial and date aperture within pierced foliate spandrels and surmounted by an engraved circular name plate, fitted an eight-day movement, 218cm high/see illustration
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235346 item(s)/page