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Click here to subscribeLate 19th century serpentine front, glazed display cabinet by Edwards & Roberts, top section with swan-neck pediment, central bow door covering two fixed shelves, base with three drawers with brass handles, flanked by two cupboards, all standing on square tapering legs with spade terminals, the whole cabinet smothered in swags of flowers, urns, satinwood cross-banding and stringing, width 131cm (52"), depth 53cm (21"), height 220cm (87").
Samuel Smith, Richmond, mid 18th century long-case clock, 8-day movement striking on single bell, arched brass dial applied with silvered chapter ring and secondary dial, ormolu spandrels, lacquered case with caddy top, arched door to trunk, box base decorated all over with Chinese chinoiserie, height 245cm (97").
20th century French vitrine, oval section, black veined marble top, single door covering fabric buttoned lined interior with glass shelf, base with drawer and galleried shelf uniting four swept legs, the whole piece covered with brass classical mounts, width 74cm (29"), depth 44cm (17"), height 150cm (59").
A 1932 Austin 12/6 Harley saloon, registration number GW 7830, chassis number 11423, engine number 11444, black. This charming Austin 12 was in the custodianship of father and son William and Richard Gould from Staffordshire between 1964 & 2015, when our vendor purchased it. There are photographs on file of the Austin during restoration when the Gould?s owned the car. Since acquiring the Austin our vendor has undertaken some refurbishment including re-trimming the interior with new door cards, carpets and seat covering. The engine has had a new head gasket and re-cored radiator amongst other maintenance and sounded healthy on our inspection. Now running well this honest example will be offered for auction with a history file containing photographs, receipts and workshop and owners manuals. Our vendor has taken the reluctant decision to sell due to an imminent house move with the loss of garaging. RF60, V5C, MOT and tax exemptSee back cover and other illustrationsAll lots in this sale are sold as is and bidders must satisfy themselves as to the provenance, condition, age, completeness and originality prior to bidding. Please read our terms and conditions.
A 1986 Austin Mini 1000 Chelsea, registration number C150 FKJ, red. Introduced in 1985, the Mini City based Chelsea was a limited edition of 1500 cars for the UK market. They were finished in Targa red with grey bumpers and door handles, special badges and decals with the Chelsea logo, 12 inch alloy wheels and Osprey grey with a red piped interior. This particular example is said to be in good all round condition having covered less than 57,000 miles from new. Recent works carried out include a cooling system overhaul with new water pump, hoses, radiator, heater and a full service with replacement headlights. The Mini will be offered for auction with service history. V5C, MOT to July 2020 See illustrationAll lots in this sale are sold as is and bidders must satisfy themselves as to the provenance, condition, age, completeness and originality prior to bidding. Please read our terms and conditions.
A late 19th century Chinese hardwood full height display cabinet with extensive carving and pierced decoration, the demi-lune pediment with figures at a table, the upper section with 5 shelves, the base with double door cabinet and 2 open shelves, on ball and claw feet, height 87", width 42"
John Thwaites & Co, London, a Regency mahogany longcase clock, the finial topped break arch hood with stop-fluted canted corners, circular side fret apertures, 12inch circular silvered dial, signed, with subsidiary seconds and calendar dials, shaped hands, strike/silent lever above XII, 5 pillar movement, the trunk with similar canted corners, break arch figured wood door, upon a panelled plinth base 210cm (82in)
John Wise, a late 17th century walnut longcase clock, the 9.5inch brass dial with winged cherub spandrels, date aperture, signed below VI, silvered chapter ring with Arabic 5 minutes and half hour markers, fully latched month movement with 5 baluster pillars, outside countwheel striking, bolt and shutter maintaining power, pendulum bob hooked to rod, brass cased weights, the case (possibly associated) with rising hood, trunk with crossbanded sides, plain rectangular door, on a plinth base 201cm (78in) Provenance: Private collection, Cambridge. Other Notes: John Wise senior recorded as a freeman in 1646, apparently living in Warwick 1653-68, then in London thereafter. One of his apprentices (a son) was also called John, a freeman from 1679. He was dead by April 1693. Longcase clocks are difficult to distinguish between father and son. recent support limb fitted to top of backboard for supporting raised hood. ConditionApparently not month going. Going train winding on left side barrel anti clockwise. Recent support limb fitted to top of backboard for supporting raised hood. Please see extra photos. Case may be later (poss 19th century); it has had restorations amd repolishing. Currently running. Private owner downsizing.
