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Lot 107
Spanish door, 17th century.Melis pine wood.Handle and lock of the period.Measurements: 209 x 61 cm.Door from the Baroque period, carved in melis pine wood. It presents a rectangular format in whose coffered ceiling are inscribed rhomboidal structures that mark a dynamic rhythm based on alternating orthogonal and diagonal designs.
Lot 109
Spanish door, ca.1700.Melis pine wood.Period handle.Measurements: 203 x 60 cm.Baroque door. Carved in melis pine wood, it has a rectangular format, coffered type, in which rectangular coffers of different proportions are inscribed, thus marking a rhythm made up of repetitions and subtle variations.
Lot 112
Spanish door, 17th-18th century.Stained melis pine wood.Rear fittings.Can be matched with lot 35284290.Measurements: 210 x 72 cm.Door belonging to a transitional period between Baroque and Neoclassical. Carved in melis pine wood. It presents a rectangular format, coffered type, in which double and triple coffered mouldings are inscribed alternating with each other, marking a rhythm based on repetitions and minimal variations.
Lot 115
Spanish door, 17th-18th century.Stained melis pine wood.Later iron fittings.Some lack on the back.Can be matched with lot 35284289.Measurements: 210 x 72 cm.Door belonging to a transition period between Baroque and Neoclassical. Carved in melis pine wood. It presents a rectangular format, coffered type, in which double and triple coffered mouldings are inscribed alternating with each other, marking a rhythm based on repetitions and minimal variations.
Lot 117
Spanish door, ca.1700.Melis pine wood.Fittings and locks of the period.It presents some tears together with the lock.Measurements: 221 x 210 cm.Door of ample proportions, belonging to a period of transition between the baroque and neoclassical periods. Carved in melis pine wood. It has a rectangular format, coffered ceiling type, in which triple and quadruple coffered mouldings are inscribed alternating with each other, thus marking a rhythm based on repetitions and minimal variations.
Lot 118
Spanish door, ca.1650.Melis pine wood.Measurements: 229 x 77,5 cm.Spanish door from the Baroque period. Carved in melis pine wood, it has a rectangular format, coffered type, in which triple and quadruple coffered mouldings are inscribed alternating with each other, thus marking a rhythm based on repetitions and minimal variations.
Lot 119
Spanish door, 17th century.Melis pine wood.Period ironwork.Measurements: 200 x 76 cm.Door belonging to a transitional period between the Renaissance and the Baroque. In melis pine wood, it presents a dynamic design based on irregular panels. Repetitions and subtle variations give a moulded rhythm to the whole. A line of interlacing motifs traces a decorative fretwork on the lower part.
Lot 121
Cupboard doorway with double leaf. Spain, 17th century.Melis pine wood.Measurements: 166 x 166 cm.Portal of cupboard with double door, of baroque epoch, in wood of pine melis. One of the leaves, distributed in four sections, appears all of it openwork with tracery. The other leaf consists of two large panels with an exterior moulded profile and an interior decorated with stylised carvings depicting vegetal compositions. Three floral corollas are carved between the two panels.
Lot 122
Spanish door, 17th century.Melis pine wood.Reinforced at the back.Measurements: 179 x 79 cm.Spanish door from the Baroque period, made of melis pine wood, with a frame structure and panels forming irregular rhombuses, giving rise to a dynamic and singular composition. A variety of mouldings are recombined in geometrical shapes like rosettes derived from the rhomboidal figure.
Lot 123
Spanish door, ca.1600.Melis pine wood.Original fittings.Can be matched with lot 35284295.Measurements: 202 x 77 cm.Door belonging to a transitional period between the Renaissance and the Baroque. Carved in melis pine wood, it has a dynamic design based on irregular panels. Repetitions and subtle variations give a moulded rhythm to the whole. A line of interlacing ovals traces a decorative fretwork at the top.
Lot 125
Spanish door, ca.1600.Melis pine wood.Original fittings.Can be matched with lot 35284296.Measurements: 202 x 77 cm.Door belonging to a transitional period between the Renaissance and the Baroque. Carved in melis pine wood, it has a dynamic design based on irregular panels. Repetitions and subtle variations give a moulded rhythm to the whole. A line of interlacing ovals traces a decorative fretwork at the top.
Lot 126
Cupboard doorway with double leaf. Spain, 17th century.Walnut wood.It has some scratches on one side.Measurements: 198 x 117 cm.Baroque period pantry doorway with double door, made of walnut wood. It presents a regular design, distributed in six panels in the centre of which are represented in relief vegetal motifs such as rosettes, stars and helixes. The sides are finely chiselled with stylised geometric designs.
Lot 127
Double-leaf door. Spain, 17th century.Melis pine wood.Period ironwork, adapted.Later hinges.It has a frame added later.Measurements: 237 x 137 cm (doors only).Baroque double-leaf door with a semicircular arch, with a melis pine wood structure. It has a regular and symmetrical layout, formed by a reticular structure, respecting the size of each of the rectangular coffers adjusted to the recesses. The inner margin of each door is decorated with a delicately carved vegetal fretwork.
