An Ormolu and Sevres Style Striking Mantel Clock, retailed by Levy Freres A Paris, circa 1880, urn shaped dark blue porcelain case flanked by classical figures leaning holding a book and lyre, base with porcelain panels and raised upon scroll feet, 3-1/4-inch enamel dial with Roman and Arabic numerals, twin barrel movement with outside countwheel striking on a bell, backplate signed and numbered 362, 54cm high 09.06.15, Case with some loose mounts, left hand side handle of the urn with a small piece of metal missing, metal mount branch going across the top of the back door is broken and signs of glue, porcelain urn with signs of an old touching up repair to the back, base with small chips to the panels and a small crack, dial with hairline cracks and small chips at 2 and 6 o'clock positions, movement is complete.
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A Gilt Bronze Striking Mantel Clock, circa 1890, scroll decorated case, 5-inch enamel dial with Roman and Arabic numerals, twin barrel movement with outside countwheel striking on a gong, backplate stamped Japy Freres and numbered 5769, 56cm high 09.06.15, Case surfaces are faded, re-enamelled dial with a chip around one of the winding holes, front door hinge is slightly loose, movement is complete.
An Atmos Clock, signed Jaeger LeCoultre, 20th century, glazed panels, front opening door, 4-1/4-inch silvered dial with applied dagger markers, large balance wheel below with a stop lever, movement numbered 78159, 22cm high, with Jaeger LeCoultre box and packaging 10.06.15, Case is clean, dial chapter ring with a minor staining mark between 7 & 8 o'clock, movement plates look slightly dirty, been on test, not working.
A Gilt Metal Striking Mantel Clock, signed H Marc A Paris, circa 1870, the elaborate floral and scroll decorated case with a central cherub holding a cup and a bunch of grapes, 3-inch cast dial signed and with twelve enamel cartouches, twin barrel movement with outside countwheel striking on a bell, backplate with maker's mark and numbered 18273, silk suspension, beneath a glass dome and raised upon an ebonised base, 35cm high 09.06.15, Case surfaces are faded, back door is missing, dial is clean, movement with a later bell, glass dome with minor chips around the bottom edge, wooden base is rubbed in parts.
A Good Ormolu Striking Mantel Clock with Garniture, circa 1880, the elaborate case surmounted by cherubs, a goat and floral and scroll mounts, 5-inch enamel dial with Roman and Arabic numerals, twin barrel movement with outside countwheel striking on a bell, backplate stamped Vincenti, 47cm by 68cm, with a pair of ormolu seven-light candelabra, 69cm high 12.06.15, Ormolu surfaces slightly faded in parts, central front mount is broken and is now loose, two other loose mounts need re-locating with screws, screws are missing, front door with glass missing, dial is chipped at 12 and other small scratches, movement is dirty, garniture ormolu surfaces are rubbed in parts.
An Impressive Large Ormolu Mounted ''Boulle'' Striking Bracket Clock, circa 1880, the elaborate case surmounted by a father of time finial, fine scroll brass inlay and tortoiseshell veneers throughout, figural, floral and rams' head ormolu mounts, side viewing windows, back door with a retailers label inscribed Bedel & Cie Le Garde Meuble Public, upon a waisted wall bracket, 10-1/2-inch cast dial with twelve enamel Roman numeral cartouches, twin barrel movement with outside countwheel striking on a top mounted bell, backplate numbered 1907, 152cm high 11.06.15, Brass inlay lifting in parts, small cracks to the tortoiseshell veneers and lifting in parts, ormolu mounts are faded, retailers label to the back door is ripped, some enamel cartouches with hairline cracks and small chips in parts, movement is clean.
A Rare American Calendar Wall Regulator, signed Seth Thomas Clock Co, circa 1870, well figured rosewood veneered case, inside trunk door with an original Seth Thomas label, 12-1/2-inch painted dial with Roman numerals and inscribed Regulator, 14-1/2-inch painted calendar dial signed Seth Thomas Clock Co, Thomaston, Conn with patent dates up to March 4th 1862, outer date ring, day/month apertures, single weight driven movement with deadbeat escapement and maintaining power, levers leading to the calendar work below, 103cm high 10.06.15, Case with small chips and losses to the rosewood veneers, both dial with flaking to the painted surfaces in parts and some re-touching to the numerals.
