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John Abbot of London - early 18th century walnut 8-day longcase clock c1740, hood with glazed side panels and tall swept pagoda pediment above a break arch hood door with attached pillars and gesso wooden capitals, long trunk door with a conforming break arch top on a rectangular plinth with applied shaped skirting, brass dial with a matted center and continuous herringbone engraving to the surround, cast spandrels, silvered chapter with Roman numerals, five minute Arabic's, minute track and inner quarter hour track, subsidiary seconds dial and square date aperture, silvered tempus fugit boss to the break arch, dial pinned directly to a rack striking movement, striking the hours on a bell. With weights and pendulum.Dimensions: Height: 250cm Length/Width: 45cm Depth/Diameter: 22cm
19th century French souvenir jewellery casket in the form of a bathing machine, having mother of pearl panelled tiled effect body, hinged roof/cover revealing a blue silk fitted interior with cushioned base, two silvered metal wheels, abalone shell door and mother of pearl steps, inscribed 'Berck Plage' in blue, H12cm, W13cm
Victorian figured walnut credenza, shaped and moulded top over central panelled door with Sevres design porcelain floral plaque, enclosed by two turned and satinwood inlaid columns with gilt metal Composite capitals, applied gilt metal bands, two flanking curve glazed doors, lower moulded plinth base, on turned feetDimensions: Height: 107cm Length/Width: 152cm Depth/Diameter: 46cm
Robert Dalgliesh of Falkirk - Early 19th century 8-day mahogany longcase clock with a break arch pediment and conforming hood door, hood with flanking turned pilasters and brass capitals, trunk with canted corners and spire topped door, on a rectangular plinth with applied shaped skirting, silvered sheet break arch dial with engraving to the spandrels and arch, Roman numerals, five minute Arabic's and matching steel hands, calendar aperture and seconds dial, with a recoil anchor escapement, rack striking movement, striking the hours on a Bell. With weights and pendulum.Dimensions: Height: 197cm Length/Width: 47cm Depth/Diameter: 24cm
Benjamin Maud of London - 8-day mahogany longcase clock c 1770, with an open fretted swan necked pediment and urn finial, break arch hood door flanked by reeded pilaster with Corinthian capitals, trunk with blind fretwork, reeded quarter columns and a break arch trunk door with a glazed lenticle, short plinth with raised beaded moulding on a stepped base, brass break arch dial with spandrels, matted dial centre, recessed seconds and date apertures with a silvered chapter ring, cartouche name plate and engraved silvered boss depicting a bird of prey to the arch, with a recoil anchor escapement and rack striking, striking the hours on a cast bell. With weights and pendulum.Dimensions: Height: 232cm Length/Width: 40cm Depth/Diameter: 20cm
George III mahogany night cabinet commode, the three-quarter raised gallery with pierced handles, above a cupboard enclosed by a tambour door, the cock-beaded lower drawer with bowl rest and basin, the pressed brass rosette plate with ring handle, lower moulded edge over bracket feetProvenance - from Rolston Hall in Hornsea.Dimensions: Height: 80cm Length/Width: 55cm Depth/Diameter: 50cm
Philip Brew of Dublin - 8-day mahogany longcase clock c 1760, with a swans necked pediment and deeply carved convex frieze beneath, square hood door flanked by reeded pilasters with Corinthian brass capitals, trunk with convex molding and canted corners, break arch topped door with canted edge on a square plinth with applied base and bracket feet, square brass dial with a matted center, silvered chapter with Roman numerals and five minute Arabic's, seconds ring and date aperture, cast spandrels and matching steel hands, recoil anchor escapement and rack striking movement, striking the hours on a bell. With weights and pendulum. Dimensions: Height: 254cm Length/Width: 47cm Depth/Diameter: 26cmCondition Report:Gut line missing from the going barrel.
Denton & Fox of Hull - Early 19th century mahogany 8-day longcase clock c1802, pagoda pediment with an oval inlay and three ball and spire finials, break arch painted dial and hood door flanked by reeded pilasters with brass Corinthian capitals, long trunk door with conforming break arch top on a rectangular plinth raised on bracket feet, early Wilson (Birmingham) dial with Roman numerals, five minute Arabic's and minute dots, subsidiary seconds dial and calendar aperture, with matching steel hands, floral spandrels within raised gesso work and a conforming oval depiction of a young maiden and dog to the break arch, dial pinned via a falseplate to a rack striking movement with a recoil anchor escapement striking the hours on a cast bell. With pendulum and weights.Joseph Denton was a respected and prolific Hull clock maker working in Scale Lane Hull 1779 and Silver Street 1782-1814. Entering a short-lived partnership with Charles Fox from Beverley in 1802.Dimensions: Height: 240cm Length/Width: 44cm Depth/Diameter: 22cmCondition Report: The pendulum requires attention.
