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An early 20th century German mahogany kingwood banded and marquetry inlaid display cabinet, the projecting cornice above three glazed doors enclosing three fitted shelves, above a central cupboard door enclosing eight pigskin lined cutlery trays and four drawers, flanked to each side by a cupboard door, on square tapered feet with gilt metal sabots
An 18th century Dutch marquetry and walnut display cabinet, on an associated chest of drawers base, the shaped domed top with central carved cartouche, above a single glazed and moulded door opening to reveal two shelves, above a base of bombe outline, with a rectangular serpentine moulded top over four long graduated drawers, raised on front carved claw and ball feet, 204cm high, 25cm deep, 98cm wide
An Art Nouveau mahogany and marquetry inlaid display cabinet, the broken arched pediment above a shelf and a bevelled rectangular mirror, flanked to each side by a marquetry panel, above a marquetry panelled cupboard door and an arched recess, flanked to each side by a lead lit glazed door enclosing two velvet lined shelves, on square legs with inverted mortar board feet, 202cm high, 129cm wide, 38.5cm deep
A George III mahogany bureau, the sloping fall enclosing an interior fitted with central cupboard door inlaid with a fan motif, enclosing a small drawer, flanked by eight pigeon holes and six further short drawers, above four long graduated drawers, with later brass handles, on shaped bracket feet, 94.5cm wide
Victorian rosewood drawing room cabinet, with pierced scroll crest over arched mirror and upper shelf above a shaped top with fretwork gallery, some losses, over central cupboard door flanked by reeded columns between corner shelved areas all on turned supports with brass and ceramic castors, 42in (106.7cm) wide
Fine Victorian inlaid burr walnut credenza, the shaped top with small upstand with brass beaded edge above central brass mounted door with central Wedgwood green jasperware panel of a classical maiden flanked by two carved and gilt highlighted columns between a pair of bowed glass corner doors on a brass mounted base section raised on ebonised turned feet, 60in (152.4cm) wide
A fine Devon automaton longcase clock, the eight day striking movement with a silvered dial, the open lunette depicting Adam and Eve in the Garden of Eden with paterae foliage engraved arc, the centre engraved with a view of Plymouth Ho with shipping inscribed John Buttall, Plymouth, the calendar arc with strawberry pointer, Rococo foliage to the corners, the mahogany case with arched hood, foliage carved and dentil architectural detachable pediment with brass finials and brass Corinthian capitals to reeded pillars, the trunk with an arched flame figured door and festoons of foliage to the angled corners, the veneered base on a plinth. 7 ft. 9 in. overall height.
A late 18th century oak longcase clock, the eight day five pillar movement with a strike later converted to a gong, arched brass and silvered dial with strike, silent regulator to the lunette, a subsidiary second dial and calendar inscribed "LUTON" and applied later name plates for David Field, cast gilt brass fret foliage corner spandrels, the glazed door hood with turned walnut side pillars, the trunk with an arched door, the base on a plinth. 6ft 6in. (198cm). .
A Dorset longcase clock, the 30hour movement with an outside counter wheel, striking on a bell, marked WH & Co no 19 the square 11in painted dial decorated a bird on a bough to the centre above a calendar aperture and inscribed Barrett Blandford, gilt roses to the corners, the hood with a glazed door, brass capped pillars and a swan neck pediment with turned wood finial, the trunk with a mahogany veneered panel above a rectangular door, the base on a shaped plinth, 6ft. 10in (2.08m).
A Modernist four-piece pine compact part bedroom suite, 1930s, of simple rectangular single door wardrobe with green painted detail to cornice and turned handle, 191cm high, 40cm wide, 50cm deep; four-drawer small chest; hinge-top dressing table/desk; and woven cane seated ladderback open arm chair, wear throughout.
A Victorian gilt metal mounted inlaid figured walnut credenza, with breakfront D-shaped top over foliate decorated frieze and central anthemion decorated arch panel door flanked by gilt corbel mounted pilasters and glazed curved-front corner display shelves, on plinth base with turned feet, 104cm high, 151cm wide, 39cm deep.
A late Victorian bamboo and Japanese black lacquer three-piece bedroom suite, of single mirror door wardrobe with woven cane baton applied fascia and single drawer to base, 193cm high, 92cm wide, 43cm deep; mirror back dressing chest with polychrome and gilt on black Oriental flowering foliage decorated top surface over two drawers to front, 91cm wide; and marble top washstand en suite, 94cm wide, (3).
A good late Victorian line inlaid rosewood display cabinet, the superstructure with dentil cornice over twin astragal glazed doors enclosing velvet lined interior, flanked by panel inlaid pilasters and three-tier curved-front corner shelves with panel backed recess and inverted baluster spiral twist supports beneath, the base with conforming single astragal glazed door flanked by three-tier open recesses and pilasters, on eight square section tapered supports with platform undertier and block feet, 215cm high, 141cm wide, 36cm deep.
A LONGCASE CLOCK by Thomas Milner, London, the eight day movement with arched brass dial, secondary dial and calendar aperture, in gilded and black lacquered chinoiserie case with garden scenes, figures, birds and flowers, moulded cornice on turned pilasters, arched door, panel base, on plinth, 89" high
A LONGCASE CLOCK by William Townly, Chepstow, the eight day movement with arched brass dial having painted moonphase, inscription over "High Water at Bristol Key", secondary dial and calendar aperture, in mahogany and crossbanded case, moulded cornice, fluted columns, arched door flanked by fluted pilasters, panel base on plinth, 83 1/2" high
A LONGCASE CLOCK by Michael Heaton, Bierley, the thirty hour movement with arched brass dial chased with scrolling foliage and with painted moonphase, secondary dial, in oak and crossbanded case with scrolled pediment on turned columns, arched door flanked by quarter columns, canted panel base and bracket feet, 85 1/2" high
A LONGCASE CLOCK by J Bell, Doncaster, the eight day movement with arched brass dial chased with scrolling foliage, in mahogany case crossbanded with stringing, scrolled pediment with brass finials and marquetry patera on fluted columns, canted trunk with arched door, shaped apron and splayed feet, 91" high
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235346 item(s)/page