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Click here to subscribeA small Continental 17th century single door oak cupboard, the single panel top with broad, moulded border, over a dentil frieze and plain sides, the front with single panel door with scale carved borders, on later hinges, enclosing two shelves (one replaced), within broad, scale carved stiles, 25½ x 13¼in. (64.75 x 33.75cm.), 35½in. (90cm.) high, alterations.
A mid Victorian mahogany triple wardrobe, with central mirrored door flanked by two single-panelled doors, the left and centre doors enclosing two adjustable shelves over two short and two long drawers with inset brass handles, the right side with baseless sliding drawer, brass hooks and single fitted lower slide, standing on an ogee moulded base with rounded corners, 74 x 21in. (186 x 53.5cm.), 84in. (213.5cm.) high.,
A good quality mahogany cased musical grandmother clock, c.1900, the egg & dart moulded arched cornice over an arched brass dial with silvered Roman chapter ring and gilt cherub and crown spandrels, silvered chime dial to arch, the trunk with fluted chamfered corners and arched glazed door, the eight day movement with Westminster, St. Michael and Whittington chimes, 77½in. (202cm.) high, 16¾in. (42.75cm.) wide.
A large 4 door Rosewood bookcase taken from Mansers' Castle Gates. Originally bought from Marsh Lyons by Gordon Manser and part of the RMS Mauritania when she was broken. These bookcases which were manufactured for these vessels were always very thin this helped give the impression of space.Size 220cm x 301cm high and only 35cm deep.
VICTORIAN WALNUT PIER CABINET, having moulded edge top over foliate inlaid frieze, foliate inlaid door flanked by similarly inlaid and gilt metal mounted pilasters on a platform base. Glass missing. 80 x 33 x 107cm. CONDITION REPORT: Glass is missing from the door, overall a little grubby, scuffs and wear with minor losses to veneers, particularly around the base.
EARLY 19TH CENTURY WELSH OAK, THIRTY HOUR, LONG CASE CLOCK, marked: W. Williams, Merthyr, having broken swan neck pediment with eagle and ball brass finial, arched aperture flanked by reeded pillars, the waist with moulded rectangular door, having ebony inlaid outline and shell inlaid motif, flanked by canted angles, on an ebony outlined panel base and bracket feet. Arch painted face with floral decoration and Roman numerals above date aperture. Thirty hour movement striking on one bell. The face: 16.5 x 12 inches approx. 84 inches high approx. CONDITION REPORT: A little dry and lacking in patination, face has had some re-touching, crack through pediment, vertical crack through door, horizontal crack through panel base.
19TH CENTURY WELSH EIGHT DAY MAHOGANY LONG CASE CLOCK, having arched hood with turned finials above arched aperture flanked by fluted pillars, the weights with cross banded, rectangular moulded door flanked by quarter reeded pilasters on a cross banded, panelled base and bracket feet. Part painted face with Roman numerals, seconds dial and date aperture, marked: 'Thomas Chivers, Maesteg'. The face 18 x 12" approx. Eight day movement striking on one bell. 90" high approx. CONDITION REPORT: A little wear and discolouring to the face, the case requiring some polishing, being a little dry, horizontal cracks noted to the panelled base, basically good condition commensurate with age.
EARLY 19TH CENTURY MAHOGANY EIGHT DAY LONG CASE CLOCK, the face marked: Bartley of Bristol, having arched hood with arched aperture, the waist with strung outlined rectangular door, flanked by spirally turned, metal mounted pillars on a panelled base, lacking original feet. Arch painted face with rolling moon, Roman numerals, seconds dial and date aperture. Eight day movement, striking on one bell, the face 18 x 12.5 inches overall 82 inches high approx. CONDITION REPORT: Rather dry, dusty and grubby, lacking original finials, some wear to the face, lacks original feet and moulding returns to the base. Includes two weights and pendulum.
19TH CENTURY PEMBROKESHIRE (NOW STRIPPED) PINE DRESSER, having moulded cornice over three shelf, boarded, rack back, the base with three frieze drawers over arched dog kennel flanked by two panelled cupboards on a platform base. 156 x 42 x 225cm. CONDITION REPORT: In good, useable rustic condition, platform base is an addition, stained and worn in places. Crack to one door panel.