Fine and unusual 19th century olivewood piano top davenport, raised shaped back carved with olive branches and olives, the top hinges to reveal lidded and correspondence compartments, the piano lid enclosing sliding top with hinged and adjustable writing surface with leather inset, right-hand panelled door enclosing four drawers, olive branch and scroll carved cabriole front supports on moulded and shaped platform, turned cup feet with recessed castors Dimensions: Height: 105cm Length/Width: 60cm Depth/Diameter: 60cm
Finer & Nowland of London - a Regency mahogany dome topped bracket clock, having a signed convex white enamel dial, with twin winding holes for a brass eight-day gut-driven fusee movement with anchor escapement and striking on a bell, the backplate with leaf engraved border, the case having brass ring carry handles, brass inlays, and pierced brass fishscale sound grilles, h.43cmFully working.Inside of glass bezel with filler.Dial good, has been overpainted.Case highly polished.Two shrinkage splits to top but no losses.Replaced cut-in veneer section to left hand side.Backplate not signed.All appears to belong, no unexpected holes to backplate.With pendulum, later door and winding keys.In good restored condition.
A pair of Napoleon III French mahogany and walnut marble topped night commodes, each having a single frieze drawer and pull-out slides over cupboard door for chamber-pot, with enamelled interior, the whole with inlays, crossbanding and gilt metal mounts (some fading), w.47cm, d.42cm, h.84cm; together with a matching double bedstead, with gilt brass mounts and side rails, w.152cm (5ft)
Henry Harrison of London - an early 19th century mahogany longcase clock, having a 12" brass arched dial, signed to a convex disc to the arch, cast brass spandrels, Roman and Arabic chapter ring, subsidiary seconds dial, two winding holes for a brass eight-day five-pillar weight driven movement striking on a bell, with brass cased weights and pendulum, the hood with fluted canted corners, the case with arched panelled door, h.216cmWith weights and pendulum.Case quite tired, having veneer splits down left side, and moulding losses to base and left side.Movement appears good, complete and original.Dial tarnished and with age wear.Middle of dial has been overpainted.Generally original but tired condition.
George Suggate of Halesworth - an early 19th century mahogany longcase clock, having a 12" painted arched dial, signed to the centre and with rocking ship automata to the arch, subsidiary seconds dial and date dials, twin winding holes for a brass eight-day five-pillar weight driven movement striking on a bell, the whole housed in a 'London' case with stop-fluted and brass pilasters, arched panelled door to a boxbase, h.234cmSome craquelure to dial.Significant paint loss to sky around automaton.Dial has not been repainted.Case door with evidence of old inactive wormholes and some warping.Left hand fret panel to hood missing.Three quarter rear brass mounts to pilasters missing.With weights and pendulum.Overall good and original with some age wear etc.
A good Regency mahogany cased drop dial clock, the fourteen inch painted dial signed THWAITES, LONDON, having a fusee movement, 61cm highOverall condition looks to be clean and complete. Dial has been repainted. Pendulum is present. Lock for case removed. Movement appears to be free. Some old losses where the hinge on the door fits to the case. Glass has been recently cemented in. We have not been able to remove the back, without removing the hands. Collected from a house move in Essex, so unrestored.
A Victorian walnut linen press, fitted with slides, with drawers below, on a plinth base124w x 47d x 211h cmOverall solid and usable. The slides all pull correctly. Doors are flat and close ok. Drawers run ok. No key and door does not click shut when closed. Generally dirty, with signs of age and use. Unrestored having come from a house, where it was being used. No serious damage or missing parts, although there are some surface marks and knocks.
Corgi Toys Gift Set 19, Land-Rover, Nipper Aircraft and Trailer, Corgi Toys Whizzwheels Citroen SM No. 284 together with Corgi Super Juniors E2008 Greyhound MC-8 Americruiser Bus. Included is a Corgi Juniors Collectors Album Booklet (3) Gift Set 19 G condition, light wear to Land-Rover paint on door. Damage to plastic window on box. Citroen G condition, very light scratch / blemishes to paint on bonnet and roof. Bus G/VG.
