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PROBABLY SCOTTISH, GOOD QUALITY LATE NINETEENTH CENTURY CARVED OAK MIRROR BACK SIDEBOARD IN THE ART NOUVEAU STYLE, the back with pierced scroll cresting above a blind fret carved frieze and central cupboard door, amber glass glazed and overlaid with embossed brass stylised foliage, set over an open shelf with bevel edged mirror back and turned supports, flanked by side panels with D shaped brackets with bevel edged mirrors above and turned support, the advanced lower section with moulded oblong top above two central drawers, fitted with heavy brass handles, and with panelled cupboard door under, the centre carved with scroll work, flanked by a pair of conforming cupboard doors and blind fret carved fore corners, and raised on heavy bracket feet, 88" (223.5cm) high, 72" x 24" (183cm x 61cm), together with an OAK MIRROR BACK FOR A SIDEBOARD WITH MATCHING CRESTING, (2)
EARLY NINETEENTH CENTURY FIGURED MAHOGANY SECRETAIRE CHEST ON CHEST, the broken architectural pediment with dentil moulded border, above two short and three long, cockbeaded drawers, the lower drawer fitted with pigeon holes, short drawers and moulding drawers, flanking a central aperture (lacking door) and pair of fluted pilaster fronted secret drawers, the conforming lower section with three long drawers, fitted with brass swan neck handles, and raised on ogee bracket feet, 81 ½" (207cm) high, 54" x 23 ¼" (137.2cm x 59.1cm), the lower section lacking escutcheons and the drops to the handles differs slightly
LATE SEVENTEENTH/ EARLY EIGHTEENTH CENTURY ENGLISH CHINOISERIE LACQUERED CABINET ON ASSOCIATED STAND, the cabinet with moulded cornice above a pair of cupboard door, fitted with exposed brass strap type hinges and ornate two part escutcheon, and decorated with figures, birds and dwellings, enclosing an interior later fitted with fixed glass shelf and pull-out glazed slide, the stand with crossgrain moulded top edge above a feather banded long frieze drawer, and raised on five barley twist supports, ited by shaped, flat stretchers, 62" (157.5cm) high, 39 ½" x 21" (100.4cm x 53.3cm)
GEORGIAN STYLE FIGURED WALNUT TWIN PEDESTAL DESK, of typical form, the top inset with 'antique' brown leather insert within a crossbanded border, set above three cushion moulded frieze drawers and raised on pedestals, each containing three drawers and cupboard door to the rear, on short, moulded cabriole supports, 30" (76.2cm) high, 60" x 36 ½" (152.4cm x 92.7cm)
EDWARDIAN INLAID MAHOGANY BOW FRONTED DISPLAY CABINET, the top with scroll cresting to the short back, set above a glazed cupboard door with lower panel, and conforming pair of side panels, enclosing three fixed shelves to the olde gold lined fabric interior, and raised on square, tapering supports with spade feet, 69" (175.3cm) high, 37" x 18" (94cm x 45.7cm)
EARLY TWENTIETH CENTURY LINE INLAID MAHOGANY BIJOUTERIE AND DISPLAY CABINET, the breakfront oblong top above a glazed cupboard door and side panels, enclosing a glass shelf to the pink silk lined interior and set above a conforming flat cabinet with hinged front section, raised on square, tapering legs with spade feet, tied by wavy stretchers and a under tier, 49" (124.5cm) high, 26 ½" x 17" (67.3cm x 43.2cm)
TWENTIETH CENTURY CONTINENTAL INLAID AND GILT METAL MOUNTED MARBLE TOPPED SERPENTINE FRONTED CUTLERY/ SIDE CABINET, the shaped white veined marble top above a fitted frieze drawer and cupboard door, inlaid with flowering urn and housing five fitted drawers to the interior, flanked by quarter cut sides and raised on short, square cabriole supports, 32 ¼" (81.9cm) high, 32 ½" x 16" (82.6cm x 40.7cm)
TWENTIETH CENTURY GILT METAL MOUNTED MAHOGANY BIJOUTERIE CABINET, of oval form, the bevel edge glazed top with pierced gallery set above a glazed door and sides, enclosing a glass shelf, red velvet lined base and two electric light bulbs to the interior, raised on square cabriole legs, 40" (101.6cm) high, 22" x 15" (56cm x 38.1cm)
