A fine George I bracket clock, the red lacquer chinoiserie case with gilded C scrolls and acanthus and three finials to the top, having a pierced brass arch frieze and turned pillars to the sides, enclosed by a brass mounted arch top door with similar door to the back and brass carrying handles and pierced brass panels to the sides, fitted an arch top brass dial, silvered chapter ring and four subsidiary dials to the arch (rise and fall, month, strike/silent and centre sweep arch calendar), the matted centre with pendulum aperture and three-train striking and chiming movement on seven bells by Peter Garon, London, also having an elaborately engraved back plate, 58.5cm (23") high
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An early 19th Century Scottish mahogany pedestal sideboard, the superstructure to the back with five fielded panels having knulled borders, the larger panels sliding, the shaped front fitted three drawers, the pedestal each fitted a drawer with fielded rectangular and gothic panels and similar elongated panels to the cupboard door beneath, all with knulled moulding, on reeded barrel feet, 240cm (94.5") wide
AN 18TH CENTURY OAK LONGCASE CLOCK of eight day movement, brass 30.5cms dial, signed R. Bucktrout Wakefield, Roman and Arabic numerals, seconds dial, calendar dial, engraved centre, the hood with swan neck pediment, turned pilaster, ogee trunk door, flanked by quarter round columns, plinth base, foot rim missing, 204cms high
A LATE 18TH CENTURY NORTH COUNTRY OAK LONGCASE CLOCK of 8-day movement, striking on a bell, the brass dial, 30cms with Roman and Arabic chapter ring, date aperture and engraved with foliate scrolls to the centre, inscribed on a boss to the arch W Greaves, Ncastle, pierced brass spandrels; the square hood having turned pilasters, the trunk with plain door on deep plinth with moulded foot rim, 205cms See illustration
A MID 19TH CENTURY FIGURED WALNUT AND MIRROR BACK CREDENZA, with gilt beaded mounts, inlaid in ebony, burr walnut and box wood with stringing, circular paterae banding and medallions, the raised back having a triangular pediment, a single indented panel door to the centre, flanked by a single glazed door to either side, the velvet lined interior fitted with shelves, on a plinth base, 152.5cms wide x 193cms high
A MID 19TH CENTURY FIGURED WALNUT MUSIC CANTERBURY, the superstructure having a foliate fretwork gallery and turned uprights above a cabinet with single glazed door, the interior fitted with tooled leather trimmed shelves, flanked by turned and fluted pilasters, and on short turned legs and ceramic castors
AN EDWARD VII PAINTED MAHOGANY AND SATIN WOOD BANDED DISPLAY CABINET having a moulded cornice above a frieze painted with garlands of flowers, the single glazed door with oval carved harebell and moulded quarterfoil tracery, the velvet lined interior fitted with two shelves, the lower section having two indented panel cupboard doors, painted with ribbon tied garlands, cherub and musical instruments, on square tapered legs with spade feet, 76.5cms x 181cms high See illustration
AN ARTS & CRAFTS OAK FIVE PIECE BEDROOM SUITE, the wardrobe having a flared cornice with dentil moulding and angle brackets above a central mirrored panel flanked by a door to either side, each with indented square panels inlaid in pewter and mother-of-pearl with stylised plant forms on walnut, the lower section fitted with a long and a short drawer, gilt metal panel & ring handles, arched apron and bracket feet, 215cms wide x 216cms high, the dressing chest having an arched rectangular glass above a shelf with inverted heart shaped cut-out, flanked by a jewellery drawer to either side, above two short and two long graduated drawers, 107cms wide, the wash stand having a two door cupboard and grey/white marble top (the raised back is missing), 103cms wide, impressed with the Nos 6537 337; the double bedstead with rail ends and a single chair See illustration
Robert Smith in Long Akcor, a lacquered long case clock circa 1695, the hood (formerly rising) with moulded cornice and pediment above blind fret panel to frieze and pilaster mounted door, the trunk below a convex moulding, the long door with signs of former lenticle (old disc insert) and decorated with Chinoiserie, raised on a short plinth (not obviously reduced), the 11.25 inch square dial signed between V and VII, with winged mask spandrels, silvered chapter ring, seconds dial and date aperture with scroll engraving, ringed winding holes, bell striking 8 day 5 pillar movement with replacement seat board, 217cm high
A pair of 19th century gilt metal mounted Boulle cabinets, each with moulded cornice above a glazed door enclosing mirror back shelves, the lower section with rectangular top above a further glazed door enclosing further shelves, standing on a shaped plinth base, 74cm wide, 40cm deep, 177cm high (2)
A late 19th Century Vienna style wall clock, the eight day movement striking to gong, with white enamelled dial and compensating pendulum, the stained wood and ebonised case with bobbin and finial cresting centred by a mask head, the case door with turned half pillars, the cushion base with inverted finial, 38"
A late 18th Century oak cased longcase clock, by Joseph Hallifax, Barnsley, with thirty hour movement striking to bell, the square brass dial with date and pierced spandrels, the hood with cushion top and plain pillars, the case door with later brass edging on platform base, 80" high (in need of restoration)
An early 19th Century carved oak cased longcase clock, by Thomas Lister, Halifax, with eight day movement striking to bell, the arched brass dial with moon phase to the arch, date and seconds, the hood with broken arch pediment and brass ball finials, on barley twist pillars, the case door carved with oak leaves and acorns and with fluted quarter pillars, on platform base, 90" high
An early 19th Century oak cased longcase clock, by W Nickisson, Newcastle-under-Lyme, with eight day movement striking to bell, the arched painted dial with date and seconds and painted with an oval cartouche of dancing female figure to the arch, fruit and flowers to the corners, the hood with scroll pediment over a painted scroll work frieze and with fluted columns, the case with fluted quarter pillars, the case door shaped to top and mahogany cross banded, on platform base, 84" high
A 19th Century mahogany longcase clock, with eight day movement striking to bell, the arched painted dial with hunting scene to the arch, buildings to the corners, the hood with swan neck pediment centred by a brass ball finial and on turned pillars, the case door mahogany cross banded, on panelled base with shaped apron, 93" high
A Victorian walnut credenza, with satinwood stringing, of serpentine form with marble top over scroll inlaid frieze, central mirrored cupboard door, with carved crest flanked by leaf carved and fluted pilasters in turn flanked by further mirrored cupboard doors, on conforming plinth and casters, 55" wide
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234658 item(s)/page