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Three painted wooden panels, 19th century, probably taken from a Spanish altarpiece, each naively painted with Christ figures and a scholar within gilt painted arches with scroll details, the central panel with opening door, the side panels 56cm x 23.7cm, the central panel 46cm x 33cm (3) (at fault)
A late George III oak cased longcase clock signed 'Moses Evans, Llangernew', the twin swan neck hood with freestanding pillars flanking the 33cm painted square dial, centred with a date aperture and subsidiary second dial, signed with the makers name and enclosing the two train movement striking on a saucer bell, the case with conforming quarter pilasters and a door with shaped upper corners, upon bracket feet, 206cm high, two weights and pendulumCondition reportReplaced movement board and guide rails to the cheek pieces, the back board also replaced indicating the clock has undergone a degree of restoration and possibly the clock movement is associated to the case.The movement looks/clean well maintained however this cannot be taken as a guarantee of working condition.Overall the clock appears to be in sound condition with no visible damage or faults to the case, although it appears to have had some sympathetic restoration
A George III mahogany cased eight day longcase clock by Eardley Norton, London, mid to late 18th century, the pagoda shaped hood with pierced gilt metal side grilles and fluted freestanding pillars flanking the 31cm gilt metal and silvered dial, applied with integral Arabic date numerals to the outer track indicated by a third hand, below a strike/silent indicator, signed with the makers name, enclosing the four pillar two train movement striking on a saucer bell, the case with conforming quarter pilasters and an arched and moulded door over a panel applied with beaded detail, upon a plinth base, 244cm high, two weights and pendulum
A late George III mahogany cased eight day longcase clock signed R Fletcher, Chester, early 19th century, the 36cm painted break-arch dial with moon phase, subsidiary seconds dial and date crescent, signed with the makers name, enclosing the two train movement striking on a saucer bell, the case with an arcaded door flanked by quarter cluster columns, over a canted lower board, lacking feet/plinth, 220cm high, two weights and pendulum
A French brass cased carriage clock, late 19th century, the 4cm ceramic dial applied with Arabic numerals above two further smaller subsidiary dials, enclosing the eight day movement striking on a saucer bell (lacking bell), 11cm high, with outer caseCondition reportGeneral tarnishing to the case, the rear door is tight when opening and closing, lacking a saucer bell.The clock runs when wound however this appears to be intermittent and cannot be a perceived as a guarantee as to the working condition.Outer case lacks handle and has general scuffs and marks.
A Regency mahogany secretaire bookcase, the ogee beaded astragal glazed doors opening to three adjustable shelves, upon the chest with a satinwood strung fall front top drawer applied with gilt metal lion mask handles, opening to a compartmented interior, over a pair of cupboard doors, upon bracket feet, 224 cm H x 115cm W x 53cm DCondition report20cm crack to top LH corner glass pane, 8cm chip to veneer top RH corner of the secretaire.Drawer feels tight with a small repaired split to the bottom RH corner, general light fading overall, LH cupboard door has some play in the hinges.Minor chips and losses to the apron veneer, with further losses and a split to the front RH foot, joint split to the RHS of the chest.Further general wear/marks commensurate with age and use
An Aesthetic Movement honey oak hall cupboard, late 19th century, the moulded and ebonised cornice over a pair of full length cupboard doors inlaid with geometric ebony stringing within a moulded periphery, opening to a later painted interior with three fixed shelves, the side panels with conforming detail upon an ebonised plinth base and bracket feet inset with castors, 186cm H x 111cm W x 53cm DCondition reportInterior has been re-painted and re-constructed with three shelves. Small chip to RH door moulding and to the edge of the door. General overall historic marks stains and scuffs commensurate with age and use. The cupboard appears to be in sound condition with no structural faults or damage
An Edwardian mahogany inlaid triple wardrobe, by Warings, of inverted breakfront form, the central mirrored door opening to an arrangement of drawers and sliding trays, flanked by convex full length wardrobe doors, upon a plinth base, outlined with chequered stringing, 210cm H x 213cm W x 65cm D
This retired Swarovski crystal set of 2 houses formed part of the Silver Crystal City group and they are made from clear crystal. To distinguish these houses from houses III & IV, the large house has a door and 8 square windows, and the small house has an arched door and 5 rectangular windows. The roof of the tallest house is wavy in design. This item has its original box with measurements 2.5"H x 3.5" dia. and Swarovski etched backstamp. Largest piece measures 1"L x 0.75"W x 1.25"H. Artist: Gabriele StameyIssued: 1990-1994Manufacturer: SwarovskiCountry of Origin: AustriaCondition: Age related wear.
