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Click here to subscribeA VICTORIAN MAHOGANY BREAKFRONT CHIFFONIER the superstructure with lappeted pillars, the central panelled door between carved acanthus corbels and flanked by open shelves, 137cm h; 38 x 146cm ++In sound original condition with some uneven fading and old staining to the front. The adjustable shelves original and all present
A DUTCH MAHOGANY SECRÉTAIRE À ABATTANT inlaid with shell paterae and spiral stringing, with frieze drawer, fitted interior and doors, on square tapered feet, 148cm h; 44 x 88cm, 19th c ++The door now hinged on the right side, horizontal veneer crack across the door and similar vertical crack to both of the doors, the interior lacking several drawers, these defects reflected in modest estimate
A VICTORIAN ORMOLU-MOUNTED WALNUT AND MARQUETRY PIER CABINET the panelled door decorated with a flower filled vase and with floral spandrels, the frieze and apron conforming, 110cm h; 34 x 79cm ++The odd minor old veneer crack and some graining of the top, the ormolu mounts very dark but complete including large espanoglettes to the sides. A good example of the type in sound original state
A GEORGE III FRUITWOOD CORNER CUPBOARD with cavetto cornice and light green painted interior with serpentine shelves enclosed by a panelled door, the lower part with a further door, on bracket feet, 220cm h; 47 x 94cm ++Brass hinges and/or keyplates old replacements, minor faults and repairs but generally sound
A GEORGE IV BRASS AND EBONY-INLAID MAHOGANY TIMEPIECE the painted dial with steel Breguet hands and fusee movement with arched plates stamped on the backplate BOWEN GLASSHOUSE ST LONDON 277, the pendulum also numbered, in arched case with embossed brass cornucopiae, ripple mouldings and ball feet, 33cm h ++The thin mahogany edge of the baized rear door damaged on one edge. The curved part of the case slightly water stained, the painted dial very slightly chipped around the winding hole. Small veneer loss along the bottom edge of the base
A FRENCH GILT BRONZE AND STATUARY MARBLE CLOCK signed on the enamel dial Caron à Paris and painted with swags, the movement striking on a bell and with circular medallic backplate, set in a marble urn surmounted by Putto on a cloud and flanked by bacchantes, a trophy at their feet, on oval base, 41cm h, late 19th c ++In good original condition free from damage and complete, the gilding rubbed in places but original and largely in tact. Some light discolouration on the enamel dial, the enamel with minute chip on the extreme edge, not noticeable when the door is shut
A GEORGE II WALNUT AND BURR WALNUT LONGCASE CLOCK the brass dial signed on the chapter ring John Everell London and with subsidiary seconds dial, matted centre, ringed winding holes and engraved date aperture, with cherub-and-crown spandrels and pierced hands, having five-pillar eight-day movement, the hood with blind fret pediment and cornice above turned pilasters with brass capitals, the trunk enclosed by a crossbanded and moulded full length door, on conforming base, 209cm h Provenance: In the same private family`s ownership since the late 19th c. ++A clock of especially pleasing colour and patina, of `dry` appearance and in a fine, unrestored state of preservation save as follows: lacking two corner finials from the top of the pediment, the dial plus movement plus case original, on original or early seatboard, the cheeks of full height and free from packing, the backboards original with a number of old holes, localised old worm holes mainly to the right of the hinges of the trunk door, two small losses to mouldings on the top corner of the trunk door. Base - skirted plinth of later date (? early 20th c), two old pieces of replacement crossbanding
A GEORGE III MAHOGANY LONGCASE CLOCK the damaged and incomplete brass breakarched dial engraved WILLMHURST BRIGHTON and with subsidiary dials, having eight-day movement, the hood with turned pillars, the trunk enclosed by a crossbanded and line inlaid door with oval patera, on conforming base, 207cm h ++Losses and requires restoration
AN OAK LONGCASE CLOCK the brass dial with subsidiary seconds dial, engraved centre inscribed "T Tompion Londini 1700" and mask spandrels, having eight-day movement, the George III oak case embellished and carved at later date with fluted pilasters, the DOOR WITHdate 1736 and initials TW, the base with two laying hens, on bracket feet, 238cm h ++A late 19th/early 20th c made-up clock, the movement and dial associated to the case, the movement late 18th c, the dial 19th c but of convincing appearance, the case with later pediment, the carved decoration of c1900, the top left corner of the door to the trunk chipped, the movement very dirty but apparently complete
Property of a Retired Solicitor 1951 BENTLEY MK VI SALOON registration no 482 BYC, chassis no B135KL, engine no B167K, black standard steel coachwork with cream leather upholstery and walnut dashboard and door cappings, 4257cc six cylinder engine with twin SU carburettors, manual transmission and the original Radiomobile Model 4050 radio (not installed) and spare wheel Introduced in 1946 the Bentley MK VI was Rolls Royce`s first post war model. This example, which has covered 108,000 miles was acquired by the present owner in April 2001. It has been regularly used for `fine weather` motoring and is sold with a file which includes the original Owner`s Handbook (stained) and instructions for the radio, MOT certificate (expires 2 June 2011) and SORN form V11.