Corgi Toys No. 479 Commer Van with Samuelson Film Service's Cameraman with black suitcase, boxed. Model and figure in G/ VG condition, (very minor chips to paint on rear door and off-side rear quarter). Outer box showing very light signs of wear through storage (minor fold to part of box window plastic) box window is original and not a later replacement). Inner box is good with light fold to section with vehicle description. Includes pictorial header and black plastic suitcase. Missing collectors club folding leaflet. generally G/VG.
A Singing Bird Automata, circa 1900, in the manner of Blaise Bontems, with a single bird in a domed square wirework cage, on a gilt base decorated in relief with foliage and leaves and ball feet43cm highMechanism not working. Cage door handle lacking. Birds somewhat disheviled. Wear, chips and cracks to base. Two feet replaced.
A 20th Century Venetian-Style Green and Polychrome-Decorated Bureau, the fall front enclosing a cream painted interior with five drawers around a central cupboard door, the base with two serpentine shaped drawers, on cabriole legs 100cm by 51cm by 116cm A Matching Double Dressing Stool, recovered in light red and blue tartan printed fabric, the overstuffed seat on serpentine seat rail and cabriole legs 107cm by 43cm by 55cm A Similar Green Painted Mirror, with oval bevelled glass plate 112cm by 66cm (3) Bureau is in generally good condition. Some scratches and small paint losses (see images). The mirror is in good condition, the mirror plate has a faux tarnished effect. Stool - structurally sound, with a minor split/gap in the joints (as photographed).
A Louis XV-Style Kingwood and Gilt Metal Mounted Serpentine Shaped Vitrine, late 19th century, the three-quarter pierced gallery above a glazed door enclosing a velvet-lined interior, with two removable shelves, on slender cabriole legs with gilt foliage mounts and sabots64cm by 33cm by 142cm
An Oak Eight Day Longcase Clock, signed Samuel Shepley, Stockport, circa 1760, arched pediment, crossbanded arched trunk door, 12-inch arch brass dial with a silvered Roman and Arabic chapter ring, scroll engraved dial centre with seconds and date aperture, arch with moonphase aperture and signed above, four pillar movement with an anchor escapement and rack striking on a bell, (possibly later case), 238cm highCase with small chips and mouldings missing in parts, hood left hand side capital with a chip, underside of the hood with some of the mouldings missing in parts, both side cheeks of the case with small pieces of wood under the seatboard, later seatboard, possibly later case, with pendulum and two weights.
A Mahogany Eight Day Longcase Clock, unsigned, circa 1790, pagoda pediment, stop brass fluted columns and pilasters, 12-inch arch silvered dial with Roman numerals, seconds and date dials, arch with strike/silent selection, five pillar movement with an anchor escapement and rack striking on a bell, 247cm high Trunk door with small cracks, front of the plinth with scratches and small cracks, dial is discoloured, later hands, movement with a later hammer and later bell, movement needs cleaning, with pendulum and two weights.
An Edwardian Mahogany, Boxwood and Ebony-Strung Bowfront Display Cabinet, early 20th century, the marquetry cornice above a central glazed door with green fabric-lined interior, the base with a central cupboard door with oval panel flanked by quarter-veneered cupboard doors, on square tapering legs with spade feet joined by a stretcher127cm by 39cm by 192cm
A Victorian Mahogany, Inlaid and Parquetry Decorated Two-Piece Bedroom Suite, late 19th century, comprising: a breakfront mirror door wardrobe, with two cupboard doors flanked by fluted column supports, the five graduated mahogany drawers below flanked by mirror doors enclosing hanging space (one side fitted with a base drawer)120cm by 64cm by 210cma matching dressing table with bevelled glass pivoting plate between fluted tapering supports and urn finials with two bowfront drawers below, all above seven drawers around an arched apron136cm by 60cm by 163cmA Similar Edwardian Mahogany and Boxwood-Strung Tub-Shape Armchair, recovered in duck egg blue fabric, on square tapering legs with spade feet55cm by 43cm by 78cm (3)
A Late 17th Century Carved Oak Court Cupboard, the boarded top with dentil frieze above carved bulbous supports and two cupboard doors, a deep drawer below between applied mounts and two carved bulbous supports above a potboard114cm by 58cm by 146cmThe cupboard splits in half. The boarded top has numerous splits and some old decay. The left-hand cupboard door is split (as photographed). There is numerous old decay to the base and also a split to the pot board shelf. Rear legs have been replaced.