LATE EIGHTEENTH CENTURY OAK AND MAHOGANY CROSSBANDED LONGCASE CLOCK WITH HALIFAX ROLLING MOON PHASE, SIGNED J. COLLINS, CHEADLE, the 14" painted Roman dial with subsidiary date and moon phase apertures to the centre, enclosed by sea shell spandrels and powered by an eight day movement striking on a bell, housed in a case with swan neck pediment and gilt wood finial above free standing square, fluted columns to the fore corners, set over trunk door with wavy top, flanked by square, fluted quarter columns, and raised on a chamferred base with ogee bracket feet, 89" (226cm) high
EARLY NINETEENTH CENTURY MAHOGANY LONG CASE CLOCK SIGNED JNo WINSTANLEY, HOLYWELL, the 13" painted dial with subsidiary seconds dial and date aperture to the floral painted centre, enclosed by conforming spandrels and powered by an eight day movement striking on a bell and housed in a case with swan neck pediment, pierced frieze and free standing, fluted fore columns with Corinthian brass capitals, over a long trunk door with moulded edge and shaped top, flanked by chamfered and carved fore corners, and raised on a conforming base with ogee bracket feet, 88" (223.5cm) high
EIGHTEENTH CENTURY OAK LONGCASE CLOCK SIGNED WOLLEY CODNOR, the 11" brass dial with date aperture to the scroll engraved centre, enclosed by pierced cherub mask and scrollwork spandrels and powered by a 30 hour movement striking on a bell, housed in a flat topped case with moulded cornice and three quarter columns (no door), over a long, moulded trunk door with arched top and raised on a plain base, 77" (195.6cm) high
EARLY NINETEENTH CENTURY OAK AND MAHOGANY LONGCASE CLOCK SIGNED GIBSON S MARSON, ALFRETON, the 13" painted dial with subsidiary seconds dial to the centre, enclosed within floral spandrels and set beneath a painted arch depicting a rustic maid at a gate, powered by an eight day movement striking on a bell and housed in a case with swan neck pediment above a pair of free standing, turned columns to the fore corners, set over a trunk door with pointed top, flanked by chamfered fore corners, and raised on a crossbanded base with bracket feet, 84" (213.4cm) high
LATE EIGHTEENTH CENTURY OAK AND MAHOGANY CROSSBANDED LONGCASE CLOCK SIGNED A. HUTCHINSON, LEEDS, the 12" brass dial with silvered chapter ring and date and second subsidiary dials to the scroll engraved centre, enclosed by scroll pierced spandrels and set beneath a signed brass convex roundel to the arch, powered by an eight day movement striking on a bell and housed in an arch top case with broken pediment and free standing columns to the fore corners, above a long trunk door with shaped top, and raised on a panelled base with bracket feet, 87 ½" (222.3cm) high
A GEORGE III MAHOGANY CORNER BOWFRONT OPEN CABINET, with moulded cornice above a half dome flanked by reeded pilasters topped by gilded carved capitals, fitted three shelves with shaped fronts on a twin panel door cupboard base, the shelved interior also fitted with four small drawers and raised on platform base. c.118cm wide x 241cm high x c.78cm deep
AN IRISH GEORGE III MAHOGANY BREAKFRONT BOOKCASE, part of the original furnishings of Ely House, Dublin, the dentil moulded cornice above a four door bookcase, decorated with Gothic lancet glazing bars above fielded cupboard door base. 282cm high, 346cm wide Provenance: Collection of Fine Art Property of Dr. Thornley Stoker, Ely House, 8 Ely Place, Dublin, 8th November, 1910, lot 863 This handsome Chippendale pattern mahogany bookcase was lot 863 in one of the most spectacular house contents auctions Dublin has ever seen. Taking place in November 1910, it was that of Dr. Thornley Stoker whose fierce reputation has faded, but that of his brother Bram has only gone stratospheric thanks to his creation, “Dracula”. The sale of over 1600 lots represented a life-time of collecting. George Moore leaves a description of Sir Thornley hopping about the antique dealers in Grafton Street ‘Like an old magpie’ prying out spoons and forks. Moore, unsuccessfully, tries to persuade the grumpy old doctor to back Hugh Lanes project for a Modern Art Gallery in Dublin. Moore, a neighbour frequently visits Dr Stoker and well knows his fine collection