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A 20th Century serpentine-fronted corner cabinet in the French taste, relief-moulded overall with acanthus and foliate detail, the upper section with a moulded cornice above double doors with brass lattice-work panels over a single door cabinet below, all raised to a skirted base, S/D, 75cm wide by 182cm high.
A Large Illuminated Tinplate Model of a Church, with stained glass windows, some painted with religious scenes, the clock tower with removable steeple enclosing a bell operated by dropping a coin through a slot in the steeple, with an amazing inaccessible fitted interior viewed through the front door, set on a wooden base with drawer, metal fence, bark lined grounds and gravestone, with electric plug for the lighting, length 85cm.
An Early 20th Century Wooden Doll`s House "12, The Vicarage", the hinged fascia with printed paper brick effect, three first floor windows and a door leading to a fret carved balcony, the ground floor with three further windows and a door leading to a verandah, enclosing two bedrooms and a reception room, fitted with furniture including bedroom suite, altar, pulpit, dining suite, drawing room suite, settle, four dolls and numerous accessories, length 60cm, height 75cm. See illustration
An Early 20th Century Wooden Doll`s House, the lift-off roof enclosing an attic bedroom with two dorma windows, the double panelled hinged fascia with printed paper brick effect, enclosing a first floor sitting room with two windows and a door leading to a balcony, the ground floor with two windows and a door leading to an entrance hall, a kitchen and a dining room, with tile and linoleum effect flooring, containing furniture, dolls and accessories, length 53cm, height 71cm.
A 1940`s Wooden Doll`s Shop "Fortnum & Mason Ltd. Village Stores", with painted tile effect roof, paper brick effect sides, pebbledash fascia with two first floor "leaded" glass windows over a bay window, two advertising signs and a door, hinged and opening to reveal two first floor rooms over the shop, together with free-standing shelves, a counter, a shop keeper and dog, and numerous accessories and advertising items, length 51cm, height 61cm.
A Victorian Mahogany Display Case as a Dolls House, with double gabled roof and two glazed lancet doors enclosing two attic rooms, two bedrooms, a sitting room with Georgian style fireplace flanked by open shelves and with a door with architrave leading to hallway with balustraded staircase and with basement scullery, containing furniture and accessories including a grand piano, writing table and chair, four poster bed etc, all on four baluster turned feet, length 73cm, height 91cm.
An Extremely Rare Marklin Gauge "1" Postal Coach, the black hinged roof enclosing the detailed fitted interior with composition postal worker figure, parcels, envelopes and sacks, the yellow body with red and black trim, the hinged door flanked by envelope and post horn decals, length 14cm. See illustration
Edwardian six piece mahogany bedroom suite comprising, wardrobe, the blind fret cornice over central panelled door with two drawers below flanked two mirrored doors with two drawers below, the dressing table with rectangular mirror over two drawers with two short and two long drawers below, a two door marble top washstand, pair bedroom chairs, pair bed ends
Rare Baird Clock Co., ebonised drop dial advertising timepiece, the 12" white dial signed Seth Thomas, within a fluted surround inscribed in relief Clock & Eagle Braids, Herald & Eagle Buttons, over the lower door moulded in relief with the registered Trade Mark Eagle logo flanked by a figure of Herald on either side over a pendulum window, the door opening to reveal the Baird Clock Co. Manufacturer`s label, 36" high. *See Jerry Maltz - Baird Advertising Clocks, page 42 and 43*
Oak and mahogany thirty hour longcase clock, the 12" gilded square dial signed William Wilkinson, Wigton, with subsidiary calendar aperture, the long mahogany crossbanded wavy door flanked by quarter fluted pilasters and surmounted by a moulded stepped cornice over a faux verre eglomise fret, 79" high
Oak thirty hour longcase clock, the 12" painted square dial signed Jonas Barber, Winster, with floral painted spandrels and calendar dial, the movement with partly latched pillars, the case with long moulded edged door and surmounted by an architectural moulded broken arch pediment and brass ball and eagle finial, 85" high
Oak eight day longcase clock, the 11" square brass dial signed John Massingham. Fakenham, with recessed silvered subsidiary seconds dial and calendar aperture, with five pillar movement, the plain case with long moulded door and surmounted by a pagoda top with two ball and spike finials, 83" high
Good mahogany eight day longcase clock, the 12" brass arched dial signed Joseph Smith to the centre, with moon phase to the floral engraved arch over a recessed silvered subsidiary seconds dial and calendar aperture, the five pillar movement with rack striking system, strike/silent lever at three o`clock, the well figured case with long moulded arched door flanked by fluted pilasters and surmounted by a wavy arched moulded cornice and three ball finials, 92" high
Oak eight day longcase clock, the 12" painted and finely gilded arched dial signed Joseph Wilson, Stamford, painted with a rural jewelled bordered vignette to the arch over a subsidiary seconds dial and calendar aperture, the case with long moulded arched door and surmounted by a wavy arched moulded cornice with three ball and spike brass finials, 88" high
Good ebonised eight day longcase clock, the 12" square brass dial signed Samuel Greenhill, Canterbury on the silvered chapter ring, the matted centre with subsidiary seconds dial, calendar aperture and ringed winding holes, the case with long cock beaded door fitted with a gilded lenticle and surmounted by a moulded stepped cornice over a pierced foliate fretwork panel, 86" high
Scottish oak eight day longcase clock, the 12" arched brass dial signed William Robertson, Edinburgh on a silvered shaped plate to the arch over a matted centre with recessed silvered star shaped subsidiary seconds dial and calendar aperture, the case with long door surmounted by a floral pierced fretted swan neck cornice and flambeau finial, 88" high
Mahogany eight day longcase clock, the 13" painted arched dial signed E. Burton, Lindale, painted with a circular portrait of a lady reposing with her hound over a subsidiary seconds dial and calendar aperture, the crossbanded case with long wavy door flanked by quarter fluted columns and surmounted by a swan neck pediment with floral brass rosettes and an eagle ball finial, 87" high
Good oak eight day longcase clock, the 12" square brass dial signed Thomas Stansbury, Bromyard on the silvered chapter ring, the dial edge with wheat-ear engraving and the matted centre with subsidiary seconds dial, calendar aperture and engraved with a basket of fruit and foliage, the rack striking movement with ringed pillars and bun collets, the case with long door with gilded lenticle and surmounted by a moulded stepped cornice over a pierced foliate fret panel, 88" high
Oak and mahogany eight day longcase clock, the 12" painted arched dial signed Thomas Jenkins, with subsidiary seconds dial and calendar aperture, the case with short crossbanded door flanked by turned ebonised and brass mounted columns, surmounted by a swan neck pediment and brass ball and spike finial, 88" high
Oak eight day longcase clock, the 13" arched brass dial signed H. Knight, Stone with moon phase over a matted centre with subsidiary seconds dial and calendar aperture, the case with wavy arched, crossbanded long door inlaid with paterae and surmounted by a swan neck pediment with brass ball eagle finial, 87" high
Oak eight day longcase clock, the 12" brass arched dial signed Abbott, Lowestoft on an arched plate to the matted centre, with strike/silent dial to the arch over a subsidiary seconds dial and calendar aperture, the case with long door and surmounted by an arched moulded caddy top cornice, 87" high
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235302 item(s)/page