Lot 56
Italian school; 17th century."Saint Benedict and Totila".Oil on canvas. Re-coloured.It has repainting and a slight hole in the canvas. Needs cleaning.It has an Andalusian frame, from the XVII century, with faults in the carving.Measurements: 77,5 x 95 cm; 87 x 104 cm (frame).This work contains the religious story in which the encounter between Saint Benedict and King Tolila is narrated. The fame of Saint Benedict spread to such an extent that the king of the Goths, Tolila, decided to meet the saint and to see for himself the qualities attributed to the saint. For this reason, Totila arranged a visit with the saint. However, he ordered a representative of his court, Riga, to appear before St. Benedict as if he were Benedict himself, to see if the saint truly possessed the gift of prophecy, and divined the deception. When Rigo entered the monastery, Saint Benedict, who was sitting at the door, said to him "Take that off, son, take off that thing you are wearing, it is not yours". After Totila was discovered, he presented himself in the monastery, but embarrassed by his ruse, he did not dare to approach St. Benedict and prostrated himself on the ground. It was then that Saint Benedict approached him, lifted him off the ground, and said to him "You do much harm, it is time for you to put an end to your wickedness", in reference to the bellicose reputation of the Gothic king.In this particular scene, the author shows the moment in which King Totila is prostrate before the saint, after having tried to deceive him. Saint Benedict, on the right of the composition, holds his crosier, while with the other hand he holds out his open palm to the king in an attitude of vehemence. Both figures are accompanied by a retinue, the king's being particularly colourful and the presence of the horse, which shows the artist's interest in demonstrating his technical mastery. Arranged in the form of a frieze, all the figures are in the foreground, leaving a slight space in the centre, which gives depth to the scene by allowing the viewer to observe a landscape conceived through successive planes.
Lot 51
LED ZEPPELIN - JAPANESE LP PACK. An excellent pack of 10 LPs by rock legends Led Zeppelin. All are Japanese pressings with their obi-strip. Titles include Physical Graffiti (P-6317-8N), Led Zeppelin (P-10105A), II (P-10101A), III (P-6518A, spinning wheel sleeve), IV (P-10125A), Houses Of The Holy (P-10107A), Coda (P-11319), Presence (P-1016ON), In Through The Out Door (P-10726N, brown paper bag sleeve) & The Song Remains The Same (P-5544-5N). Condition is generally superb Ex to Ex+.
Lot 178
The Cure: An Acetate Recording Of The Single Close To Me,1985,a single-sided, 7inch disc, Master Room, London label with recording details in black felt-tip, in die-cut sleeve with sticker, From Joe Reddington 16 JUL 1982 and with John Peel's handwritten band name in cornerFootnotes:In 1985 The Cure released their sixth album, 'The Head On The Door', which became their third consecutive top ten album release in the UK, and their first in the US. Despite the band's more mainstream success, this track from the album, 'Close To Me', is believed to have been played just once by John Peel on air: on the John Peel Show for the BBC World Service, on the 9th September 1985.For further information on this lot please visit Bonhams.com
Lot 24
The Misunderstood: An Acetate Recording Of My Mind/Children Of The Sun,circa 1969,a double-sided 7inch Emidisc, labels with typewritten recording details and one side with ballpoint doodles in unknown hand, in plain die-cut sleeveFootnotes:Originally formed in California in the 60s in the wake of the British Invasion, the band moved to London in 1966, assisted by their manager, John Peel. John's family have provided the anecdote that their father actually gave the band his mother's address in London, without telling her. On arrival in England they turned up at her door and moved in with John's bemused mother. They recorded just a handful of tracks whilst in the UK and disbanded thereafter. Peel championed their music throughout his career. In an interview in 'Index Magazine' in the early 2000s, he declared: 'If I had to list the ten greatest performances I've seen in my life, one would be The Misunderstood at Pandora's Box, Hollywood, 1966. My god, they were a great band.'Fontana released Children Of The Sun as a single in 1969, the B-side of which was the track Unseen.For further information on this lot please visit Bonhams.com
Lot 7
Bob Dylan: Acetate Recordings, Believed From The Basement Tapes Sessions,1967/68,comprising two single-sided, 12inch Emidisc acetates, recording details in blue and black ballpoints, each in plain white, die-cut paper sleeve, tracks listed thus:Disc 1Million Dollar BashYea Heavy And A Bottle Of BreadPlease Mrs. HenryDown By The FloodLow And BeholdTiny MontgomeryThis Wheel's On FireDisc 2You Aint Going NowhereI Shall Be ReleasedThe Waters Of OblivionTears Of RageMighty QuinnOpen The Door RichardNothing Was DeliveredFootnotes:Bob Dylan and his backing band, The Band, convened in the summer of 1967 at Dylan's home, just outside Woodstock. Recording sessions began here but moved to a basement studio in a house known as The Big Pink, lived in by several members of The Band. More than 100 songs were recorded, a mixture of covers and original Dylan compositions. In 1968, fourteen tracks appeared on a demo pressing circulated within the music business, and the first bootleg, The Great White Wonder, appeared the following year. Various other recordings appeared and, in 1990, a 108-track compilation, The Genuine Basement Tapes, was released.For further information on this lot please visit Bonhams.com