LATE VICTORIAN WALNUT PIER CABINET, the moulded edged top with ebonised finish over single glazed door flanked by foliate and strung inlaid bands with gilt metal mounts on platform base. 72 x 93 x 29.5cm. CONDITION REPORT: Fair condition for age, scuffed and worn with age but no serious damage.
CHINESE LACQUERED FOUR DOOR CABINET, overall with painted and applied decoration depicting figures, birds, foliage and buildings. 20th Century. 89 x 51 x 145cm. CONDITION REPORT: Has been in a smoky room for a long time but basically appearing to be in good condition, requiring merely a sugar soap clean.
A Continental mahogany longcase clock, 19th century, the convex enamelled 24.5cm dial with 30hour movement, pendulum suspension bracket above the backplate, anchor escapement and shaped brass plates, the drum head case with sliding hood cover having still leaf moulded surround, break arch cornice, the slightly tapering case with upper door above a glass lenticle, upon a plinth base and stepped foot, 230cm high 230cm (90in)
Flemish School (17th Century) Portrait of a young boy, head and shoulders oil on panel, a fragment 37 x 27cm (14 x 11in) Oil on a panel which appears to be constructed from a cupboard door. Possibly cut down. Areas of raised and flaking paint across the panel with small paint losses. Some scuffing to the edges and raised paint on the sitter's cloak. Old retouchings which have darkened in areas. Varnish is degraded and dull with a layer of dust across the surface. The frame is worn with several chips and losses. Signed on back 'MHU'.
George Morland (British, 1763-1804) The Bell Inn at Kilburn, London oil on canvas 112 x 138cm (44 x 54in) Provenance: John Knight, Lea Castle, Wolverley, Kidderminster, March 1826, and by descent Other Notes: The son and pupil of the portrait painter and dealer Henry Morland (1716-1797), George Morland is especially known for his charming scenes of rural life. He was a precocious and prolific painter who learnt to draw at the age of three, exhibited at the Royal Academy at the age of ten and attained a considerable reputation among artists of repute by the age of seventeen. His talents were carefully cultivated by his father, who encouraged him to copy pictures of the Dutch and Flemish Old Masters in particular. He was even introduced to Sir Joshua Reynolds in order to obtain a permission to copy his paintings. George Morland produced a vast amount of work in spite of a dissolute lifestyle, drinking and hiding from his creditors and even ending up in prison. Several of Morland's works depict inns in a rustic countryside with signs featuring bells. A smaller comparable example by Morland showing a "Bell Inn" is at the Metropolitan Museum of Art, New York, and a drawing at the Fitzwilliam Museum, "Mid-day Rest at the Bell Inn" captures a similar building and tree. This same scene at Kilburn is the subject of an engraving by John Raphael Smith after Morland, "The Return from the Market", published 1793, where the bell sign also features above the door. (see Richard S. Sabin, George Morland (1763-1804): A Descriptive Catalogue of a Collection of Sixty Colour Prints Engraved after His Paintings, exh. cat., Frank T. Sabin, London, 1935, no. 18). John Knight was an important landowner in the area around Kidderminster in Worcestershire, where his Wolverley and Lea estates were situated. He lived at Lea Castle, and was one of the most important patrons of James Ward. George Morland married James's sister Anne Nancy Ward in 1786. Lined and cleaned. The paint layer is stable. There is an old damage near the centre of the painting which has been repaired and is now obvious as the retouchings has discoloured over time. Varnish is glossy and even. There is some wear to the gilding on the frame but it is generally in a good condition. Old label: From John Knight, Lea Castle, Wolverley, Kidderminster, March 1826.