A mid-18th century German Altona Padouk and parcel gilt bombe secretaire-cabinet, the upper part with a shaped panelled mirror door, the borders with rocaille, S-scrolls and foliage opening to reveal an interior with two adjustable shelves and three small drawers, with a fitted fall-front secretaire drawer below, with further small drawers and pigeon holes, between canted angles, the shaped top applied with a foliate scroll cartouche, rocaille, double-scroll and acanthus angles with fruit and flowers, the centre with an entwined strapwork and florette moulded band on a pounced ground with three long drawers below, between further canted angles, on a gilt gesso stand with shaped apron and scroll feet carved with acanthus, applied overall with ormolu pierced cartouches, rocaille, double C-scroll and foliage handles and escutcheons, with four larger carrying - handles to the sides 271 x 125 x 64cm (106 x 49 x 25in) Provenance: Mawley Hall, Shropshire
A large 19th century single fusée circular wall timepiece, the 40cm painted dial signed 'Straub & Hebting, 299 Boro. High St., London S.E.', with brass movement, mahogany surround and box back (lacking lower door), 56.5cm diameter some flaking paint to dial; pendulum spring broken; age wear to case
Robert Clements, London, a late 17th century walnut marquetry longcase clock, the hood with barleytwist pilasters, trunk door with floral and foliate design with three birds, the square 11inch (28cm) dial signed 'Robt. Clements London' around VI, gilt mask spandrels, silvered chapter ring, seconds dial and date aperture, ringed winding holes, 5 pillar 8 day movement, brass cased weights, the crossbanded trunk sides in two compartments, upon a marquetry front base 202cm (79in)Conditioncornice appears later replacement. Good colour to case. Oak carcase. See photos. Not currently running as pendulum spring broken.
Henry Hindley, York, a George III mahogany 'Chinese Chippendale' longcase clock, the case very similar to a design in Chippendale's Director, the pagoda top hood with 12inch arched signed silvered one-piece dial, 4 pillar movement, the tapering trunk with full length door upon a stepped moulded front plinth, 271cm high Provenance: Mawley Hall, Shropshire Literature: The case design published as plate CXXXVI in the 1754 and 1755 editions of Chippendale's Director. Henry Hindley (1701-1771), a fine and ingenious clockmaker, also created the world’s first telescope powered by a precision clock movement, enabling the telescope to remain fixed on its subject without constant adjustment because of the earth’s rotation (Collection Science Museum, London).ConditionReluctant to keep ticking. Strikes correctly when hands are advanced. One piece hood.
A satinwood and marquetry commode, in George III style, 20th century, decorated throughout with classical motifs, the shaped marble top with moulded edge, above three frieze drawers and three cupboard doors, the central door opening to a shelved interior, on carved lion paw feet, 94cm high, 143cm wide, 58cm deep Provenance: A country estate, Dumfriesshire
ϒA pair of Regency mahogany and rosewood banded bedside cupboards, circa 1815, inlaid with a geometric design of boxwood stringing, each panelled cupboard door opening to a single shelf, on moulded tapering sabre shaped legs at the front, each 79cm high, 41.5cm wide, 41.5cm deep ϒ Indicates that this lot may be subject to CITES regulations when exported. Please see our Terms & Conditions for more information.
A George III mahogany breakfront library bookcase, circa 1800, the stepped cornice above a pair of glazed doors flanked by a further glazed door to each side, all opening to adjustable shelves, the lower section with a pair of panel cupboard doors opening to a shelved interior, flanked by a further panel door to each side, both opening to four graduated drawers, on a plinth base, 243cm high, 235cm wide, 63cm deep
An Irish George IV mahogany secretaire bookcase, circa 1825, the fret cut pediment incorporating shamrock motifs, above a pair of pleated silk and brass grille panel doors opening to a shelved interior, the lower section with a cylindrical roll top door opening to a pull out tooled leather writing surface and an arrangement of pigeon holes and small drawers, above a pair of pleated silk and brass grille panel doors opening to a bank of four drawer to one side and a removable shelf to the other, on carved lion paw feet at the front, 243cm high, 117cm wide, 59cm deep
INDIE/PUNK/WAVE/ALT/AVANT/POP & COOL POP - LPs/12". Exceptional collection of around 107 x LPs with 12". Artists/titles include The Cure - The Head On The Door (UK FIXH 11, 2 x copies) and Faith (UK FIX 6 - Ex/VG+ w/printed inner), Siouxsie & The Banshees inc. Nocturne, Once Upon A Time...., Join Hands and The Scream, The Damned - The Black Album, Cocteau Twins - Treasure, His Name Is Alive - Livonia (CAD 0008), PiL - Album, Franz Ferdinand - S/T (non-embossed sleeve), The Sisters Of Mercy - Floodland, Robert Fripp - Exposure, Bauhaus inc. 1979-1983 (stock UK BEGA 64), Burning From The Inside and Mask, Brandon Flowers - The Desired Effect, Doctor And The Crippens, Happy Mondays - Live (1991 LP), Iggy Pop - The Idiot, Elvis Costello, The Human League, OMD, Spear Of Destiny, China Crisis, XTC inc. Drums And Wires, Madonna inc. Erotica (W 0138 TW w/poster) and Who's That Girl, Sparks, Eagles, Faces, They Might Be Giants and Dire Straits. Condition is generally VG+ to Ex+.