Lot 1208
A very fine 19th Century brass mounted ebonised and maple banded Cabinet or Credenza Base, the arched and star inlaid parquetry pediment with bulbous finials above a glazed door flanked to either side with two bow fronted mirror back bracket shelves on a matching Credenza base with large bonised panel door, the centre with an oval parquetry panel within a brass frame flanked to either side with a bowed glass door, the interior with shelves and raised on a moulded plinth, 7' x 5'2" (214cms x 157cms). (1)
Lot 1243
A 19th Century oak framed Grandfather Clock, the swan neck pediment with circular ormolu mounts over an arched brass and silvered decorated dial with glazed door flanked by Corinthian brass pillars, the main body with etched design and arched glazed door on box base, with bracket feet, 93" (236cms). (1)
Lot 1261
An oak Longcase Clock, in the 19th Century style, with moulded cornice above a carved frieze and a brass dial the silverised chapter ring with Arabic and Roman numerals, flanked with spiral pilasters, the trunk door with cruciform panel on a conforming box base, 191cms x 43cms (75" x 17"). (1)
Lot 1296
A 17th Century style carved oak Court Cupboard, with moulded cornice above a central door carved with figures representing the seasons around a shaped cartouche panel flanked with two carved pilasters each with ribbon bows scrolling foliage and a centre cherub each headed with a carved capital and a male mask on an inverted breakfront rectangular base with drawer and animal head handle, raised on large bun feet, 181cms x 111cms (71 1/2" x 43 1/2"). (1)
Lot 1302
A good early Irish (possibly Cork), William IV period mahogany breakfront Wardrobe, with spiral reeded cornice above four tall flame figured doors, the centre two door section with an arrangement of drawers and linen slides and hanging compartments to either side, raised on spiral reeded legs, 94"h x 97" (239cms x 246cms). (1)
Lot 1405
A George IV Irish two door Gothic Revival wall mounted Bookcase, attributed to Gillingtons, struck with a four digit number 5445, enclosed with two adjustable shelves, inside two Gothic glazed doors, 30" x 37" (76cms x 94cms). (1) Provenance: The FitzGerald Family, Carton House, Kildare, by direct family descent.
Lot 231
A Georgian period mahogany cased Irish Grandfather Clock, the swan neck hood with arched glazed door, flanked by half Corinthian columns revealing an ornate brass dial with phase movement and date, by Thomas Cahill, Waterford, the main trunk with arched panelled door on box base, approx. 232cms (91") high. (1)
Lot 251
An Irish Georgian period mahogany framed Grandfather Clock, the break top cornice with finial surmounted over a frieze with moulded floral decoration, the painted dial by "May & Son, Dublin," the inlaid case with shaped panel door flanked by reeded columns, on a box base terminating in bracket feet, approx. 24cms (95") high. (1)
Lot 937
A very fine pair of Sheraton revival breakfront mahogany Side Cabinets, each with a three-quarter brass gallery above a frieze and concealed drawer, profusely inlaid with leaf scrolls, ribbon bow and drapes and centered with two griffins flanking an urn above five bevelled glazed panels including the door and three ornate panels below inlaid with leaf scrolls, stylized fish and a central urn, 58" x 52" (148cms x 133cms). (2)
Lot 978
A fine quality Regency period ebonised and mahogany Bureau Abbatant, the moulded top over a drop down door opening to reveal a fitted interior assimilating an arch, the sides flanked by square tapering columns surmounted by brass sphinx heads, and terminating on square tapering legs, approx. 160cms (63') high, 102cms (40') wide. (1)
Lot 651
A GEORGE III MAHOGANY NIGHT COMMODECIRCA 1780Together with another similar exampleProvenance: Ston Easton Park, near Bath, SomersetCondition Report: There are some marks, scratches, knocks, chips, splits and abrasions consistent with age and use.Commode on the left:The top darker stained than the sides, ring marks and other marks and the top with a slight upward bow.There are losses and restorations including repairs to the uprights along the grain of the timber in particular visible to the area adjacent to the tray tops; the pull out section converted to a drawer with later lingings and visible cuts from the old pull out commode seat; some repairs including an edge section/veneer to the top of one door; lacking a moulding; the sides and back split along the grain of the timber; damage to the hinges.The lock has no key, the lock is closed but it is possible to open the door.Commode on the right in the photo:Some losses and restorations including: inset sections of timber to the top and elsewhere, there are cracks along the grain of the timber to the sides and back; stains and marks to the top; repairs to the corners; the pull out commode base has some repairs and there is evidence of worm; the handles are later.Please refer to the additional photographs as a visual reference of condition. Condition Report Disclaimer
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235346 item(s)/page