A fine giant engraved repeating carriage clock by Drocourt, presented in 1893, the gorge case with blue ground dial and side panels painted with allegorical subjects within gilt surrounds, glazed oval top panel revealing the platform lever escapement, rear glass door enclosing gong striking movement, the backplate marked for Drocourt and numbered 24988, the underside and key similarly numbered, 21cm high (handle folded) with leather travel case 24½cm (9in)
A mahogany and inlaid early 19th century longcase clock, the hood with turned urn finials above moulded swanneck pediment above panels painted in gilt with leafy fronds, twin reeded columns, the 14inch painted dial signed 'Harrison, Ormskirk', with seconds and calendar dials, moonphase disc to the arch, 4 pillar 8 day movement numbered '252' to the reverse, the trunk with lancet top door flanked by quarter columns, all on a rectangular plinth and ogee feet, 246cm (96in)
A late Victorian mahogany chiming bracket clock by Dent, London, the bell top case with handle and four ball finials, arched brass 18.5cm dial with subsidiaries for chime/silent, slow/fast and chime on 8 bells/Westminster, within a raised gilt foliate scroll mask surround, matted centre, the three train fusee movement striking on a gong and chiming on 8 bells or 4 gongs, and gong hour strike, the case with stop fluted columns and arched brass side frets, mesh rear door, all on brass ogee feet, 61 x 40 x 35.5 cm (24 x 15.75 x 14in)
A VICTORIAN CAST IRON "CATHEDRAL" STOVE, of hexagonal form with lift off swept cover and dolphin handles, cast and pierced with scrolling foliage over grid arched panels, the door hinged and opening to reveal a lift-out brass reservoir and four of the original six red glass panels, raised upon six outswept feet, 12" x 33"
AN OAK LONGCASE CLOCK by J. Collier, Cheadle, the eight day movement with anchor escapement striking on a bell, 14" square dial painted with birds and flowers, the rolling moonphase with sail ship, Roman and Arabic numerals and calendar aperture, the mahogany banded and string inlaid case with brass finials and scrolled pediment on reeded square columns, arched door flanked by reeded pilasters, canted base and ogee bracket feet, 87 1/2" high
AN OAK LONGCASE CLOCK signed Jas. Gray, Edinburgh, the eight day movement with anchor escapement striking on a bell, arched 12" brass dial with Roman and Arabic numerals, silvered centre chased with birds on branches, secondary dial and calendar aperture, signature roundel to arch, the case with scrolled pediment with brass finial and rosettes on turned fluted columns, arched door with marquetry shell patera, panel base and bracket feet, 85 1/2" high
A ROSEWOOD AND BRASS BOUND TRAVELLING MEDICINE CHEST, early 19th century, of oblong form with brass campaign handle to top, split hinged fascia opening to reveal interior fitted with glass bottles and two drawers with various accoutrements, fitted rear compartment with sliding door, 8 3/4" x 10 1/2" (Illustrated)
AN OAK LONGCASE CLOCK signed Joshua Horrocks, Lancaster, the eight day movement with anchor escapement striking on a bell, 11" square brass dial with Roman and Arabic numerals, calendar aperture and signature roundel, the mahogany banded case with dentil moulded cornice and blind fret frieze on turned columns, arched door flanked by quarter columns, canted panel base and ogee bracket feet, 64 1/2" high
AN OAK LONGCASE CLOCK, early 19th century, unsigned, the eight day movement with anchor escapement striking on a bell, 12 1/2" arched dial painted with floral spandrels and sailing ships in the arch, Roman and Arabic numerals and secondary dials, the case with dentil moulded cornice on turned columns, canted trunk with arched door, panel base and ogee bracket feet, 64" high
A GEORGIAN MAHOGANY TOILET STAND, 18th century, of oblong form with stringing and rosewood banding, the split hinged top opening to fitted interior with lift up looking glass and lidded razor compartment, drawer below over cupboard door and pull out fitted base, side lopers and brass loop handles, raised square section supports, 22" x 19" x 34 1/4"
A MAHOGANY LONGCASE CLOCK signed Halliwell, Warrington, the eight day movement with anchor escapement striking on a bell, 14" square dial with Roman and Arabic numerals, painted floral spandrels, secondary dial and calendar aperture, the case with scrolled pediment and frieze with inset paper panel featuring foliate scrolls, arched door, the canted panel base with beaded edged quartered veneered panel centred by a marquetry patera, on bracket feet, 97 1/2" high
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