A Victorian Burr Walnut, Tulipwood-Banded and Marquetry-Inlaid Serpentine Shape Credenza, cira 1870, the glazed door with gilt metal leaf-cast border enclosing a fabric-lined interior, flanked by open shelves, all above a serpentine shape base with conforming metal mounts and banding170cm by 43cm by 105cm
An Oak Eight Day Longcase Clock, signed J. Harrocks, Lancaster, circa 1750, flat top pediment, crossbanded arch trunk door, 12-inch square brass dial with a silvered Roman and Arabic chapter ring signed, four pillar movement with an anchor escapement and inside countwheel striking on a bell, 207cm highCase with minor chips to the edges in parts, hood moulding with one small piece missing to the left hand side, trunk door is discoloured in parts, later bracket feet, later seatboard, movement needs cleaning, with pendulum and two weights.
An Oak Chiming Longcase Clock, swan neck pediment, gilt painted front glass panels, crossbanded trunk door with an inlaid centre, 13-inch arch brass dial with a silvered Roman and Arabic chapter ring, seconds dial, arch with moonphase aperture and bearing a later signature "William Hargreaves Settle", large triple weight driven movement with an anchor escapement and quarter chiming on a nest of eight bells and a further gong for the hours, 250cm highLeft hand side of the case with one small piece of beading missing, trunk door slightly bowed, trunk door with locking plate missing, dial slightly discoloured, with pendulum, three weights and three finials. Chiming weight cord has broken and needs a new cord, strike and chiming sides of the movement not working at present, going train is working, Later dial. Dial is bearing a later inscription.
A Black Forest Striking Cuckoo Table Clock, circa 1890, carved to crest surmounted by a bird, case front with carved leaf and branch mounts, top door aperture concealing the cuckoo which appears on the half hour and hour striking, side doors, dial with Roman numerals, bone hands, twin barrel movement stamped G.H.S, striking on a gong, 57cm high Case surfaces with minor rubbing in parts, case with minor chips in parts, movement in going order, with pendulum.
A Marquetry Eight Day Longcase Clock, late 17th Century and later, caddy pediment, case with floral inlaid marquetry, bracket shaped feet, 11-inch square brass dial with a silvered Roman and Arabic chapter ring, dial plate bearing a later inscription below 6 John Aylward Brentford 1690, dial centre with engraved scroll decoration, date aperture and seconds dial, later four pillar movement with an anchor escapement, now converted to striking on a gong, (later movement), 235cm highHood with small signs of woodworm holes in parts which appears to now be non-active, hood with later front glass lenticle, hood with the back right hand side quarter column missing and the capitals, mouldings appear to have been replaced in parts, some veneer and inlay slightly missing in parts, from the bottom of the trunk downwards/base has been rebuilt and is later, trunk door with a later glass lenticle, dial is discoloured, chapter ring appears to have been filed out above the 6 o'clock position to extend the date aperture, bottom left hand side spandrel with a small part missing, dial plate with some casting faults, later hands, later movement, movement had five pillars but one has been removed, now converted and striking on a gong, with pendulum and two weights.
An Early 18th Century Oak Bureau Bookcase, the double moulded canopy over cupboard doors enclosing shelves and small drawers all around a cupboard door, the fall front enclosing a sliding well, pigeon holes and small drawers, two short over two long oak-lined drawers below, on compressed bun feet108cm by 57cm by 219cm
A Black Chinoiserie Eight Day Longcase Clock, signed Jno Stokes, St Ives, No.506, circa 1740, flat top pediment, glazed side panels, arch trunk door decorated with Chinese figures, pagodas, British galleon, 12-inch arch Roman and Arabic numeral brass dial, matted dial centre with seconds dial, date aperture, signed and numbered on a plaque, arch with Strike/Silent selection, five pillar movement with anchor escapement and rack striking on a bell, (later case), 228cm highThe case is of the same period in date as the dial and movement, but the case was not made for this dial and movement, case with small signs of flaking to the painted surfaces in parts, bottom right hand side of the hood with a small part of moulding missing, convex throat moulding with some cracks to the left hand side, gap around the dial when seated in the case, movement looks complete, movement needs cleaning, with pendulum and two weights.
A Chinoiserie Eight Day Longcase Clock, signed Jams Robinson, Well Close Square, circa 1750, caddied pediment, trunk depicting figures and pagodas with matching decoration to the base, 12-inch arch brass dial with a silvered Roman and Arabic chapter ring, dial centre with date aperture and seconds, arch with silvered disc signed, strike/not strike selection lever at 12, four pillar movement with an anchor escapement and rack striking on a bell, 249cm highHood with damages to the column capitals, some of the capitals have been replaced, painted surfaces with chips and flaking in parts, case detail decoration is faded and rubbed, trunk door with later hinges, dial is discoloured, minute hand has been broken and repaired, hour and minute hands later painted white, later seconds hand, movement is dirty, clock gut is broken and one pulley is missing for the gut line, with pendulum and two weights.
