A 19th Century French ebonised and gilt metal mounted Boulle work low side cabinet, the frieze with egg and husk and foliate bandings, the enclosing door and stiles veneered in scarlet tortoiseshell and inlaid with a marquetry of cut brass with figures and foliate scroll designs, the stiles headed with sculptured cherub caryatid figures and with bearded masks and anthemion foliate scroll spandrels to the sides, on a shaped plinth, 83cm (2ft 8 3/4inn) wide, 116xm (3ft 9 3/4in) high.
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Jaeger-LeCoultre Atmos clock, the timepiece movement stamped on the underside of the baseplate with the calibre number 526-5, the top stamped ‘LeCoultre, Atmos’ with the serial number ‘125169’, the round dial having raised Arabic and dauphine numerals, dauphine gilt-brass hands and signed ‘Jaeger-LeCoultre, Atmos’ to the front of the movemet, the brass and glass case having canted corners and lift out front door, complete with original box, height 22.5cm. * The Atmos clock was first devised in the 1920’s by a Paris engineer J.L. Reuter who used mercury to react to changes in atmospheric pressure and which kept the clock running in near perpetual motion. The minute expansion and contraction of the gases within the container allowed the bellows to move and run the clock. The idea was taken up by LeCoultre who bought his idea and when they merged with rival watchmakers Jaeger, considerable funds were set aside to develop the clock as it is known today with mercury replaced with a less volatile gas.
Alexander Brown, Liverpool, a Victorian chiming bracket clock having an eight-day duration, triple-fusee movement chiming on nine bells and striking the hours on a gong, the seven-inch arched brass dial having a raised silvered chapter ring engraved with black Roman numerals, with two subsidiary dials within the arch for ‘chime/silent’ and ‘Eight Bells/Cambridge Chimes’, the dial centre engraved with the maker’s name ‘Alexr Brown, Liverpool’, the Gothic style oak case having clustered pillars to the corners, a band of ogee Gothic decoration to the base, carved decoration above the door, carved wood side frets and surmounted by three carved finials set within the top cresting, complete with a matching wall bracket, height: 73cm (not inc. bracket) * Alexander Brown is recorded as working in Liverpool circa 1825.
A late-Victorian walnut cased German ‘Vienna’ wall regulator, the eight-day duration, weight-driven movement having a dead-beat escapement, maintaining power and striking the hours and half hours on a gong, the two-piece white enamel dial having black Roman numerals, decorative blued steel hands and signed by the retailer ‘Weller, Littlehampton’, the glazed walnut veneered case having an arched trunk door, carved scroll decoration to the canted corners, a break-top pediment with carved shell centre decoration and turned finials, height: 140cm.
William Born, Askrigg (Yorkshire), a mahogany moonphase longcase clock having an eight-day duration movement striking the hours on a bell, the painted fourteen-inch break-arch dial having black Roman hour numerals, subsidiary seconds and date dials, decorative brass hands, painted ‘shell’ corner spandrels and signed to the centre ‘Wm. Born, Askrigg, 1837’, with a moonphase disc within the arch, the mahogany case having a raised panel to the base, shaped moulding to the trunk door, barley-twist columns to the both the trunk and hood and with a swan-neck pediment, height: 240cm.
James Delance, Downton, a lacquered longcase clock having an eight-day duration, five pillar movement striking the hours on a bell with an outside countwheel, the eleven-inch square brass dial having a raised silvered chapter ring engraved with black Roman numerals, outer Arabic five minute markings, fleur-de-lys half-hour markings and signed ‘Jas. Delance, Downton’, the matted centre having ringed winding holes, an engraved surround to the date aperture, and a subsidiary seconds dial, with decorative blued steel hands and cast brass ‘female-head’ spandrels, the black lacquered case having raised chinoiserie decoration, three-quarter columns to the caddy-top hood, and a glass lenticle to the trunk door, height: 220cm. * James Delaunce (sometimes Delance) is recorded as working in Downton, Wiltshire from circa 1720 having previously worked in Frome from the late seventeenth century and previous to that in London where he was free of the Clockmakers company in 1678.
George Page, Naveby and George Usher, Lincoln, an oak and mahogany longcase clock having an eight-day duration movement striking the hours on a bell, the eleven-and-a-half inch painted break-arch dial having black Roman hour numerals, subsidiary seconds and date apertures, with painted cottages to the four corners and a further rural scene painted within the arch depicting a farmer with his dog, signed to the centre with the maker’s name ‘Geo. Page, Navenby’, with decorative brass hands, the oak case having mahogany crossbanding to the base, a shaped top to the trunk door, scroll-topped canted corners with ebonised inlaid stringing, the hood with further string to the door, fluted pillars with cast brass capitals, a swan-neck pediment with brass paterae and three ball-and-spire finials, the inside of the case bearing a label stating ‘George Usher, Cabinet and Case maker, Lincoln, No...’ the serial number being indistinct but possibly ‘15’, height: 215cm. * George Page is recorded as working in Navenby, Lincolnshire from before 1854 and was a member of a long line of well-known clockmakers working in the area over a number of generations. * George Usher was a cabinetmaker working in Lincoln during the mid-Victorian period and was a member of the cabinet making and watchmaking family of that name which included James Ward Usher, the jeweller, watchmaker, collector and entrepreneur who left a bequest to found the famous Usher gallery in Lincoln.
