A mid 18th Century French Boulle Bracket Clock, the arched case with detachable panelled pediment, surmounted by bronzed figure of Old Father Thyme, (scythe lacking), over cast bronze mounts, with tortoiseshell and brass inlaid detail, with glazed side panels and hinged front door, with applied detail of Venus, with a checkerboard internal base and floral and foliate decorated back door, to a 10” gilt dial, with outside minutes scale and applied Roman enamel lozenges, over a separate enamel panel, signed ‘F H Duchesne A Paris’, to a square brass movement, signed ‘Pia, Paris’, united by four baluster spindle columns, with anchor escapement and count wheel strike on a bell, height 37” (ILLUSTRATED PAGE 3)
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A late 19th Century oak cased ‘Gothic Revival’ Musical Bracket Clock, the arched case surmounted by a detachable spire, with blind fret panels and acanthus leaf mounted corners, over outset corners with similar spire decoration and panelled columns, with arched and pierced sound frets, to a single glazed door, and further blind fret panel, with plinth base, to an 8” arched silvered and engraved dial, with subsidiaries for chime/silent regulation and Westminster Chimes/Chime on eight bells, with scrolling foliate decoration, to a Roman chapter ring, with outside minute track and blued steel spade hands, to a triple chain fusee movement, with heavy brass plates united by four shouldered pillars, with pull repeat and anchor escapement, strike on eight bells and a coiled gong, height 35”
A mid 20th Century mahogany cased Mantel Clock, Empire, 3207, the case with overhanging cornice and caddy top, with cast brass carry handle, over fish scale sound frets, to a single glazed door, on a plinth base, to a 4 ½” arched brass dial, with silvered boss signed ‘Tempus Fugit’, over cast and applied scrolling spandrels, with Roman and Arabic silvered chapter ring and matted centre with blued steel hands, to a spring driven movement with lever platform escapement, strike on a blued steel coil gong, height 13 ½”
A mid 20th Century German oak cased Mantel Clock, Gustave Becker, the arched case with barley twist columns, to a shaped plinth base, to a glazed door enclosing a 5 ½” arched silvered dial with subsidiaries for regulation and chime/silent, over an Arabic chapter ring with outside minute track and blued steel spade hands, to a signed brass movement with anchor escapement and strike on five rods, height 13”
A mid 19th Century mahogany and boxwood line inlaid 8-day Long-case Clock, Thos of Barton, the hood with swan neck pediment, centred with a sphere and finial and flanked by further globe and spike finials, over fluted columns, to a ogee throat and long shaped trunk door, with canted corners, to a plinth base, and later bracket feet, to a 13” third period painted dial, with cottage scene to the arch, over painted tulip spandrels and Roman chapter ring, with outside minute track and subsidiaries for seconds and date, and pierced and stamped hands, to a signed false plate and movement with four knopped pillars and anchor escapement, with rack strike on a bell, height 87”
An early 19th Century 8-day Long-case Clock, Unsigned, the arched hood with scrolling pediment, and globe and eagle finial flanked by globe and spike finials, over freestanding plain columns, to a convex throat and long arched trunk door, to a plinth base with bracket feet, to a third period painted arched dial, with floral decoration to the arch, over gilt and floral spandrels enclosing a Roman chapter ring with outside minute track, and subsidiary seconds with date sector and pierced and stamped brass hands, to a Walker & Rogers false plate, to a movement with plates united by four knopped pillars and anchor escapement, with rack and strike on a bell, height 89”
A mid 18th Century oak cased 30-hour Long-case Clock, Robt Guymer of Norwich, the hood with overhanging cornice surmounted by a ‘whale tail’ pediment, with three gilt wood flaming urn finials, over freestanding columns to an ogee throat, and long trunk door with plinth base, to an 11” brass dial, with Roman chapter ring and inside quarters track with fleur de lys half hour markers, matted centre and pierced blue steel hand, to a posted movement, with count wheel and anchor escapement, strike on a bell, height 83”
An early 20th Century mahogany cased 8-day Long-case Clock, Unsigned, the arched hood with pierced sound frets to canted corners, over an ogee throat and glazed trunk door with further canted corners, to a plinth base, 12” arched brass dial with subsidiaries for strike/silent and St Michaels/Westminster/Whittington, over cast and applied spandrels, and Roman and Arabic chapter ring, with further chime/silent at 3 and subsidiary seconds to a matted centre and pierced and blued steel hands, to a triple weight movement, with anchor escapement and strike on nine tubular bells, height 84”
A good Edwardian mahogany display cabinet, inlaid throughout with satinwood and ebonised stringing and hatching, the upper section with an astragal glazed central door enclosing shelving, flanked on either side by mirrors and the lower section with a similar central door, flanked on either side by two small drawers over open shelves with further glazed cupboards below on short cabriole supports, 48 ½” wide
A 19th century oak longcase clock, the hood with a moulded cornice and Ionic columns above a long trunk door and box base, the 27 cms square dial with central painted bird and floral spandrels with Roman numerals and calendar aperture, inscribed Richard Prew, Tewkesbury, the 30 hour movement striking on a bell, 186 cms high.
A 19th century mahogany longcase clock, the arched hood with globe finials and turned columns above a short trunk door, box base and bracket feet, the 33 cms dial painted with a child to the arch and cottage with a subsidiary seconds dial and calendar aperture, inscribed J Williams, Dowlais, 238 cms high.
An 18th and later carved oak longcase clock, the hood with broken swan neck pediment and fluted Ionic columns above a short trunk door, box base and bracket feet, the 30 cms brass dial with roundel to the arch and sea creature decoration with cherub spandrels, the brass chapter ring with Roman numerals with seconds subsidiary dial and calendar aperture, inscribed 'Ben J Bell, Uttoxeter', the eight day movement striking on a bell, 216 cms high.
A 19th century mahogany longcase clock, the hood with moulded dentil cornice and Corinthian columns above an arched long trunk door and box base with marquetry urn, the 33 cms dial with birds of paradise to the arch and fruit spandrels with Roman numerals, calendar aperture and subsidiary seconds dial, inscribed Jas.Atkinson, Gateshead, the eight day movement striking on a bell, 214 cms high.
Unusual French time piece in the form of a ship's poop desk, set with sailors, hatch covers, navigation lamps, compass binnacle and gilt dial with roman numerals. A two train movement by Marti striking the half on a coil, the counter balanced pendulum rocking the ship's wheel and helmsman set on black marble base. Overall height 30cm (rear door lacking)
Walnut long case clock by Gabriel Smith, Nantwich, the brass broken arch face with silvered chapter ring, subsidiary seconds ring, date aperture the arch set with silvered date ring and moon aperture within an engraved border and matt field, two train movement striking the hour on a bell in flat top broken arch hood with plain side columns on narrow trunk with broken arch door and glazed pendulum aperture raised on set out base. (pendulum, two weights and key) Height 213cm.
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235346 item(s)/page