A Good Biedermeier Grande Sonnerie Striking Rosewood Wall Regulator, signed Ernest Schneider In Wein, circa 1830, well figured rosewood veneered case with inlaid stringing, front and side glazed panels, side repeat cord, front door with carved figural capitals, 6-1/2-inch enamel dial with Roman numerals and signed, single weight driven movement with two spring barrels for the sonnerie and hour striking trains, quarter striking on a small bell and striking on a larger bell for the hours, 119cm 17.06.15, Veneers slightly faded in parts, top right hand side corner with an old repair to the veneer, minor surface scratches, dial with chips and flaking around the winding holes and crazing cracks, movement is clean, in going order, repeat and strike are working, with weight and pendulum. 140715 Carved mounts appear to be later.
A Mahogany Wall Timepiece, A Randall, 22 Vineyard, Bath, circa 1860, circular case with side and bottom opening doors, 10-inch white painted dial with Roman numerals, A-frame single fusee movement with anchor escapement, 32cm wide 12.06.15, Clock has been restored to a high standard, wooden bezel surround with small scratches, bottom door and side door mouldings are later, movement is clean, in going order.
A Mahogany Wall Timepiece, W A Watkins, Carey St, Lincoln's Inn, circa 1880, side and bottom doors, 12-inch painted convex dial with Roman numerals, single fusee movement with anchor escapement, 37cm high 12.06.15, Case has been restored to a high finish, side door is later, dial has been re-painted to a high standard, movement is clean, in going order.
A Regency Satinwood Striking Alarm Table Clock, John Barwise, St, Martins Lane, London, arched case with a triple pad top, side carrying handles and fish scale sound frets, bracket shaped feet, 7-1/2-inch enamel dial with Arabic numerals, central alarm hand, strike/silent lever above 12, twin fusee movement with hour and alarm striking on a bell, backplate inscribed John Barwise, London in an engraved oval cartouche, 43cm high 16.06.15, Case is faded throughout, later front door with a visible gap around the dial surround when the door is closed, wooden dial surround with cracks, some veneers are lifting and lacking in parts, small cracks, dial edge with a minor hairline crack and a small chip at 12 and 2 o'clock positions, movement is dirty, in going order, strike and alarm are working.
A Small Mahogany Inlaid Chiming Presentation Table Clock with a coal mining connection for heroic endeavour, retailed by Elkington, circa 1900, arched case with an inlaid front and canted corners, pierced side frets, front door with a silvered presentation plaque The Carnegie Hero Fund Trust, presented by the trustees in recognition of heroic endeavour to save human life at the old fold pit felling, on October 31st 1911, To James Frederick Booth, 5-inch engraved silvered arched dial with an Arabic chapter, arch with three dials for chime/silent, st Michael/Westminster and fast/slow, triple fusee movement with anchor escapement, quarter chiming with eight hammers striking eight gongs and a larger hammer striking a gong for the hours, 33.5cm high 16.06.15, Case with minor scratches and dents in parts, front door with a presentation plaque, movement plates are dirty and needs cleaning, chiming and strike are working, in going order.
An Ebonised and Gilt Mounted Chiming Table Clock, circa 1890, side sound frets and a repeat cord, upon scroll feet, 6-1/2-inch arched brass dial with a silvered chapter ring, fast/slow in the arch, triple barrel movement with anchor escapement, quarter chiming with four hammers striking four gongs and a further larger hammer striking on a gong, backplate stamped W&H Sch, 49cm 16.06.15, Case with minor cracks and dents in parts, back door with scratches, chapter ring slightly discoloured, movement is clean, chiming and striking are working.
A Small Mahogany Striking Table Clock, signed Thos Pace, London, circa 1790, arched case with carrying handle, fish scale side frets, bracket feet, 4-1/2-inch arched silvered dial with Roman and Arabic numerals, arch signed in an oval cartouche, twin fusee movement with anchor escapement and striking on a bell, 31cm high over handle 17.06.15, Case is faded in parts, some cracks to the veneers and mouldings, inside front door with some veneer missing, later hands, movement backplate with three small vacant holes, converted from verge to an anchor escapement, later pendulum converted from a bob pendulum.
A Mahogany Striking Table Clock, Wall & Son, Richmond, circa 1800, arched case with carrying handle, side sound frets, upon bracket feet, 7-inch arched painted dial with Roman numerals, arch with strike/silent selection, twin fusee movement with verge escapement and striking on a bell, 44cm high 12.06.15, Case with small cracks in parts, back door slightly bowed, dial has been re-painted, movement looks clean.