Victorian figured walnut breakfront three door wardrobe, the central arch shaped bevelled mirror panel door enclosing a fitted interior with drawers and slide, flanked to either side with carved acanthus decoration and an arch shaped blind panel door enclosing a hanging compartment, 196cm wide
George III oak longcase clock by Thomas Williams of Chew Stoke, square moulded cornice with fluted columns, trunk with long door and standing on bracket feet, square brass and silvered dial with engraved foliate decoration, Roman and Arabic numerals, subsidiary seconds dial and calendar aperture, 30 hour striking movement, 205cm high
George III mahogany longcase clock by Richard Trevor of Topsham, the hood with moulded pediment, reeded pillars with brass Corinthian capitals, case with arch shaped long door flanked by reeded split pillars and standing on bracket feet, brass arch shaped dial with engraved decoration, Roman numerals and subsidiary strike/silent and seconds dials, eight day striking movement, 225cm high
18th Century Irish mahogany longcase clock by Newman of Dublin, hood with broken arch pediment, case with long door having inlaid decoration depicting a sheet of music, ribbon and bell husk, standing on bracket feet, 12" brass dial with cast spandrels, engraved foliate decoration, Roman and Arabic numerals, subsidiary seconds dial and calendar aperture, signed Newman, Dublin, eight day striking movement, 210.5cm high
19th Century mahogany longcase clock by Bartley of Bristol, typical Bristol case, hood with broken arch pediment and reeded pillars, trunk with short door having ebonised stringing, standing on bracket feet, painted arch shaped dial with moon phase, subsidiary seconds and calendar dial, eight dial striking movement, 213cm high
AN EDWARD VII MAHOGANY AND INLAID DISPLAY CABINET cross banded and quarter-veneered with boxwood and ebony line inlay, having a single door three quarter glazed with oval interlocking tracery above an indented panel and flanked by a serpentine glazed panel to either side, the fabric lined interior fitted with four shelves, canted corners and on short square tapered legs with spade feet, 160.5cms wide x 190cms high
A VICTORIAN WALNUT AND SATINWOOD BEDROOM SUITE inlaid with ribbon tied pendant flowers and sprays comprising a wardrobe having an arched and pierced frieze and moulded cornice above two mirrored doors and two drawers below, shaped apron and on short cabriole legs, 165cms wide x 249cms high; the dressing table having an oval mirror above a shaped shelf with two jewellery drawers and three drawers to the apron on conforming legs, 115cms wide; the pot cupboard having pierced and arched raised back, above an indented single door, on conforming legs, 42cms wide. See illustration
A LATE 17TH / EARLY 18TH CENTURY OAK TABLE CABINET, the single indented panel door carved with flowering plant forms within a running leaf scroll border, the interior fitted with a shelf, later carved knob handle and compressed circular feet, 44.5cms wide x 20cms deep x 46.5cms high. See illustration
††Minoche a Paris, a late 18th or early 19th century Boulle clock and bracket, the signed backplate to the timepiece movement with anchor escapement, the balloon shaped case surmounted by a putto and dolphin, the signed dial applied with blue enamel numerals, an eagle at the base of the glazed door, the clock 61cm (24in) high, with bracket (2)
M Jorgen Moller 1856, a Danish painted pine longcase clock, with 10 inch painted wood circular dial, 8 day twin barrel bell striking movement, the maroon and green later painted case with pierced gallery to the squared hood, wreath moulded dial surround, trunk with pilasters to the corners, inscribed to inside trunk door, upon a swag moulded plinth, 202cm (78.5in) high
A GEORGIAN OAK EIGHT DAY LONG CASE CLOCK, the break arch painted dial with Roman numerals, Arabic five minutes, subsidiary seconds and date aperture, indistinctly signed Griffith, Denbigh, the arch decorated with a roundel depicting a seated lady with spaniel and with foliate and fruit spandrels. The hood with swan neck pediment and fluted pillars over a mahogany crossbanded door flanked by conforming quarter columns, plain base and bracket feet, 84" high.