CLASSIC ROCK/POP - LPs. Superb job lot of around 81 x (mainly) LPs chiefly presented in superb condition! Artists/titles include Led Zeppelin (x5) - In Through The Out Door (SSK 59410 sleeve design 'C' with original brown paper cover), Houses Of The Holy (K 50014 A3/B matrix), IV (K 50008 green/orange label RE), I (green/orange label RE K40031) and III (French RE 50 002), Pink Floyd - DSOTM (2011 180g RE, with inserts), The Beatles - Sgt. Pepper's (PHO 7027 pic disc), Alice Cooper - Billion Dollar Babies (UK original K 56013 complete with bill, the card 'cut-outs' have been 'cut-out'), Welcome To My Nightmare and Trash, U2 - The Unforgettable Fire, Depeche Mode - The Singles 81-85, Aerosmith - Get Your Wings and Live Bootleg, Michael Jackson - Thriller and Bad, Meat Loaf - Bat Out Of Hell, Thin Lizzy - Jailbreak, Living Colour, Fleetwood Mac, UFO and Paul Simon. Condition is often Ex to Ex+.
CD/CASSETTE COLLECTION. Ace collection of around 65 x cassettes with 70 x CDs (mainly albums with a selection of around 16 'mini' CDs too). Cassette artists/titles include Iggy Pop - Lust For Life (4-91343), Led Zep - I, II, III, In Through The Out Door and Houses Of The Holy, The Beatles, The Cure - The Head On The Door, Various - Creation For The Nation, Jesus And Mary Chain - Live 9.3.85 Sessions, Cocteau Twins - Scream and Wham! CDs from the likes of Aerosmith (inc. Pandora's Box set), SInatra, The Doors, Nick Drake, The Beatles, ELO, Janis Joplin, James Brown, Jimmy Page, The Kings and Fleetwood Mac. Condition is typically nice and clean Ex to Ex+.
CLASSIC ROCK & POP - LPs. Ace collection of 48 x LPs. Artists/titles include Led Zeppelin - In Through The Out Door (original sleeve design 'A' with brown paper bag), The Song Remains The Same and III (RE), Jethro Tull inc. Stand Up (RE), Broadsword And The Beast and Heavy Horses, Suzanne Vega - Solitude Standing and S/T, Camel - Moon Madness and Nude, Paul Simon/Simon & Garfunkel, Ryuichi Sakamoto, Kate Bush - The Whole Story, Roxy Music, Neil Young - After The Gold Rush, Queen - A Day At The Races (EMTC 104), Pink Floyd - Meddle (RE), Sting, Fleetwood Mac - Rumours (textured) and Tusk, A Clockwork Orange (K 46127), Genesis - Selling England By The Pound and Duke, Mike Oldfield and Supertramp. Condition is often neat Ex to Ex+.
THE CURE - LPs. Cracking pack of 10 x original title LPs. Albums are Kiss Me Kiss Me Kiss Me (FIXH 13 - VG+ and VG records/VG+), Three Imaginary Boys (FIX 1), Boys Don't Cry (SPELP 26), The Top (FIXS 9), Japanese Whispers (FIXM 8), Pornography (FIXD 7), Faith (FIXD 6), Seventeen Seconds (FIX 004), Standing On A Beach The Singles (FIXH 12) and The Head On The Door (FIXH 11). Please note the records are typically in G+ to VG+ condition with the sleeves typically VG to VG+.
