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* China. Medland (Thomas), View of the Great Wall of China called Van-Lee-Tching, or Wall of Ten Thousand Lee taken near the Pass of Cou-Pe-Koo [and] View of the Tchin-Shan or Golden Island in the Yang-Tse-Kiang or Great River of China, G. Nicol, 1796, two uncoloured engravings after W. Alexander, each approximately 360 x 500 mm, together with Vue d'optique. Vue de Canton, Vue de Nankin [and] Vue de Lamcesu, Augsburg, circa 1780, together three engravings with contemporary hand-colouring, additional titles and explanatory text below images in French and German, slight creasing, each approximately 305 x 415 mm, mounted, with Pouncy (Benjamin Thomas). Chinese Barges of the Embassy passing through a Sluice on the Grand Canal [and] Chinese Military drawn out in Compliment to the British Embassador (sic), 1796, two hand-coloured engravings after W. Alexander, slight mount staining, each approximately 295 x 385 mm, plus Merian (Matthaus). Xuntien alias Quinzay, circa 1650, uncoloured birds-eye view of the city of Hangchow, 185 x 260 mm, mounted, and Ogilby (John). The Welcoming dor by the Lipu half an hour without the Towne Pecking. Welkomst door de Lipu een half uur buyten Pecking, The Royal Banquet [and] The Emperiall (sic) Palace where the Presents were received..., circa 1671, together three uncoloured engravings, slight spotting, each approximately 295 x 355 mm, with Thierry frères (publishers). Jonque Chinoise a Singapour, Paris, circa 1850, hand coloured lithograph on India wove, some mount staining, 260 x 320 mm, with another seven similar, various sizes and conditionQty: (19)NOTESThe first two described items and the two engravings by Pouncy were originally published for Sir George Staunton's 'An Authentic Account of an Embassy from the King of Great Britain to the Emperor of China...,'
A LATE GEORGIAN OAK DRESSER, early 19th century, the boarded rack with moulded cornice over frieze centred by an inlaid lozenge and flanked by fretwork panel, three shelves below, the sides applied with split turned balusters, the base with four central drawers with turned brass handles flanked on either side by a drawer over a panelled cupboard door, panelled sides, waved apron, on stiles, 63 3/4" x 18 1/2" x 81" (Est. plus 21% premium inc. VAT)
An early 19th century figured mahogany longcase clock with brass ball finial, swan neck pediment and rope twist columns to the hood, quarter reeded pillars and 3 quarter length door, on bracket feet, arched dial painted with rolling seascape and moon phase, 8 day striking movement by W M Scott, height 226 cmOverall condition is good and complete. This clock has been restored within the last 20 - 25 years, the case has been repolished and the dial repainted. Some cracking in base panel
A Victorian figured walnut mirror back credenza with ebonised moulding and ormolu beading and mounts, the mirror back with twin side shelves, the base with rounded glazed corner cupboards, central panelled door with incised gilded and turned columns, on plinth base, width 154 cm, height 150 cm
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235302 item(s)/page