A MAHOGANY EIGHT DAY LONG CASE CLOCK, the break arch painted dial with pastoral scene, over a Roman chapter ring with Arabic five minutes, subsidiary seconds and date aperture signed Stephen Cranbrook, Dover, with pink rose and strawberry spandrels, the hood with fretwork pediment, brass finials and brass stop fluted pillars, dentil and cavetto moulded throat, the trunk with break arch satinwood banded and flame veneered door flanked by conforming quarter columns with matching panelled base with central inlaid patera and fans, raised on a double skirt base, 93 ½" high.
AN OAK AND MAHOGANY EIGHT DAY LONG CASE CLOCK, the break arch painted dial decorated with a castle, thatch cottage spandrels, Roman numerals, subsidiary seconds and date aperture, indistinctly signed ....., Cheltenham, the hood with swan neck pediment and turned pillars, short trunk door with inset coromandel lozenge flanked by fluted quarter columns raised on ogee bracket feet, 88 ½" high.
A GEORGE III MAHOGANY EIGHT DAY LONG CASE CLOCK, the 12" brass break arch dial with recessed subsidiary seconds, date aperture and name plaque inscribed Matt W Holland, London, to the matted centre, the Roman chapter ring with Arabic five minutes and cast foliate spandrels beneath a strike/silent ring with conforming mounts and five pillar bell striking movement. The hood with swan neck pediment, fluted pilasters with Corinthian capitals above an arched flame veneered trunk door flanked by conforming quarter columns, panelled and skirt base, 93" high (AF).
A GEORGE III EIGHT DAY LONG CASE CLOCK, the arched brass dial with silvered strike/silent ring above a silvered chapter ring with Roman numerals and Arabic five minutes, the matted centre with subsidiary seconds, date aperture and oval name plaque, signed Danl. Wood, London with flowering urn and bird spandrels. The figured walnut case with flat moulded top, plain pilasters above a quarter veneered and feather banded panel door with matching skirt base, 89" high.
A GEORGE III EIGHT DAY LONG CASE CLOCK, the 12" arched brass dial signed to the arch Robt Clidsdale, Edinburgh, above a silvered chapter ring with Roman numerals and Arabic five minutes, the matted centre with subsidiary seconds and date aperture with rococo spandrels. The oak case with break arch hood, brass ball and spike finial, plain pilasters above a break arch trunk door, raised on bracket feet, 89" high.
A GEORGE III EIGHT DAY LONG CASE CLOCK, the 12" square brass dial with silvered chapter ring, Roman numerals and Arabic five minutes, the matted centre with subsidiary seconds, date aperture and oval name plaque signed Phil Burchett, London, with gilt coronet and cherub spandrels and five pillar movement. The oak and mahogany crossbanded case having a swan neck hood with brass rosettes and ball and spike finial, plain columns and lozenge inlaid trunk door, 81" high.
A GEORGE III MAHOGANY BRACKET CLOCK, the bell top case with brass swing handle, break arch glazed door to front and rear, glazed side panels above a moulded skirt base, raised on gilded brass ogee bracket feet. The brass break arch dial with Roman chapter ring and Arabic five minutes, the matted centre with recessed date dial above an arched name plate inscribed Charles Wrench, London, all beneath a strike/silent ring to the arch with cast foliate spandrels, the twin train fuseé movement with bell strike, verge escapement and pull repeat, the back plate engraved with foliate scrolls and central pagoda, 20" high handle up.
AN 18TH CENTURY MAHOGANY EIGHT DAY LONG CASE CLOCK, the break arch brass dial with silvered Roman chapter ring, Arabic five minutes, signed Samuel Fish, London, with matt centre with subsidiary seconds and date aperture, the arch with strike/silent ring and foliate spandrels. The hood with fretwork pagoda top and brass stop fluted pillars over an arched trunk door flanked by conforming quarter columns, panelled base and double skirt, 96" high (no weights or pendulum).
A VICTORIAN OAK AND MAHOGANY EIGHT DAY LONG CASE CLOCK, the arched painted dial with Roman numerals, subsidiary seconds and date aperture, inscribed M Truscott & Son, Aberystwyth, the hood with swan neck pediment and double rope twist turned pilasters above a short door flanked by conforming pillars, panelled base and ogee bracket feet, 96 ½" high.
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