An Ebonised Chiming Table Clock, signed W Tomlinson, London, early 18th century, inverted bell top with carrying handle, flame finials, side viewing windows, upon scroll feet, 7-1/2-inch brass dial, matted centre with date and mock pendulum apertures, winged cherub spandrels, above 12 with s/n lever and signed on a silvered plaque, six pillar triple fusee movement with verge escapement and quarter striking with six hammers on to a nest of six bells and a further hammer striking for the hours, elaborate backplate engraved with scroll and bird decoration, wheatsheaf borders and signed in an oval cartouche, 47cm high over handle 11.06.15, Case has been restored in the past, re-ebonised surfaces, scratches and small dents in parts, pediment with small cracks, later finials and feet, front and back door mouldings appear later, back door with a deep scratch above the bottom hinge, chapter rings are slightly faded, dial with later screws to secure the makers plaque, movement looks complete, in going order and striking.
A Fine and Early Ebony Veneered Pull Quarter Repeating Table Timepiece, signed Jasper Taylor, In Grais Inn, circa 1695, caddied pediment with a cast gilt brass carrying handle, side viewing windows, repeat cord and pierced sound frets, back door with a Temple Newsam House Exhibition label, moulded stepped base raised upon block feet, 7-inch brass dial with a silvered chapter ring signed, finely matted centre with a date and mock pendulum apertures, winged cherub spandrels, five pillar single fusee movement with verge escapement and pull quarter repeating on two bells and striking a further bell for the hours, elaborate scroll and floral engraved backplate signed in an oval cartouche, bob pendulum, 40cm high over handle, sold with a photocopy of the Temple Newsam House Leeds Exhibition of English Clocks 1600-1850 s This clock is recorded and listed as item 33 in the Temple Newsam House Leeds Exhibition of English Clocks 1600-1850, in September 3rd to October 9th 1949. Jasper Taylor is recorded as working in London Gray's Inn, in the late17th/early18th century. 12.06.15, Case with small crack marks around the case and small chips to the veneers in parts, later pierced wooden sound frets, minor rubbing to the ebonised surfaces, back door escutcheon is missing, back door exhibition label is ripped in half, top stepped mouldings with chips and small cracks, dial is clean, movement looks complete and in clean condition, in going order, pull repeat is working.
A Marquetry Eight Day Longcase Clock, caddied pediment with blind fret borders, side sound frets, arched trunk door with a basket with floral and bird marquetry inlay, gilt mounted lenticle, bombe plinth raised upon claw feet, 12-1/4-inch arched brass dial, seconds dial and date aperture, arch with disc signed Archd Lawrie Carlisle, four pillar movement with anchor escapement and rack striking on a bell, case mid-18th century, dial and movement later, 278cm high 17.06.16, Case with signs of old restoration with some later added veneers and mouldings, veneer lifting and with cracks, later frets, dial and movement are dirty and needs cleaning, wooden blocks have been added to the side cheeks, case mid-18th century, dial and movement later, with two weights and a pendulum.
A Rare and Early Quarter Striking Eight Day Longcase Clock, signed Joseph Knibb, Londini, Fecit, circa 1685, walnut case with barley twisted columns, moulded crossbanded trunk door with a glazed lenticle, 12-inch square brass dial signed below 6, later silvered chapter ring, finely engraved centre and corners with floral and scroll decoration, dial centre with seconds dial and date aperture, fine blued steel hands, large five pillar latched movement with anchor escapement and outside quarter striking with two hammers striking two bells, dial and movement circa 1685, later case, 214cm high 12.06.15, Case surfaces are faded throughout, barley twist columns are later, some later veneers, trunk with cracks and later mouldings, lock is later, cracks in parts and chips, hood door escutcheon is missing, later dial chapter ring, four vacant holes behind the dial plate from where the old original chapter would have been, movement with signs of old restorations to pinions and re-bushing to plates, movement looks complete, seatboard with two extra added wooden blocks to each side, with two weights and a pendulum, dial and movement circa 1685, later case early 18th century and later.
