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Lot 1113
Barockschrank, Mitte 18 Jh.Nussbaum und Nusswurzel auf Nadelholz furniert, zweitüriger Korpus, geschweifter Giebel, Brettfüße. die Türfüllungen in Rhombenmarketerie furniert, Originalschloss.. 265 x 190 x 58 cm Baroque cabinet, mid 18th century. Walnut and walnut root veneered on coniferous wood, two-door corpus, curved pediment, board feet. the door panels veneered in rhomboid marquetry. Original lock.
Lot 1110
Aufsatzkommode, 1. H. 18. Jh.Esche, massiv. Dreischübiger Korpus in der Front geschweift, auf gedrückten Kugelfüßen, zweitüriger Aufsatz, Innenleben mit fünf Schubkästen und verschiedenen Fächern. 206 x 118 x 68 cm Chest of drawers, 1st half of the 18th century. Solid ash. Three-bay corpus with curved front, on pressed ball feet, two-door top, interior with five drawers and various compartments.
Lot 1121
Modellschrank, sog. IIter Dresdener BarockNußbaum und Nußwurzelholz auf Nadelholz furniert. Reicher Messingbeschlag, zweitüriger Korpus mit zwei Fächern. Geschweifte Front. 30,5 x 31,5 x 23 cm Model cabinet, so-called IIter Dresden Baroque. Walnut and walnut root wood veneered on coniferous wood. Rich brass fittings, two-door corpus with two compartments. Curved front.
Lot 219
'THE ROTHSCHILD MILANESE ARMOURER'S CABINET' A RARE NORTH ITALIAN DAMASCENED STEEL AND GILT BRONZE ARMOURER'S TABLE CABINET IN THE MANNER OF THE WORKSHOP OF GIOVANNI BATTISTA PANZERI, MILAN, THE PLAQUES LATE 16TH / EARLY 17TH CENTURY, THE CABINET 19TH CENTURY fitted with eleven drawers around a central cupboard hinged door, decorated in relief with scenes from Roman history before cityscapes, with swags of fruit and leaves, soldiers, satyr masks, war trophies and term figures, the cupboard with the story of Gaius Mucius Scaevola, revealing a gilt lined vacant interior, the cabinet with a pierced scrolling leaf silver gilt border and green damask velvet panels, on sphinx supports, on an associated and later French 'Japonisme' stand (2) cabinet: 42.5cm high, 59.8cm wide, 35.5cm deep the stand: 80.8cm high, 65.7cm wide, 42.5cm deep Provenance Alfred de Rothschild (1842-1918) the Red Room at Halton House, Buckinghamshire Lionel de Rothschild (1882-1942) Edmund de Rothschild (1916-2009) The Trustees of Exbury House Literature Rothschild Archive, London, Manuscript: 000/174/C/3, Christie, Manson & Woods Probate Valuation of 'The Estate of Alfred C. de Rothschild, Esq. C.V.O. Deceased, Halton House Tring', 1918. Listed as 'An Italian cabinet with architectural front, overlaid with steel plaques chiselled with classical warriors and partly damascened with gold, Milanese, 16th Century, on stand, £300.0.0.' Catalogue Note In Milan during the second half of the 16th century skilled craftsmen who produced damascened armour and weapons for noble patrons began to expand their production into furniture. Creating mainly cabinets with drawers, some of architectural form but also tables, mirrors, picture frames and tabernacles tailored to the tastes of wealthy patrons desiring one-of-a-kind masterworks epitomizing luxury. These objects made by the Milanese armourers were decorated with steel or iron plaquettes, embossed and damascened with gold and silver, depicting subjects inspired by Roman history or mythology. Sometimes they were embellished with small sculptures. One of the prominent makers to capitalise on this luxury market was Giovanni Battista Panzeri, called Zarabaglia, who also specialised in devotional objects. His masterpiece is arguably the reliquary tabernacle in the form of a church, made for Spain's El Escorial, kept in its Monastery of San Lorenzo. For comparisons to our present cabinet, see the Victoria & Albert Museum for a cabinet with very similar panels and subject matter gifted by Dr. Hildburgh, accession no. M.22:1-1952, dated to 1550-1600. In the Waddesdon Bequest at the British Museum there is an architectural cabinet formerly belonging to Alfred's cousin Baron Ferdinand de Rothschild, reg. no. WB.16. See also three cabinets in the Museo Poldi Pezzoli and a wiring cabinet in the Philadelphia Museum of Art, accession no. 1930-1-187. Literature For a discussion of these cabinets, see Silvio Leydi, Mobili Milanesi in acciaio e metalli preziosi nell'eta del Manierismo, in Fatto in Italia. Dal Medioevo al Made in Italy, ed. by Alessandra Guerrini, with Barbara Brondi and Marco Raino. Catalogue of the exhibition at Reggia di Venaria, 19th March - 10th July 2016. The Iconography The central panel depicts Gaius Mucius Scaevola in front of the Etruscan king, Lars Porsena. Scaevola, a young Roman, formed a plan to save Rome from the intruder Etruscan army by assassinating their king but he mistakenly killed the king's secretary. When Scaevola was captured, he bravely declared "I am Gaius Mucius, a citizen of Rome. I came here as an enemy to kill my enemy, and I am as ready to die as I am to kill. We Romans act bravely and, when adversity strikes, we suffer bravely." Scaevola then thrust his right hand in a fire to prove he meant his words. Lars Porsena was so impressed by his actions that he allowed Scaevola to leave and soon after sought to make a treaty with Rome. Some panels surrounding this legendary scene are also connected to the siege of Rome, depicting Roman heroes standing up to the Etruscan king: bottom left showing Horatius Cocles who, first accompanied by two fellow soldiers, but eventually singlehandedly held off the advancing army at the foot of the bridge over the Tiber. The panel above shows a female figure, standing in front of the king on horseback. The female is probably Cloelia who escaped from the Etruscan camp and led away a group of Roman virgins. Cloelia later voluntarily returned to Lars Porsena who then praised her for her heroism and allowed her to walk away again with half of the Roman hostages. And the bottom right panel depicts the ultimate sacrifice of a Roman hero with the story of Marcus Curtius: when a bottomless chasm mysteriously opened on the Forum, the augur declared it will not close until the most precious possession of Rome was sacrificed. Curtius responded that the the soldiers' courage and arms were what made Rome exceptional, before, on horseback and fully armed, he threw himself into the pit which then promptly disappeared. These panels are consistent with the Renaissance period which saw a shift towards more historic and Biblical themes. A return was made to classical Greek and Roman ethos of society and this also appeared on furniture. Many pieces showcased intricate artwork depicting historic scenes. Similar trends can be observed on parade armour created in the 16th and 17th century for the high nobility.