housed in his palazzo, Ely House, but can’t resist retelling Dublin cynicism as to its genesis. “Up and down Liffey Street, lately, on the trail of a Sheraton sideboard and Naylor has been asked to keep it till an appendices should turn up; the Chinese Chippendale mirror over the drawing-room chimney piece originated in an unsuccessful operation for cancer; the Aubusson carpet in the back-drawing room represents a hernia; the Renaissance bronze on the landing a set of gall-stones; the Ming Cloisonné a floating kidney; the Buhl cabinet his opinion on an enlarged liver; and Lady Stokers jewels a series of small operations performed over a number of years”. Moore declares the collection will never be sold in his lifetime but on his death, there will be a great auction. This bookcase, filled with part of Dr. Stoker’s china collection is given a full-page illustration and is described as ‘Chippendale’. A bookcase of similar design, with the addition of a broken triangular pediment, c.1766, is illustrated in Gilbert, ‘The Life and Works of Thomas Chippendale’ (1978), p.41
AN EARLY 19TH CENTURY CONTINENTAL ROSEWOOD AND KINGWOOD VENEER AND ORMOLU MOUNTED DOLL'S CARRIAGE, the arch top surmounted with a gilded coronet above a single glazed panel door decorated with inlaid satinwood panel, flanked by glazed panels and enclosing two seats, raised on ormolu mounted wheels. 92cm high x 93cm long x 49cm wide; together with an independent stained wood table stand with mounts grooved to accommodate the carriage wheels, raised on spiral turned column legs and stretchers. 95 x 53cm
A FRENCH BRASS AND CHAMPLEVE ENAMEL MOUNTED MANTLE CLOCK, the bowed glazed case of bowfront design, surmounted with leafy finial above a bevelled glass door and side panels, enclosing a circular gilt metal dial with Arabic numerals, the movement struck with foundry mark and supported on an elaborate egg and dart plinth base with adjustable disc feet
A FRENCH 19TH CENTURY INLAID LABERNUM WOOD SERPENTINE FRONT CREDENZA, the large single door central cupboard decorated with marquetry panels of scroll borders centred by an urn, flanked by open quartered compartments with shelves, decorated with cast ormolu mounts, scrolls, human masks and banding, raised on platform base. 200 x 52 x 107cm tall
CLASSIC NORTHERN 7" - UK ISSUED RARITIES. Cracking selection of 7 x 7". Titles are Frankie Valli & The Four Seasons - The Night (1st pressing MW 3002 - Ex), Bob & Earl - I Can't Get Away (BOY 72 promo - Ex), Soul Brothers Six - Some Kind Of Wonderful (584118 3 prong - solid VG), Darrell Banks - Open The Door To Your Heart (SS 536 - Ex+ playing surface though missing centre), Gloria Gaynor - You Gotta Pay The Price (56788 3 prong - Ex), Otis Rush - Homework (Vocalion V-P 9260 very seldom seen indeed - please note Homework side is graded as G+ with a scratch running through the first half of the track, flip side Ex) and Bobby Hebb - Love Love Love (BF 1522 - Ex).
BLUES/R&B LPs. Letting the good times roll with this cracking collection of 42 x LPs. Largely 70s/80s issues/comps, artists/titles include Roosevelt Sykes - Raining In My Heart, Marylin Scott and Mary Deloatch - I Got What My Daddy Likes, Lavern Baker - Blues Ballads, Little Esther - I Paid My Dues, Big Maybelle, Atlantic Honkers, Maxwell Davis - Father Of West Coast R&B, T Bone Walker - Jumps Again and Plain Ole Blues, Chubby Newsome, Big Mama Thornton - Stronger Than Dirt/The Way It Is, You Ole Houn' Dawg and Quit Snoopin' Round My Door, Down In The Groovy, Texas R&B 1949-1952, Fort Worth Shuffle, New York Blues Vol 1 and 2, Otis Rush, Rock Smuk, Champion Jack Dupree, Ike Turner and Tab Smith. Condition is almost entirely Ex+.
Original Classics Bedford OB Coach Diecast Model 'West Yorkshire' scale 1:24 CP1, FWW 596, limited number of 1000, with interior and exterior working lights (one front exterior light appears not working. See images online), lights working at time of cataloguing, in cream and red, sliding door and roof, unboxed and appears in good condition
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235302 item(s)/page