A Month Going Longcase Clock, signed Chas Gretton, London, walnut veneered case with a flat top pediment, moulded and crossbanded trunk door with a glass lenticle, 11-inch square brass dial with the chapter ring and dial plate below 6 signed, matted centre with seconds dial and a ringed date aperture, five pillar movement with anchor escapement and outside countwheel striking on a bell, dial and movement circa 1695, later case, 222cm high 11.06.15, Case with full restoration, replaced veneers and mouldings, re-built plinth, parts are late 17th century and later, dial and movement are clean and complete, dial and movement circa 1695, later case, with two weights and a pendulum.
A Good Month Going Chiming Centre Seconds Longcase Clock, signed Samuel Norton, Yarmouth, circa 1770, caddied pediment with brass ball finials, well figured trunk door, framed quatre form moulded plinth, 14-inch arched brass dial with a silvered chapter ring, finely engraved centre with a basket of flowers and scroll decoration, date aperture, arch with strike/silent selection, large eight pillar triple weight driven movement, quarter chiming with five hammers striking a nest of five bells and a larger bell for the hours, 274cm high 17.06.15, Re-built caddy, pierced frets are later, well figured case with good colour, front of the case with some cracks and the surfaces are slightly lifting in parts, later door locks, later piece of wood has been added around the trunk door escutcheon, scuff marks to the sides, front of the plinth with some later mouldings and the surface has ripple marks, silvered chapter rings are faded, movement looks clean, signs of a later escape wheel and pallets, with three weights and a pendulum.
An Early 20th Century Japanese Softwood Display Cabinet, richly carved all over with Chinese dragons and flowers, the glazed door enclosing shelves and niches, the carved apron centred by a Chinese Dog of Fo mask, on cabriole legs with dragon head terminals and claw feet, 116cm by 48cm by 216cm Generally good, but carved pediment with repair. Small losses to carved detail, particularly around apron. Front right leg with natural? split through knee. Shelves with some natural? shrinkage/joint gaps. 150615
A Victorian Amboyna, Ebonised and Gilt Metal Mounted Credenza, circa 1850, the moulded top above two cupboard doors with oval porcelain mounts depicting classical figures, 164cm by 42cm by 108cm Generally good, but ebonised section of central cupboard doors with natural? splits, some which have been partly filled. Small veneer losses. Scuffs around base. Velvet interior rather worn. Gilt beading down the central door slightly misshapen. 090615
A Victorian Mahogany Four-Door Library Bookcase, late 19th century, the moulded cornice above four glazed doors enclosing adjustable shelves, the base with brass grille doors, raised on a platform base, 228cm by 36cm by 240cm Cosmetically reasonable and uniform colour. Fabric behind grille doors rather faded, and one section torn. Old escutcheon/handle marks visible on upper doors and on the bottom cupboard doors. 150615
John Walsh Walsh (1850-1951): Eighteen Frosted Vesta Glass Panels, after a design by Walter Gilbert, circa 1930, from The Twelve Labours of Hercules, moulded marks G.Sc.R.fec., 26cm square (six mounted and some damages) Victor Arwas in his The Art of Glass, p 78, writes that this set of panels was first introduced at the British Industries Fair, then included, as 'Panels for Elevator Door', in the International Exhibition of Contemporary Glass and Rugs organised by the American Federation of Arts which toured the USA from November 1929 to December 1930. *ARR/(Droit de Suite) applies to this lot
A 1930's Robert ''Mouseman'' Thompson Panelled Burr Oak Floor Standing Corner Cupboard, with open upper section, carved with the initial G and recessed mouse motif to each corner, fitted with two adjustable shelves, the lower section with single door opening to reveal two adjustable shelves, hand beaten wrought-iron hinges and lock plate, 78cm by 41cm, 194cm high
An Art Nouveau Inlaid Mahogany Glazed Display Cabinet, with raised upstand, above an inlaid tulip design frieze, above a central glazed door mounted with stylised lacquered copper work, above a cupboard fall front door, all enclosed by two glazed doors, above an undertier, on six tapering legs, 219cm by 154cm, 38cm deep
Two White Injection Moulded Plastic Kartell Round Square Modulars, designed by Anna Castelli, with hinged door, moulded mark Kartell 4979 Designer: Anna Castelli Made in Italy, 39.5cm high; and A Metra Table, designed by Vico Magistretti, black ABS plastic, moulded mark pin metra made in Italy Tisch ELENA Design VICO MAGISTRETTI Patent 347064-124528, 50cm square, 28.5cm high (3)
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235346 item(s)/page