JAZZ-ROCK/PROG LP RARITIES. Ace offering of 3 x very hard to trace (original UK pressing) LPs. Titles are Big Sleep - Bluebell Wood (Pegasus PEG 4 - record presented in great Ex condition showing just a few rather light and minor hairline marks/VG+ some 'protective' tape around the edges, no seam splits), Back Door - S/T (BLP 5989, the Beastie Boys using the title track as a sample for Check Your Head! - Ex+ top condition record, complete with stapled 'press comments' insert/VG with a light sticker removal tear on the front top right) and Blue Cheer - Outsideinside (SBL 7860 - Ex some light 'poly bag residue' on track A1/VG+ some 'protective' tape around the edges, no seam splits).
70s/80s CLASSIC ROCK & POP - LPs. Super collection of around 80 x (primarily) LPs. Artists/titles include Sex Pistols - Never Mind The Bollocks... (original 1977 French/Belgium issue 940553 with 'Made In Belgium' on labels, -A/-B matrix endings - VG+/Ex a clean copy, sleeve has ? printed on the reverse with 'Distribution C.P.F. Barclay text, 11 titles printed on label and listed on sleeve), Led Zeppelin (x3) - Presence (UK original SSK 59402 embossed sleeve), In Through The Out Door (original UK sleeve design A with brown paper outer) and IV (UK green/orange RE), Prince - Purple Rain, Van Halen - S/T, Queen - News Of The World, AC/DC - Highway To Hell, Depeche Mode - Everything Counts And Live Tracks (ltd edition L12 BONG3), Aerosmith - Draw The Line, Night In The Rutsand Live Bootleg, Pink Floyd - The Wall, Kiss, Patti Smith (x4) - Horses (ARTY 122), Easter, Wave and Radio Ethiopia, Rainbow, Dexys, Toto, Ultravox and Brian May. Condition is typically well presented VG+ to Ex+.
A fine early 19th century 8 day, mahogany cased Scottish longcase clock, signed Robert Bryson, Edinburgh. The circular painted dial with off-set dials for seconds and dates, Breguet hands and Roman numerals. The four pillar movement striking on a bell housed in a fine mahogany case, the door flanked by fluted columns, 85"h
Hunt, S[?imeon].G.W. A folder of c.30 architectural drawings, plans, elevations and figures, signed S.G.W. Hunt (5, Lancaster Road), mostly hand-drawn in pencil or ink, some with hand-colouring, some dated 1912, most undated. The folder includes a study of an arcade cap from York Minster (ink wash along with the original sketch for the work); three tracing paper sheets relating to St Luke's Prestonville [Brighton] relating to a proposed new parish room (including one of a design for a memorial stone); three sheets of a shop design ''in conformity with the London Building Act (including façade, plan and proposed construction materials); six assorted sheets of architectural drawings; and four sheets produced in association with G.F. Hallett (possibly of the Brighton architectural family which produced two Mayors), dated 1912, of S.S. Mary and Blaise, Boxgrove, Sussex. This 900-year old church was described by Sir Simon Jenkins as ''a magical church full of echoes of French influence along the Sussex coast. It's crossing is a mystery of light and dark…''. The presence of MSS ink notes relating to some of the drawings suggest at least some of the work was being submitted for architectural examinations or similar (especially one sheet headed ''Paper I + 5''). This is further supported by a sequence of drawings numbered 1-9 (lacking 5) showing architectural details and construction methods from medieval churches to then contemporary practice. There are two other potential display sheets as well. We have been able to trace a Brighton architect called Simeon Hunt, who had a practice at 129 Queen's Road (1899-1915), however Lancaster Road is not amongst his listed addresses. We have traced a Miss J.G. Hunt at that address in 1918, who is likely of the same family. There are also c.15 sheets signed Leslie Skeet, dated 1917-1919, also showing a range of architectural models, plans and similar in a younger hand, suggestive of studies. There is a sheet of various door handles, one showing types of pulley and another showing arches. All are hand-drawn, some coloured, and a few show personal drawings not related to architecture. An attractive and detailed series of studies, carefully executed, from an era when skill in draftmanship was the only real method of producing detailed and accurate drawings. They capture a wealth of period detail, both in the form and style of construction of the time, and in the methodologies of the architects responsible for the design.
A walnut and marquetry longcase clock, the fret carved cornice over a brass dial with cherub spandrels, silvered chapter ring inscribed Plasidus Penyston, matted centre with seconds dial, date apertures and lunar phase, above a trunk door, with bulls eye and inlaid with panels of flowers and birds above a similar base with turned feet, the eight day movement striking on a bell, 203cm high, 28cm dial
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