Lot 10
A 19th century oak longcase clock, with a broken swan neck pediment and square pillars, the 35.5cm square dial with cottages and churches to the spandrels, with Roman numerals, a seconds subsidiary dial and a calendar aperture, inscribed "David Owen Llanrwst" the eight day movement striking on a bell, with a short trunk door, box base on bracket feet, 215cm high
Lot 306
A 2017 Mercedes-Benz B Class 2.1 B200d SE (Executive) 7G-DCT Euro 6, five door car, in blue, with cream leather interior, approximately 45056 miles, Registration number CK67 NPA, Mot until 19 September 2023, first registered 22 November 2017, V5 and two keys present CONDITION REPORT: Provenance : From a deceased estate
Lot 695
A collection of furniture to include a wicker basket, 78 cm wide x 55 cm deep x 50 cm high, together with a further wicker hamper, mirrored two door wall cabinet, 46.5 cm wide x 14.5 cm deep x 66 cm high, two occasional chairs, a bergere topped occasional table and a gilt framed rectangular wall mirror, 110 cm wide x 79 cm high, etc, together with four various rugs
Lot 705
An early 19th Century mahogany bow fronted corner cupboard, the top with blind fretwork decoration, the two doors opening to reveal to shelves, 75 cm wide x 52 cm deep x 107 cm high, together with a Victorian mahogany corner cupboard with broken swan neck pediment over an astragal glazed door opening to reveal three shelves, 56 cm wide x 41 cm deep x 109 cm high and a 19th Century mahogany drop-leaf Pembroke table on turned legs, 91 cm wide x 53 cm deep x 70 cm high, together with another similar, 86 cm wide x 47 cm deep x 70 cm high and a Victorian mahogany washstand with three quarter galleried top over an undertier, raised on slender turned and reeded legs, 63.5 cm wide x 43 cm deep x 96 cm high including galleried top
Lot 750
An 18th Century North Country oak and cross-banded chest, the plain top with applied moulded edge over two short and one long drawer and central cupboard door with starburst inlaid decoration, flanked by two banks of small drawers, raised on bracket feet, 81 cm wide x 47 cm deep x 85 cm high
Lot 801
A 17th Century oak food cupboard with bog oak and holly parquetry work barber pole banding, the two open shelves with turned rails, over a single cupboard door, flanked by lozenge carved panels, 70 cm wide x 20 cm deep x 81 cm high (Provenance: Bonhams Lot 284 The Oak and Interior Sale 30th September 2015)
Lot 72
WILLS; a George III oak cased longcase clock, the moulded cornice above brass 12" dial set with Arabic and Roman numerals, centred with subsidiary seconds hand and rolling date aperture, inscribed 'Wills. Truro 1790', crossbanded door to stepped plinth on bracket feet, height 184cm. CONDITION REPORT: with winding key, case key, weights and pendulum
Lot 72A
HALLIWELL, WARRINGTON; a George III mahogany cased eight day long case clock, the broken swan neck pediment above arched painted dial, with rolling moon phase, the chapter ring set with Roman and Arabic numerals, with subsidiary seconds and day dial, above a shaped door flanked by quarter reeded pilasters, above a stepped plinth base, height 223cm. CONDITION REPORT: Overall in ok condition, with minor losses to beading in places. Some joints coming away, with further signs of wear visible throughout, including scuffs, scrapes, staining, fading, etc.
Lot 74
SMITHS LONDON; a 1960s oak cased English Clock Systems Master Clock regulator wall clock, the arched top above a white dial set with Arabic numerals, bearing the maker's details, above a long glazed door, serial no.30519, height 133cm. CONDITION REPORT: With paperwork. Appears to be in overall good condition. The back of the arched top has some loss to the oak veneer, with further minor signs of surface wear visible throughout, including scuffs, scrapes, etc.Please note that this lot is not suitable for our in-house postage service.We would recommend booking a collection slot for this lot or contacting Mailboxes Etc for postage of this lot, their details can be found on www.adampartridge.co.uk/services/postage-shipping/
Lot 75
An early 20th century walnut cased triple weight Vienna wall clock, the carved arched pediment above moulded cornice and arched glazed door, the white enamelled dial set with Roman numeral chapter ring, with fret carved back pane and incised decoration to the triple weight, striking on gong, height 123cm (lacking pendulum). CONDITION REPORT: The enamel dial is cracked and chipped to th e chapter ring between 4 and 5 and further chipped to the right hand winding bezel.Please note that this lot is not suitable for our in-house postage service.We would recommend booking a collection slot for this lot or contacting Mailboxes Etc for postage of this lot, their details can be found on www.adampartridge.co.uk/services/postage-shipping/
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235302 item(s)/page