KAWASE HASUI (1883-1957)Showa era (1926-1989), dated 1933An oban tate-e print, titled along the bottom margin Osaka Soemon-cho no yu (Evening at Soemon-cho, Osaka) from the series Nihon fukei shu II Kansai hen (Collected Views of Japan II, Kansai Edition), depicting a night-time winter scene showing two maiko walking past a teahouse, their highly colourful kimono and elaborate obi trailing behind them, illuminated by the light streaming from an open door, shadows of figures discernible in the distance, in the foreground a couple walking closely together in the chilly night, dated Showa hachinen shigatsu saku (Work of April, Showa 8 [1933]), but probably a post-war printing, published by Watanabe Shozaburo, with a round Watanabe seal at bottom left; signed Hasui with Kawase seal. 39cm x 26.5cm (15 3/8in x 10½in).This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
KAWASE HASUI (1883-1957)Showa era (1926-1989), circa 1940sAn oban tate-e print, titled along the bottom margin Osaka Soemon-cho no yu (Evening at Soemon-cho, Osaka) from the series Nihon fukei shu II Kansai hen (Collected Views of Japan II, Kansai Edition), depicting a nocturnal winter scene showing two maiko walking past a teahouse, their highly colourful kimono and elaborate obi trailing behind them, illuminated by light streaming from an open door, shadows of figures discernible in the distance, in the foreground a couple walking closely together in the chilly night, published by Watanabe Shozaburo, with a Watanabe mokuhan bijutsu gaho kosaku seal along the right margin above the printer's seal Surishi Ono Gintaro; signed Hasui with Kawase seal. 39cm x 26.3cm (15 3/8in x 10 5/16in).This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
A large metal-thread embroidered calligraphic silk panel from the burqa' Egypt, late 19th Centuryof rectangular form with curved ends, the black silk ground embroidered in silver thread with a band of inscription, mounted 200 x 39.5 cm.Footnotes:ProvenanceProperty from the private collection of Dr Mohammad Said Farsi and thence by descent to the present owner.Christie's Islamic Art and Manuscripts, 11 October 2005, lot 25.Inscriptions: Qur'an sura XXVII, al-naml, verse 30; and sura XVII, al-israa, verse 80.The Ka'ba is decorated annually on the 9th day of the month of Dhu al-Hijah, the day during the Hajj on which the pilgrims leave for the plains of Mount Arafat. The four walls are covered with curtains (kiswah) and are encircled by a band (hizam) embroidered with text from the Qur'an. The present lot is part of one of these bands, and was more specifically a panel from the burqa', or the panel above the main door of the Ka'ba. The practice of decorating the Ka'ba dates back to pre-Islamic times and the Prophet Muhammad himself witnessed the ceremony of the covering of the Ka'ba as a six-year-old child. Under the Mamluks, Egypt became the supplier of the kiswah, and it became traditional to change it annually. Production in Egypt continued under the Ottomans until 1927 when it was decided that the King of Saudi Arabia should provide the textiles, and production was moved to Arabia, where it continues today. When the kiswah and the hizam were replaced, they were cut up and reserved for important dignitaries such as the Sharif of Mecca, but some fragments were also allowed to be sold in special shops near the Bab al-Salam.For related examples see Sotheby's Islamic Works of Art, 21 October 1993, lot 255 and Islamic Art, 16 October 1997, lot 108.Dr. Mohammed Said Farsi was the Mayor and then Lord Mayor of Jeddah in the 1970s and 1980s, where he played a crucial role in transforming the city into one of the largest open-air galleries in the world by commissioning monumental sculptures by famous international and Middle Eastern artists, including Joan Miró, Henry Moore, Hans Arp, and Alexander Calder.For further information on this lot please visit Bonhams.com
Y A NAPOLEON III 'BOULLE' TORTOISESHELL AND BRASS INLAID CABINET ON STAND THIRD QUARTER 19TH CENTURY After Andre-Charles Boulle, decorated with Berainesque Designs surrounding figures of Jesters and Entertainers, the door enclosing a shelved interior, on cabriole supports and with an undertier 145cm high, 72cm wide, 49cm deep Condition Report: Marks, knocks, scratches and abrasions commensurate with age and use. Generally, in good presentable order overall. Some neatly executed sympathetic old repairs - see images. Key present and operate lock.Please refer to additional images for visual reference to condition. Condition Report Disclaimer