A Mahogany Eight Day Longcase Clock, swan neck pediment, trunk with blind fret work borders, nicely figured trunk door, 13-inch arch brass dial with a silvered Roman and Arabic chapter ring, nicely engraved dial centre with date aperture and silvered plaque bearing a later inscription Jere Standring Bolton, arch with moonphase aperture and engraved above Dum/Dormiunt/Vigilo, later four pillar movement with an anchor escapement and rack striking on a bell, (later movement), 241cm highCase with small cracks around the blind fret borders, trunk door is bowed, case with small scratches in parts, dial is discoloured in parts, later movement with falseplate attached, with pendulum and two weights.
An Eight Day Longcase Clock, signed John Sanderson, 18th Century, caddied pediment, stained pine case with arched trunk door, bracket shaped feet, 12-inch square brass dial with silvered Roman and Arabic chapter ring signed, dial centre with date and seconds, four pillar movement with an anchor escapement and rack striking on a bell, 242cm highHood side glass panels look later, case surfaces have been later stained, trunk door with escutcheon missing and has a later lock plate, trunk door with two small pieces of wood later spliced, plinth has been re-built, dial is discoloured, later hands, movement needs cleaning, with pendulum and two weights.
Diableries, Totentanz und WerbungB.K. Paris. 4 Tag-und-Nacht-Tissue-Stereokarten 9 x 18 cm, in guter Erhaltung, sinngemäß die Sprachspielerei übersetzt: spielende Teufelchen zum Lachen. Äußerst groteske Szenen, kolorierte Durchsicht mit Zierstichen für effektvolle Glanzlichter, z.B. glühende Augen der Teufelchen und der Gerippe. Sehr gut erhalten, eine mit der Tür zum Paradies. Die Abbildung zeigt den Effekt nur unvollkommen. Äußerst selten. Mit Original-Werbekarte von B.K. Paris, worin die Serie vermerkt ist: "Diableries - ou voyage dans l’autre monde. La plus belle collection, 72 sujets." Start Price: EUR 120 Zustand: (2-/-)Rare Stereoscopic Diableries, the Dance of Death and Advertising CardB.K., Paris. Four 9 x 18 cm day-and-night tissue stereo cards, hand-colored transparencies with pin-prick details, depicting the door to paradise and grotesque scenes of demons and skeletons with glowing eyes, including the door to paradise good condition. Included is an original advertising card by B.K. with caption: "Diableries - ou voyage dans l'autre monde. La plus belle collection, 72 sujets." Start Price: EUR 120 Condition: (2-/-)
Kaminuhr mit Musikwerk und bewegtem Bild, um 1875Vermutlich Xavier Tharin, mit zweizügigem Messing-Platinen-Werk Nr. 258, Halbstundenschlag auf Glocke, Emaille-Zifferblatt mit römischen Zahlen, Ø 9 cm, vergoldete Lünette, facettierte Glasabdeckung, Front mit verglaster handkolorierter Lithographie in vergoldetem Rahmen, mit Darstellung von Schmieden in einer Werkstatt, 3 davon beweglich, Sockel mit ersetztem Walzenspielwerk für 2 Melodien, Fadenaufzug, neu lackiertes schwarzes Holzgehäuse, Rückwand erneuert, 27 x 16 x 45,5 cm, Bildmaße 13,5 x 16,5 cm, gut funktionierender Zustand, mit späterem Schlüssel. Watch and Listen on:Youtube.com/AuctionTeamBreker Start Price: EUR 500 Zustand: (3/2)Musical Automaton Clock, c. 1875Probably Xavier Tharin, with two-train movement no. 258, striking hours and halves on bell, silk-thread suspension, 3¾-inch (9 cm) enameled Roman dial in gilt bezel, ebonized case and hand-tinted glazed lithographed scene of a blacksmith’s shop with two figures hammering while a third operates the bellows, controlled by replacement two-air pull-string cylinder musical box, ht. 18 in. (45.5 cm), picture 5 ¼ x 6 ½ in. (13.5 x 16.5 cm), case refinished, back door bowed, rear panel replaced, good working condition, with later key. Watch and Listen on:Youtube.com/AuctionTeamBreker Start Price: EUR 500 Condition: (3/2)
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235346 item(s)/page