John Wood, Exon a walnut longcase clock having an eight-day duration, five pillar movement striking the hours on a bell, the twelve-inch square brass dial having a raised silvered chapter ring engraved with black Roman numerals, Arabic five minute markings and fleur-de-lys half-hour markings, with engraved wheatear border decoration, the matted centre engraved with doves in flight and a basket of fruit surrounding the date aperture, with a subsidiary seconds dial, blued steel hands and cast brass ‘female-head’ spandrels and engraved with the makers name ‘John Wood, Exon’, the later associated walnut veneered case having crossbanding to the trunk door, with gilt-wood capitals to the quartered hood pillars, and with three associated brass finials to the flat top, standing on bracket feet, height: 200cm (not inc. finials) * John Wood is recorded as working in Exon (Exeter) in the early 18th century and is known to have had his son James babtised in 1727 in the Bow Meeting House.
A late Victorian/Edwardian 3 piece bedroom suite in figured mahogany with rosewood cross banding and boxwood strung detail , comprising a triple wardrobe with central mirrored door, 2 flanking doors each above 2 pairs of drawers and having shallow dentil moulded cornice, a dressing table with large oval bevelled mirror between flanking jewel drawers, the lower part with kneehole and 5 drawers on square tapering legs with brown ceramic castors and a matching wash stand all with decorative gilt brass drop loop handles
An early 20th century mahogany and boxwood strung bow fronted corner display cabinet, the upper part with shallow moulded cornice and single glazed door revealing wooden shelves with velvet lined back and the lower part with central drawer and flanking dummies above an open alcove with further drawers and cupboards below (as viewed, some handles missing/replaced)
An early 19th Century mahogany longcase clock with eight day movement striking on a bell, the painted break arch dial with Roman numerals, subsidiary seconds, date aperture and inscribed `Woolerton Yarmouth`, the arched hood with glazed door flanked by Corinthian columns, the trunk with arched door flanked by cut corners on a plain base, height approx 203cm (faults), together with pendulum and weights.
An early Victorian mahogany bracket clock with twin fusee movement striking on a bell, the painted arch dial with strike/silent indicator above Roman numerals and inscribed `Barrauds & Lund, Cornhill, London, 1352`, the backplate similarly engraved, the case with stepped surmount above a glazed door flanked by embossed brass foliate and loose ring handles and pierced fret panels, on a plinth base and turned feet, together with pendulum, height approx 35cm (minor faults and restoration).
A late 19th Century Vienna style walnut cased wall clock with eight day movement, striking on a gong, the circular brass dial and white chapter ring with Roman numerals, the case with turned finials, above a glazed door flanked by turned pilasters, and a shaped apron with pendulum and key, together with an oak mantel timepiece.
A late Victorian mahogany specimen cabinet, containing an exceptional collection of biological microscope slides, the moulded pediment surmounted with a brass carry handle, above a glazed door revealing twenty nine drawers, on a plinth base detailed `R&J Beck, 31 Cornhill London`, height approx 50cm, each drawer containing at least 36 microscope specimen slides, including human and animal embryo samples, insects and spiders, the majority applied with inscribed paper labels including `W. Watson & Sons`, `Thomas Groves`, `E. Wheeler` and `Smith Beck & Beck`, together with a collection of approximately 280 other similar biological and botanical slides, a purchaser invoice from W. Watson & Sons and a memorandum from Ernest Hinton, both dated 1890, and a later specimen cabinet.
A George III oak and mahogany crossbanded longcase clock with eight day movement striking on a bell, the brass broken arch dial with Arabic and Roman numerals framing subsidiary seconds and date dial, the arch inscribed `Jas Ross Glasgow`, the hood with swan neck pediment above a glazed door flanked by fluted columns, the trunk door flanked by fluted quarter columns, on a panelled base and bracket feet, height approx 235cm, together with a pendulum and two weights (some faults).
A George III mahogany longcase clock with eight day movement striking on a bell, the brass break arch dial and chapter ring with Roman and Arabic numerals, subsidiary seconds, date aperture and inscribed `Jacob Taverner, London`, beneath a chime/silent dial cornered by engraved and pierced brass spandrels, the break arch hood with plain surmount above a glazed door flanked by reeded columns, with break arch trunk door and plain base, height approx 210cm (faults), with two weights, pendulum and winder.
A George III mahogany longcase clock, with eight day striking movement, the brass break arch dial with strike/silent dial above Roman numerals subsidiary seconds, date dial and inscribed `Atwood, Lewes`, the break arch hood above a glazed door flanked by reeded columns, the break arch trunk door above a plain base, with two weights and pendulum, height approx 201cm (lacking bell and some faults).
A George III oak and mahogany crossbanded longcase clock with eight day movement striking on a bell, the brass break arch dial with silvered chapter ring framing a matt centre with subsidiary seconds and date aperture, the arch with silvered boss inscribed `Thomas Servard, Newport`, the hood with swan neck pediment above a glazed door flanked by a pair of turned pilasters, the trunk with rectangular door on a plain base and plinth, height approx 212cm, together with pendulum and two weights.
A Victorian oak longcase clock, with eight day movement striking on a bell, the brass broken arch dial with rolling moon to arch above a silvered chapter ring with Arabic and Roman numerals framing engraved foliage and subsidiary seconds, all cornered by gilt spandrels, the moulded swan neck pediment above a glazed door flanked by barley twist pillars, the trunk door carved with lunettes, scrolls and acanthus leaves flanked by fluted quarter columns, the base carved with a diamond motif and raised on bracket feet, height approx 223cm, together with pendulum, two weights and winder.
J. Thompson, North Shields, an oak longcase clock, 18th century, the arched brass dial inscribed `J Thompson, North Shields`, with black Roman and Arabic numerals and cast scrolling spandrels, the eight-day movement striking on a bell, the case with a moulded cornice with an arched glazed door and columns, the trunk with later stylised chip carving and similar base
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