Y A FLEMISH TORTOISESHELL, ROSEWOOD, PEWTER AND BRASS COLLECTOR'S CABINET LATE 19TH CENTURY IN THE LATE 17TH CENTURY MANNER With hinged lid above central mirrored compartment with chequer floor behind door within an arrangement of drawers, each with pewter and rosewood Boulle work panels, brass borders and ivory inlay, the whole with ripple moulding and on an ebonised base with turned legs 127cm wide, 172cm high, 45cm deep Please note: Dreweatts have applied for a de minimis exemption licences for the ivory in this lot (Ref: 8UZEZ7E8)Condition Report: Marks, knocks, scratches and abrasions commensurate with age and use.Some old chips, splits and losses. Cabinet has an overall cleaned appearance. Slight warping to top. Some shrinkage visible to sides. Various undulation, opening and small repairs inlays. Nine of the drawers to the upper section with loss above drawer from contract with the lock bar. Base later associated. Keys present. Interior compartment with one cracked mirror plate. Please refer to additional images for visual reference to condition.Condition Report Disclaimer
A SET OF SIX FRAMED LITHOGRAPHS FROM 'TRENTA TAVOLE DI ORNAMENTI ARCHITETTONICI' AFTER ANDREA DE VICO, LATE 19TH CENTURY To include: part of the decoration in a doorway from the cloister in Florence, ornate door knockers and other ornament and architectural details, now in glazed Verdigris green frames with scroll ornamented corners visible image 53cm high by 38cm wide, frames 75.5cm by 59.5cm
A tall Victorian ebonised display cabinet, comprising of heavily carved with masks, scrolls and flowerheads, glazed door, plinth base, 106cm high, 89cm wide, c.1890 and A Victorian ebonised glazed cabinet, with leafy fluted cornice above two glazed doors, heavily carved with lion masks and foliage, 127cm high, 98cm wide, c.1890 (marriage)
Oak longcase clock, architectural pediment, the hood with engaged columns, long door, bracket feet, eleven inch square brass dial with seraphim spandrels, silvered chapter ring, subsidiary date aperture, signed Richard Hackett, Harringworth, thirty hour movement striking on a bell, height 211cm.Condition report:There is rubbing and losses to the wood on and just below the hood. One of the columns on the hood is pulling away. The finial is attached by blu-tack. There is a small vertical crack to the left-hand-side panel. The hinges have been replaced. There are cracks and evidence of woodworm to the base. One of the cogs has been detached. The weights and pendulum are present. Please see additional uploaded images.
An oak three section Globe Wernicke sectional bookcase, plinth base, width 87cm, depth 32cm, height 111cm.Condition report:There is a split to the front left of the top surface. The top also has patches of fading on the left and right hand sides. One of the metal brackets on the right hand side is coming away from the body. The door mechanisms all work ok, Some dark staining to some of the sides. Generally good, functional, and tidy.
A George II japanned eight day longcase clock, John Davis Windsor, the breakarched brass dial with matted centre, signature medallion, date aperture and seconds ring, STRIKE / SILENT to the arch, mask and dolphin spandrels, the case with stepped, basket top, moulded cornice and three quarter fillers to the hood, the trunk enclosed by full length breakarched door, on conforming stepped base, richly decorated with chinoiseries in diaper borders on a black ground, pendulum and brass sleeved weights, 236cm h excluding finialIn restored, retail condition, working orderSome minor shrinkage cracks to the hood. Light scuffs to corners of case and a replacement backboard. Winding handle and key
A Welsh oak clothes-hanging press cupboard, probably Denbighshire, late 18th c, with geometric panels to the doors, on conforming mule chest, fluted stiles, the sides panelled, 202cm h; 52 x 143cm The wooden knobs Victorian replacements, small repair lower right corner of door, hinges replaced. One of the short drawers with partly re-boarded floor.
A Chinese black and gold export lacquer table cabinet, early 19th c, the interior fitted with eight drawers, each centred by turned ivory knob, 40.5cm h; 22 x 38cm, on a later English ebonised stand (2)Please note Mellors & Kirk have applied for an exemption licence for the ivory in this lot. Ref: 8LRVTDTK Some limited handling wear to exterior lacquer, one door slightly warped and not closing shut, damage to bottom edge of one front foot
Vintage / Retro : A large amount of Staples ' Ladderax' Teak and black powder coated ladder formed supports, to include 8 mid shelves, 2 long shelves, long three drawer cabinet and lockable fall front bureau-like cabinet, mid size fall front lockable cabinet and 2 sliding door cabinet, plus 3 spare supports.
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235302 item(s)/page